Songs like Holiya Mein Ude Re Gulal by Maati Baani
Based on a tempo of (+/- 10%) and a similar genre
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Maati Baani
Jao Piya
135 bpm • F min • 04:10 • -6.81db
4% Popularity • 79% Danceability • 64% Energy • 19% Liveness
9% Instrumentalness • 91% Positiveness
4% Popularity • 79% Danceability • 64% Energy • 19% Liveness
9% Instrumentalness • 91% Positiveness
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D. Imman
Othapana Kaatteri
135 bpm • C min • 03:34 • -6db
31% Popularity • 79% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 96% Positiveness
31% Popularity • 79% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 96% Positiveness
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Sharath (Mousike Freakzz)
Kaarmegam Album Song
135 bpm • G# min • 01:25 • -5.98db
41% Popularity • 54% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
41% Popularity • 54% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
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Berklee Indian Ensemble
Dua
135 bpm • F min • 05:04 • -7.76db
11% Popularity • 45% Danceability • 49% Energy • 22% Liveness
0% Instrumentalness • 18% Positiveness
11% Popularity • 45% Danceability • 49% Energy • 22% Liveness
0% Instrumentalness • 18% Positiveness
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Megha Harini
Yaara Ve
136 bpm • G min • 03:25 • -10.01db
14% Popularity • 70% Danceability • 62% Energy • 27% Liveness
0% Instrumentalness • 85% Positiveness
14% Popularity • 70% Danceability • 62% Energy • 27% Liveness
0% Instrumentalness • 85% Positiveness
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Langas And Manganiars
Banro
136 bpm • G Maj • 07:35 • -9.92db
16% Popularity • 46% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
16% Popularity • 46% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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Maati Baani
Jao Piya
135 bpm • F min • 06:10 • -10db
15% Popularity • 55% Danceability • 55% Energy • 10% Liveness
2% Instrumentalness • 86% Positiveness
15% Popularity • 55% Danceability • 55% Energy • 10% Liveness
2% Instrumentalness • 86% Positiveness
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Arivu
Who Am I ?
136 bpm • B Maj • 04:03 • -8.93db
49% Popularity • 69% Danceability • 75% Energy • 57% Liveness
54% Instrumentalness • 92% Positiveness
49% Popularity • 69% Danceability • 75% Energy • 57% Liveness
54% Instrumentalness • 92% Positiveness
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Swarathma
Raah E Fakira
136 bpm • F# Maj • 04:20 • -6.61db
17% Popularity • 57% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
17% Popularity • 57% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Alaa Wardi
Ela Mata
136 bpm • C Maj • 05:07 • -10.96db
6% Popularity • 57% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
6% Popularity • 57% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
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Anthony Daasan
Kingini Kingini
134 bpm • E min • 03:34 • -5db
11% Popularity • 46% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
11% Popularity • 46% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
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Peter Hollens
Jai Ho
137 bpm • A min • 04:19 • -8.46db
17% Popularity • 67% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
17% Popularity • 67% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
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Maati Baani
Holiya Mein Ude Re Gulal
135 bpm • A# Maj • 03:35 • -6.78db
41% Popularity • 76% Danceability • 77% Energy • 21% Liveness
0% Instrumentalness • 66% Positiveness
41% Popularity • 76% Danceability • 77% Energy • 21% Liveness
0% Instrumentalness • 66% Positiveness
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Keethan
Vizhi
136 bpm • C# Maj • 04:42 • -9.34db
34% Popularity • 44% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
34% Popularity • 44% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
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Karthick Iyer
Seetha Kalyanam
138 bpm • D Maj • 03:19 • -14db
15% Popularity • 31% Danceability • 9% Energy • 32% Liveness
3% Instrumentalness • 31% Positiveness
15% Popularity • 31% Danceability • 9% Energy • 32% Liveness
3% Instrumentalness • 31% Positiveness
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Aabha Hanjura
Madan O Pard Royas
138 bpm • F# Maj • 02:52 • -5.12db
14% Popularity • 59% Danceability • 73% Energy • 32% Liveness
0% Instrumentalness • 49% Positiveness
