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Home Sweet Home
Songs like
Home Sweet Home
by
E.C. Ball
Based on a tempo of (+/- 10%) and a similar genre
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Uncle Dave Macon
Rock About My Sara Jane
108 bpm • G# Maj • 03:23 • -12.65db
18% Popularity • 59% Danceability • 40% Energy • 20% Liveness
0% Instrumentalness • 68% Positiveness
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The New Lost City Ramblers
Kentucky Bootlegger
108 bpm • G Maj • 02:09 • -13db
16% Popularity • 80% Danceability • 35% Energy • 15% Liveness
0% Instrumentalness • 69% Positiveness
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Delma Lachney
La Danseuse
108 bpm • F Maj • 02:54 • -11db
12% Popularity • 78% Danceability • 40% Energy • 17% Liveness
57% Instrumentalness • 63% Positiveness
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Cannon's Jug Stompers
Going to Germany
107 bpm • G Maj • 02:31 • -13db
19% Popularity • 51% Danceability • 15% Energy • 14% Liveness
7% Instrumentalness • 64% Positiveness
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Etta Baker
Railroad Bill
107 bpm • C Maj • 02:41 • -18db
32% Popularity • 56% Danceability • 18% Energy • 10% Liveness
91% Instrumentalness • 69% Positiveness
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Blaze Foley
Let Me Ride in Your Big Cadillac
108 bpm • F Maj • 02:31 • -15db
29% Popularity • 55% Danceability • 12% Energy • 11% Liveness
1% Instrumentalness • 32% Positiveness
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Blind Willie Johnson
Bye and Bye I'm Goin' to See the King
109 bpm • G Maj • 02:51 • -16.12db
18% Popularity • 60% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
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George Gibson
Wild Bill Jones
107 bpm • D Maj • 04:21 • -17.72db
7% Popularity • 61% Danceability • 14% Energy • 23% Liveness
30% Instrumentalness • 58% Positiveness
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Dillard Chandler
I Wish My Baby Was Born
109 bpm • A Maj • 01:03 • -14.26db
15% Popularity • 74% Danceability • 2% Energy • 35% Liveness
0% Instrumentalness • 39% Positiveness
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Patrick Sky
Everytime
109 bpm • F Maj • 04:29 • -25db
11% Popularity • 34% Danceability • 8% Energy • 11% Liveness
21% Instrumentalness • 14% Positiveness
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Alan Lomax
All the Pretty Little Horses
109 bpm • A min • 01:49 • -18.04db
28% Popularity • 47% Danceability • 3% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
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Etta Baker
Don't Let Your Deal Go Down
107 bpm • G Maj • 02:36 • -23.09db
10% Popularity • 51% Danceability • 16% Energy • 12% Liveness
88% Instrumentalness • 81% Positiveness
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Michael Hurley
Mayor of Alburg
107 bpm • D Maj • 01:55 • -12.46db
14% Popularity • 61% Danceability • 12% Energy • 9% Liveness
1% Instrumentalness • 100% Positiveness
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Wade Ward
Lone Prairie
107 bpm • D# Maj • 00:56 • -12.99db
26% Popularity • 59% Danceability • 21% Energy • 7% Liveness
98% Instrumentalness • 96% Positiveness
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Washington Phillips
Take Your Burden To The Lord And Leave I...
