Songs like Hollow Earth by Pye Corner Audio
Based on a tempo of (+/- 10%) and a similar genre
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Pye Corner Audio
Hollow Earth
106 bpm • A min • 05:11 • -12db
34% Popularity • 45% Danceability • 72% Energy • 10% Liveness
95% Instrumentalness • 7% Positiveness
34% Popularity • 45% Danceability • 72% Energy • 10% Liveness
95% Instrumentalness • 7% Positiveness
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Abul Mogard
Bound Universe
105 bpm • C# Maj • 06:44 • -25.66db
24% Popularity • 20% Danceability • 12% Energy • 11% Liveness
94% Instrumentalness • 2% Positiveness
24% Popularity • 20% Danceability • 12% Energy • 11% Liveness
94% Instrumentalness • 2% Positiveness
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Vector Lovers
Nightwalking Your Memory - 2011 Remaster
105 bpm • A# min • 05:06 • -10db
21% Popularity • 58% Danceability • 55% Energy • 12% Liveness
76% Instrumentalness • 4% Positiveness
21% Popularity • 58% Danceability • 55% Energy • 12% Liveness
76% Instrumentalness • 4% Positiveness
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Luke Abbott
Roses
105 bpm • D Maj • 01:48 • -14.74db
27% Popularity • 47% Danceability • 30% Energy • 10% Liveness
73% Instrumentalness • 16% Positiveness
27% Popularity • 47% Danceability • 30% Energy • 10% Liveness
73% Instrumentalness • 16% Positiveness
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Goya
Toska
105 bpm • F# min • 05:42 • -14.09db
22% Popularity • 70% Danceability • 44% Energy • 52% Liveness
87% Instrumentalness • 33% Positiveness
22% Popularity • 70% Danceability • 44% Energy • 52% Liveness
87% Instrumentalness • 33% Positiveness
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Craven Faults
Intakes - Pye Corner Audio Rework
105 bpm • G# Maj • 06:50 • -14.55db
18% Popularity • 44% Danceability • 42% Energy • 9% Liveness
89% Instrumentalness • 3% Positiveness
18% Popularity • 44% Danceability • 42% Energy • 9% Liveness
89% Instrumentalness • 3% Positiveness
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Pye Corner Audio
Ganzfeld Effect
107 bpm • E min • 05:05 • -17db
25% Popularity • 45% Danceability • 32% Energy • 19% Liveness
94% Instrumentalness • 5% Positiveness
25% Popularity • 45% Danceability • 32% Energy • 19% Liveness
94% Instrumentalness • 5% Positiveness
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Steve Hauschildt
A Reflecting Pool
107 bpm • C# min • 03:10 • -19db
24% Popularity • 54% Danceability • 38% Energy • 13% Liveness
92% Instrumentalness • 57% Positiveness
24% Popularity • 54% Danceability • 38% Energy • 13% Liveness
92% Instrumentalness • 57% Positiveness
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Kettel
Clarity
105 bpm • F Maj • 02:34 • -12.99db
39% Popularity • 58% Danceability • 53% Energy • 15% Liveness
86% Instrumentalness • 5% Positiveness
39% Popularity • 58% Danceability • 53% Energy • 15% Liveness
86% Instrumentalness • 5% Positiveness
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Luke Abbott
Flux
105 bpm • E min • 04:25 • -11db
12% Popularity • 55% Danceability • 66% Energy • 14% Liveness
77% Instrumentalness • 29% Positiveness
12% Popularity • 55% Danceability • 66% Energy • 14% Liveness
77% Instrumentalness • 29% Positiveness
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Biosphere
Black Mesa
107 bpm • G Maj • 05:25 • -17.08db
29% Popularity • 75% Danceability • 29% Energy • 17% Liveness
27% Instrumentalness • 60% Positiveness
29% Popularity • 75% Danceability • 29% Energy • 17% Liveness
27% Instrumentalness • 60% Positiveness
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Symmetry
Blade Runner
108 bpm • G# Maj • 03:25 • -10db
23% Popularity • 89% Danceability • 60% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
23% Popularity • 89% Danceability • 60% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
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Pye Corner Audio
Claustrophobe
105 bpm • G Maj • 03:39 • -24.74db
17% Popularity • 38% Danceability • 13% Energy • 59% Liveness
