Songs like Holes by Matt Berninger
Based on a tempo of (+/- 10%) and a similar genre
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The National
I Should Live in Salt
134 bpm • F Maj • 04:08 • -7.1db
54% Popularity • 52% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
54% Popularity • 52% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Honey Harper
Secret
134 bpm • A Maj • 04:26 • -9.09db
22% Popularity • 50% Danceability • 39% Energy • 17% Liveness
3% Instrumentalness • 23% Positiveness
22% Popularity • 50% Danceability • 39% Energy • 17% Liveness
3% Instrumentalness • 23% Positiveness
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Rufus Wainwright
Trouble In Paradise
135 bpm • A# Maj • 03:05 • -6.02db
24% Popularity • 48% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
24% Popularity • 48% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Great Lake Swimmers
Everything Is Moving So Fast
134 bpm • E Maj • 04:19 • -14db
42% Popularity • 66% Danceability • 51% Energy • 13% Liveness
1% Instrumentalness • 64% Positiveness
42% Popularity • 66% Danceability • 51% Energy • 13% Liveness
1% Instrumentalness • 64% Positiveness
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Mick Flannery
Baby Talk
135 bpm • F# min • 03:52 • -5.42db
35% Popularity • 45% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
35% Popularity • 45% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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This Is The Kit
This Is What You Did
135 bpm • G Maj • 03:12 • -9db
35% Popularity • 62% Danceability • 81% Energy • 10% Liveness
53% Instrumentalness • 43% Positiveness
35% Popularity • 62% Danceability • 81% Energy • 10% Liveness
53% Instrumentalness • 43% Positiveness
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The National
I Am Easy To Find
134 bpm • B Maj • 04:30 • -11db
44% Popularity • 48% Danceability • 37% Energy • 24% Liveness
45% Instrumentalness • 19% Positiveness
44% Popularity • 48% Danceability • 37% Energy • 24% Liveness
45% Instrumentalness • 19% Positiveness
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Joy Williams
Hush - Theme From Turn
135 bpm • C Maj • 03:17 • -10.71db
32% Popularity • 50% Danceability • 42% Energy • 13% Liveness
62% Instrumentalness • 28% Positiveness
32% Popularity • 50% Danceability • 42% Energy • 13% Liveness
62% Instrumentalness • 28% Positiveness
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Laura Veirs
Burn Too Bright
133 bpm • A min • 02:59 • -10db
11% Popularity • 53% Danceability • 67% Energy • 32% Liveness
23% Instrumentalness • 53% Positiveness
11% Popularity • 53% Danceability • 67% Energy • 32% Liveness
23% Instrumentalness • 53% Positiveness
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The Weather Station
Parking Lot
133 bpm • C Maj • 04:06 • -9.72db
32% Popularity • 70% Danceability • 52% Energy • 9% Liveness
42% Instrumentalness • 76% Positiveness
32% Popularity • 70% Danceability • 52% Energy • 9% Liveness
42% Instrumentalness • 76% Positiveness
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Frankie Lee
Speakeasy
135 bpm • E Maj • 05:20 • -9.15db
25% Popularity • 44% Danceability • 44% Energy • 36% Liveness
12% Instrumentalness • 24% Positiveness
25% Popularity • 44% Danceability • 44% Energy • 36% Liveness
12% Instrumentalness • 24% Positiveness
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Sandrayati
Song for Berta
135 bpm • F# Maj • 03:18 • -17db
37% Popularity • 50% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
37% Popularity • 50% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Mick Flannery
These Are the Days
135 bpm • G Maj • 03:54 • -11.31db
27% Popularity • 47% Danceability • 27% Energy • 19% Liveness
4% Instrumentalness • 16% Positiveness
27% Popularity • 47% Danceability • 27% Energy • 19% Liveness
4% Instrumentalness • 16% Positiveness
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Phosphorescent
At Death, A Proclamation (BBC Radio Perf...