109 bpm • F# Maj • 03:15 • -14db
11% Popularity • 52% Danceability • 21% Energy • 18% Liveness
0% Instrumentalness • 18% Positiveness
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Hazel Dickens
Mining Camp Blues
109 bpm • C Maj • 03:25 • -14.4db
8% Popularity • 46% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Alan Lomax
I'm Bound to Follow the Longhorn Cows
109 bpm • D Maj • 03:43 • -6.6db
7% Popularity • 57% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Charlie Poole
Milwaukee Blues
107 bpm • C# Maj • 03:18 • -8.95db
12% Popularity • 74% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
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Uncle Dave Macon
Papa's Billie Goat - Remastered
109 bpm • F Maj • 02:47 • -12.35db
4% Popularity • 58% Danceability • 35% Energy • 30% Liveness
0% Instrumentalness • 79% Positiveness
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Bill & Belle Reed
The Old lady & the devil
107 bpm • C Maj • 03:06 • -10.35db
6% Popularity • 62% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Henry Thomas
Bob McKinney
109 bpm • F# Maj • 02:53 • -14.32db
13% Popularity • 59% Danceability • 22% Energy • 10% Liveness
1% Instrumentalness • 86% Positiveness
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John S Comeaux
We Are Free
110 bpm • A# Maj • 04:13 • -21.38db
8% Popularity • 56% Danceability • 18% Energy • 6% Liveness
0% Instrumentalness • 26% Positiveness
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Mary Z. Cox
Cherokee Shuffle
110 bpm • A Maj • 02:05 • -16.84db
11% Popularity • 53% Danceability • 39% Energy • 10% Liveness
97% Instrumentalness • 92% Positiveness
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Rev. Gary Davis
I Am The Light
106 bpm • E Maj • 03:02 • -12.38db
16% Popularity • 60% Danceability • 34% Energy • 22% Liveness
84% Instrumentalness • 74% Positiveness
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Frank Stokes
I Got Mine
106 bpm • C# Maj • 03:06 • -12db
17% Popularity • 76% Danceability • 18% Energy • 11% Liveness
1% Instrumentalness • 69% Positiveness
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Charlie Poole
Took My Gal a-Walkin'
106 bpm • D Maj • 02:48 • -8.57db
10% Popularity • 56% Danceability • 36% Energy • 27% Liveness
0% Instrumentalness • 94% Positiveness
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Blind Willie McTell
Baby, It Must Be Love
106 bpm • A min • 01:44 • -11.53db
27% Popularity • 68% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
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Frank Fairfield
Frazier Blues
110 bpm • C# Maj • 04:21 • -17.77db
10% Popularity • 50% Danceability • 28% Energy • 10% Liveness
31% Instrumentalness • 22% Positiveness
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The New Lost City Ramblers
Roving Gambler
110 bpm • E Maj • 02:51 • -14.4db
11% Popularity • 60% Danceability • 32% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
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Mississippi Fred McDowell
Big Fat Mama, Meat Shakin' On Her Bones
106 bpm • D# Maj • 02:12 • -11.5db
8% Popularity • 45% Danceability • 39% Energy • 23% Liveness
4% Instrumentalness • 47% Positiveness
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Barbara Dane
When I Was a Young Girl
110 bpm • D min • 03:43 • -16db
10% Popularity • 51% Danceability • 5% Energy • 15% Liveness
0% Instrumentalness • 49% Positiveness
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Buster Carter & Preston Young
A Lazy Farmer Boy
111 bpm • C# Maj • 03:01 • -10.74db
10% Popularity • 61% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
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Furry Lewis
Kassie Jones, Pt. 2
105 bpm • C Maj • 03:04 • -15db
9% Popularity • 49% Danceability • 23% Energy • 16% Liveness
0% Instrumentalness • 57% Positiveness
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Michael Hurley
Somebody to Say Bye Bye To
106 bpm • D Maj • 03:12 • -11.67db
16% Popularity • 64% Danceability • 32% Energy • 10% Liveness
5% Instrumentalness • 74% Positiveness
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Dock Boggs
Country Blues
111 bpm • C# Maj • 03:55 • -9.78db
16% Popularity • 57% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Mike Seeger
Yonder She Comes
111 bpm • B Maj • 01:28 • -23.9db
12% Popularity • 62% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
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Grant Brothers & Their Music
