Songs like Home Movies (feat. Mickey Guyton) by Lukas Graham
Based on a tempo of (+/- 10%) and a similar genre
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Kristin Amparo
Outside of Love
80 bpm • D min • 03:05 • -9db
24% Popularity • 57% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
24% Popularity • 57% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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MacKenzie Porter
Confession
80 bpm • C Maj • 02:36 • -9.79db
5% Popularity • 55% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
5% Popularity • 55% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Sam Fischer
Carry It Well
80 bpm • F# min • 03:32 • -6.58db
27% Popularity • 52% Danceability • 48% Energy • 41% Liveness
0% Instrumentalness • 26% Positiveness
27% Popularity • 52% Danceability • 48% Energy • 41% Liveness
0% Instrumentalness • 26% Positiveness
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Tom Ball
The Sound Of Silence
80 bpm • D Maj • 03:19 • -6.83db
47% Popularity • 50% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
47% Popularity • 50% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Christopher
Hope This Song Is For You
80 bpm • F# Maj • 02:35 • -8.2db
61% Popularity • 56% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
61% Popularity • 56% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Hjalmer
Overtænker
79 bpm • B Maj • 03:14 • -7.53db
26% Popularity • 51% Danceability • 70% Energy • 27% Liveness
0% Instrumentalness • 48% Positiveness
26% Popularity • 51% Danceability • 70% Energy • 27% Liveness
0% Instrumentalness • 48% Positiveness
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Lauren Alaina
What Do You Think Of?
81 bpm • G# Maj • 03:38 • -7db
31% Popularity • 60% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
31% Popularity • 60% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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URO
Føles Godt
81 bpm • C Maj • 02:50 • -5.99db
47% Popularity • 56% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 35% Positiveness
47% Popularity • 56% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 35% Positiveness
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Sam Ryder
All the Way Over
79 bpm • G Maj • 03:08 • -5.26db
35% Popularity • 54% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
35% Popularity • 54% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Nike Sellmar
Anything You Say
79 bpm • D Maj • 03:04 • -5.47db
32% Popularity • 25% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
32% Popularity • 25% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Zara Larsson
Can't Tame Her - Acoustic
79 bpm • G min • 03:30 • -4.32db
47% Popularity • 61% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
47% Popularity • 61% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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Dean Lewis
How Do I Say Goodbye
82 bpm • G# Maj • 02:43 • -6db
77% Popularity • 40% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
77% Popularity • 40% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
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Lasse Skriver
Love Is Strange
81 bpm • C# min • 03:17 • -7db
31% Popularity • 57% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
31% Popularity • 57% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Seeb
Would You Lie - Acoustic Version
82 bpm • A# Maj • 02:47 • -6.42db
31% Popularity • 32% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
31% Popularity • 32% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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JP Saxe
When You Think Of Me
78 bpm • C# Maj • 03:29 • -10.59db
39% Popularity • 36% Danceability • 31% Energy • 49% Liveness
0% Instrumentalness • 15% Positiveness
39% Popularity • 36% Danceability • 31% Energy • 49% Liveness
0% Instrumentalness • 15% Positiveness
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Stine Bramsen
Blonde & Blank
82 bpm • C# Maj • 04:03 • -7.27db
29% Popularity • 58% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
29% Popularity • 58% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Lauren Spencer Smith
Best Friend Breakup
82 bpm • F min • 02:21 • -5.05db
62% Popularity • 68% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
62% Popularity • 68% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Dean Lewis
How Do I Say Goodbye - Orchestral
78 bpm • D# Maj • 02:40 • -8db
41% Popularity • 38% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
41% Popularity • 38% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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Cat Burns
you don't love me anymore
82 bpm • G# Maj • 03:24 • -6.83db
49% Popularity • 55% Danceability • 55% Energy • 25% Liveness
0% Instrumentalness • 43% Positiveness
49% Popularity • 55% Danceability • 55% Energy • 25% Liveness
0% Instrumentalness • 43% Positiveness
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Birgir
Take Me Higher
82 bpm • D# Maj • 03:28 • -8.28db
30% Popularity • 59% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