133 bpm • G Maj • 02:33 • -9.62db
22% Popularity • 39% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
22% Popularity • 39% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Mina Tindle
Give a Little Love
132 bpm • D# Maj • 03:37 • -10.56db
23% Popularity • 56% Danceability • 26% Energy • 12% Liveness
2% Instrumentalness • 26% Positiveness
23% Popularity • 56% Danceability • 26% Energy • 12% Liveness
2% Instrumentalness • 26% Positiveness
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Ben Howard
What A Day
136 bpm • G Maj • 05:16 • -8.51db
36% Popularity • 68% Danceability • 47% Energy • 10% Liveness
12% Instrumentalness • 54% Positiveness
36% Popularity • 68% Danceability • 47% Energy • 10% Liveness
12% Instrumentalness • 54% Positiveness
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Vagabon
Reason to Believe
132 bpm • G Maj • 02:29 • -11db
30% Popularity • 56% Danceability • 14% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
30% Popularity • 56% Danceability • 14% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
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Finn Andrews
The Spirit In The Flame
136 bpm • F Maj • 03:49 • -13.58db
8% Popularity • 59% Danceability • 40% Energy • 11% Liveness
1% Instrumentalness • 40% Positiveness
8% Popularity • 59% Danceability • 40% Energy • 11% Liveness
1% Instrumentalness • 40% Positiveness
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Nick Cave
Cosmic Dancer
132 bpm • C Maj • 05:54 • -12.3db
44% Popularity • 36% Danceability • 40% Energy • 12% Liveness
2% Instrumentalness • 37% Positiveness
44% Popularity • 36% Danceability • 40% Energy • 12% Liveness
2% Instrumentalness • 37% Positiveness
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Phosphorescent
Wolves
131 bpm • C# Maj • 06:14 • -11.07db
47% Popularity • 33% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
47% Popularity • 33% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
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Laura Veirs
Turquoise Walls
131 bpm • D Maj • 02:39 • -11db
9% Popularity • 63% Danceability • 31% Energy • 24% Liveness
0% Instrumentalness • 50% Positiveness
9% Popularity • 63% Danceability • 31% Energy • 24% Liveness
0% Instrumentalness • 50% Positiveness
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Ben Howard
What A Day - Edit
136 bpm • G Maj • 04:17 • -9.03db
46% Popularity • 66% Danceability • 43% Energy • 9% Liveness
7% Instrumentalness • 59% Positiveness
46% Popularity • 66% Danceability • 43% Energy • 9% Liveness
7% Instrumentalness • 59% Positiveness
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The Weather Station
Tried to Tell You
131 bpm • C Maj • 03:38 • -8.77db
32% Popularity • 78% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
32% Popularity • 78% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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Ten Fé
Isn't Ever A Day
131 bpm • F# min • 04:44 • -6.35db
45% Popularity • 66% Danceability • 76% Energy • 31% Liveness
74% Instrumentalness • 76% Positiveness
45% Popularity • 66% Danceability • 76% Energy • 31% Liveness
74% Instrumentalness • 76% Positiveness
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The Wild Reeds
Be The Change
131 bpm • D Maj • 03:08 • -10db
31% Popularity • 47% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
31% Popularity • 47% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Bedouine
Nice and Quiet
131 bpm • C Maj • 03:51 • -15db
42% Popularity • 51% Danceability • 29% Energy • 10% Liveness
38% Instrumentalness • 44% Positiveness
42% Popularity • 51% Danceability • 29% Energy • 10% Liveness
38% Instrumentalness • 44% Positiveness
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![Lemon [Feat. Sharon Van Etten] cover art](https://i.scdn.co/image/ab67616d00001e027e03f3c0ed84e9db3e6e645b)
Local Natives
Lemon [Sharon Van Etten]
131 bpm • D# Maj • 03:17 • -8.74db
41% Popularity • 61% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
41% Popularity • 61% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Big Red Machine
Latter Days
130 bpm • C Maj • 03:38 • -10.08db
40% Popularity • 70% Danceability • 33% Energy • 10% Liveness