14% Popularity • 59% Danceability • 73% Energy • 32% Liveness
0% Instrumentalness • 49% Positiveness
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Harris Jayaraj
Venaam Machan
138 bpm • C Maj • 05:14 • -6.26db
53% Popularity • 83% Danceability • 64% Energy • 34% Liveness
0% Instrumentalness • 71% Positiveness
53% Popularity • 83% Danceability • 64% Energy • 34% Liveness
0% Instrumentalness • 71% Positiveness
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Meesha Shafi
Boom Boom
132 bpm • A min • 05:32 • -8.54db
30% Popularity • 61% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
30% Popularity • 61% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
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Maati Baani
Saawan
132 bpm • G Maj • 03:28 • -8.53db
7% Popularity • 55% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
7% Popularity • 55% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Indosoul by Karthick Iyer
Thunbam Nergayil
138 bpm • D Maj • 03:42 • -10.78db
9% Popularity • 53% Danceability • 52% Energy • 38% Liveness
1% Instrumentalness • 37% Positiveness
9% Popularity • 53% Danceability • 52% Energy • 38% Liveness
1% Instrumentalness • 37% Positiveness
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Ashwin Vinayagamoorthy
Pudavai Nilave
132 bpm • A# min • 03:35 • -8.74db
19% Popularity • 73% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
19% Popularity • 73% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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Mahesh Raghvan
Pibare Rama Rasam
139 bpm • E Maj • 04:11 • -8.14db
36% Popularity • 36% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
36% Popularity • 36% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Harris Jayaraj
Idhayathai Yedho Ondru
132 bpm • E Maj • 03:55 • -8.06db
59% Popularity • 72% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
59% Popularity • 72% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Anirudh Ravichander
Kadhal Kan Kattudhe
140 bpm • D min • 04:16 • -5.63db
54% Popularity • 62% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
54% Popularity • 62% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
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Vinod Krishnan
Kaalai Pozhudhil
140 bpm • F Maj • 05:48 • -7db
12% Popularity • 57% Danceability • 73% Energy • 30% Liveness
0% Instrumentalness • 30% Positiveness
12% Popularity • 57% Danceability • 73% Energy • 30% Liveness
0% Instrumentalness • 30% Positiveness
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Maati Baani
Dhoom
140 bpm • F Maj • 05:03 • -8.21db
2% Popularity • 65% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
2% Popularity • 65% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Siddharth Vipin
Chella Kutty
140 bpm • A min • 04:17 • -7.25db
27% Popularity • 52% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
27% Popularity • 52% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
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Mahesh Raghvan
Dwijavanthi - Episode 3
131 bpm • C# min • 03:57 • -8.37db
12% Popularity • 70% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
12% Popularity • 70% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Shweta Pandit
I Will Never Let You Go
140 bpm • D# Maj • 04:34 • -5.92db
23% Popularity • 69% Danceability • 63% Energy • 29% Liveness
0% Instrumentalness • 16% Positiveness
23% Popularity • 69% Danceability • 63% Energy • 29% Liveness
0% Instrumentalness • 16% Positiveness
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Anand Bhaskar Collective
Radhe
140 bpm • E min • 06:12 • -3.87db
23% Popularity • 44% Danceability • 83% Energy • 20% Liveness
0% Instrumentalness • 31% Positiveness
23% Popularity • 44% Danceability • 83% Energy • 20% Liveness
0% Instrumentalness • 31% Positiveness
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Shakthisree Gopalan
Azhagaana Aadavaa
140 bpm • C# Maj • 03:53 • -10.53db
19% Popularity • 65% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
19% Popularity • 65% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Alaa Wardi
Ye5lef
140 bpm • G Maj • 04:11 • -12.68db
2% Popularity • 36% Danceability • 20% Energy • 10% Liveness
3% Instrumentalness • 17% Positiveness
2% Popularity • 36% Danceability • 20% Energy • 10% Liveness
3% Instrumentalness • 17% Positiveness
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Yuvan Shankar Raja
Pesadhe
140 bpm • F min • 04:43 • -6.86db
38% Popularity • 70% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
38% Popularity • 70% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Mahesh Raghvan
