Songs like Home To Me by Sarah Darling
Based on a tempo of (+/- 10%) and a similar genre
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Sarah Darling
Home To Me
172 bpm • B Maj • 03:20 • -4.94db
25% Popularity • 43% Danceability • 68% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
25% Popularity • 43% Danceability • 68% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
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Miranda Lambert
Dead Flowers
172 bpm • E Maj • 03:59 • -5db
35% Popularity • 50% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
35% Popularity • 50% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Lee Ann Womack
Finding My Way Back Home
172 bpm • G# Maj • 03:43 • -3.8db
14% Popularity • 50% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
14% Popularity • 50% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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David Nail
That's How I'll Remember You
172 bpm • C# Maj • 04:58 • -6.23db
6% Popularity • 35% Danceability • 46% Energy • 12% Liveness
1% Instrumentalness • 4% Positiveness
6% Popularity • 35% Danceability • 46% Energy • 12% Liveness
1% Instrumentalness • 4% Positiveness
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Lady A
Home Is Where The Heart Is
174 bpm • D# Maj • 03:45 • -2.8db
35% Popularity • 44% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
35% Popularity • 44% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Josh Abbott Band
She Will Be Free
174 bpm • D Maj • 04:17 • -4.64db
24% Popularity • 44% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
24% Popularity • 44% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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Sarah Darling
Home to Me (Acoustic Version)
172 bpm • B Maj • 03:19 • -8.05db
3% Popularity • 46% Danceability • 49% Energy • 28% Liveness
0% Instrumentalness • 61% Positiveness
3% Popularity • 46% Danceability • 49% Energy • 28% Liveness
0% Instrumentalness • 61% Positiveness
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Miranda Lambert
Sin for a Sin
174 bpm • A Maj • 03:28 • -4.39db
34% Popularity • 30% Danceability • 78% Energy • 22% Liveness
0% Instrumentalness • 28% Positiveness
34% Popularity • 30% Danceability • 78% Energy • 22% Liveness
0% Instrumentalness • 28% Positiveness
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Carrie Underwood
This Time
170 bpm • C Maj • 03:52 • -4db
29% Popularity • 48% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
29% Popularity • 48% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Lee Ann Womack
After I Fall
172 bpm • D min • 03:03 • -7.9db
20% Popularity • 52% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
20% Popularity • 52% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Lady A
Something 'Bout A Woman
174 bpm • F# Maj • 03:41 • -4.37db
27% Popularity • 48% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
27% Popularity • 48% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Sheryl Crow
Easy
170 bpm • A Maj • 04:13 • -5.57db
33% Popularity • 52% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
33% Popularity • 52% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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Sarah Darling
Halley's Comet - Radio Mix
173 bpm • B Maj • 03:10 • -8.17db
11% Popularity • 34% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
11% Popularity • 34% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Hunter Hayes
What You Gonna Do
170 bpm • D min • 04:48 • -7.53db
13% Popularity • 57% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
13% Popularity • 57% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Jana Kramer
Goodbye California
175 bpm • D Maj • 03:57 • -5.74db
23% Popularity • 65% Danceability • 68% Energy • 4% Liveness
0% Instrumentalness • 75% Positiveness
23% Popularity • 65% Danceability • 68% Energy • 4% Liveness
0% Instrumentalness • 75% Positiveness
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Lee Ann Womack
Blame It On Me
170 bpm • C Maj • 04:06 • -7.05db
9% Popularity • 32% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
9% Popularity • 32% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Carolyn Dawn Johnson
I Don't Want You To Go - Country Version
169 bpm • A Maj • 04:39 • -5db
15% Popularity • 48% Danceability • 79% Energy • 5% Liveness
0% Instrumentalness • 53% Positiveness
15% Popularity • 48% Danceability • 79% Energy • 5% Liveness
0% Instrumentalness • 53% Positiveness
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MacKenzie Porter
Rodeo
168 bpm • C# Maj • 03:02 • -4.77db
16% Popularity • 50% Danceability • 79% Energy • 5% Liveness
0% Instrumentalness • 78% Positiveness
16% Popularity • 50% Danceability • 79% Energy • 5% Liveness
0% Instrumentalness • 78% Positiveness
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Sarah Darling
Talk About the Weather
173 bpm • G Maj • 03:32 • -13.83db
5% Popularity • 34% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