91% Instrumentalness • 9% Positiveness
17% Popularity • 38% Danceability • 13% Energy • 59% Liveness
91% Instrumentalness • 9% Positiveness
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Steve Hauschildt
Edgewater Prelude
104 bpm • D Maj • 01:22 • -13.36db
37% Popularity • 52% Danceability • 41% Energy • 12% Liveness
96% Instrumentalness • 35% Positiveness
37% Popularity • 52% Danceability • 41% Energy • 12% Liveness
96% Instrumentalness • 35% Positiveness
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Hainbach
The Guide
104 bpm • F Maj • 03:21 • -16.26db
30% Popularity • 51% Danceability • 33% Energy • 8% Liveness
89% Instrumentalness • 12% Positiveness
30% Popularity • 51% Danceability • 33% Energy • 8% Liveness
89% Instrumentalness • 12% Positiveness
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Makeup And Vanity Set
Polyhymnal
108 bpm • C min • 05:10 • -8.93db
33% Popularity • 37% Danceability • 65% Energy • 11% Liveness
81% Instrumentalness • 25% Positiveness
33% Popularity • 37% Danceability • 65% Energy • 11% Liveness
81% Instrumentalness • 25% Positiveness
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Thomas Fehlmann
Chapter M (driving)
104 bpm • C# Maj • 01:58 • -14.73db
35% Popularity • 51% Danceability • 38% Energy • 11% Liveness
88% Instrumentalness • 41% Positiveness
35% Popularity • 51% Danceability • 38% Energy • 11% Liveness
88% Instrumentalness • 41% Positiveness
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Kosmischer Läufer
Der Traum des Jungen
108 bpm • A Maj • 03:42 • -12.76db
17% Popularity • 47% Danceability • 47% Energy • 53% Liveness
92% Instrumentalness • 4% Positiveness
17% Popularity • 47% Danceability • 47% Energy • 53% Liveness
92% Instrumentalness • 4% Positiveness
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Pye Corner Audio
Chronos
105 bpm • F Maj • 05:34 • -14.56db
27% Popularity • 60% Danceability • 74% Energy • 75% Liveness
80% Instrumentalness • 33% Positiveness
27% Popularity • 60% Danceability • 74% Energy • 75% Liveness
80% Instrumentalness • 33% Positiveness
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Steve Hauschildt
Vicinities
108 bpm • C# min • 05:01 • -16db
26% Popularity • 64% Danceability • 54% Energy • 9% Liveness
95% Instrumentalness • 12% Positiveness
26% Popularity • 64% Danceability • 54% Energy • 9% Liveness
95% Instrumentalness • 12% Positiveness
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Cavern of Anti-Matter
Mannequin Metric
108 bpm • A# min • 04:14 • -11db
23% Popularity • 66% Danceability • 38% Energy • 20% Liveness
2% Instrumentalness • 13% Positiveness
23% Popularity • 66% Danceability • 38% Energy • 20% Liveness
2% Instrumentalness • 13% Positiveness
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Pedro Vian
Cops de Cap - Pye Corner Audio Remix
104 bpm • G Maj • 06:31 • -8.67db
6% Popularity • 63% Danceability • 92% Energy • 8% Liveness
91% Instrumentalness • 21% Positiveness
6% Popularity • 63% Danceability • 92% Energy • 8% Liveness
91% Instrumentalness • 21% Positiveness
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Ochre
Orford Sentinel
104 bpm • A Maj • 01:12 • -18.7db
26% Popularity • 57% Danceability • 41% Energy • 18% Liveness
91% Instrumentalness • 15% Positiveness
26% Popularity • 57% Danceability • 41% Energy • 18% Liveness
91% Instrumentalness • 15% Positiveness
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Ørdop Wolkenscheidt
Caught in the Drizzle
109 bpm • F Maj • 05:41 • -14.73db
14% Popularity • 27% Danceability • 42% Energy • 31% Liveness
89% Instrumentalness • 13% Positiveness
14% Popularity • 27% Danceability • 42% Energy • 31% Liveness
89% Instrumentalness • 13% Positiveness
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Pye Corner Audio
The Seventh Labyrinth
105 bpm • B Maj • 04:52 • -13.62db
12% Popularity • 51% Danceability • 63% Energy • 32% Liveness
90% Instrumentalness • 4% Positiveness
12% Popularity • 51% Danceability • 63% Energy • 32% Liveness
90% Instrumentalness • 4% Positiveness