2% Instrumentalness • 23% Positiveness
40% Popularity • 70% Danceability • 33% Energy • 10% Liveness
2% Instrumentalness • 23% Positiveness
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Christian Lee Hutson
Northsiders
137 bpm • A Maj • 03:43 • -14.45db
37% Popularity • 44% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
37% Popularity • 44% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Nick Cave
Lavender Fields
138 bpm • A# Maj • 04:33 • -16.07db
35% Popularity • 16% Danceability • 18% Energy • 8% Liveness
46% Instrumentalness • 20% Positiveness
35% Popularity • 16% Danceability • 18% Energy • 8% Liveness
46% Instrumentalness • 20% Positiveness
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Matt Berninger
I'll See You In My Dreams
130 bpm • C Maj • 01:46 • -11db
25% Popularity • 51% Danceability • 28% Energy • 8% Liveness
2% Instrumentalness • 40% Positiveness
25% Popularity • 51% Danceability • 28% Energy • 8% Liveness
2% Instrumentalness • 40% Positiveness
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Bonny Light Horseman
The Roving
138 bpm • F Maj • 04:20 • -7.34db
40% Popularity • 54% Danceability • 45% Energy • 11% Liveness
2% Instrumentalness • 57% Positiveness
40% Popularity • 54% Danceability • 45% Energy • 11% Liveness
2% Instrumentalness • 57% Positiveness
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Damien Jurado
Ochoa
130 bpm • D min • 03:10 • -13db
12% Popularity • 39% Danceability • 16% Energy • 15% Liveness
65% Instrumentalness • 16% Positiveness
12% Popularity • 39% Danceability • 16% Energy • 15% Liveness
65% Instrumentalness • 16% Positiveness
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Big Red Machine
Phoenix
138 bpm • F Maj • 04:15 • -7db
52% Popularity • 48% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
52% Popularity • 48% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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The National
Oblivions
130 bpm • F# min • 04:13 • -8.85db
39% Popularity • 48% Danceability • 55% Energy • 11% Liveness
3% Instrumentalness • 16% Positiveness
39% Popularity • 48% Danceability • 55% Energy • 11% Liveness
3% Instrumentalness • 16% Positiveness
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The Boxer Rebellion
What the Fuck
138 bpm • B min • 04:23 • -13db
35% Popularity • 56% Danceability • 31% Energy • 9% Liveness
31% Instrumentalness • 16% Positiveness
35% Popularity • 56% Danceability • 31% Energy • 9% Liveness
31% Instrumentalness • 16% Positiveness
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Elbow
Weightless - elbowrooms
130 bpm • C Maj • 03:52 • -8.32db
23% Popularity • 51% Danceability • 53% Energy • 34% Liveness
15% Instrumentalness • 21% Positiveness
23% Popularity • 51% Danceability • 53% Energy • 34% Liveness
15% Instrumentalness • 21% Positiveness
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Bess Atwell
Cherry Baby
138 bpm • F# min • 05:26 • -13.36db
30% Popularity • 58% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
30% Popularity • 58% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Hayden Thorpe
Love Crimes
130 bpm • E Maj • 03:55 • -13.57db
31% Popularity • 59% Danceability • 43% Energy • 14% Liveness
18% Instrumentalness • 16% Positiveness
31% Popularity • 59% Danceability • 43% Energy • 14% Liveness
18% Instrumentalness • 16% Positiveness
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Angie McMahon
Total Eclipse of the Heart
130 bpm • G Maj • 05:18 • -13.65db
35% Popularity • 70% Danceability • 26% Energy • 10% Liveness
55% Instrumentalness • 28% Positiveness
35% Popularity • 70% Danceability • 26% Energy • 10% Liveness
55% Instrumentalness • 28% Positiveness
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Matt Berninger
I’m Waiting For The Man
130 bpm • G Maj • 03:44 • -7.1db
23% Popularity • 77% Danceability • 64% Energy • 10% Liveness
66% Instrumentalness • 73% Positiveness
23% Popularity • 77% Danceability • 64% Energy • 10% Liveness
66% Instrumentalness • 73% Positiveness
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CALIFORNIA GOLD
Stand Close
130 bpm • C Maj • 04:00 • -6.86db
31% Popularity • 50% Danceability • 45% Energy • 4% Liveness
1% Instrumentalness • 10% Positiveness