Tell It To Me
111 bpm • D Maj • 02:56 • -10.49db
8% Popularity • 58% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Betty Fisher
Home to the Mountains
111 bpm • E Maj • 03:24 • -13.48db
19% Popularity • 56% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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The Holy Modal Rounders
Blues In The Bottle
111 bpm • G Maj • 03:24 • -8.89db
8% Popularity • 67% Danceability • 36% Energy • 18% Liveness
0% Instrumentalness • 78% Positiveness
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Michael Hurley
Dying Crapshooter's Blues
111 bpm • E min • 05:08 • -16.99db
8% Popularity • 71% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Barbara Dane
Nine Hundred Miles
111 bpm • C min • 02:21 • -16db
32% Popularity • 66% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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Mike Seeger
Worried Blues
111 bpm • G Maj • 03:29 • -12.31db
7% Popularity • 52% Danceability • 33% Energy • 29% Liveness
0% Instrumentalness • 35% Positiveness
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Dock Boggs
Country Blues
111 bpm • C# Maj • 03:52 • -14.7db
5% Popularity • 58% Danceability • 10% Energy • 16% Liveness
0% Instrumentalness • 58% Positiveness
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Uncle Dave Macon
Keep My Skillet Good and Greasy
105 bpm • E Maj • 02:32 • -14.09db
9% Popularity • 52% Danceability • 28% Energy • 32% Liveness
0% Instrumentalness • 52% Positiveness
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Foghorn Stringband
Come All You Virginia Girl
112 bpm • D Maj • 03:07 • -9.7db
10% Popularity • 70% Danceability • 31% Energy • 23% Liveness
0% Instrumentalness • 61% Positiveness
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Roscoe Holcomb
Trouble in Mind
111 bpm • G min • 02:18 • -12.21db
14% Popularity • 67% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Etta Baker
Carolina Breakdown
105 bpm • E Maj • 03:11 • -21.57db
22% Popularity • 46% Danceability • 16% Energy • 11% Liveness
92% Instrumentalness • 82% Positiveness
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Doc Watson Family
Lights In The Valley
112 bpm • G Maj • 03:37 • -12.88db
7% Popularity • 52% Danceability • 44% Energy • 80% Liveness
0% Instrumentalness • 62% Positiveness
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Dock Boggs
Wild Bill Jones
112 bpm • F# min • 02:14 • -12.22db
27% Popularity • 57% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Cousin Emmy
A Home in Old Kentucky
104 bpm • A Maj • 01:30 • -17db
12% Popularity • 72% Danceability • 30% Energy • 5% Liveness
0% Instrumentalness • 34% Positiveness
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Adam Hurt
Black Jack Grove
112 bpm • E Maj • 02:26 • -16.47db
20% Popularity • 55% Danceability • 30% Energy • 10% Liveness
97% Instrumentalness • 93% Positiveness
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Washington Phillips
Jesus Is My Friend
112 bpm • F Maj • 02:53 • -14.81db
7% Popularity • 47% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Hazel Dickens
Won't You Come and Sing for Me? - 2021 R...
104 bpm • G Maj • 02:45 • -11.04db
8% Popularity • 48% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
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Mary Z. Cox
Sugar Hill
112 bpm • D Maj • 03:33 • -14.26db
22% Popularity • 55% Danceability • 47% Energy • 16% Liveness
86% Instrumentalness • 90% Positiveness
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Gaither Carlton
Little Sadie
112 bpm • G# min • 01:00 • -12.17db
21% Popularity • 60% Danceability • 52% Energy • 13% Liveness
85% Instrumentalness • 98% Positiveness
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The Doc Watson Family
Darling Corey
112 bpm • D Maj • 02:37 • -11.94db
18% Popularity • 50% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Highwoods String Band
Grey Cat On The Tennessee Farm
112 bpm • G# Maj • 03:43 • -17db
10% Popularity • 47% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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The Blue Sky Boys
Turn Your Radio On
104 bpm • D Maj • 01:49 • -10.96db
14% Popularity • 59% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Hazel Dickens
The Yablonski Murder
104 bpm • A# Maj • 02:57 • -7.35db
11% Popularity • 73% Danceability • 36% Energy • 20% Liveness
0% Instrumentalness • 68% Positiveness
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Michael Hurley
Why Should I Have To Worry?