Govardhana Giridhara
140 bpm • E min • 03:41 • -8.19db
28% Popularity • 53% Danceability • 69% Energy • 25% Liveness
0% Instrumentalness • 27% Positiveness
28% Popularity • 53% Danceability • 69% Energy • 25% Liveness
0% Instrumentalness • 27% Positiveness
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Javed Bashir
Naina Moray
140 bpm • D# min • 09:51 • -7.55db
39% Popularity • 60% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
39% Popularity • 60% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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A H Kaashif
Aalathey
140 bpm • G# Maj • 03:42 • -6.22db
35% Popularity • 76% Danceability • 70% Energy • 4% Liveness
0% Instrumentalness • 73% Positiveness
35% Popularity • 76% Danceability • 70% Energy • 4% Liveness
0% Instrumentalness • 73% Positiveness
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Indosoul by Karthick Iyer
Prelude in Bilahari
140 bpm • D Maj • 05:10 • -10.15db
16% Popularity • 36% Danceability • 28% Energy • 10% Liveness
1% Instrumentalness • 54% Positiveness
16% Popularity • 36% Danceability • 28% Energy • 10% Liveness
1% Instrumentalness • 54% Positiveness
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N.R. Raghunanthan
Yaro Yaro
140 bpm • D Maj • 05:05 • -8.85db
14% Popularity • 80% Danceability • 50% Energy • 19% Liveness
0% Instrumentalness • 88% Positiveness
14% Popularity • 80% Danceability • 50% Energy • 19% Liveness
0% Instrumentalness • 88% Positiveness
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Pamela Jain
Halaji Tar Hath Vakhanu
140 bpm • D Maj • 02:11 • -4.68db
46% Popularity • 62% Danceability • 97% Energy • 30% Liveness
0% Instrumentalness • 46% Positiveness
46% Popularity • 62% Danceability • 97% Energy • 30% Liveness
0% Instrumentalness • 46% Positiveness
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A.R. Rahman
Singappenney
140 bpm • A Maj • 06:04 • -9.6db
35% Popularity • 74% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
35% Popularity • 74% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Johan Anthony
Vaazhkaiyae Ippa Bodhai
140 bpm • G min • 03:46 • -6.14db
15% Popularity • 88% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
15% Popularity • 88% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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Aditya Balani
Naina
140 bpm • B min • 06:55 • -10.29db
9% Popularity • 44% Danceability • 49% Energy • 12% Liveness
1% Instrumentalness • 35% Positiveness
9% Popularity • 44% Danceability • 49% Energy • 12% Liveness
1% Instrumentalness • 35% Positiveness
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Anand Bhaskar Collective
Hey Ram
140 bpm • F min • 06:43 • -4.26db
22% Popularity • 42% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
22% Popularity • 42% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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Ben Samuel
Melana Kiruba
140 bpm • F min • 04:53 • -6.04db
23% Popularity • 69% Danceability • 90% Energy • 55% Liveness
0% Instrumentalness • 87% Positiveness
23% Popularity • 69% Danceability • 90% Energy • 55% Liveness
0% Instrumentalness • 87% Positiveness
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Alaa Wardi
6ofoletna 3aysheen
130 bpm • F# min • 04:49 • -17.33db
3% Popularity • 36% Danceability • 16% Energy • 8% Liveness
30% Instrumentalness • 12% Positiveness
3% Popularity • 36% Danceability • 16% Energy • 8% Liveness
30% Instrumentalness • 12% Positiveness
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Bageshree Vaze
Tarana
140 bpm • D Maj • 07:58 • -7.24db
16% Popularity • 64% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
16% Popularity • 64% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Shakir Khan
Bairan
140 bpm • C# min • 05:01 • -11.25db
18% Popularity • 59% Danceability • 45% Energy • 8% Liveness
2% Instrumentalness • 18% Positiveness
18% Popularity • 59% Danceability • 45% Energy • 8% Liveness
2% Instrumentalness • 18% Positiveness
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Anirudh Ravichander
Pathala Pathala
130 bpm • C Maj • 03:31 • -5.61db
67% Popularity • 83% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
67% Popularity • 83% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
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C. Sathya
Ayyo Paavam
130 bpm • C Maj • 04:00 • -4.49db
25% Popularity • 74% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
25% Popularity • 74% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