31% Popularity • 50% Danceability • 45% Energy • 4% Liveness
1% Instrumentalness • 10% Positiveness
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Bell X1
The Upswing
139 bpm • A Maj • 04:59 • -11.85db
38% Popularity • 62% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
38% Popularity • 62% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Future Islands
Moonlight
130 bpm • C Maj • 03:38 • -12.55db
46% Popularity • 72% Danceability • 56% Energy • 14% Liveness
81% Instrumentalness • 68% Positiveness
46% Popularity • 72% Danceability • 56% Energy • 14% Liveness
81% Instrumentalness • 68% Positiveness
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The Killers
Runaway Horses - Abridged
129 bpm • A Maj • 03:24 • -15db
44% Popularity • 50% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
44% Popularity • 50% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Finn Andrews
My Lotus Flower & Me
139 bpm • D Maj • 03:41 • -12.91db
2% Popularity • 41% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
2% Popularity • 41% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Cassandra Jenkins
Michelangelo
139 bpm • G Maj • 03:29 • -10.23db
32% Popularity • 56% Danceability • 37% Energy • 18% Liveness
68% Instrumentalness • 54% Positiveness
32% Popularity • 56% Danceability • 37% Energy • 18% Liveness
68% Instrumentalness • 54% Positiveness
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The Leisure Society
Overheard
139 bpm • G Maj • 04:22 • -11.4db
20% Popularity • 52% Danceability • 57% Energy • 9% Liveness
35% Instrumentalness • 58% Positiveness
20% Popularity • 52% Danceability • 57% Energy • 9% Liveness
35% Instrumentalness • 58% Positiveness
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Christian Lee Hutson
Talk
129 bpm • E Maj • 02:57 • -8.22db
27% Popularity • 77% Danceability • 35% Energy • 11% Liveness
1% Instrumentalness • 81% Positiveness
27% Popularity • 77% Danceability • 35% Energy • 11% Liveness
1% Instrumentalness • 81% Positiveness
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This Is The Kit
Was Magician
139 bpm • C min • 04:26 • -11.96db
30% Popularity • 66% Danceability • 28% Energy • 12% Liveness
4% Instrumentalness • 28% Positiveness
30% Popularity • 66% Danceability • 28% Energy • 12% Liveness
4% Instrumentalness • 28% Positiveness
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The Colorist Orchestra
Sweet Pretender
139 bpm • E Maj • 04:40 • -12.34db
7% Popularity • 42% Danceability • 48% Energy • 28% Liveness
7% Instrumentalness • 11% Positiveness
7% Popularity • 42% Danceability • 48% Energy • 28% Liveness
7% Instrumentalness • 11% Positiveness
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Luke Sital-Singh
Silhouette
140 bpm • F Maj • 03:56 • -7.26db
13% Popularity • 57% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
13% Popularity • 57% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Finn Andrews
One Piece At A Time
140 bpm • F Maj • 02:55 • -21.48db
5% Popularity • 37% Danceability • 14% Energy • 13% Liveness
3% Instrumentalness • 41% Positiveness
5% Popularity • 37% Danceability • 14% Energy • 13% Liveness
3% Instrumentalness • 41% Positiveness
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Bear's Den
Isaac - Fragments
140 bpm • B Maj • 03:51 • -17.23db
24% Popularity • 45% Danceability • 30% Energy • 13% Liveness
72% Instrumentalness • 33% Positiveness
24% Popularity • 45% Danceability • 30% Energy • 13% Liveness
72% Instrumentalness • 33% Positiveness
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Mick Flannery
Trouble
140 bpm • D min • 03:22 • -7.26db
27% Popularity • 41% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
27% Popularity • 41% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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Kevin Morby
US Mail
140 bpm • G Maj • 04:44 • -13.13db
14% Popularity • 64% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
14% Popularity • 64% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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The War On Drugs
Harmonia's Dream
140 bpm • D Maj • 06:26 • -5.07db
51% Popularity • 52% Danceability • 87% Energy • 6% Liveness