5% Popularity • 34% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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Whitney Duncan
The Bed That You Made
176 bpm • E min • 03:29 • -4.65db
10% Popularity • 48% Danceability • 90% Energy • 17% Liveness
0% Instrumentalness • 73% Positiveness
10% Popularity • 48% Danceability • 90% Energy • 17% Liveness
0% Instrumentalness • 73% Positiveness
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Ashton Shepherd
Where Country Grows
168 bpm • A# Maj • 03:12 • -3.56db
18% Popularity • 45% Danceability • 79% Energy • 22% Liveness
0% Instrumentalness • 52% Positiveness
18% Popularity • 45% Danceability • 79% Energy • 22% Liveness
0% Instrumentalness • 52% Positiveness
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Sister C
Faint of Heart
168 bpm • D# Maj • 03:00 • -8.56db
16% Popularity • 62% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
16% Popularity • 62% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Olivia Lane
Make My Own Sunshine
178 bpm • D Maj • 02:55 • -4.17db
17% Popularity • 60% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
17% Popularity • 60% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
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Jamie Lynn Spears
Shotgun Wedding
166 bpm • A Maj • 03:32 • -3.07db
16% Popularity • 51% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
16% Popularity • 51% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Sarah Darling
Thank You
175 bpm • F# Maj • 04:08 • -6.04db
4% Popularity • 35% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 22% Positiveness
4% Popularity • 35% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 22% Positiveness
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Jillian Jacqueline
Hate Me
178 bpm • C Maj • 03:50 • -4.94db
23% Popularity • 46% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
23% Popularity • 46% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Craig Wayne Boyd
My Baby’s Got A Smile On Her Face
166 bpm • F Maj • 03:17 • -3.59db
15% Popularity • 42% Danceability • 81% Energy • 25% Liveness
0% Instrumentalness • 71% Positiveness
15% Popularity • 42% Danceability • 81% Energy • 25% Liveness
0% Instrumentalness • 71% Positiveness
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Carrie Underwood
Quitter
166 bpm • C Maj • 03:40 • -4db
32% Popularity • 55% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
32% Popularity • 55% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
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Clare Dunn
Cowboy Side Of You
166 bpm • G Maj • 03:35 • -3db
23% Popularity • 47% Danceability • 87% Energy • 23% Liveness
0% Instrumentalness • 52% Positiveness
23% Popularity • 47% Danceability • 87% Energy • 23% Liveness
0% Instrumentalness • 52% Positiveness
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Kellie Coffey
What It's Like To Be Me
179 bpm • E min • 03:17 • -7db
7% Popularity • 45% Danceability • 61% Energy • 35% Liveness
0% Instrumentalness • 40% Positiveness
7% Popularity • 45% Danceability • 61% Energy • 35% Liveness
0% Instrumentalness • 40% Positiveness
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David Nail
Looking For A Good Time
165 bpm • F# min • 05:12 • -4.34db
16% Popularity • 32% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
16% Popularity • 32% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Small Town Pistols
Colour Blind
164 bpm • G Maj • 03:43 • -4.97db
10% Popularity • 46% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
10% Popularity • 46% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Lucy Angel
Crazy Too
181 bpm • D# Maj • 03:22 • -3.37db
9% Popularity • 45% Danceability • 91% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
9% Popularity • 45% Danceability • 91% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
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Whitney Duncan
Little by Little
164 bpm • F min • 03:52 • -4.06db
8% Popularity • 36% Danceability • 67% Energy • 16% Liveness
0% Instrumentalness • 31% Positiveness
8% Popularity • 36% Danceability • 67% Energy • 16% Liveness
0% Instrumentalness • 31% Positiveness
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Lee Ann Womack
Same Kind Of Different
163 bpm • G# Maj • 02:55 • -9.63db
9% Popularity • 38% Danceability • 31% Energy • 24% Liveness
0% Instrumentalness • 24% Positiveness
9% Popularity • 38% Danceability • 31% Energy • 24% Liveness
0% Instrumentalness • 24% Positiveness
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Matt Stillwell
Ignition
182 bpm • B Maj • 03:21 • -5.14db
15% Popularity • 34% Danceability • 79% Energy • 32% Liveness
0% Instrumentalness • 52% Positiveness
15% Popularity • 34% Danceability • 79% Energy • 32% Liveness
0% Instrumentalness • 52% Positiveness
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Carrie Underwood
Play On
182 bpm • E Maj • 03:41 • -3.08db
30% Popularity • 37% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 31% Positiveness
