Songs like H.O.L.L.A.N.D. (feat. Darren Middleton) by Pete Murray
Based on a tempo of (+/- 10%) and a similar genre
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You Am I
Damage
132 bpm • C min • 03:27 • -6.32db
25% Popularity • 50% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
25% Popularity • 50% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
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Forrest Johnson
Waiting for Autumn
132 bpm • D Maj • 04:03 • -7.81db
0% Popularity • 67% Danceability • 68% Energy • 28% Liveness
0% Instrumentalness • 74% Positiveness
0% Popularity • 67% Danceability • 68% Energy • 28% Liveness
0% Instrumentalness • 74% Positiveness
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Pete Murray
H.O.L.L.A.N.D.
132 bpm • G Maj • 04:34 • -6.9db
19% Popularity • 57% Danceability • 69% Energy • 10% Liveness
29% Instrumentalness • 44% Positiveness
19% Popularity • 57% Danceability • 69% Energy • 10% Liveness
29% Instrumentalness • 44% Positiveness
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Augie March
The Cold Acre
132 bpm • B min • 05:38 • -9.28db
19% Popularity • 49% Danceability • 67% Energy • 7% Liveness
10% Instrumentalness • 37% Positiveness
19% Popularity • 49% Danceability • 67% Energy • 7% Liveness
10% Instrumentalness • 37% Positiveness
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Jet
Seventeen
132 bpm • D Maj • 03:41 • -3.25db
38% Popularity • 53% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
38% Popularity • 53% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
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Greg Johnson
Liberty
131 bpm • G Maj • 03:28 • -9.69db
17% Popularity • 65% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
17% Popularity • 65% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
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Paul Dempsey
Fast Friends
133 bpm • A Maj • 04:16 • -6.21db
25% Popularity • 55% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 49% Positiveness
25% Popularity • 55% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 49% Positiveness
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Lo-tel
Teenager Of The Year
131 bpm • A# Maj • 04:29 • -7.99db
31% Popularity • 47% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
31% Popularity • 47% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Pete Murray
Tattoo Stained
132 bpm • C min • 03:29 • -6.42db
10% Popularity • 58% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
10% Popularity • 58% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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Augie March
Thin Captain Crackers
132 bpm • E Maj • 03:39 • -7.4db
8% Popularity • 45% Danceability • 67% Energy • 33% Liveness
0% Instrumentalness • 48% Positiveness
8% Popularity • 45% Danceability • 67% Energy • 33% Liveness
0% Instrumentalness • 48% Positiveness
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Opshop
Big Energy in Little Spaces
133 bpm • D min • 03:59 • -4.18db
20% Popularity • 56% Danceability • 78% Energy • 31% Liveness
4% Instrumentalness • 35% Positiveness
20% Popularity • 56% Danceability • 78% Energy • 31% Liveness
4% Instrumentalness • 35% Positiveness
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The Screaming Jets
Helping Hand
133 bpm • G# min • 04:50 • -10.46db
45% Popularity • 50% Danceability • 56% Energy • 31% Liveness
0% Instrumentalness • 47% Positiveness
45% Popularity • 50% Danceability • 56% Energy • 31% Liveness
0% Instrumentalness • 47% Positiveness
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Ian Moss
Tucker's Daughter
133 bpm • A# min • 04:34 • -11.31db
52% Popularity • 64% Danceability • 86% Energy • 5% Liveness
0% Instrumentalness • 82% Positiveness
52% Popularity • 64% Danceability • 86% Energy • 5% Liveness
0% Instrumentalness • 82% Positiveness
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Grinspoon
Hate
131 bpm • C Maj • 03:39 • -9.68db
18% Popularity • 60% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
18% Popularity • 60% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Bob Evans
Comin' Around
131 bpm • D Maj • 03:14 • -5.43db
8% Popularity • 45% Danceability • 82% Energy • 47% Liveness
0% Instrumentalness • 62% Positiveness
8% Popularity • 45% Danceability • 82% Energy • 47% Liveness
0% Instrumentalness • 62% Positiveness
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GANGgajang
Sounds Of Then (This Is Australia)
130 bpm • B min • 03:51 • -11.31db
57% Popularity • 70% Danceability • 70% Energy • 28% Liveness
4% Instrumentalness • 92% Positiveness
57% Popularity • 70% Danceability • 70% Energy • 28% Liveness
4% Instrumentalness • 92% Positiveness
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The Finn Brothers
Luckiest Man Alive
130 bpm • A# Maj • 03:56 • -7.1db
19% Popularity • 53% Danceability • 57% Energy • 28% Liveness
0% Instrumentalness • 34% Positiveness
19% Popularity • 53% Danceability • 57% Energy • 28% Liveness
0% Instrumentalness • 34% Positiveness
