Songs like Hombisilu Theme - Instrumental by Rajan–Nagendra
Based on a tempo of (+/- 10%) and a similar genre
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Jithesh Sundaram
Akannirikke
174 bpm • D# min • 05:53 • -10.96db
10% Popularity • 58% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
10% Popularity • 58% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
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Tithi
Saiyan Tang Na Kara
174 bpm • G Maj • 05:25 • -5.67db
7% Popularity • 58% Danceability • 74% Energy • 30% Liveness
0% Instrumentalness • 90% Positiveness
7% Popularity • 58% Danceability • 74% Energy • 30% Liveness
0% Instrumentalness • 90% Positiveness
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K Kalyan
Banna Bannada
174 bpm • D Maj • 05:25 • -12.7db
7% Popularity • 75% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
7% Popularity • 75% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
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Yesudas
Amruthakanikal
174 bpm • A min • 04:53 • -13.04db
12% Popularity • 47% Danceability • 37% Energy • 28% Liveness
70% Instrumentalness • 46% Positiveness
12% Popularity • 47% Danceability • 37% Energy • 28% Liveness
70% Instrumentalness • 46% Positiveness
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P. B. Sreenivas
E Ooru Chandavo
175 bpm • E Maj • 03:11 • -5.37db
0% Popularity • 59% Danceability • 52% Energy • 35% Liveness
0% Instrumentalness • 96% Positiveness
0% Popularity • 59% Danceability • 52% Energy • 35% Liveness
0% Instrumentalness • 96% Positiveness
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K. G. Markose
Mekkapure
173 bpm • C min • 03:40 • -7.5db
11% Popularity • 65% Danceability • 69% Energy • 17% Liveness
0% Instrumentalness • 77% Positiveness
11% Popularity • 65% Danceability • 69% Energy • 17% Liveness
0% Instrumentalness • 77% Positiveness
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Shyam Dharman
Kanna Karmughil
172 bpm • C Maj • 06:27 • -7.17db
20% Popularity • 61% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
20% Popularity • 61% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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Gaurav Jain
Bagan Bole Koyali
172 bpm • G Maj • 05:39 • -12.6db
9% Popularity • 62% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
9% Popularity • 62% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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Shabbir Dange
Angara Alaaba Daga
172 bpm • F Maj • 06:35 • -4.42db
12% Popularity • 62% Danceability • 69% Energy • 25% Liveness
0% Instrumentalness • 84% Positiveness
12% Popularity • 62% Danceability • 69% Energy • 25% Liveness
0% Instrumentalness • 84% Positiveness
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Yesudas
Gopalaka Pahima
171 bpm • C# Maj • 03:29 • -9.84db
8% Popularity • 66% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
8% Popularity • 66% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Surekha
Mathe Dodamma
177 bpm • G min • 02:54 • -8.4db
0% Popularity • 52% Danceability • 66% Energy • 34% Liveness
0% Instrumentalness • 90% Positiveness
0% Popularity • 52% Danceability • 66% Energy • 34% Liveness
0% Instrumentalness • 90% Positiveness
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Mano
Srishaila Vasa
177 bpm • D# min • 05:35 • -4.63db
8% Popularity • 49% Danceability • 80% Energy • 33% Liveness
0% Instrumentalness • 68% Positiveness
8% Popularity • 49% Danceability • 80% Energy • 33% Liveness
0% Instrumentalness • 68% Positiveness
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G. Devarajan
Vellikkudamani
177 bpm • C Maj • 04:16 • -12.33db
7% Popularity • 41% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
7% Popularity • 41% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Binni Krishnakumar
Yamunayum - Female Version
178 bpm • A Maj • 04:11 • -9.63db
9% Popularity • 52% Danceability • 54% Energy • 18% Liveness
0% Instrumentalness • 72% Positiveness
9% Popularity • 52% Danceability • 54% Energy • 18% Liveness
0% Instrumentalness • 72% Positiveness
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Ranju-Sanju
Agnisalabhangalayi
170 bpm • D Maj • 05:00 • -4.81db
13% Popularity • 38% Danceability • 82% Energy • 28% Liveness
0% Instrumentalness • 50% Positiveness
13% Popularity • 38% Danceability • 82% Energy • 28% Liveness
0% Instrumentalness • 50% Positiveness
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Shaan
Chandira Muduva
170 bpm • C Maj • 04:41 • -12db
9% Popularity • 39% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
9% Popularity • 39% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
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Shabbir Dange
Ninna Koralana Taliya Nodi
170 bpm • F min • 07:12 • -7.07db
12% Popularity • 66% Danceability • 75% Energy • 41% Liveness
0% Instrumentalness • 71% Positiveness
12% Popularity • 66% Danceability • 75% Energy • 41% Liveness
0% Instrumentalness • 71% Positiveness
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Shyam Dharman
Swamikku Deepanjali
170 bpm • A Maj • 04:28 • -2.44db
7% Popularity • 47% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
7% Popularity • 47% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