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Amrish
Hara Hara Mahadevaki
130 bpm • G min • 04:47 • -6db
27% Popularity • 86% Danceability • 97% Energy • 6% Liveness
0% Instrumentalness • 46% Positiveness
27% Popularity • 86% Danceability • 97% Energy • 6% Liveness
0% Instrumentalness • 46% Positiveness
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Formidable Vegetable
I Love Carrots
130 bpm • G Maj • 02:33 • -6.54db
10% Popularity • 72% Danceability • 72% Energy • 4% Liveness
0% Instrumentalness • 79% Positiveness
10% Popularity • 72% Danceability • 72% Energy • 4% Liveness
0% Instrumentalness • 79% Positiveness
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Jesus Redeems Ministries
Kaathiduvaar
130 bpm • F Maj • 06:29 • -6.16db
14% Popularity • 76% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
14% Popularity • 76% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Ashwath
Kannadi Kadhal
130 bpm • A min • 03:16 • -8.45db
36% Popularity • 66% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
36% Popularity • 66% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Anirudh Ravichander
Lowvana Life-u
130 bpm • C# Maj • 04:35 • -4.92db
22% Popularity • 68% Danceability • 85% Energy • 20% Liveness
0% Instrumentalness • 51% Positiveness
22% Popularity • 68% Danceability • 85% Energy • 20% Liveness
0% Instrumentalness • 51% Positiveness
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Alaa Wardi
Sha3ri Yot3eboni
140 bpm • F# min • 02:05 • -9.38db
4% Popularity • 57% Danceability • 46% Energy • 56% Liveness
0% Instrumentalness • 40% Positiveness
4% Popularity • 57% Danceability • 46% Energy • 56% Liveness
0% Instrumentalness • 40% Positiveness
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Sriram Parthasarathy
Kaarkuzhal Kadavaiye
130 bpm • E min • 05:12 • -11.24db
50% Popularity • 70% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
50% Popularity • 70% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Indosoul by Karthick Iyer
At the Theatres
130 bpm • D Maj • 05:35 • -10.74db
12% Popularity • 60% Danceability • 35% Energy • 15% Liveness
0% Instrumentalness • 13% Positiveness
12% Popularity • 60% Danceability • 35% Energy • 15% Liveness
0% Instrumentalness • 13% Positiveness
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Jinith Sajeevan
Ethetho Kanaa Kaalam
130 bpm • B Maj • 04:13 • -10.03db
13% Popularity • 58% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
13% Popularity • 58% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Linsey Pollak
Devetka
141 bpm • F Maj • 03:49 • -7.75db
0% Popularity • 67% Danceability • 70% Energy • 8% Liveness
91% Instrumentalness • 81% Positiveness
0% Popularity • 67% Danceability • 70% Energy • 8% Liveness
91% Instrumentalness • 81% Positiveness
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Thaman S
The Final Kiss
129 bpm • D# min • 03:10 • -8.83db
19% Popularity • 65% Danceability • 43% Energy • 9% Liveness
2% Instrumentalness • 30% Positiveness
19% Popularity • 65% Danceability • 43% Energy • 9% Liveness
2% Instrumentalness • 30% Positiveness
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Haricharan
Kannadi Poovukku
141 bpm • F# Maj • 03:59 • -7.14db
56% Popularity • 38% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 36% Positiveness
56% Popularity • 38% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 36% Positiveness
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Amaan Ali Bangash
Temple of Love
129 bpm • F# Maj • 07:49 • -8.15db
18% Popularity • 38% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
18% Popularity • 38% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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Iraj
Visey Kurutta
129 bpm • G min • 04:44 • -8.67db
14% Popularity • 59% Danceability • 80% Energy • 81% Liveness
0% Instrumentalness • 63% Positiveness
14% Popularity • 59% Danceability • 80% Energy • 81% Liveness
0% Instrumentalness • 63% Positiveness
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Vivek - Mervin
Oh My God - Tamil
142 bpm • G# Maj • 03:42 • -3.27db
28% Popularity • 72% Danceability • 85% Energy • 60% Liveness
0% Instrumentalness • 55% Positiveness
28% Popularity • 72% Danceability • 85% Energy • 60% Liveness
0% Instrumentalness • 55% Positiveness
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Linsey Pollak
Zletovsko Oro
141 bpm • E min • 03:38 • -9.18db
0% Popularity • 68% Danceability • 52% Energy • 31% Liveness
99% Instrumentalness • 87% Positiveness
0% Popularity • 68% Danceability • 52% Energy • 31% Liveness
99% Instrumentalness • 87% Positiveness