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Taxiride
Oh Yeah
130 bpm • A min • 04:11 • -5.94db
13% Popularity • 48% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
13% Popularity • 48% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Killing Heidi
Mascara
134 bpm • D Maj • 04:50 • -4.49db
44% Popularity • 41% Danceability • 90% Energy • 37% Liveness
0% Instrumentalness • 64% Positiveness
44% Popularity • 41% Danceability • 90% Energy • 37% Liveness
0% Instrumentalness • 64% Positiveness
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Pete Murray
Sold
130 bpm • A Maj • 03:28 • -5.33db
30% Popularity • 60% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
30% Popularity • 60% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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The Living End
Keep On Running
130 bpm • C# Maj • 04:07 • -6.23db
29% Popularity • 56% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
29% Popularity • 56% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Bernard Fanning
Wasting Time
130 bpm • A Maj • 03:15 • -5db
38% Popularity • 63% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
38% Popularity • 63% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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Epicure
Tightrope Walker
130 bpm • A Maj • 04:33 • -9.2db
14% Popularity • 57% Danceability • 30% Energy • 27% Liveness
0% Instrumentalness • 17% Positiveness
14% Popularity • 57% Danceability • 30% Energy • 27% Liveness
0% Instrumentalness • 17% Positiveness
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Jonathan Routh
Psst!
134 bpm • E min • 04:05 • -10.5db
0% Popularity • 64% Danceability • 51% Energy • 22% Liveness
0% Instrumentalness • 64% Positiveness
0% Popularity • 64% Danceability • 51% Energy • 22% Liveness
0% Instrumentalness • 64% Positiveness
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Weddings Parties Anything
For a Short Time
130 bpm • D Maj • 05:11 • -8.37db
19% Popularity • 33% Danceability • 47% Energy • 30% Liveness
0% Instrumentalness • 23% Positiveness
19% Popularity • 33% Danceability • 47% Energy • 30% Liveness
0% Instrumentalness • 23% Positiveness
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Pete Murray
Never Let The End Begin
134 bpm • C min • 03:01 • -11.03db
13% Popularity • 64% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
13% Popularity • 64% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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July Days
Wilderness - Darren Middleton Remix
130 bpm • C Maj • 03:03 • -9.94db
0% Popularity • 45% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
0% Popularity • 45% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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The Screaming Jets
Shivers
135 bpm • F# Maj • 04:26 • -11.96db
38% Popularity • 41% Danceability • 49% Energy • 12% Liveness
1% Instrumentalness • 42% Positiveness
38% Popularity • 41% Danceability • 49% Energy • 12% Liveness
1% Instrumentalness • 42% Positiveness
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Roachford
Only to Be with You
130 bpm • B min • 03:29 • -8db
29% Popularity • 64% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
29% Popularity • 64% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Forrest Johnson
Then By Nightfall...
135 bpm • A min • 04:28 • -7.78db
0% Popularity • 41% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 58% Positiveness
0% Popularity • 41% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 58% Positiveness
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Killing Heidi
Live Without It
135 bpm • G Maj • 03:11 • -5.67db
31% Popularity • 44% Danceability • 64% Energy • 5% Liveness
0% Instrumentalness • 35% Positiveness
31% Popularity • 44% Danceability • 64% Energy • 5% Liveness
0% Instrumentalness • 35% Positiveness
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Busby Marou
Biding My Time
135 bpm • E Maj • 04:03 • -6.59db
43% Popularity • 70% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
43% Popularity • 70% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Sarah Blasko
Always Worth It
135 bpm • C# min • 03:47 • -5.98db
23% Popularity • 46% Danceability • 70% Energy • 26% Liveness
0% Instrumentalness • 36% Positiveness
23% Popularity • 46% Danceability • 70% Energy • 26% Liveness
0% Instrumentalness • 36% Positiveness
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Skunkhour
Home
129 bpm • F Maj • 03:18 • -4db
29% Popularity • 61% Danceability • 88% Energy • 17% Liveness
0% Instrumentalness • 84% Positiveness
29% Popularity • 61% Danceability • 88% Energy • 17% Liveness
0% Instrumentalness • 84% Positiveness
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Josh Pyke
Someone Else's Town
135 bpm • D Maj • 03:31 • -9.56db
13% Popularity • 46% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
13% Popularity • 46% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Bob Evans
Pasha Bulker (Where Did I Go Wrong?)