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Nihal
Neeli Neeli Kallalona
170 bpm • A# Maj • 05:03 • -9.1db
11% Popularity • 56% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
11% Popularity • 56% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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Mano
Chentha Neevu
170 bpm • F min • 04:57 • -7.6db
13% Popularity • 69% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 90% Positiveness
13% Popularity • 69% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 90% Positiveness
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Ramu
Sri Narasimha Prahladavarada
170 bpm • C min • 04:32 • -4.62db
8% Popularity • 47% Danceability • 64% Energy • 36% Liveness
0% Instrumentalness • 71% Positiveness
8% Popularity • 47% Danceability • 64% Energy • 36% Liveness
0% Instrumentalness • 71% Positiveness
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Rajkumar
Siddha Purusharidda
170 bpm • F# Maj • 04:34 • -10.16db
14% Popularity • 47% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
14% Popularity • 47% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
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B.K. Sumitra
Neeliya Banali
170 bpm • D min • 04:08 • -6.43db
3% Popularity • 54% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
3% Popularity • 54% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
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S. P. Balasubrahmanyam
Yelu Kolladoliruvaki
180 bpm • D Maj • 04:49 • -12.91db
10% Popularity • 46% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
10% Popularity • 46% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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Hemanth Kumar
Are Nodu Hendthir Darbar
180 bpm • F# Maj • 04:16 • -6.92db
10% Popularity • 52% Danceability • 72% Energy • 45% Liveness
0% Instrumentalness • 65% Positiveness
10% Popularity • 52% Danceability • 72% Energy • 45% Liveness
0% Instrumentalness • 65% Positiveness
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Mano
Siggu Sigguantavvu
168 bpm • G Maj • 04:24 • -8.86db
9% Popularity • 61% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
9% Popularity • 61% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
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Dr. Shamitha Malnad
Gajavadana Kodugamana
180 bpm • D Maj • 05:41 • -4.82db
14% Popularity • 62% Danceability • 89% Energy • 20% Liveness
0% Instrumentalness • 86% Positiveness
14% Popularity • 62% Danceability • 89% Energy • 20% Liveness
0% Instrumentalness • 86% Positiveness
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Manjula Gururaj
BAA KUNIVA THAI THA
167 bpm • F# Maj • 04:29 • -6.27db
14% Popularity • 61% Danceability • 70% Energy • 18% Liveness
0% Instrumentalness • 72% Positiveness
14% Popularity • 61% Danceability • 70% Energy • 18% Liveness
0% Instrumentalness • 72% Positiveness
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B.K. Sumitra
Udayavu Okuli Chellihudu
168 bpm • G Maj • 07:15 • -5.19db
18% Popularity • 38% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
18% Popularity • 38% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
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Rajan–Nagendra
Echcharike Echcharike
165 bpm • C Maj • 03:23 • -13.03db
0% Popularity • 71% Danceability • 46% Energy • 34% Liveness
0% Instrumentalness • 94% Positiveness
0% Popularity • 71% Danceability • 46% Energy • 34% Liveness
0% Instrumentalness • 94% Positiveness
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Rimi Tomy
Muzhu Muzhuthoru Chakka
162 bpm • G min • 02:06 • -4.91db
8% Popularity • 65% Danceability • 83% Energy • 27% Liveness
0% Instrumentalness • 84% Positiveness
8% Popularity • 65% Danceability • 83% Energy • 27% Liveness
0% Instrumentalness • 84% Positiveness
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Vilayil Faseela
Nafeesathu Beevi
183 bpm • F min • 03:20 • -4.21db
7% Popularity • 43% Danceability • 79% Energy • 31% Liveness
0% Instrumentalness • 76% Positiveness
7% Popularity • 43% Danceability • 79% Energy • 31% Liveness
0% Instrumentalness • 76% Positiveness
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Rajkumar
Nodidira Ee Sundara
162 bpm • F Maj • 04:15 • -11.4db
11% Popularity • 70% Danceability • 43% Energy • 50% Liveness
0% Instrumentalness • 76% Positiveness
11% Popularity • 70% Danceability • 43% Energy • 50% Liveness
0% Instrumentalness • 76% Positiveness
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Yesudas
There Mere Swapne
161 bpm • D# Maj • 04:35 • -10.05db
11% Popularity • 26% Danceability • 33% Energy • 26% Liveness
9% Instrumentalness • 45% Positiveness
11% Popularity • 26% Danceability • 33% Energy • 26% Liveness
9% Instrumentalness • 45% Positiveness
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B.K. Sumitra
Barayya Belandingale
162 bpm • G Maj • 06:20 • -7.42db
9% Popularity • 53% Danceability • 75% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
9% Popularity • 53% Danceability • 75% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
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Priya Sisters
Vishvasamune Swasaga Talachi - Vishvasam...