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Kodomo
Endless Waves
104 bpm • F# min • 02:07 • -18.68db
39% Popularity • 48% Danceability • 32% Energy • 9% Liveness
96% Instrumentalness • 32% Positiveness
39% Popularity • 48% Danceability • 32% Energy • 9% Liveness
96% Instrumentalness • 32% Positiveness
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Amon Tobin
Full Panther
109 bpm • D Maj • 03:23 • -15.18db
33% Popularity • 88% Danceability • 16% Energy • 10% Liveness
87% Instrumentalness • 55% Positiveness
33% Popularity • 88% Danceability • 16% Energy • 10% Liveness
87% Instrumentalness • 55% Positiveness
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Squarepusher
Detroit People Mover
103 bpm • E min • 04:26 • -13.43db
32% Popularity • 19% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
32% Popularity • 19% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Ochre
Crowd of Stars
110 bpm • C# Maj • 04:24 • -14.25db
17% Popularity • 34% Danceability • 34% Energy • 12% Liveness
90% Instrumentalness • 6% Positiveness
17% Popularity • 34% Danceability • 34% Energy • 12% Liveness
90% Instrumentalness • 6% Positiveness
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Ørdop Wolkenscheidt
Snow in August
110 bpm • A# Maj • 03:30 • -16.57db
14% Popularity • 23% Danceability • 43% Energy • 36% Liveness
90% Instrumentalness • 5% Positiveness
14% Popularity • 23% Danceability • 43% Energy • 36% Liveness
90% Instrumentalness • 5% Positiveness
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Global Communication
8:07
110 bpm • C Maj • 08:07 • -18.26db
31% Popularity • 66% Danceability • 45% Energy • 37% Liveness
88% Instrumentalness • 48% Positiveness
31% Popularity • 66% Danceability • 45% Energy • 37% Liveness
88% Instrumentalness • 48% Positiveness
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Pye Corner Audio
Perfect Secrecy Forever
105 bpm • A# min • 05:30 • -11.85db
18% Popularity • 58% Danceability • 55% Energy • 8% Liveness
4% Instrumentalness • 22% Positiveness
18% Popularity • 58% Danceability • 55% Energy • 8% Liveness
4% Instrumentalness • 22% Positiveness
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Forest Swords
Friend, You Will Never Learn
110 bpm • A min • 08:12 • -12db
27% Popularity • 35% Danceability • 82% Energy • 10% Liveness
92% Instrumentalness • 34% Positiveness
27% Popularity • 35% Danceability • 82% Energy • 10% Liveness
92% Instrumentalness • 34% Positiveness
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Space Art
Naissance de Cassiopée
102 bpm • C# Maj • 07:15 • -15.49db
18% Popularity • 54% Danceability • 38% Energy • 11% Liveness
96% Instrumentalness • 6% Positiveness
18% Popularity • 54% Danceability • 38% Energy • 11% Liveness
96% Instrumentalness • 6% Positiveness
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Floex
Prelude II
110 bpm • C# min • 01:33 • -9.49db
14% Popularity • 60% Danceability • 79% Energy • 12% Liveness
95% Instrumentalness • 10% Positiveness
14% Popularity • 60% Danceability • 79% Energy • 12% Liveness
95% Instrumentalness • 10% Positiveness
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Kettel
Clara
110 bpm • F min • 02:56 • -14.11db
32% Popularity • 59% Danceability • 55% Energy • 8% Liveness
77% Instrumentalness • 34% Positiveness
32% Popularity • 59% Danceability • 55% Energy • 8% Liveness
77% Instrumentalness • 34% Positiveness
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Thomas Fehlmann
Vergessen
110 bpm • C Maj • 02:26 • -22db
34% Popularity • 41% Danceability • 27% Energy • 63% Liveness
83% Instrumentalness • 7% Positiveness
34% Popularity • 41% Danceability • 27% Energy • 63% Liveness
83% Instrumentalness • 7% Positiveness
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Pye Corner Audio
Into the Maze
109 bpm • C Maj • 04:34 • -19.47db
14% Popularity • 56% Danceability • 48% Energy • 6% Liveness
92% Instrumentalness • 47% Positiveness
14% Popularity • 56% Danceability • 48% Energy • 6% Liveness
92% Instrumentalness • 47% Positiveness
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Squarepusher