135 bpm • B min • 03:15 • -6.37db
3% Popularity • 42% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
3% Popularity • 42% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
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Pete Murray
King Tide
129 bpm • C Maj • 03:06 • -12.51db
16% Popularity • 54% Danceability • 32% Energy • 15% Liveness
4% Instrumentalness • 24% Positiveness
16% Popularity • 54% Danceability • 32% Energy • 15% Liveness
4% Instrumentalness • 24% Positiveness
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Choirboys
Boys Will Be Boys
135 bpm • B Maj • 03:41 • -8.76db
27% Popularity • 55% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
27% Popularity • 55% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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The Temper Trap
Trembling Hands
135 bpm • D min • 03:52 • -5.12db
8% Popularity • 25% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
8% Popularity • 25% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
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Richard Clapton
Blue Bay Blues - Original
129 bpm • F Maj • 04:26 • -14.37db
25% Popularity • 63% Danceability • 40% Energy • 10% Liveness
3% Instrumentalness • 64% Positiveness
25% Popularity • 63% Danceability • 40% Energy • 10% Liveness
3% Instrumentalness • 64% Positiveness
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Taxiride
Everywhere You Go
135 bpm • D Maj • 03:32 • -5.04db
37% Popularity • 54% Danceability • 95% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
37% Popularity • 54% Danceability • 95% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
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Grinspoon
Bad Funk Stripe
129 bpm • G Maj • 04:43 • -6db
31% Popularity • 52% Danceability • 76% Energy • 13% Liveness
4% Instrumentalness • 26% Positiveness
31% Popularity • 52% Danceability • 76% Energy • 13% Liveness
4% Instrumentalness • 26% Positiveness
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Jonathan Routh
The Nightwatchman's Hut
136 bpm • G Maj • 03:38 • -8.83db
0% Popularity • 69% Danceability • 35% Energy • 33% Liveness
0% Instrumentalness • 51% Positiveness
0% Popularity • 69% Danceability • 35% Energy • 33% Liveness
0% Instrumentalness • 51% Positiveness
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Pete Murray
Lines
136 bpm • A Maj • 03:00 • -6.88db
35% Popularity • 50% Danceability • 81% Energy • 39% Liveness
0% Instrumentalness • 59% Positiveness
35% Popularity • 50% Danceability • 81% Energy • 39% Liveness
0% Instrumentalness • 59% Positiveness
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You Am I
Soldiers
128 bpm • C# Maj • 02:31 • -5db
29% Popularity • 41% Danceability • 88% Energy • 5% Liveness
0% Instrumentalness • 54% Positiveness
29% Popularity • 41% Danceability • 88% Energy • 5% Liveness
0% Instrumentalness • 54% Positiveness
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Augie March
Pennywhistle
127 bpm • A Maj • 04:16 • -7.14db
19% Popularity • 53% Danceability • 70% Energy • 25% Liveness
0% Instrumentalness • 29% Positiveness
19% Popularity • 53% Danceability • 70% Energy • 25% Liveness
0% Instrumentalness • 29% Positiveness
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Hoodoo Gurus
Waking Up Tired - Remaster 2005
127 bpm • A Maj • 02:54 • -5db
34% Popularity • 55% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
34% Popularity • 55% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
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Silverchair
Straight Lines
127 bpm • C# Maj • 04:18 • -6.39db
56% Popularity • 54% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
56% Popularity • 54% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Darren Middleton
Lover's Shoes
137 bpm • A Maj • 04:28 • -9.52db
2% Popularity • 42% Danceability • 36% Energy • 47% Liveness
0% Instrumentalness • 11% Positiveness
2% Popularity • 42% Danceability • 36% Energy • 47% Liveness
0% Instrumentalness • 11% Positiveness