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Indosoul by Karthick Iyer
Kuyilai Polave
142 bpm • D# Maj • 04:40 • -8.67db
15% Popularity • 59% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
15% Popularity • 59% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
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Devi Sri Prasad
Kaalangathale
142 bpm • E Maj • 05:12 • -4.12db
32% Popularity • 78% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
32% Popularity • 78% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
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Thaman S
Osthe Maamey
142 bpm • F# min • 03:53 • -8.66db
50% Popularity • 72% Danceability • 72% Energy • 32% Liveness
14% Instrumentalness • 80% Positiveness
50% Popularity • 72% Danceability • 72% Energy • 32% Liveness
14% Instrumentalness • 80% Positiveness
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Sean Roldan
Podhum Nee Ini Varundhadhe
128 bpm • D min • 04:31 • -6.19db
13% Popularity • 81% Danceability • 62% Energy • 26% Liveness
0% Instrumentalness • 79% Positiveness
13% Popularity • 81% Danceability • 62% Energy • 26% Liveness
0% Instrumentalness • 79% Positiveness
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Sajjad Ali
Ravi
128 bpm • G# Maj • 03:49 • -6.82db
50% Popularity • 71% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
50% Popularity • 71% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Amit Trivedi
Inshallah
128 bpm • A# min • 03:20 • -7.49db
22% Popularity • 92% Danceability • 63% Energy • 14% Liveness
3% Instrumentalness • 94% Positiveness
22% Popularity • 92% Danceability • 63% Energy • 14% Liveness
3% Instrumentalness • 94% Positiveness
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Sam C.S.
Kannamma
128 bpm • C# Maj • 04:16 • -8.52db
67% Popularity • 73% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
67% Popularity • 73% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Hemachandra Vedala
Yugam Noorai
128 bpm • F# min • 05:21 • -7.07db
20% Popularity • 73% Danceability • 73% Energy • 10% Liveness
3% Instrumentalness • 62% Positiveness
20% Popularity • 73% Danceability • 73% Energy • 10% Liveness
3% Instrumentalness • 62% Positiveness
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Thaman S
U R My Darling
128 bpm • G# Maj • 04:39 • -6db
57% Popularity • 81% Danceability • 77% Energy • 6% Liveness
1% Instrumentalness • 56% Positiveness
57% Popularity • 81% Danceability • 77% Energy • 6% Liveness
1% Instrumentalness • 56% Positiveness
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Dhilip Varman
Orey Lov’vu
128 bpm • A min • 05:12 • -14.89db
21% Popularity • 74% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
21% Popularity • 74% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
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Abhay Jodhpurkar
Anbulla Kadhala
143 bpm • D min • 03:24 • -10.68db
8% Popularity • 66% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
8% Popularity • 66% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Ghibran
I Want a Girl
128 bpm • A min • 03:17 • -5.19db
23% Popularity • 80% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
23% Popularity • 80% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Agam
The Seventh Ocean
128 bpm • A# Maj • 07:07 • -7.43db
27% Popularity • 43% Danceability • 66% Energy • 11% Liveness
1% Instrumentalness • 60% Positiveness
27% Popularity • 43% Danceability • 66% Energy • 11% Liveness
1% Instrumentalness • 60% Positiveness
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Farida Meer
Rangilo Maro Dholna
143 bpm • F# min • 05:15 • -3.01db
24% Popularity • 51% Danceability • 94% Energy • 54% Liveness
0% Instrumentalness • 87% Positiveness
24% Popularity • 51% Danceability • 94% Energy • 54% Liveness
0% Instrumentalness • 87% Positiveness
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Maati Baani
Naina Bawre
128 bpm • C Maj • 04:51 • -10.55db
20% Popularity • 47% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
20% Popularity • 47% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
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Tajmeel Sherif
Manguyile Poonguyile
144 bpm • A Maj • 03:30 • -6.47db
26% Popularity • 68% Danceability • 57% Energy • 27% Liveness
0% Instrumentalness • 83% Positiveness
26% Popularity • 68% Danceability • 57% Energy • 27% Liveness
0% Instrumentalness • 83% Positiveness
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Indian Ocean
Rebirth
144 bpm • G Maj • 09:12 • -7.58db
20% Popularity • 41% Danceability • 58% Energy • 22% Liveness