24% Instrumentalness • 49% Positiveness
51% Popularity • 52% Danceability • 87% Energy • 6% Liveness
24% Instrumentalness • 49% Positiveness
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The Leisure Society
God Has Taken A Vacation
140 bpm • E Maj • 02:39 • -10.44db
33% Popularity • 58% Danceability • 48% Energy • 12% Liveness
27% Instrumentalness • 67% Positiveness
33% Popularity • 58% Danceability • 48% Energy • 12% Liveness
27% Instrumentalness • 67% Positiveness
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The National
This is the Last Time
140 bpm • C min • 04:43 • -10db
53% Popularity • 50% Danceability • 50% Energy • 9% Liveness
37% Instrumentalness • 13% Positiveness
53% Popularity • 50% Danceability • 50% Energy • 9% Liveness
37% Instrumentalness • 13% Positiveness
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Gang of Youths
Do Not Let Your Spirit Wane
128 bpm • D Maj • 07:33 • -6.94db
45% Popularity • 55% Danceability • 64% Energy • 12% Liveness
55% Instrumentalness • 28% Positiveness
45% Popularity • 55% Danceability • 64% Energy • 12% Liveness
55% Instrumentalness • 28% Positiveness
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Mick Flannery
You Don't Know Me
140 bpm • B min • 03:40 • -13.82db
17% Popularity • 32% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
17% Popularity • 32% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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Clap Your Hands Say Yeah
Mirror Song
140 bpm • C Maj • 04:32 • -6.14db
15% Popularity • 53% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
15% Popularity • 53% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
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Nadia Reid
Other Side Of The Wheel
128 bpm • A Maj • 04:00 • -10.11db
11% Popularity • 63% Danceability • 59% Energy • 12% Liveness
22% Instrumentalness • 64% Positiveness
11% Popularity • 63% Danceability • 59% Energy • 12% Liveness
22% Instrumentalness • 64% Positiveness
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Sharon Van Etten
Peace Signs
128 bpm • D Maj • 02:53 • -6.58db
33% Popularity • 57% Danceability • 88% Energy • 8% Liveness
21% Instrumentalness • 58% Positiveness
33% Popularity • 57% Danceability • 88% Energy • 8% Liveness
21% Instrumentalness • 58% Positiveness
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Dan Auerbach
When The Night Comes
128 bpm • D# Maj • 04:11 • -14.28db
36% Popularity • 42% Danceability • 32% Energy • 11% Liveness
3% Instrumentalness • 37% Positiveness
36% Popularity • 42% Danceability • 32% Energy • 11% Liveness
3% Instrumentalness • 37% Positiveness
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Frazey Ford
U kin B the Sun
128 bpm • B Maj • 05:31 • -10db
26% Popularity • 70% Danceability • 43% Energy • 10% Liveness
78% Instrumentalness • 52% Positiveness
26% Popularity • 70% Danceability • 43% Energy • 10% Liveness
78% Instrumentalness • 52% Positiveness
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Bright Eyes
Persona Non Grata
141 bpm • D Maj • 03:32 • -7.3db
36% Popularity • 51% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
36% Popularity • 51% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Bear's Den
When You Break - Fragments
141 bpm • E min • 04:52 • -12.03db
22% Popularity • 53% Danceability • 34% Energy • 10% Liveness
32% Instrumentalness • 31% Positiveness
22% Popularity • 53% Danceability • 34% Energy • 10% Liveness
32% Instrumentalness • 31% Positiveness
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Laura Veirs
Freedom Feeling
141 bpm • G# Maj • 03:19 • -12.62db
15% Popularity • 42% Danceability • 26% Energy • 11% Liveness
31% Instrumentalness • 19% Positiveness
15% Popularity • 42% Danceability • 26% Energy • 11% Liveness
31% Instrumentalness • 19% Positiveness
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Sharon Van Etten
Remembering Mountains
128 bpm • C Maj • 03:36 • -11.74db
28% Popularity • 42% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 11% Positiveness
28% Popularity • 42% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 11% Positiveness
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Better Oblivion Community Center