30% Popularity • 59% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Christopher
Led Me To You
82 bpm • D Maj • 03:19 • -7.81db
62% Popularity • 59% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
62% Popularity • 59% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
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Lachie Gill
Wasted Time - Stripped Back
78 bpm • C# Maj • 03:21 • -7.92db
32% Popularity • 61% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
32% Popularity • 61% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Lukas Graham
Say Yes (Church Ballad)
78 bpm • F# Maj • 03:33 • -6.04db
34% Popularity • 60% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
34% Popularity • 60% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Dean Lewis
Half A Man
78 bpm • C Maj • 02:59 • -11.58db
75% Popularity • 51% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
75% Popularity • 51% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Måns Zelmerlöw
This Is The One
82 bpm • C Maj • 03:10 • -6.16db
25% Popularity • 62% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
25% Popularity • 62% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Alba August
Wonderchild - Spotify Singles
83 bpm • F min • 03:41 • -6db
41% Popularity • 52% Danceability • 71% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
41% Popularity • 52% Danceability • 71% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
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P!nk
When I Get There
83 bpm • C# Maj • 03:20 • -5db
63% Popularity • 56% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
63% Popularity • 56% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Brent Morgan
Stop Calling Me (Acoustic)
83 bpm • C Maj • 03:03 • -8db
38% Popularity • 59% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
38% Popularity • 59% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Ashley Cooke
it's been a year
77 bpm • B Maj • 03:36 • -7.96db
46% Popularity • 36% Danceability • 43% Energy • 34% Liveness
0% Instrumentalness • 39% Positiveness
46% Popularity • 36% Danceability • 43% Energy • 34% Liveness
0% Instrumentalness • 39% Positiveness
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Kurt Nilsen
Get Moving Too
83 bpm • F# Maj • 03:15 • -8.9db
26% Popularity • 52% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
26% Popularity • 52% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
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Benjamin Ingrosso
I Had It All And Let It Go
83 bpm • G Maj • 03:38 • -12.53db
44% Popularity • 32% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
44% Popularity • 32% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
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Christopher
Just Kiss Me
77 bpm • G Maj • 03:27 • -7.09db
42% Popularity • 71% Danceability • 53% Energy • 21% Liveness
0% Instrumentalness • 62% Positiveness
42% Popularity • 71% Danceability • 53% Energy • 21% Liveness
0% Instrumentalness • 62% Positiveness
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Malte Ebert
A Way To Love Me Still
77 bpm • D# Maj • 03:08 • -8.76db
32% Popularity • 30% Danceability • 36% Energy • 70% Liveness
0% Instrumentalness • 17% Positiveness
32% Popularity • 30% Danceability • 36% Energy • 70% Liveness
0% Instrumentalness • 17% Positiveness
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Alana Springsteen
goodbye looks good on you
84 bpm • C# min • 02:51 • -4.2db
66% Popularity • 67% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
66% Popularity • 67% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Vince Gill
Love Changes Everything
77 bpm • F Maj • 04:54 • -8.5db
32% Popularity • 46% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
32% Popularity • 46% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Sam Fischer
You Don't Call Me Anymore
84 bpm • C# Maj • 02:55 • -8.24db
37% Popularity • 34% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
37% Popularity • 34% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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Jamie Harrison
Chance to Say Goodbye
76 bpm • F# Maj • 03:22 • -10db
30% Popularity • 63% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
30% Popularity • 63% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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LeAnn Rimes
the wild
84 bpm • F min • 04:13 • -7.48db
15% Popularity • 35% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
15% Popularity • 35% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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Tiera Kennedy
I Ain't A Cowgirl
76 bpm • D# Maj • 03:01 • -8.14db
1% Popularity • 52% Danceability • 36% Energy • 22% Liveness
0% Instrumentalness • 25% Positiveness
1% Popularity • 52% Danceability • 36% Energy • 22% Liveness
0% Instrumentalness • 25% Positiveness
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Lukas Graham
Everything That Isn't Me
76 bpm • G# Maj • 03:17 • -8.54db
37% Popularity • 70% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