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Pete Murray
Lines
136 bpm • A Maj • 03:06 • -6.55db
8% Popularity • 46% Danceability • 85% Energy • 35% Liveness
0% Instrumentalness • 54% Positiveness
8% Popularity • 46% Danceability • 85% Energy • 35% Liveness
0% Instrumentalness • 54% Positiveness
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Sarah Blasko
Planet New Year
137 bpm • B min • 03:36 • -6.8db
23% Popularity • 60% Danceability • 78% Energy • 29% Liveness
0% Instrumentalness • 52% Positiveness
23% Popularity • 60% Danceability • 78% Energy • 29% Liveness
0% Instrumentalness • 52% Positiveness
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Killing Heidi
Heavensent
127 bpm • A Maj • 04:31 • -6.1db
24% Popularity • 50% Danceability • 93% Energy • 76% Liveness
0% Instrumentalness • 48% Positiveness
24% Popularity • 50% Danceability • 93% Energy • 76% Liveness
0% Instrumentalness • 48% Positiveness
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Daryl Braithwaite
Rise
127 bpm • G Maj • 03:55 • -12db
33% Popularity • 66% Danceability • 57% Energy • 33% Liveness
0% Instrumentalness • 44% Positiveness
33% Popularity • 66% Danceability • 57% Energy • 33% Liveness
0% Instrumentalness • 44% Positiveness
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Faker
Love For Sale
127 bpm • G Maj • 03:54 • -4.08db
13% Popularity • 57% Danceability • 87% Energy • 23% Liveness
0% Instrumentalness • 52% Positiveness
13% Popularity • 57% Danceability • 87% Energy • 23% Liveness
0% Instrumentalness • 52% Positiveness
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Weddings Parties Anything
Monday's Experts
127 bpm • G Maj • 02:52 • -9db
26% Popularity • 68% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
26% Popularity • 68% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
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Busby Marou
Undecided Mind
126 bpm • F# Maj • 03:53 • -8.33db
16% Popularity • 56% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
16% Popularity • 56% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Paul Dempsey
Man Of The Moment
138 bpm • A# min • 04:29 • -10.87db
13% Popularity • 50% Danceability • 35% Energy • 17% Liveness
9% Instrumentalness • 47% Positiveness
13% Popularity • 50% Danceability • 35% Energy • 17% Liveness
9% Instrumentalness • 47% Positiveness
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1927
The Story Never Ends
138 bpm • C Maj • 05:33 • -4.05db
20% Popularity • 50% Danceability • 84% Energy • 13% Liveness
17% Instrumentalness • 6% Positiveness
20% Popularity • 50% Danceability • 84% Energy • 13% Liveness
17% Instrumentalness • 6% Positiveness
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Things Of Stone and Wood
Happy Birthday Helen
138 bpm • F Maj • 03:48 • -9db
39% Popularity • 45% Danceability • 68% Energy • 33% Liveness
0% Instrumentalness • 66% Positiveness
39% Popularity • 45% Danceability • 68% Energy • 33% Liveness
0% Instrumentalness • 66% Positiveness
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Faker
Are You Magnetic?
138 bpm • D Maj • 03:50 • -3.87db
29% Popularity • 45% Danceability • 97% Energy • 86% Liveness
0% Instrumentalness • 29% Positiveness
29% Popularity • 45% Danceability • 97% Energy • 86% Liveness
0% Instrumentalness • 29% Positiveness
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End Of Fashion
Oh Strain
126 bpm • D Maj • 03:08 • -7.89db
11% Popularity • 63% Danceability • 70% Energy • 20% Liveness
0% Instrumentalness • 64% Positiveness
11% Popularity • 63% Danceability • 70% Energy • 20% Liveness
0% Instrumentalness • 64% Positiveness
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Busby Marou
Something for Me
126 bpm • E Maj • 02:53 • -4.95db
20% Popularity • 59% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
20% Popularity • 59% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Ben Lee
Love Me Like The World Is Ending
126 bpm • A Maj • 03:46 • -5.28db
16% Popularity • 68% Danceability • 76% Energy • 40% Liveness
0% Instrumentalness • 67% Positiveness