160 bpm • G# min • 05:29 • -10.08db
10% Popularity • 51% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
10% Popularity • 51% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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Kaanjana Sriram R
Pranava Manthraksharaporule
160 bpm • F min • 04:51 • -6.8db
7% Popularity • 62% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
7% Popularity • 62% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Kousalya
Aa Ningi Ee Nela
160 bpm • E Maj • 04:43 • -1.88db
7% Popularity • 57% Danceability • 89% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
7% Popularity • 57% Danceability • 89% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Hemanth
Hari Yendaga Vaikunta
160 bpm • F min • 04:12 • -8.88db
0% Popularity • 57% Danceability • 87% Energy • 34% Liveness
0% Instrumentalness • 65% Positiveness
0% Popularity • 57% Danceability • 87% Energy • 34% Liveness
0% Instrumentalness • 65% Positiveness
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Madhu Balakrishnan
Amalamanohari Amme
160 bpm • A min • 05:44 • -3.48db
7% Popularity • 50% Danceability • 80% Energy • 29% Liveness
0% Instrumentalness • 62% Positiveness
7% Popularity • 50% Danceability • 80% Energy • 29% Liveness
0% Instrumentalness • 62% Positiveness
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Surekha
Swamy Raachappaji
189 bpm • D Maj • 02:52 • -8.76db
0% Popularity • 48% Danceability • 56% Energy • 31% Liveness
0% Instrumentalness • 56% Positiveness
0% Popularity • 48% Danceability • 56% Energy • 31% Liveness
0% Instrumentalness • 56% Positiveness
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Johnson
Ponnazhikoodu
159 bpm • C Maj • 04:22 • -5.26db
15% Popularity • 46% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
15% Popularity • 46% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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Badri Prasad
Sudebarit Baronditti
190 bpm • D min • 05:10 • -7.26db
17% Popularity • 57% Danceability • 67% Energy • 33% Liveness
0% Instrumentalness • 88% Positiveness
17% Popularity • 57% Danceability • 67% Energy • 33% Liveness
0% Instrumentalness • 88% Positiveness
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Rajkumar
Bhadrapada Masadali
159 bpm • A Maj • 04:41 • -13.87db
9% Popularity • 70% Danceability • 71% Energy • 27% Liveness
0% Instrumentalness • 86% Positiveness
9% Popularity • 70% Danceability • 71% Energy • 27% Liveness
0% Instrumentalness • 86% Positiveness
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Bangari Baludu
Ayyappa Ne Maalalo Ardham Unnadi
159 bpm • C# min • 06:00 • -9.09db
19% Popularity • 59% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 82% Positiveness
19% Popularity • 59% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 82% Positiveness
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Manaf Ali
Ente Khalb
159 bpm • A# min • 05:04 • -7.5db
6% Popularity • 67% Danceability • 60% Energy • 32% Liveness
0% Instrumentalness • 89% Positiveness
6% Popularity • 67% Danceability • 60% Energy • 32% Liveness
0% Instrumentalness • 89% Positiveness
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Chitra
Hoovantha Hrudayavanu
158 bpm • D Maj • 05:07 • -5.55db
9% Popularity • 30% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
9% Popularity • 30% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
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Aakunuri Devayya
Gowramma Thanayudu
157 bpm • F min • 04:14 • -5.11db
12% Popularity • 65% Danceability • 64% Energy • 26% Liveness
0% Instrumentalness • 78% Positiveness
12% Popularity • 65% Danceability • 64% Energy • 26% Liveness
0% Instrumentalness • 78% Positiveness
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Tilok Newar
Oh Bhole
157 bpm • G Maj • 05:14 • -9.89db
17% Popularity • 63% Danceability • 49% Energy • 36% Liveness
0% Instrumentalness • 88% Positiveness
17% Popularity • 63% Danceability • 49% Energy • 36% Liveness
0% Instrumentalness • 88% Positiveness
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Manukota Prasad
Panchagirula paina Ayyappa paata
157 bpm • C# min • 06:20 • -5.68db
9% Popularity • 64% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
9% Popularity • 64% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
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Kanjula Gururaj