37% Popularity • 70% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Jamie Grey
Single Part of You
84 bpm • C# Maj • 02:32 • -12db
46% Popularity • 47% Danceability • 29% Energy • 23% Liveness
0% Instrumentalness • 32% Positiveness
46% Popularity • 47% Danceability • 29% Energy • 23% Liveness
0% Instrumentalness • 32% Positiveness
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George Ezra
Sweetest Human Being Alive
85 bpm • G# Maj • 03:45 • -7db
53% Popularity • 40% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
53% Popularity • 40% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
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Charlie South
Just A Man
85 bpm • D Maj • 02:09 • -10.41db
32% Popularity • 36% Danceability • 37% Energy • 22% Liveness
0% Instrumentalness • 48% Positiveness
32% Popularity • 36% Danceability • 37% Energy • 22% Liveness
0% Instrumentalness • 48% Positiveness
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Madison Watkins
Lose To Love
75 bpm • F# Maj • 03:29 • -9db
38% Popularity • 42% Danceability • 31% Energy • 27% Liveness
0% Instrumentalness • 20% Positiveness
38% Popularity • 42% Danceability • 31% Energy • 27% Liveness
0% Instrumentalness • 20% Positiveness
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andreas odbjerg
i morgen er der også en dag
85 bpm • A# Maj • 03:18 • -8db
51% Popularity • 50% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
51% Popularity • 50% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
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James Smith
Got the Love
85 bpm • B Maj • 03:03 • -10db
55% Popularity • 62% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
55% Popularity • 62% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Bea and her Business
Born To Be Alive
75 bpm • B Maj • 02:37 • -5.66db
61% Popularity • 44% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
61% Popularity • 44% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
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Ida Laurberg
Terrier
85 bpm • B min • 03:20 • -5.65db
45% Popularity • 53% Danceability • 69% Energy • 43% Liveness
0% Instrumentalness • 30% Positiveness
45% Popularity • 53% Danceability • 69% Energy • 43% Liveness
0% Instrumentalness • 30% Positiveness
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Charlie South
I'll Never Need
75 bpm • D Maj • 02:51 • -11db
26% Popularity • 68% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
26% Popularity • 68% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Zoe Wees
Third Wheel - Piano Version
75 bpm • G# Maj • 02:15 • -5db
39% Popularity • 48% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
39% Popularity • 48% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Tobias Rahim
Flyvende Faduma
75 bpm • G Maj • 03:18 • -5.91db
57% Popularity • 69% Danceability • 78% Energy • 38% Liveness
0% Instrumentalness • 56% Positiveness
57% Popularity • 69% Danceability • 78% Energy • 38% Liveness
0% Instrumentalness • 56% Positiveness
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Brent Morgan
My Time Machine
75 bpm • C# Maj • 02:25 • -9.13db
51% Popularity • 62% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
51% Popularity • 62% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Mickey Guyton
Have A Little Faith In Me
75 bpm • A Maj • 03:42 • -6.62db
30% Popularity • 49% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
30% Popularity • 49% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
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Saint clara
Oh My God
75 bpm • G Maj • 02:39 • -6.09db
54% Popularity • 64% Danceability • 56% Energy • 24% Liveness
0% Instrumentalness • 26% Positiveness
54% Popularity • 64% Danceability • 56% Energy • 24% Liveness
0% Instrumentalness • 26% Positiveness
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Tim Gallagher
Every Little Word
75 bpm • G# Maj • 03:08 • -8.57db
30% Popularity • 53% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
30% Popularity • 53% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Amanda Tenfjord
I'll stay
86 bpm • D Maj • 03:46 • -8.74db
29% Popularity • 56% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
29% Popularity • 56% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
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Joel Corry
Do U Want Me Baby? - Sam Ryder Acoustic
75 bpm • A Maj • 02:16 • -14.8db
25% Popularity • 50% Danceability • 13% Energy • 23% Liveness
0% Instrumentalness • 48% Positiveness
25% Popularity • 50% Danceability • 13% Energy • 23% Liveness
0% Instrumentalness • 48% Positiveness
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Dermot Kennedy
Divide
86 bpm • A Maj • 03:23 • -4.92db
48% Popularity • 64% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
48% Popularity • 64% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Wild Rivers
Thinking 'Bout Love
74 bpm • F Maj • 03:04 • -6db
63% Popularity • 56% Danceability • 54% Energy • 15% Liveness
0% Instrumentalness • 41% Positiveness
63% Popularity • 56% Danceability • 54% Energy • 15% Liveness