30% Popularity • 37% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 31% Positiveness
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Due West
Things You Can't Do In A Car
162 bpm • F Maj • 03:12 • -5.35db
12% Popularity • 57% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
12% Popularity • 57% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
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Carolyn Dawn Johnson
Dress Rehearsal
162 bpm • E Maj • 04:16 • -6db
10% Popularity • 51% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
10% Popularity • 51% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
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Lonestar
Mountains
162 bpm • D# Maj • 03:54 • -4.3db
26% Popularity • 46% Danceability • 77% Energy • 6% Liveness
0% Instrumentalness • 35% Positiveness
26% Popularity • 46% Danceability • 77% Energy • 6% Liveness
0% Instrumentalness • 35% Positiveness
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Alee
Moonshine
162 bpm • D Maj • 03:54 • -6db
21% Popularity • 44% Danceability • 86% Energy • 18% Liveness
0% Instrumentalness • 57% Positiveness
21% Popularity • 44% Danceability • 86% Energy • 18% Liveness
0% Instrumentalness • 57% Positiveness
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Meghan Linsey
Try Harder Than That
162 bpm • D Maj • 03:18 • -3.77db
11% Popularity • 51% Danceability • 85% Energy • 5% Liveness
0% Instrumentalness • 56% Positiveness
11% Popularity • 51% Danceability • 85% Energy • 5% Liveness
0% Instrumentalness • 56% Positiveness
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Kelleigh Bannen
Sorry On The Rocks
162 bpm • D# Maj • 03:56 • -4.25db
19% Popularity • 51% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
19% Popularity • 51% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Carter's Chord
A Little Less Comfortable
184 bpm • E Maj • 03:27 • -6.97db
8% Popularity • 53% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
8% Popularity • 53% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Rachel Farley
Ain't Easy
162 bpm • D Maj • 04:18 • -5.25db
12% Popularity • 45% Danceability • 85% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
12% Popularity • 45% Danceability • 85% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
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Liz Rose
Swimming Alone
160 bpm • D Maj • 03:40 • -6.86db
41% Popularity • 57% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
41% Popularity • 57% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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Chris Cagle
Dance Baby Dance
160 bpm • C# Maj • 03:28 • -7db
25% Popularity • 54% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 29% Positiveness
25% Popularity • 54% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 29% Positiveness
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the JaneDear girls
Sing Along
160 bpm • D# Maj • 03:03 • -4.89db
9% Popularity • 58% Danceability • 81% Energy • 18% Liveness
0% Instrumentalness • 92% Positiveness
9% Popularity • 58% Danceability • 81% Energy • 18% Liveness
0% Instrumentalness • 92% Positiveness
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Miranda Lambert
Nobody's Fool
160 bpm • A Maj • 03:43 • -3.77db
32% Popularity • 41% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
32% Popularity • 41% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
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Carter's Chord
Simple Little Screwed up Life
160 bpm • A# min • 03:37 • -5.65db
10% Popularity • 48% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
10% Popularity • 48% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Kelleigh Bannen
Smoke When I Drink
160 bpm • A Maj • 02:59 • -4.76db
20% Popularity • 55% Danceability • 91% Energy • 15% Liveness
0% Instrumentalness • 74% Positiveness
20% Popularity • 55% Danceability • 91% Energy • 15% Liveness
0% Instrumentalness • 74% Positiveness
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Lady A
I Was Here
160 bpm • C Maj • 03:41 • -3.9db
27% Popularity • 43% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 37% Positiveness
27% Popularity • 43% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 37% Positiveness
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Dierks Bentley
Long Trip Alone
185 bpm • G Maj • 03:43 • -6.23db
34% Popularity • 32% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
34% Popularity • 32% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Sarah Darling
Wandering Star
160 bpm • C Maj • 03:20 • -7.14db
7% Popularity • 38% Danceability • 72% Energy • 28% Liveness
0% Instrumentalness • 16% Positiveness
7% Popularity • 38% Danceability • 72% Energy • 28% Liveness
0% Instrumentalness • 16% Positiveness
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Autumn Hill
Blame
186 bpm • E Maj • 03:42 • -5db
18% Popularity • 43% Danceability • 95% Energy • 18% Liveness
0% Instrumentalness • 50% Positiveness
18% Popularity • 43% Danceability • 95% Energy • 18% Liveness