Midi Sans Frontieres (Avec Batterie)
110 bpm • D Maj • 06:00 • -9.89db
33% Popularity • 62% Danceability • 70% Energy • 7% Liveness
81% Instrumentalness • 28% Positiveness
33% Popularity • 62% Danceability • 70% Energy • 7% Liveness
81% Instrumentalness • 28% Positiveness
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The Listeing Center with Pye Corner Audio
Town of Tomorrow Today
110 bpm • G# Maj • 03:45 • -17db
9% Popularity • 53% Danceability • 36% Energy • 5% Liveness
75% Instrumentalness • 28% Positiveness
9% Popularity • 53% Danceability • 36% Energy • 5% Liveness
75% Instrumentalness • 28% Positiveness
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The Black Dog
Cup Noodle
110 bpm • A# min • 03:30 • -20.82db
41% Popularity • 70% Danceability • 23% Energy • 11% Liveness
89% Instrumentalness • 64% Positiveness
41% Popularity • 70% Danceability • 23% Energy • 11% Liveness
89% Instrumentalness • 64% Positiveness
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Floex
Prelude I
110 bpm • C# min • 06:10 • -9.6db
11% Popularity • 51% Danceability • 78% Energy • 11% Liveness
70% Instrumentalness • 3% Positiveness
11% Popularity • 51% Danceability • 78% Energy • 11% Liveness
70% Instrumentalness • 3% Positiveness
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Thomas Fehlmann
Umarmt
110 bpm • E Maj • 04:40 • -14.87db
22% Popularity • 45% Danceability • 58% Energy • 12% Liveness
69% Instrumentalness • 4% Positiveness
22% Popularity • 45% Danceability • 58% Energy • 12% Liveness
69% Instrumentalness • 4% Positiveness
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Pye Corner Audio
At the Heart of Stasis
110 bpm • D Maj • 04:38 • -12.23db
14% Popularity • 57% Danceability • 42% Energy • 6% Liveness
93% Instrumentalness • 4% Positiveness
14% Popularity • 57% Danceability • 42% Energy • 6% Liveness
93% Instrumentalness • 4% Positiveness
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Stellardrone
Comet Halley
102 bpm • F Maj • 03:42 • -13.55db
42% Popularity • 42% Danceability • 65% Energy • 10% Liveness
86% Instrumentalness • 12% Positiveness
42% Popularity • 42% Danceability • 65% Energy • 10% Liveness
86% Instrumentalness • 12% Positiveness
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BORDER 242
Cyborg Chase
102 bpm • F# min • 01:55 • -19.01db
36% Popularity • 65% Danceability • 39% Energy • 12% Liveness
96% Instrumentalness • 17% Positiveness
36% Popularity • 65% Danceability • 39% Energy • 12% Liveness
96% Instrumentalness • 17% Positiveness
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Kodomo
Landing
111 bpm • F Maj • 02:49 • -20.46db
36% Popularity • 16% Danceability • 14% Energy • 8% Liveness
95% Instrumentalness • 6% Positiveness
36% Popularity • 16% Danceability • 14% Energy • 8% Liveness
95% Instrumentalness • 6% Positiveness
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Floex
Samorost 3 Main Theme
110 bpm • A min • 07:56 • -10db
28% Popularity • 41% Danceability • 55% Energy • 13% Liveness
90% Instrumentalness • 4% Positiveness
28% Popularity • 41% Danceability • 55% Energy • 13% Liveness
90% Instrumentalness • 4% Positiveness
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Sinoia Caves
Forever Dilating Eye
111 bpm • A# min • 04:19 • -11db
28% Popularity • 53% Danceability • 40% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
28% Popularity • 53% Danceability • 40% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Pye Corner Audio
Pulse Threshold
102 bpm • G# Maj • 04:15 • -13.62db
15% Popularity • 51% Danceability • 33% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
15% Popularity • 51% Danceability • 33% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Ochre
111
111 bpm • A# Maj • 07:48 • -12db
18% Popularity • 62% Danceability • 48% Energy • 13% Liveness
79% Instrumentalness • 22% Positiveness
18% Popularity • 62% Danceability • 48% Energy • 13% Liveness
79% Instrumentalness • 22% Positiveness
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Seahawks
Sky Is You - Pye Corner Audio - Head Tek...