0% Instrumentalness • 41% Positiveness
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Kristin Amparo
How It Goes
74 bpm • E Maj • 04:03 • -9db
21% Popularity • 60% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
21% Popularity • 60% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Sam Tompkins
lose it all
87 bpm • B Maj • 03:25 • -8.48db
61% Popularity • 45% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
61% Popularity • 45% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Lily Meola
Daydream
74 bpm • F min • 03:09 • -8db
70% Popularity • 39% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
70% Popularity • 39% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Måns Zelmerlöw
Sober (Mer för varandra)
87 bpm • C Maj • 02:56 • -7db
32% Popularity • 59% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
32% Popularity • 59% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
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Emelie Hollow
I Could Lie Here Forever
87 bpm • F# Maj • 02:45 • -8.71db
29% Popularity • 57% Danceability • 17% Energy • 19% Liveness
0% Instrumentalness • 24% Positiveness
29% Popularity • 57% Danceability • 17% Energy • 19% Liveness
0% Instrumentalness • 24% Positiveness
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Dermot Kennedy
One Life
87 bpm • F# min • 03:57 • -4.45db
58% Popularity • 52% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
58% Popularity • 52% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
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NOAH
83
88 bpm • C# Maj • 03:10 • -7db
38% Popularity • 63% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 66% Positiveness
38% Popularity • 63% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 66% Positiveness
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Mimi Webb
Last Train To London (I Won't Look Back)
73 bpm • A Maj • 03:52 • -6.92db
37% Popularity • 52% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
37% Popularity • 52% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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Jonah Blacksmith
Earthquake
88 bpm • C Maj • 04:09 • -9.47db
36% Popularity • 69% Danceability • 49% Energy • 33% Liveness
0% Instrumentalness • 68% Positiveness
36% Popularity • 69% Danceability • 49% Energy • 33% Liveness
0% Instrumentalness • 68% Positiveness
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Måns Zelmerlöw
This Is The One - Unplugged
73 bpm • C Maj • 03:47 • -9.18db
10% Popularity • 58% Danceability • 57% Energy • 19% Liveness
0% Instrumentalness • 59% Positiveness
10% Popularity • 58% Danceability • 57% Energy • 19% Liveness
0% Instrumentalness • 59% Positiveness
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Lukas Graham
Unhappy
88 bpm • F min • 03:16 • -6.43db
35% Popularity • 79% Danceability • 70% Energy • 26% Liveness
0% Instrumentalness • 55% Positiveness
35% Popularity • 79% Danceability • 70% Energy • 26% Liveness
0% Instrumentalness • 55% Positiveness
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Dermot Kennedy
Homeward
88 bpm • G Maj • 03:38 • -6.33db
50% Popularity • 63% Danceability • 61% Energy • 39% Liveness
0% Instrumentalness • 36% Positiveness
50% Popularity • 63% Danceability • 61% Energy • 39% Liveness
0% Instrumentalness • 36% Positiveness
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Meghan Trainor
Bad For Me - Acoustic
88 bpm • C Maj • 03:37 • -7db
37% Popularity • 60% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
37% Popularity • 60% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
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Martin Brygmann
New Eyes
88 bpm • D min • 03:50 • -9db
8% Popularity • 63% Danceability • 50% Energy • 58% Liveness
0% Instrumentalness • 35% Positiveness
8% Popularity • 63% Danceability • 50% Energy • 58% Liveness
0% Instrumentalness • 35% Positiveness
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Maja Francis
Please Remember Me
73 bpm • G# Maj • 03:42 • -8db
40% Popularity • 53% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
40% Popularity • 53% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Niall Horan
Heaven - Acoustic
88 bpm • F Maj • 03:03 • -6db
49% Popularity • 67% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
49% Popularity • 67% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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ROYA
500 Miles
89 bpm • C Maj • 03:29 • -13.27db
12% Popularity • 50% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
12% Popularity • 50% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Joshua Radin
I'm Just Different
89 bpm • D Maj • 03:53 • -7.57db
28% Popularity • 50% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
28% Popularity • 50% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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Meghan Trainor
Bad For Me
88 bpm • C Maj • 03:33 • -4.57db
67% Popularity • 68% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 31% Positiveness
67% Popularity • 68% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 31% Positiveness