0% Instrumentalness • 50% Positiveness
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Phil Vassar
Love Is Alive
186 bpm • E Maj • 02:59 • -2.87db
16% Popularity • 50% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
16% Popularity • 50% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Julianne Hough
That Song In My Head
186 bpm • C Maj • 03:13 • -2.53db
32% Popularity • 50% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
32% Popularity • 50% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
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Miranda Lambert
Girls
187 bpm • B Maj • 03:35 • -6.17db
33% Popularity • 38% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
33% Popularity • 38% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Aaron Lines
You Can't Hide Beautiful
158 bpm • F Maj • 03:50 • -9db
25% Popularity • 45% Danceability • 57% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
25% Popularity • 45% Danceability • 57% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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Casey James
Let's Don't Call It a Night
187 bpm • F min • 03:25 • -4db
25% Popularity • 59% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 80% Positiveness
25% Popularity • 59% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 80% Positiveness
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Blake Shelton
I Need My Girl
158 bpm • C Maj • 03:32 • -5.65db
31% Popularity • 58% Danceability • 68% Energy • 33% Liveness
0% Instrumentalness • 40% Positiveness
31% Popularity • 58% Danceability • 68% Energy • 33% Liveness
0% Instrumentalness • 40% Positiveness
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Jana Kramer
One of the Boys
188 bpm • E Maj • 02:48 • -5.22db
25% Popularity • 51% Danceability • 89% Energy • 36% Liveness
0% Instrumentalness • 57% Positiveness
25% Popularity • 51% Danceability • 89% Energy • 36% Liveness
0% Instrumentalness • 57% Positiveness
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Joel Crouse
Why God Made Love Songs - Single Version
188 bpm • C Maj • 03:32 • -4db
15% Popularity • 50% Danceability • 87% Energy • 25% Liveness
0% Instrumentalness • 76% Positiveness
15% Popularity • 50% Danceability • 87% Energy • 25% Liveness
0% Instrumentalness • 76% Positiveness
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Miranda Lambert
All Kinds of Kinds
157 bpm • C Maj • 04:26 • -4db
37% Popularity • 39% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
37% Popularity • 39% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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Kira Isabella
Songs About You
157 bpm • G Maj • 03:24 • -5db
9% Popularity • 46% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
9% Popularity • 46% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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Casey James
Fall Apart
157 bpm • C Maj • 03:23 • -4.4db
22% Popularity • 25% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
22% Popularity • 25% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
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Sister C
Ladies of the South
157 bpm • C Maj • 03:02 • -5.51db
11% Popularity • 64% Danceability • 73% Energy • 63% Liveness
0% Instrumentalness • 39% Positiveness
11% Popularity • 64% Danceability • 73% Energy • 63% Liveness
0% Instrumentalness • 39% Positiveness
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Jamie Lynn Spears
How Could I Want More
156 bpm • D Maj • 03:33 • -6.21db
33% Popularity • 59% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
33% Popularity • 59% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Hunter Hayes
You Think You Know Somebody
156 bpm • G# min • 04:26 • -5db
28% Popularity • 44% Danceability • 80% Energy • 23% Liveness
0% Instrumentalness • 46% Positiveness
28% Popularity • 44% Danceability • 80% Energy • 23% Liveness
0% Instrumentalness • 46% Positiveness
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Josh Kelley
Gone Like That
156 bpm • G Maj • 03:58 • -4.8db
12% Popularity • 40% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
12% Popularity • 40% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Jana Kramer
Dance in the Rain
156 bpm • B Maj • 03:25 • -6.1db
27% Popularity • 50% Danceability • 57% Energy • 25% Liveness
0% Instrumentalness • 22% Positiveness
27% Popularity • 50% Danceability • 57% Energy • 25% Liveness
0% Instrumentalness • 22% Positiveness
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Dierks Bentley
Breathe You In
156 bpm • F Maj • 03:47 • -8.12db
28% Popularity • 56% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
28% Popularity • 56% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Kristian Bush
Sending You a Sunset
154 bpm • E Maj • 03:56 • -5.7db
13% Popularity • 52% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
13% Popularity • 52% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Sarah Darling
Cowboy Take Me Away - The Campfire Sessi...