111 bpm • E min • 05:26 • -14.68db
0% Popularity • 58% Danceability • 58% Energy • 11% Liveness
79% Instrumentalness • 18% Positiveness
0% Popularity • 58% Danceability • 58% Energy • 11% Liveness
79% Instrumentalness • 18% Positiveness
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Datassette
Tanz Mit Mir
101 bpm • G Maj • 05:43 • -11.41db
24% Popularity • 66% Danceability • 58% Energy • 13% Liveness
82% Instrumentalness • 28% Positiveness
24% Popularity • 66% Danceability • 58% Energy • 13% Liveness
82% Instrumentalness • 28% Positiveness
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Paul White
Returning - Rival Consoles Remix
111 bpm • F min • 04:18 • -15.99db
30% Popularity • 44% Danceability • 31% Energy • 9% Liveness
92% Instrumentalness • 13% Positiveness
30% Popularity • 44% Danceability • 31% Energy • 9% Liveness
92% Instrumentalness • 13% Positiveness
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Mouse On Mars
Kompod
101 bpm • F# Maj • 04:10 • -18db
29% Popularity • 77% Danceability • 53% Energy • 9% Liveness
89% Instrumentalness • 56% Positiveness
29% Popularity • 77% Danceability • 53% Energy • 9% Liveness
89% Instrumentalness • 56% Positiveness
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Belbury Poly and Spacedog
Quiet Industry
101 bpm • C min • 03:41 • -13db
12% Popularity • 64% Danceability • 71% Energy • 10% Liveness
72% Instrumentalness • 63% Positiveness
12% Popularity • 64% Danceability • 71% Energy • 10% Liveness
72% Instrumentalness • 63% Positiveness
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Rival Consoles
Odyssey
101 bpm • G Maj • 04:41 • -8.9db
45% Popularity • 49% Danceability • 61% Energy • 11% Liveness
89% Instrumentalness • 5% Positiveness
45% Popularity • 49% Danceability • 61% Energy • 11% Liveness
89% Instrumentalness • 5% Positiveness
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Tangerine Dream
Love On A Real Train
111 bpm • F min • 03:59 • -20.51db
48% Popularity • 58% Danceability • 34% Energy • 7% Liveness
95% Instrumentalness • 81% Positiveness
48% Popularity • 58% Danceability • 34% Energy • 7% Liveness
95% Instrumentalness • 81% Positiveness
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Rafael Anton Irisarri
RH Negative
101 bpm • B min • 05:49 • -10.95db
23% Popularity • 17% Danceability • 25% Energy • 9% Liveness
96% Instrumentalness • 9% Positiveness
23% Popularity • 17% Danceability • 25% Energy • 9% Liveness
96% Instrumentalness • 9% Positiveness
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Pye Corner Audio
We Have Visitors
101 bpm • D Maj • 03:50 • -7.81db
16% Popularity • 48% Danceability • 76% Energy • 12% Liveness
78% Instrumentalness • 42% Positiveness
16% Popularity • 48% Danceability • 76% Energy • 12% Liveness
78% Instrumentalness • 42% Positiveness
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Wojciech Golczewski
Aura
112 bpm • C# Maj • 02:41 • -10.09db
38% Popularity • 46% Danceability • 49% Energy • 10% Liveness
89% Instrumentalness • 3% Positiveness
38% Popularity • 46% Danceability • 49% Energy • 10% Liveness
89% Instrumentalness • 3% Positiveness
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Ben Chatwin
Silver Pit
112 bpm • F# min • 04:03 • -12.86db
10% Popularity • 18% Danceability • 33% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
10% Popularity • 18% Danceability • 33% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
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Rival Consoles
I Think So
112 bpm • A Maj • 04:33 • -13.01db