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Benson Boone
Little Runaway
89 bpm • C Maj • 03:15 • -6.54db
66% Popularity • 55% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
66% Popularity • 55% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Mickey Guyton
If I Were A Boy
89 bpm • F# Maj • 04:04 • -7db
20% Popularity • 53% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
20% Popularity • 53% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Mimi Webb
Last Train To London
71 bpm • A Maj • 03:47 • -7.09db
48% Popularity • 55% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
48% Popularity • 55% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Benedict Cork
Have a Good Life (See You Never)
90 bpm • B Maj • 03:01 • -10.94db
55% Popularity • 68% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
55% Popularity • 68% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Ida Laurberg
Jeg Ka' Rigtig Godt Li' Dig
90 bpm • F min • 03:06 • -6.36db
51% Popularity • 74% Danceability • 77% Energy • 16% Liveness
0% Instrumentalness • 81% Positiveness
51% Popularity • 74% Danceability • 77% Energy • 16% Liveness
0% Instrumentalness • 81% Positiveness
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Moncrieff
Warm
90 bpm • C Maj • 03:03 • -6.48db
52% Popularity • 61% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
52% Popularity • 61% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Ruben
Walls - Naked Edition
90 bpm • G Maj • 02:59 • -7.59db
53% Popularity • 54% Danceability • 46% Energy • 20% Liveness
0% Instrumentalness • 46% Positiveness
53% Popularity • 54% Danceability • 46% Energy • 20% Liveness
0% Instrumentalness • 46% Positiveness
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Chriddy Black
All On Me
90 bpm • D Maj • 02:56 • -6db
30% Popularity • 41% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
30% Popularity • 41% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
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Meghan Trainor
Superwoman
91 bpm • G# Maj • 02:25 • -4.97db
46% Popularity • 42% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 21% Positiveness
46% Popularity • 42% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 21% Positiveness
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Sam Ryder
Mountain
91 bpm • C# Maj • 02:49 • -3.09db
51% Popularity • 61% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
51% Popularity • 61% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Dean Lewis
Into The Breeze
91 bpm • A Maj • 02:45 • -6.6db
44% Popularity • 43% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
44% Popularity • 43% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
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Ellen Krauss
Tie Me Down
92 bpm • G# Maj • 03:18 • -9.41db
37% Popularity • 66% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
37% Popularity • 66% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Siné
For The Last Time Once Again
70 bpm • A# min • 03:00 • -9.84db
12% Popularity • 46% Danceability • 32% Energy • 24% Liveness
0% Instrumentalness • 55% Positiveness
12% Popularity • 46% Danceability • 32% Energy • 24% Liveness
0% Instrumentalness • 55% Positiveness
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Sam Fischer
High On You
93 bpm • A# Maj • 03:13 • -9.38db
42% Popularity • 68% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
42% Popularity • 68% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Victor Crone
Wind In My Sails
93 bpm • A# Maj • 02:59 • -6.24db
47% Popularity • 50% Danceability • 71% Energy • 39% Liveness
0% Instrumentalness • 52% Positiveness
47% Popularity • 50% Danceability • 71% Energy • 39% Liveness
0% Instrumentalness • 52% Positiveness
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Mickey Guyton
Lay It On Me
69 bpm • A# Maj • 03:09 • -4.45db
45% Popularity • 40% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
45% Popularity • 40% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
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Kelly Clarkson
9 to 5 (FROM THE STILL WORKING 9 TO 5 DO...
94 bpm • D# Maj • 03:36 • -5db
43% Popularity • 53% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
43% Popularity • 53% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Bebe Rexha
Seasons
94 bpm • E min • 03:23 • -8.05db
51% Popularity • 64% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
51% Popularity • 64% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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BATHSHEBA
Something About Her
94 bpm • B Maj • 03:02 • -6.6db
40% Popularity • 64% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
40% Popularity • 64% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
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Sam Fischer
Alright
93 bpm • C Maj • 02:52 • -6.06db
44% Popularity • 65% Danceability • 65% Energy • 47% Liveness
0% Instrumentalness • 63% Positiveness
44% Popularity • 65% Danceability • 65% Energy • 47% Liveness
0% Instrumentalness • 63% Positiveness