Didn't Know What I Was In For
141 bpm • D Maj • 04:03 • -11db
47% Popularity • 45% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
47% Popularity • 45% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Frazey Ford
Let's Start Again
128 bpm • B Maj • 03:50 • -11.22db
31% Popularity • 77% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
31% Popularity • 77% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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Local Natives
More Than This
127 bpm • F# Maj • 03:31 • -8.88db
37% Popularity • 68% Danceability • 59% Energy • 10% Liveness
16% Instrumentalness • 63% Positiveness
37% Popularity • 68% Danceability • 59% Energy • 10% Liveness
16% Instrumentalness • 63% Positiveness
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The Bony King of Nowhere
Silent Days
126 bpm • A# Maj • 04:27 • -12.14db
37% Popularity • 59% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
37% Popularity • 59% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Matt Berninger
The End
142 bpm • C min • 04:26 • -6.59db
22% Popularity • 52% Danceability • 63% Energy • 14% Liveness
9% Instrumentalness • 47% Positiveness
22% Popularity • 52% Danceability • 63% Energy • 14% Liveness
9% Instrumentalness • 47% Positiveness
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Sharon Van Etten
Seventeen
127 bpm • F Maj • 04:25 • -7db
60% Popularity • 54% Danceability • 77% Energy • 7% Liveness
26% Instrumentalness • 25% Positiveness
60% Popularity • 54% Danceability • 77% Energy • 7% Liveness
26% Instrumentalness • 25% Positiveness
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Ryan Adams
Dreaming You Backwards
142 bpm • F# Maj • 03:04 • -10.21db
16% Popularity • 58% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
16% Popularity • 58% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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The Weather Station
Heart
126 bpm • C Maj • 03:47 • -10.61db
18% Popularity • 68% Danceability • 71% Energy • 36% Liveness
8% Instrumentalness • 32% Positiveness
18% Popularity • 68% Danceability • 71% Energy • 36% Liveness
8% Instrumentalness • 32% Positiveness
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The National
I Need My Girl
126 bpm • C min • 04:05 • -11.51db
65% Popularity • 52% Danceability • 44% Energy • 12% Liveness
7% Instrumentalness • 11% Positiveness
65% Popularity • 52% Danceability • 44% Energy • 12% Liveness
7% Instrumentalness • 11% Positiveness
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Michael Stipe
No Time For Love Like Now
126 bpm • F min • 04:20 • -6db
34% Popularity • 70% Danceability • 58% Energy • 10% Liveness
3% Instrumentalness • 53% Positiveness
34% Popularity • 70% Danceability • 58% Energy • 10% Liveness
3% Instrumentalness • 53% Positiveness
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Herman Düne
Say You Love Me Too
143 bpm • A# Maj • 04:41 • -7.74db
11% Popularity • 56% Danceability • 67% Energy • 41% Liveness
0% Instrumentalness • 62% Positiveness
11% Popularity • 56% Danceability • 67% Energy • 41% Liveness
0% Instrumentalness • 62% Positiveness
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Michael Kiwanuka
I've Been Dazed
126 bpm • A Maj • 04:25 • -7.79db
46% Popularity • 44% Danceability • 66% Energy • 14% Liveness
40% Instrumentalness • 38% Positiveness
46% Popularity • 44% Danceability • 66% Energy • 14% Liveness
40% Instrumentalness • 38% Positiveness
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Flyte
Everyone's A Winner
143 bpm • A Maj • 03:29 • -9.15db
47% Popularity • 59% Danceability • 36% Energy • 15% Liveness
1% Instrumentalness • 51% Positiveness
47% Popularity • 59% Danceability • 36% Energy • 15% Liveness
1% Instrumentalness • 51% Positiveness
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Phosphorescent
I'm a Mess
143 bpm • G Maj • 02:59 • -10.85db
30% Popularity • 51% Danceability • 45% Energy • 13% Liveness
69% Instrumentalness • 37% Positiveness
30% Popularity • 51% Danceability • 45% Energy • 13% Liveness
69% Instrumentalness • 37% Positiveness
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Fenne Lily
Berlin
143 bpm • G# Maj • 03:39 • -9.88db