16% Popularity • 68% Danceability • 76% Energy • 40% Liveness
0% Instrumentalness • 67% Positiveness
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Opshop
Smoke and Mirrors
126 bpm • A min • 05:01 • -7.93db
10% Popularity • 52% Danceability • 48% Energy • 18% Liveness
0% Instrumentalness • 13% Positiveness
10% Popularity • 52% Danceability • 48% Energy • 18% Liveness
0% Instrumentalness • 13% Positiveness
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Pete Murray
Always A Winner
126 bpm • F Maj • 03:52 • -6.7db
12% Popularity • 74% Danceability • 73% Energy • 18% Liveness
0% Instrumentalness • 97% Positiveness
12% Popularity • 74% Danceability • 73% Energy • 18% Liveness
0% Instrumentalness • 97% Positiveness
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Things Of Stone and Wood
Share This Wine
126 bpm • G Maj • 04:00 • -8db
20% Popularity • 55% Danceability • 87% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
20% Popularity • 55% Danceability • 87% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
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Greg Johnson
Don't Wait Another Day
126 bpm • G Maj • 03:50 • -12.61db
27% Popularity • 62% Danceability • 53% Energy • 21% Liveness
0% Instrumentalness • 52% Positiveness
27% Popularity • 62% Danceability • 53% Energy • 21% Liveness
0% Instrumentalness • 52% Positiveness
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The Panics
My Best Mistake
126 bpm • E Maj • 03:13 • -5.8db
24% Popularity • 45% Danceability • 67% Energy • 26% Liveness
10% Instrumentalness • 46% Positiveness
24% Popularity • 45% Danceability • 67% Energy • 26% Liveness
10% Instrumentalness • 46% Positiveness
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Ben Lee
Into The Dark
126 bpm • G Maj • 02:46 • -7db
24% Popularity • 78% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
24% Popularity • 78% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
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The Screaming Jets
October Grey
138 bpm • B Maj • 03:52 • -4.67db
35% Popularity • 60% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
35% Popularity • 60% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Pete Murray
Always A Winner
126 bpm • C Maj • 04:12 • -5.19db
37% Popularity • 66% Danceability • 85% Energy • 22% Liveness
0% Instrumentalness • 72% Positiveness
37% Popularity • 66% Danceability • 85% Energy • 22% Liveness
0% Instrumentalness • 72% Positiveness
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Forrest Johnson
Broken Carousel
125 bpm • A Maj • 04:08 • -9.99db
0% Popularity • 42% Danceability • 48% Energy • 20% Liveness
0% Instrumentalness • 34% Positiveness
0% Popularity • 42% Danceability • 48% Energy • 20% Liveness
0% Instrumentalness • 34% Positiveness
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Greg Johnson
Maybe Your True Love
139 bpm • F Maj • 03:55 • -7.26db
8% Popularity • 60% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
8% Popularity • 60% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
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Evermore
It’s Too Late
139 bpm • G# min • 03:55 • -4.91db
49% Popularity • 54% Danceability • 72% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
49% Popularity • 54% Danceability • 72% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
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The Panics
Majesty
125 bpm • C# Maj • 04:03 • -8db
19% Popularity • 69% Danceability • 57% Energy • 10% Liveness
50% Instrumentalness • 15% Positiveness
19% Popularity • 69% Danceability • 57% Energy • 10% Liveness
50% Instrumentalness • 15% Positiveness
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Gyroscope
Fifty500
125 bpm • A min • 03:32 • -3.71db
18% Popularity • 56% Danceability • 91% Energy • 18% Liveness
0% Instrumentalness • 29% Positiveness
18% Popularity • 56% Danceability • 91% Energy • 18% Liveness
0% Instrumentalness • 29% Positiveness
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Pete Murray
H.O.L.L.A.N.D.