24% Popularity • 59% Danceability • 86% Energy • 10% Liveness
83% Instrumentalness • 3% Positiveness
24% Popularity • 59% Danceability • 86% Energy • 10% Liveness
83% Instrumentalness • 3% Positiveness
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The Black Dog
Sleep Deprivation 1
112 bpm • G# Maj • 04:53 • -29.62db
30% Popularity • 35% Danceability • 7% Energy • 11% Liveness
90% Instrumentalness • 29% Positiveness
30% Popularity • 35% Danceability • 7% Energy • 11% Liveness
90% Instrumentalness • 29% Positiveness
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Craven Faults
Hangingstones
112 bpm • D Maj • 10:29 • -20.99db
11% Popularity • 61% Danceability • 40% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
11% Popularity • 61% Danceability • 40% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
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Max Richter
Iconography - Konx-Om-Pax Remix
112 bpm • G min • 03:55 • -9.98db
30% Popularity • 66% Danceability • 66% Energy • 30% Liveness
86% Instrumentalness • 18% Positiveness
30% Popularity • 66% Danceability • 66% Energy • 30% Liveness
86% Instrumentalness • 18% Positiveness
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Pye Corner Audio
Synaptic
112 bpm • C Maj • 04:40 • -15.3db
14% Popularity • 65% Danceability • 52% Energy • 11% Liveness
91% Instrumentalness • 60% Positiveness
14% Popularity • 65% Danceability • 52% Energy • 11% Liveness
91% Instrumentalness • 60% Positiveness
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Leafcutter John
Yes! Come Parade With Us
112 bpm • D# min • 04:54 • -6.26db
23% Popularity • 41% Danceability • 73% Energy • 60% Liveness
76% Instrumentalness • 32% Positiveness
23% Popularity • 41% Danceability • 73% Energy • 60% Liveness
76% Instrumentalness • 32% Positiveness
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Amon Tobin
One Shy Morning
112 bpm • F# Maj • 03:40 • -10.03db
29% Popularity • 22% Danceability • 59% Energy • 9% Liveness
12% Instrumentalness • 6% Positiveness
29% Popularity • 22% Danceability • 59% Energy • 9% Liveness
12% Instrumentalness • 6% Positiveness
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Rich Ruth
Haynes Manor
100 bpm • C Maj • 05:06 • -8db
21% Popularity • 44% Danceability • 83% Energy • 29% Liveness
93% Instrumentalness • 18% Positiveness
21% Popularity • 44% Danceability • 83% Energy • 29% Liveness
93% Instrumentalness • 18% Positiveness
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Kettel
Nord Marathon
100 bpm • A min • 02:00 • -12db
30% Popularity • 61% Danceability • 43% Energy • 11% Liveness
91% Instrumentalness • 37% Positiveness
30% Popularity • 61% Danceability • 43% Energy • 11% Liveness
91% Instrumentalness • 37% Positiveness
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Ørdop Wolkenscheidt
Haze Ascending Over 249 Square Miles of ...
100 bpm • B min • 04:07 • -11.8db
14% Popularity • 56% Danceability • 92% Energy • 6% Liveness
84% Instrumentalness • 21% Positiveness
14% Popularity • 56% Danceability • 92% Energy • 6% Liveness
84% Instrumentalness • 21% Positiveness
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Pye Corner Audio
Counting the Hours
112 bpm • D Maj • 04:57 • -12.18db
30% Popularity • 61% Danceability • 87% Energy • 18% Liveness
90% Instrumentalness • 6% Positiveness
30% Popularity • 61% Danceability • 87% Energy • 18% Liveness
90% Instrumentalness • 6% Positiveness
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Not Waving
Ability to Gain Access - Pye Corner Audi...