Bhuviya Vaikuntavaaythu
156 bpm • F# Maj • 06:36 • -11.76db
9% Popularity • 55% Danceability • 51% Energy • 37% Liveness
0% Instrumentalness • 89% Positiveness
9% Popularity • 55% Danceability • 51% Energy • 37% Liveness
0% Instrumentalness • 89% Positiveness
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G Venugopal
Narayaniyamaam
156 bpm • G Maj • 04:43 • -7.79db
10% Popularity • 63% Danceability • 73% Energy • 14% Liveness
0% Instrumentalness • 75% Positiveness
10% Popularity • 63% Danceability • 73% Energy • 14% Liveness
0% Instrumentalness • 75% Positiveness
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Nandakishore Naidu
Patitapavana
156 bpm • F# Maj • 04:20 • -9.06db
8% Popularity • 63% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
8% Popularity • 63% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
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Sajitha
Kalamere
156 bpm • E Maj • 04:13 • -14.13db
9% Popularity • 55% Danceability • 39% Energy • 28% Liveness
0% Instrumentalness • 67% Positiveness
9% Popularity • 55% Danceability • 39% Energy • 28% Liveness
0% Instrumentalness • 67% Positiveness
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Shabbir Dange
Naa Onti Iruvaga
156 bpm • F min • 06:11 • -5.6db
12% Popularity • 44% Danceability • 76% Energy • 41% Liveness
0% Instrumentalness • 57% Positiveness
12% Popularity • 44% Danceability • 76% Energy • 41% Liveness
0% Instrumentalness • 57% Positiveness
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Yesudas
Enthinavidam Parayunnachaa
155 bpm • F min • 02:54 • -12.57db
13% Popularity • 45% Danceability • 32% Energy • 26% Liveness
0% Instrumentalness • 69% Positiveness
13% Popularity • 45% Danceability • 32% Energy • 26% Liveness
0% Instrumentalness • 69% Positiveness
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Rajesh Krishnan
Cheluvige Cheluve
156 bpm • F Maj • 04:57 • -6.59db
9% Popularity • 60% Danceability • 61% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
9% Popularity • 60% Danceability • 61% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
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L. R. Eswari
Ajajappa Ajappa I Love
155 bpm • D Maj • 03:03 • -6.97db
0% Popularity • 58% Danceability • 70% Energy • 28% Liveness
0% Instrumentalness • 93% Positiveness
0% Popularity • 58% Danceability • 70% Energy • 28% Liveness
0% Instrumentalness • 93% Positiveness
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Prakruthi Reddy
Indhari Budhulu
155 bpm • F# Maj • 06:15 • -5.65db
8% Popularity • 38% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
8% Popularity • 38% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
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Bellur Sisters
Hejje Mele Hejje Ittu
155 bpm • D Maj • 03:44 • -14.13db
7% Popularity • 48% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
7% Popularity • 48% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
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Malgudi Subha
Jakkanaka Jakkanaka
155 bpm • C Maj • 04:52 • -6db
10% Popularity • 79% Danceability • 76% Energy • 36% Liveness
0% Instrumentalness • 79% Positiveness
10% Popularity • 79% Danceability • 76% Energy • 36% Liveness
0% Instrumentalness • 79% Positiveness
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Hosanna Ministries Official
Yendhukila Jarigindani
154 bpm • C min • 07:56 • -7.53db
9% Popularity • 46% Danceability • 45% Energy • 19% Liveness
0% Instrumentalness • 50% Positiveness
9% Popularity • 46% Danceability • 45% Energy • 19% Liveness
0% Instrumentalness • 50% Positiveness
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Hariharan
Jeevana Hudukutha
154 bpm • F# Maj • 05:11 • -7.01db
10% Popularity • 48% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 64% Positiveness
10% Popularity • 48% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 64% Positiveness
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M. G. Radhakrishnan
Sarasijanaabha Sodari
154 bpm • F# Maj • 02:26 • -4.13db
9% Popularity • 45% Danceability • 88% Energy • 29% Liveness
0% Instrumentalness • 62% Positiveness
9% Popularity • 45% Danceability • 88% Energy • 29% Liveness
0% Instrumentalness • 62% Positiveness
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S. P. Balasubrahmanyam
Dandalu Pettu