155 bpm • E Maj • 04:28 • -10.11db
34% Popularity • 37% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
34% Popularity • 37% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Cam
Cold in California
154 bpm • B Maj • 03:10 • -7db
25% Popularity • 49% Danceability • 67% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
25% Popularity • 49% Danceability • 67% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
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Craig Morgan
Love Remembers
154 bpm • C Maj • 03:55 • -3.45db
29% Popularity • 39% Danceability • 72% Energy • 21% Liveness
0% Instrumentalness • 38% Positiveness
29% Popularity • 39% Danceability • 72% Energy • 21% Liveness
0% Instrumentalness • 38% Positiveness
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Carrie Underwood
You Won't Find This
153 bpm • F Maj • 03:19 • -3.6db
31% Popularity • 46% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
31% Popularity • 46% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Kip Moore
Up All Night
194 bpm • F# Maj • 04:27 • -6.1db
34% Popularity • 34% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
34% Popularity • 34% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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Lady A
Just A Girl
194 bpm • D# min • 03:37 • -5db
28% Popularity • 42% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
28% Popularity • 42% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
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Sarah Darling
Blue Guitar
154 bpm • A# Maj • 03:35 • -5.58db
1% Popularity • 62% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
1% Popularity • 62% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Jessica Andrews
When Gentry Plays Guitar
152 bpm • A# Maj • 03:45 • -4.84db
12% Popularity • 53% Danceability • 76% Energy • 30% Liveness
0% Instrumentalness • 53% Positiveness
12% Popularity • 53% Danceability • 76% Energy • 30% Liveness
0% Instrumentalness • 53% Positiveness
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Lucy Angel
I'd Be Lyin'
152 bpm • G Maj • 04:15 • -4.34db
12% Popularity • 46% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
12% Popularity • 46% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Jesse Lee
Kissin' In Cars
152 bpm • D Maj • 03:30 • -4.75db
21% Popularity • 46% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
21% Popularity • 46% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Kalie Shorr
Fight Like a Girl
152 bpm • D# Maj • 03:25 • -4db
28% Popularity • 52% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
28% Popularity • 52% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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Cam
Half Broke Heart
152 bpm • B Maj • 03:03 • -3.43db
33% Popularity • 70% Danceability • 89% Energy • 19% Liveness
0% Instrumentalness • 95% Positiveness
33% Popularity • 70% Danceability • 89% Energy • 19% Liveness
0% Instrumentalness • 95% Positiveness
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Austin Webb
All Country on You
152 bpm • D Maj • 03:03 • -4db
23% Popularity • 54% Danceability • 88% Energy • 32% Liveness
0% Instrumentalness • 96% Positiveness
23% Popularity • 54% Danceability • 88% Energy • 32% Liveness
0% Instrumentalness • 96% Positiveness
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Jessica Andrews
I Wish For You
152 bpm • F Maj • 04:07 • -4.97db
9% Popularity • 36% Danceability • 74% Energy • 24% Liveness
0% Instrumentalness • 30% Positiveness
9% Popularity • 36% Danceability • 74% Energy • 24% Liveness
0% Instrumentalness • 30% Positiveness
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Hunter Hayes
Someday Girl
151 bpm • C# Maj • 03:40 • -5db
25% Popularity • 48% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
25% Popularity • 48% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Kip Moore
Faith When I Fall
150 bpm • F# Maj • 04:41 • -8db
34% Popularity • 49% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
34% Popularity • 49% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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Carolyn Dawn Johnson
You Are
150 bpm • G Maj • 05:10 • -6.77db
2% Popularity • 52% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 13% Positiveness
2% Popularity • 52% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 13% Positiveness
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Cam
Mayday
152 bpm • C# min • 03:36 • -5.92db
40% Popularity • 52% Danceability • 68% Energy • 12% Liveness
2% Instrumentalness • 14% Positiveness
40% Popularity • 52% Danceability • 68% Energy • 12% Liveness
2% Instrumentalness • 14% Positiveness
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Dean Alexander
Live a Little
150 bpm • G# Maj • 02:57 • -4.53db
22% Popularity • 67% Danceability • 80% Energy • 36% Liveness
0% Instrumentalness • 64% Positiveness
22% Popularity • 67% Danceability • 80% Energy • 36% Liveness
0% Instrumentalness • 64% Positiveness
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Due West
When the Smoke Clears
197 bpm • F# min • 03:45 • -4.69db
9% Popularity • 21% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
9% Popularity • 21% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
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Dierks Bentley
Beautiful World
150 bpm • F# Maj • 03:14 • -5.59db
16% Popularity • 52% Danceability • 66% Energy • 27% Liveness
0% Instrumentalness • 49% Positiveness
16% Popularity • 52% Danceability • 66% Energy • 27% Liveness
0% Instrumentalness • 49% Positiveness
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Leighton Meester
Words I Couldn't Say
150 bpm • C Maj • 04:26 • -6.56db
37% Popularity • 50% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
37% Popularity • 50% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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James Otto
Days Of Our Lives
150 bpm • C# Maj • 03:51 • -6.89db
13% Popularity • 49% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
13% Popularity • 49% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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Outshyne
Moonlight Crush
150 bpm • G# Maj • 03:53 • -7db
28% Popularity • 56% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
28% Popularity • 56% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Blake Shelton
Just South of Heaven
150 bpm • A# Maj • 04:10 • -7.21db
32% Popularity • 64% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
32% Popularity • 64% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