100 bpm • G Maj • 06:46 • -10.56db
2% Popularity • 53% Danceability • 72% Energy • 17% Liveness
77% Instrumentalness • 37% Positiveness
2% Popularity • 53% Danceability • 72% Energy • 17% Liveness
77% Instrumentalness • 37% Positiveness
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The Belbury Circle
No Cat's Eyes
100 bpm • G min • 04:44 • -13.14db
8% Popularity • 49% Danceability • 61% Energy • 6% Liveness
93% Instrumentalness • 38% Positiveness
8% Popularity • 49% Danceability • 61% Energy • 6% Liveness
93% Instrumentalness • 38% Positiveness
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The House In the Woods
Tone Intervals
100 bpm • G min • 07:50 • -32db
10% Popularity • 54% Danceability • 3% Energy • 13% Liveness
92% Instrumentalness • 3% Positiveness
10% Popularity • 54% Danceability • 3% Energy • 13% Liveness
92% Instrumentalness • 3% Positiveness
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Microhm
Stargazers
100 bpm • F min • 07:15 • -11db
15% Popularity • 76% Danceability • 21% Energy • 10% Liveness
91% Instrumentalness • 12% Positiveness
15% Popularity • 76% Danceability • 21% Energy • 10% Liveness
91% Instrumentalness • 12% Positiveness
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Ben Fehr
Lock
112 bpm • C min • 03:54 • -17.34db
16% Popularity • 53% Danceability • 29% Energy • 13% Liveness
92% Instrumentalness • 3% Positiveness
16% Popularity • 53% Danceability • 29% Energy • 13% Liveness
92% Instrumentalness • 3% Positiveness
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Pye Corner Audio
Electronic Rhythm Number Eight
112 bpm • A# min • 05:06 • -15.02db
13% Popularity • 46% Danceability • 46% Energy • 31% Liveness
76% Instrumentalness • 12% Positiveness
13% Popularity • 46% Danceability • 46% Energy • 31% Liveness
76% Instrumentalness • 12% Positiveness
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Bochum Welt
Southern England in Summer
112 bpm • A min • 02:08 • -16db
31% Popularity • 65% Danceability • 46% Energy • 12% Liveness
93% Instrumentalness • 20% Positiveness
31% Popularity • 65% Danceability • 46% Energy • 12% Liveness
93% Instrumentalness • 20% Positiveness
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The Field
Is This Power
112 bpm • F# min • 08:39 • -10db
32% Popularity • 59% Danceability • 58% Energy • 20% Liveness
79% Instrumentalness • 50% Positiveness
32% Popularity • 59% Danceability • 58% Energy • 20% Liveness
79% Instrumentalness • 50% Positiveness
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The House In the Woods
Spectral Corridor Part 3
112 bpm • G# Maj • 09:24 • -23.77db
5% Popularity • 20% Danceability • 14% Energy • 9% Liveness
93% Instrumentalness • 3% Positiveness
5% Popularity • 20% Danceability • 14% Energy • 9% Liveness
93% Instrumentalness • 3% Positiveness
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Gas
Microscopic
100 bpm • F min • 09:54 • -15.96db
24% Popularity • 38% Danceability • 42% Energy • 11% Liveness
73% Instrumentalness • 4% Positiveness
24% Popularity • 38% Danceability • 42% Energy • 11% Liveness
73% Instrumentalness • 4% Positiveness
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Fennesz
Tom
113 bpm • B Maj • 03:04 • -14.03db
33% Popularity • 17% Danceability • 18% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
33% Popularity • 17% Danceability • 18% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Pye Corner Audio
Deeptime
112 bpm • C min • 04:13 • -13.65db
25% Popularity • 53% Danceability • 78% Energy • 11% Liveness
94% Instrumentalness • 18% Positiveness
25% Popularity • 53% Danceability • 78% Energy • 11% Liveness
94% Instrumentalness • 18% Positiveness
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Shook
You Were Bigger Than Life
113 bpm • A# Maj • 06:26 • -11db
40% Popularity • 66% Danceability • 61% Energy • 10% Liveness
92% Instrumentalness • 8% Positiveness
40% Popularity • 66% Danceability • 61% Energy • 10% Liveness
92% Instrumentalness • 8% Positiveness
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James Holden
Blackpool Late Eighties
113 bpm • G Maj • 08:38 • -10.15db
29% Popularity • 67% Danceability • 42% Energy • 12% Liveness
92% Instrumentalness • 44% Positiveness
29% Popularity • 67% Danceability • 42% Energy • 12% Liveness
92% Instrumentalness • 44% Positiveness
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Kelly Moran
Helix - Edit
113 bpm • D# min • 04:45 • -15db
22% Popularity • 37% Danceability • 48% Energy • 11% Liveness
97% Instrumentalness • 9% Positiveness
22% Popularity • 37% Danceability • 48% Energy • 11% Liveness
97% Instrumentalness • 9% Positiveness
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Philip Glass
Floe (Remix) - Specially Mixed for Your ...