40% Popularity • 52% Danceability • 36% Energy • 12% Liveness
82% Instrumentalness • 29% Positiveness
40% Popularity • 52% Danceability • 36% Energy • 12% Liveness
82% Instrumentalness • 29% Positiveness
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Widowspeak
The One I Love
125 bpm • D Maj • 03:15 • -11.96db
30% Popularity • 49% Danceability • 41% Energy • 12% Liveness
29% Instrumentalness • 41% Positiveness
30% Popularity • 49% Danceability • 41% Energy • 12% Liveness
29% Instrumentalness • 41% Positiveness
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The Weather Station
Atlantic
125 bpm • C Maj • 03:53 • -9.57db
25% Popularity • 62% Danceability • 60% Energy • 11% Liveness
41% Instrumentalness • 46% Positiveness
25% Popularity • 62% Danceability • 60% Energy • 11% Liveness
41% Instrumentalness • 46% Positiveness
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The National
Light Years
125 bpm • E Maj • 03:33 • -11.67db
60% Popularity • 54% Danceability • 32% Energy • 10% Liveness
67% Instrumentalness • 18% Positiveness
60% Popularity • 54% Danceability • 32% Energy • 10% Liveness
67% Instrumentalness • 18% Positiveness
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King Creosote
Melin Wynt
144 bpm • D# Maj • 05:16 • -9.35db
35% Popularity • 45% Danceability • 66% Energy • 16% Liveness
67% Instrumentalness • 47% Positiveness
35% Popularity • 45% Danceability • 66% Energy • 16% Liveness
67% Instrumentalness • 47% Positiveness
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Matt Berninger
European Son
144 bpm • D Maj • 05:26 • -8.27db
23% Popularity • 53% Danceability • 61% Energy • 19% Liveness
13% Instrumentalness • 50% Positiveness
23% Popularity • 53% Danceability • 61% Energy • 19% Liveness
13% Instrumentalness • 50% Positiveness
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Wilco
Love Is Everywhere (Beware)
144 bpm • G Maj • 03:33 • -9.44db
52% Popularity • 31% Danceability • 52% Energy • 10% Liveness
45% Instrumentalness • 51% Positiveness
52% Popularity • 31% Danceability • 52% Energy • 10% Liveness
45% Instrumentalness • 51% Positiveness
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Adia Victoria
South For The Winter
124 bpm • A# Maj • 03:15 • -12.45db
23% Popularity • 59% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
23% Popularity • 59% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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The Weather Station
Better Now
144 bpm • G Maj • 02:53 • -9.08db
24% Popularity • 47% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
24% Popularity • 47% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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The National
Rylan
144 bpm • B Maj • 03:43 • -5.57db
47% Popularity • 61% Danceability • 79% Energy • 4% Liveness
8% Instrumentalness • 72% Positiveness
47% Popularity • 61% Danceability • 79% Energy • 4% Liveness
8% Instrumentalness • 72% Positiveness
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The War On Drugs
Change
124 bpm • A# Maj • 06:04 • -7db
49% Popularity • 60% Danceability • 73% Energy • 37% Liveness
25% Instrumentalness • 64% Positiveness
49% Popularity • 60% Danceability • 73% Energy • 37% Liveness
25% Instrumentalness • 64% Positiveness
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Beirut
Fisher Island Sound
124 bpm • G Maj • 02:44 • -7.75db
51% Popularity • 56% Danceability • 74% Energy • 10% Liveness
42% Instrumentalness • 15% Positiveness
51% Popularity • 56% Danceability • 74% Energy • 10% Liveness
42% Instrumentalness • 15% Positiveness
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Father John Misty
Main Man
124 bpm • C Maj • 03:22 • -7.51db
27% Popularity • 72% Danceability • 58% Energy • 17% Liveness
0% Instrumentalness • 51% Positiveness
27% Popularity • 72% Danceability • 58% Energy • 17% Liveness
0% Instrumentalness • 51% Positiveness
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Phoebe Bridgers
Kyoto - Spotify Singles
124 bpm • B Maj • 03:30 • -11.27db
42% Popularity • 36% Danceability • 27% Energy • 35% Liveness
6% Instrumentalness • 33% Positiveness
42% Popularity • 36% Danceability • 27% Energy • 35% Liveness
6% Instrumentalness • 33% Positiveness