154 bpm • D# Maj • 05:13 • -1.9db
14% Popularity • 58% Danceability • 93% Energy • 37% Liveness
0% Instrumentalness • 72% Positiveness
14% Popularity • 58% Danceability • 93% Energy • 37% Liveness
0% Instrumentalness • 72% Positiveness
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Madhavapeddi Ramesh
Pichi Brahma
152 bpm • G# min • 04:44 • -5db
15% Popularity • 60% Danceability • 83% Energy • 27% Liveness
40% Instrumentalness • 91% Positiveness
15% Popularity • 60% Danceability • 83% Energy • 27% Liveness
40% Instrumentalness • 91% Positiveness
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Jassie Gift
Nilledi Nilledi
151 bpm • C# Maj • 05:04 • -6.4db
6% Popularity • 75% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
6% Popularity • 75% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Hosanna Ministries Kurnool
Aakasham Vypu Naa Kannulethu Chunnanu
151 bpm • F# Maj • 09:51 • -7.42db
15% Popularity • 68% Danceability • 77% Energy • 18% Liveness
0% Instrumentalness • 85% Positiveness
15% Popularity • 68% Danceability • 77% Energy • 18% Liveness
0% Instrumentalness • 85% Positiveness
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Hemanth
Panjurli
200 bpm • F# Maj • 05:13 • -4.22db
11% Popularity • 52% Danceability • 85% Energy • 18% Liveness
0% Instrumentalness • 96% Positiveness
11% Popularity • 52% Danceability • 85% Energy • 18% Liveness
0% Instrumentalness • 96% Positiveness
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Kaithapram Viswanath
Ezhaam Baharinte
150 bpm • G Maj • 04:55 • -5.31db
0% Popularity • 66% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
0% Popularity • 66% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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Vinod
Seethakalyanam
150 bpm • G min • 06:47 • -7.93db
9% Popularity • 80% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
9% Popularity • 80% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
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Sureshbabu
Godaramma
150 bpm • B min • 06:33 • -8db
10% Popularity • 73% Danceability • 54% Energy • 18% Liveness
0% Instrumentalness • 88% Positiveness
10% Popularity • 73% Danceability • 54% Energy • 18% Liveness
0% Instrumentalness • 88% Positiveness
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Umbayee
Nidrayil Verumoru
150 bpm • F min • 04:56 • -9.14db
2% Popularity • 62% Danceability • 48% Energy • 23% Liveness
0% Instrumentalness • 56% Positiveness
2% Popularity • 62% Danceability • 48% Energy • 23% Liveness
0% Instrumentalness • 56% Positiveness
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Salim Kudathur
Ninne Kanan
150 bpm • G Maj • 04:27 • -5.78db
13% Popularity • 72% Danceability • 85% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
13% Popularity • 72% Danceability • 85% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
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Hemanth
Theranna Nadona
150 bpm • D min • 02:37 • -8.83db
15% Popularity • 67% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 97% Positiveness
15% Popularity • 67% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 97% Positiveness
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Joshua Shaik
Praana Priyuda
150 bpm • A Maj • 09:56 • -5.01db
9% Popularity • 35% Danceability • 71% Energy • 6% Liveness
0% Instrumentalness • 43% Positiveness
9% Popularity • 35% Danceability • 71% Energy • 6% Liveness
0% Instrumentalness • 43% Positiveness
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Vilayil Faseela
Manavatti
150 bpm • A min • 04:02 • -6.54db
7% Popularity • 65% Danceability • 86% Energy • 33% Liveness
0% Instrumentalness • 94% Positiveness
7% Popularity • 65% Danceability • 86% Energy • 33% Liveness
0% Instrumentalness • 94% Positiveness
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K. Yuvaraj
Yaathakke Male Hodavo
149 bpm • A# Maj • 05:10 • -2.63db
12% Popularity • 62% Danceability • 65% Energy • 34% Liveness
0% Instrumentalness • 59% Positiveness
12% Popularity • 62% Danceability • 65% Energy • 34% Liveness
0% Instrumentalness • 59% Positiveness
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Ramu
Vishveshwaraya
148 bpm • F# Maj • 03:57 • -10.79db
1% Popularity • 55% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
1% Popularity • 55% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