99 bpm • A min • 06:00 • -12.46db
29% Popularity • 42% Danceability • 55% Energy • 14% Liveness
98% Instrumentalness • 15% Positiveness
29% Popularity • 42% Danceability • 55% Energy • 14% Liveness
98% Instrumentalness • 15% Positiveness
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Ochre
Yugen
99 bpm • C# Maj • 05:39 • -10.99db
13% Popularity • 72% Danceability • 73% Energy • 37% Liveness
88% Instrumentalness • 11% Positiveness
13% Popularity • 72% Danceability • 73% Energy • 37% Liveness
88% Instrumentalness • 11% Positiveness
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Pye Corner Audio
Underneath the Dancefloor
100 bpm • D Maj • 03:38 • -20.91db
18% Popularity • 52% Danceability • 23% Energy • 6% Liveness
72% Instrumentalness • 36% Positiveness
18% Popularity • 52% Danceability • 23% Energy • 6% Liveness
72% Instrumentalness • 36% Positiveness
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Belbury Poly
The Willows
113 bpm • C# Maj • 04:43 • -11.11db
20% Popularity • 45% Danceability • 41% Energy • 10% Liveness
66% Instrumentalness • 59% Positiveness
20% Popularity • 45% Danceability • 41% Energy • 10% Liveness
66% Instrumentalness • 59% Positiveness
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Sam Prekop
Kreuzung
114 bpm • G min • 05:56 • -16.65db
17% Popularity • 53% Danceability • 51% Energy • 9% Liveness
92% Instrumentalness • 26% Positiveness
17% Popularity • 53% Danceability • 51% Energy • 9% Liveness
92% Instrumentalness • 26% Positiveness
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Loscil
Red Tide
114 bpm • G min • 05:25 • -18.3db
33% Popularity • 51% Danceability • 70% Energy • 9% Liveness
90% Instrumentalness • 55% Positiveness
33% Popularity • 51% Danceability • 70% Energy • 9% Liveness
90% Instrumentalness • 55% Positiveness
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Odd Nosdam
Sisters - Boards of Canada remix
99 bpm • A# min • 03:37 • -10.23db
30% Popularity • 59% Danceability • 73% Energy • 9% Liveness
80% Instrumentalness • 46% Positiveness
30% Popularity • 59% Danceability • 73% Energy • 9% Liveness
80% Instrumentalness • 46% Positiveness
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Polynation
Ode
114 bpm • C min • 03:41 • -14.65db
28% Popularity • 30% Danceability • 43% Energy • 8% Liveness
90% Instrumentalness • 13% Positiveness
28% Popularity • 30% Danceability • 43% Energy • 8% Liveness
90% Instrumentalness • 13% Positiveness
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Pye Corner Audio
Mountain View
100 bpm • A Maj • 04:01 • -15.05db
11% Popularity • 42% Danceability • 25% Energy • 8% Liveness
94% Instrumentalness • 6% Positiveness
11% Popularity • 42% Danceability • 25% Energy • 8% Liveness
94% Instrumentalness • 6% Positiveness
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The Gentleman Losers
There Will Come Soft Rains
114 bpm • C Maj • 04:26 • -7.61db
20% Popularity • 23% Danceability • 50% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
20% Popularity • 23% Danceability • 50% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