104 bpm • F# min • 01:51 • -13.55db
29% Popularity • 50% Danceability • 16% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
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Harry McClintock
Utah Carl
104 bpm • E min • 01:34 • -31.04db
27% Popularity • 62% Danceability • 2% Energy • 16% Liveness
4% Instrumentalness • 63% Positiveness
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Mary Z. Cox
Napoleon Crossing The Rhine
113 bpm • D Maj • 01:19 • -16.68db
18% Popularity • 60% Danceability • 33% Energy • 9% Liveness
95% Instrumentalness • 80% Positiveness
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Anna & Elizabeth
Old Kimball
113 bpm • G# min • 03:05 • -13.23db
10% Popularity • 66% Danceability • 19% Energy • 12% Liveness
1% Instrumentalness • 45% Positiveness
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Bentley Boys
Down On Penny's Farm
103 bpm • B min • 02:48 • -18db
10% Popularity • 69% Danceability • 20% Energy • 19% Liveness
0% Instrumentalness • 48% Positiveness
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Etta Baker
Railroad Bill
103 bpm • E Maj • 01:33 • -12.41db
24% Popularity • 54% Danceability • 51% Energy • 36% Liveness
90% Instrumentalness • 68% Positiveness
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Roscoe Holcomb
Little Maggie
113 bpm • D Maj • 03:02 • -11.49db
8% Popularity • 59% Danceability • 42% Energy • 24% Liveness
2% Instrumentalness • 30% Positiveness
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Riley Puckett
Ragged But Right
113 bpm • C# Maj • 02:57 • -14.28db
8% Popularity • 67% Danceability • 29% Energy • 45% Liveness
1% Instrumentalness • 93% Positiveness
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Uncle Dave Macon
Keep My Skillet Good and Greasy
103 bpm • A# min • 02:46 • -24.36db
17% Popularity • 63% Danceability • 14% Energy • 10% Liveness
3% Instrumentalness • 62% Positiveness
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Frank Fairfield
Ruthie
113 bpm • A# min • 03:39 • -16.84db
12% Popularity • 47% Danceability • 28% Energy • 15% Liveness
60% Instrumentalness • 61% Positiveness
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Bill Monroe and Doc Watson
Lonesome Moonlight Waltz
113 bpm • C Maj • 01:35 • -14.69db
17% Popularity • 50% Danceability • 41% Energy • 94% Liveness
55% Instrumentalness • 92% Positiveness
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Barbara Dane
Who's Gonna' Shoe Your Pretty Little Foo...
103 bpm • G Maj • 03:43 • -15.56db
7% Popularity • 60% Danceability • 6% Energy • 6% Liveness
0% Instrumentalness • 41% Positiveness
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Washington Phillips
A Mother's Last Word To Her Daughter
103 bpm • F# Maj • 02:56 • -12.45db
8% Popularity • 54% Danceability • 24% Energy • 31% Liveness
0% Instrumentalness • 35% Positiveness
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The Delmore Brothers
Sweet Sweet Thing
113 bpm • D# Maj • 02:52 • -13.21db
15% Popularity • 59% Danceability • 37% Energy • 18% Liveness
78% Instrumentalness • 70% Positiveness
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Mimi And Richard Farina
Celebrations For A Grey Day
113 bpm • C Maj • 03:48 • -13.37db
12% Popularity • 33% Danceability • 40% Energy • 6% Liveness
88% Instrumentalness • 50% Positiveness
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Mary Z. Cox
Wayfaring Stranger
103 bpm • G min • 02:12 • -9.19db
11% Popularity • 57% Danceability • 46% Energy • 5% Liveness
83% Instrumentalness • 96% Positiveness
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Harry McClintock
Long Haired Preacher (Preacher and the S...