139 bpm • G Maj • 04:36 • -5.84db
13% Popularity • 50% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
13% Popularity • 50% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
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Bob Evans
Don't Wanna Grow Up Anymore
125 bpm • G Maj • 04:26 • -4.56db
14% Popularity • 60% Danceability • 91% Energy • 42% Liveness
78% Instrumentalness • 96% Positiveness
14% Popularity • 60% Danceability • 91% Energy • 42% Liveness
78% Instrumentalness • 96% Positiveness
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Lior
Burst Your Bubble
125 bpm • A# Maj • 03:22 • -7.67db
21% Popularity • 70% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
21% Popularity • 70% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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You Am I
Purple Sneakers
140 bpm • E Maj • 03:30 • -7.72db
37% Popularity • 40% Danceability • 77% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
37% Popularity • 40% Danceability • 77% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
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Ben Lee
Close I've Come
140 bpm • F# Maj • 03:23 • -5.81db
7% Popularity • 62% Danceability • 80% Energy • 29% Liveness
0% Instrumentalness • 60% Positiveness
7% Popularity • 62% Danceability • 80% Energy • 29% Liveness
0% Instrumentalness • 60% Positiveness
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Motor Ace
Death Defy
141 bpm • F min • 04:19 • -6db
29% Popularity • 45% Danceability • 91% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
29% Popularity • 45% Danceability • 91% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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Australian Crawl
Hoochie Gucci Fiorucci Mama - Remastered
141 bpm • A min • 02:30 • -10.34db
44% Popularity • 53% Danceability • 34% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
44% Popularity • 53% Danceability • 34% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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Killing Heidi
Outside Of Me
141 bpm • D Maj • 04:05 • -5.53db
22% Popularity • 24% Danceability • 94% Energy • 50% Liveness
0% Instrumentalness • 18% Positiveness
22% Popularity • 24% Danceability • 94% Energy • 50% Liveness
0% Instrumentalness • 18% Positiveness
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Lior
Heal Me
140 bpm • B Maj • 04:15 • -7.36db
7% Popularity • 29% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
7% Popularity • 29% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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Skunkhour
Kick In The Door
124 bpm • G Maj • 03:04 • -5.03db
27% Popularity • 78% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
27% Popularity • 78% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
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Ben Lee
Begin
124 bpm • G Maj • 04:12 • -8.95db
10% Popularity • 70% Danceability • 47% Energy • 9% Liveness
1% Instrumentalness • 34% Positiveness
10% Popularity • 70% Danceability • 47% Energy • 9% Liveness
1% Instrumentalness • 34% Positiveness
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The Living End
White Noise
141 bpm • C Maj • 03:44 • -4.53db
52% Popularity • 26% Danceability • 96% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
52% Popularity • 26% Danceability • 96% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
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Forrest Johnson
Disaster Piece
123 bpm • C Maj • 03:28 • -8.53db
0% Popularity • 55% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 71% Positiveness
0% Popularity • 55% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 71% Positiveness
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Things Of Stone and Wood
In Our Home
142 bpm • F# Maj • 03:52 • -12.32db
10% Popularity • 48% Danceability • 32% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
10% Popularity • 48% Danceability • 32% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
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Lior
Grey Ocean
124 bpm • G min • 03:35 • -14.24db
29% Popularity • 62% Danceability • 32% Energy • 9% Liveness
2% Instrumentalness • 35% Positiveness
29% Popularity • 62% Danceability • 32% Energy • 9% Liveness
2% Instrumentalness • 35% Positiveness
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Goanna
Razor's Edge - Remastered Version
123 bpm • D Maj • 05:11 • -8db
43% Popularity • 69% Danceability • 64% Energy • 33% Liveness
0% Instrumentalness • 54% Positiveness
43% Popularity • 69% Danceability • 64% Energy • 33% Liveness
0% Instrumentalness • 54% Positiveness
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The Panics
Live Without
123 bpm • G Maj • 04:15 • -6.33db
13% Popularity • 54% Danceability • 89% Energy • 22% Liveness
0% Instrumentalness • 51% Positiveness
13% Popularity • 54% Danceability • 89% Energy • 22% Liveness
0% Instrumentalness • 51% Positiveness
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Busby Marou
Get You out of Here
123 bpm • G Maj • 03:51 • -7.86db
19% Popularity • 61% Danceability • 68% Energy • 25% Liveness
0% Instrumentalness • 38% Positiveness
19% Popularity • 61% Danceability • 68% Energy • 25% Liveness
0% Instrumentalness • 38% Positiveness
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Bob Evans
Nowhere Without You
123 bpm • A min • 04:19 • -7db
26% Popularity • 82% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 81% Positiveness
26% Popularity • 82% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 81% Positiveness
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Dragon
Are You Old Enough
123 bpm • D Maj • 04:08 • -14.39db
50% Popularity • 69% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
50% Popularity • 69% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
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Lior
Gypsy Girl
124 bpm • C Maj • 03:09 • -8.06db
27% Popularity • 70% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
27% Popularity • 70% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Paul Dempsey
Blindspot
123 bpm • D min • 03:52 • -6.09db
16% Popularity • 57% Danceability • 83% Energy • 43% Liveness
0% Instrumentalness • 86% Positiveness
16% Popularity • 57% Danceability • 83% Energy • 43% Liveness
0% Instrumentalness • 86% Positiveness