88% Instrumentalness • 27% Positiveness
20% Popularity • 41% Danceability • 58% Energy • 22% Liveness
88% Instrumentalness • 27% Positiveness
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Sajjad Ali
Na Tum Samjhe
144 bpm • D# Maj • 04:56 • -7.95db
28% Popularity • 51% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
28% Popularity • 51% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Radhan
Aaradho
144 bpm • G Maj • 02:58 • -13.62db
12% Popularity • 57% Danceability • 31% Energy • 58% Liveness
0% Instrumentalness • 46% Positiveness
12% Popularity • 57% Danceability • 31% Energy • 58% Liveness
0% Instrumentalness • 46% Positiveness
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Karthick Iyer
Unfold
144 bpm • D Maj • 01:40 • -11.11db
18% Popularity • 59% Danceability • 36% Energy • 40% Liveness
85% Instrumentalness • 49% Positiveness
18% Popularity • 59% Danceability • 36% Energy • 40% Liveness
85% Instrumentalness • 49% Positiveness
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Maati Baani
Manmohiya
144 bpm • C# min • 03:52 • -8db
12% Popularity • 58% Danceability • 54% Energy • 10% Liveness
6% Instrumentalness • 27% Positiveness
12% Popularity • 58% Danceability • 54% Energy • 10% Liveness
6% Instrumentalness • 27% Positiveness
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Thaman S
Thala Kaalu Puriyala
126 bpm • B min • 03:52 • -9.05db
23% Popularity • 84% Danceability • 84% Energy • 7% Liveness
3% Instrumentalness • 93% Positiveness
23% Popularity • 84% Danceability • 84% Energy • 7% Liveness
3% Instrumentalness • 93% Positiveness
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Itra
Ab Na Pila
126 bpm • F Maj • 02:46 • -7.85db
14% Popularity • 96% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
14% Popularity • 96% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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Sajjad Ali
Lagaya Dil
144 bpm • C Maj • 04:18 • -9db
45% Popularity • 37% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
45% Popularity • 37% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Arjun Kapikad
Mattuda Ponnu
126 bpm • B min • 04:43 • -5.55db
28% Popularity • 86% Danceability • 71% Energy • 19% Liveness
0% Instrumentalness • 85% Positiveness
28% Popularity • 86% Danceability • 71% Energy • 19% Liveness
0% Instrumentalness • 85% Positiveness
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S.N. Arunagiri
Jananam Jananam
126 bpm • C# Maj • 05:20 • -12.86db
11% Popularity • 72% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
11% Popularity • 72% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
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Maati Baani
Sindoori
144 bpm • D Maj • 04:33 • -10db
21% Popularity • 58% Danceability • 59% Energy • 29% Liveness
1% Instrumentalness • 34% Positiveness
21% Popularity • 58% Danceability • 59% Energy • 29% Liveness
1% Instrumentalness • 34% Positiveness
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A.R. Rahman
Tharangini
145 bpm • A Maj • 03:36 • -10.22db
38% Popularity • 68% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
38% Popularity • 68% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Ps. Alwin Thomas
Ippothaan Aarambamae
145 bpm • C min • 04:51 • -4.24db
15% Popularity • 74% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 92% Positiveness
15% Popularity • 74% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 92% Positiveness
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Sajjad Ali
Tera Naam
144 bpm • D Maj • 04:50 • -6.15db
31% Popularity • 55% Danceability • 59% Energy • 24% Liveness
0% Instrumentalness • 75% Positiveness
31% Popularity • 55% Danceability • 59% Energy • 24% Liveness
0% Instrumentalness • 75% Positiveness
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Sam C.S.
Uyir Uruvaatha
145 bpm • D min • 04:13 • -7.77db
50% Popularity • 72% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
50% Popularity • 72% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Santhosh Dhayanidhi
Raati - Madras Gig
146 bpm • E Maj • 03:55 • -7.56db
54% Popularity • 64% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 80% Positiveness
54% Popularity • 64% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 80% Positiveness
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Ashwin Vinayagamoorthy
Nam Ooru Pen
125 bpm • D Maj • 03:37 • -9.16db
32% Popularity • 86% Danceability • 54% Energy • 18% Liveness
2% Instrumentalness • 80% Positiveness
32% Popularity • 86% Danceability • 54% Energy • 18% Liveness
2% Instrumentalness • 80% Positiveness