103 bpm • C Maj • 03:18 • -19.28db
14% Popularity • 60% Danceability • 6% Energy • 35% Liveness
0% Instrumentalness • 69% Positiveness
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Furry Lewis
Old Blue
114 bpm • B Maj • 03:00 • -19.42db
9% Popularity • 52% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Dock Boggs
Down South Blues
103 bpm • D min • 02:11 • -12.08db
20% Popularity • 80% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
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Archie Edwards
The Road Is Rough and Rocky
103 bpm • A# Maj • 03:27 • -15db
10% Popularity • 48% Danceability • 30% Energy • 69% Liveness
1% Instrumentalness • 58% Positiveness
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The Holy Modal Rounders
Hesitation Blues
103 bpm • D Maj • 02:19 • -9db
12% Popularity • 62% Danceability • 47% Energy • 33% Liveness
0% Instrumentalness • 93% Positiveness
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Berzilla Wallin
Love Has Brought Me to Despair
114 bpm • F Maj • 02:51 • -14.33db
10% Popularity • 56% Danceability • 5% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
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Hazel Dickens
Childish Love
114 bpm • G Maj • 02:55 • -7.84db
10% Popularity • 57% Danceability • 56% Energy • 23% Liveness
0% Instrumentalness • 78% Positiveness
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Michael Hurley
When I Get Back Home
114 bpm • G Maj • 06:05 • -11.35db
8% Popularity • 74% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Etta Baker
Going Down the Road Feeling Bad
103 bpm • B min • 01:59 • -15.25db
24% Popularity • 57% Danceability • 48% Energy • 6% Liveness
79% Instrumentalness • 88% Positiveness
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The New Lost City Ramblers
No Depression in Heaven
103 bpm • C Maj • 03:00 • -20.07db
23% Popularity • 50% Danceability • 26% Energy • 28% Liveness
0% Instrumentalness • 44% Positiveness
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Cannon's Jug Stompers
Minglewood Blues
114 bpm • G Maj • 03:40 • -11db
12% Popularity • 53% Danceability • 33% Energy • 17% Liveness
18% Instrumentalness • 50% Positiveness
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Washington Phillips
Paul And Silas In Jail
102 bpm • F# Maj • 02:41 • -13db
10% Popularity • 47% Danceability • 14% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
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Dock Boggs
Bright Sunny South
114 bpm • F min • 03:41 • -12.45db
19% Popularity • 61% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 87% Positiveness
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Henry Thomas
When the Train Comes Along
114 bpm • F# Maj • 02:56 • -10db
12% Popularity • 69% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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Etta Baker
One Dime Blues
102 bpm • A Maj • 03:43 • -18.61db
18% Popularity • 46% Danceability • 32% Energy • 77% Liveness
88% Instrumentalness • 58% Positiveness
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Weems String Band
Greenback Dollar
114 bpm • G Maj • 03:10 • -16.55db
8% Popularity • 68% Danceability • 32% Energy • 35% Liveness
89% Instrumentalness • 43% Positiveness
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The Holy Modal Rounders
Hey, Hey Baby
102 bpm • D Maj • 01:20 • -8db
7% Popularity • 50% Danceability • 35% Energy • 6% Liveness
0% Instrumentalness • 93% Positiveness
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Lesley Riddle
John Henry
102 bpm • C Maj • 02:26 • -15.61db
11% Popularity • 35% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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James Shorty & Viola James
This Little Light of Mine
114 bpm • B min • 02:39 • -16.34db
7% Popularity • 36% Danceability • 48% Energy • 92% Liveness
0% Instrumentalness • 21% Positiveness
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Dock Boggs
Down South Blues
102 bpm • A# min • 02:11 • -8db
18% Popularity • 79% Danceability • 43% Energy • 5% Liveness
0% Instrumentalness • 61% Positiveness
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Hazel Dickens
Memories of Mother and Dad
102 bpm • B Maj • 02:39 • -11db
22% Popularity • 61% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 86% Positiveness
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Etta Baker
John Henry, No. 1
102 bpm • E Maj • 03:36 • -16db
11% Popularity • 36% Danceability • 26% Energy • 11% Liveness
88% Instrumentalness • 13% Positiveness
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Roscoe Holcomb
I Ain't Got No Sugar Baby Now
115 bpm • F min • 02:50 • -14.42db
17% Popularity • 59% Danceability • 53% Energy • 5% Liveness
31% Instrumentalness • 60% Positiveness
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Any Old Time String Band
Hello Stranger
115 bpm • B Maj • 02:18 • -14db
16% Popularity • 54% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
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Mance Lipscomb
Sugar Babe
102 bpm • D# Maj • 02:06 • -18db
25% Popularity • 54% Danceability • 25% Energy • 11% Liveness
34% Instrumentalness • 52% Positiveness
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Home Sweet Home