Songs like Home by Carmen Rodgers
Based on a tempo of (+/- 10%) and a similar genre
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Carmen Rodgers
Home
107 bpm • B min • 04:30 • -10.67db
1% Popularity • 68% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 46% Positiveness
1% Popularity • 68% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 46% Positiveness
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Van Hunt
Seconds Of Pleasure
107 bpm • E min • 05:40 • -8.29db
35% Popularity • 67% Danceability • 61% Energy • 21% Liveness
0% Instrumentalness • 68% Positiveness
35% Popularity • 67% Danceability • 61% Energy • 21% Liveness
0% Instrumentalness • 68% Positiveness
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Donnie
Rocketship
106 bpm • A# Maj • 03:12 • -9.58db
15% Popularity • 61% Danceability • 64% Energy • 61% Liveness
0% Instrumentalness • 49% Positiveness
15% Popularity • 61% Danceability • 64% Energy • 61% Liveness
0% Instrumentalness • 49% Positiveness
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Debórah Bond
You Are the One
106 bpm • G# Maj • 03:38 • -5.69db
24% Popularity • 75% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 53% Positiveness
24% Popularity • 75% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 53% Positiveness
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N'Dambi
Can't Change Me
108 bpm • G Maj • 05:11 • -7db
38% Popularity • 86% Danceability • 46% Energy • 17% Liveness
9% Instrumentalness • 16% Positiveness
38% Popularity • 86% Danceability • 46% Energy • 17% Liveness
9% Instrumentalness • 16% Positiveness
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RC & The Gritz
Lessons
108 bpm • F min • 03:05 • -9.57db
28% Popularity • 33% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
28% Popularity • 33% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
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The Floacist
Slow Down
108 bpm • G min • 03:38 • -10db
16% Popularity • 45% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
16% Popularity • 45% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Beatchild
This Beautiful Feeling
109 bpm • F# Maj • 03:51 • -5db
10% Popularity • 80% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
10% Popularity • 80% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
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The Foreign Exchange
Leave It All Behind
109 bpm • D Maj • 03:37 • -12db
30% Popularity • 53% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
30% Popularity • 53% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Fertile Ground
Black Is
110 bpm • D Maj • 07:19 • -9.81db
11% Popularity • 40% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
11% Popularity • 40% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Rachelle Ferrell
Nothing In The Middle
104 bpm • D# min • 09:33 • -6.34db
11% Popularity • 42% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
11% Popularity • 42% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Bernard Rand
Joy I've Found
110 bpm • F Maj • 03:02 • -9.23db
9% Popularity • 57% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
9% Popularity • 57% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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Carmen Rodgers
No Good
110 bpm • F# min • 03:30 • -9.58db
1% Popularity • 43% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
1% Popularity • 43% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Donnie
Wildlife
110 bpm • A# min • 04:40 • -7.62db
8% Popularity • 68% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
8% Popularity • 68% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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The Foreign Exchange
Face In The Reflection
105 bpm • B Maj • 05:03 • -7.21db
14% Popularity • 74% Danceability • 58% Energy • 13% Liveness
1% Instrumentalness • 37% Positiveness
14% Popularity • 74% Danceability • 58% Energy • 13% Liveness
1% Instrumentalness • 37% Positiveness
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Gary Taylor
Do you know
110 bpm • F# Maj • 05:41 • -11.22db
7% Popularity • 73% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
7% Popularity • 73% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Adriana Evans
Hey Now
104 bpm • E min • 03:58 • -8.91db
19% Popularity • 67% Danceability • 74% Energy • 16% Liveness
7% Instrumentalness • 75% Positiveness
19% Popularity • 67% Danceability • 74% Energy • 16% Liveness
7% Instrumentalness • 75% Positiveness
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Chantae Cann
Da da’n Da
111 bpm • F min • 05:15 • -14.47db
23% Popularity • 42% Danceability • 39% Energy • 8% Liveness
33% Instrumentalness • 4% Positiveness
23% Popularity • 42% Danceability • 39% Energy • 8% Liveness
33% Instrumentalness • 4% Positiveness
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Jermaine Hardsoul
The One Two
103 bpm • B min • 04:08 • -4.55db
1% Popularity • 85% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
1% Popularity • 85% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
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Carmen Rodgers
Beyond the Stage
103 bpm • F# min • 03:33 • -8.57db
5% Popularity • 65% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 68% Positiveness
5% Popularity • 65% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 68% Positiveness
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The Foreign Exchange
If I Knew Then
110 bpm • C# Maj • 04:04 • -7.23db
12% Popularity • 68% Danceability • 76% Energy • 10% Liveness
11% Instrumentalness • 58% Positiveness
12% Popularity • 68% Danceability • 76% Energy • 10% Liveness
11% Instrumentalness • 58% Positiveness
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Faith Evans
I Don't Need It
111 bpm • A min • 03:48 • -9.71db
23% Popularity • 66% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
23% Popularity • 66% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Dj Spinna
Peace And Quiet featuring Stephanie Mcka...
103 bpm • F# Maj • 06:31 • -7.75db
8% Popularity • 69% Danceability • 66% Energy • 8% Liveness
3% Instrumentalness • 52% Positiveness
8% Popularity • 69% Danceability • 66% Energy • 8% Liveness
3% Instrumentalness • 52% Positiveness
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Musiq Soulchild
Givemorelove
102 bpm • C# Maj • 09:46 • -6.93db
17% Popularity • 65% Danceability • 86% Energy • 31% Liveness
0% Instrumentalness • 27% Positiveness
17% Popularity • 65% Danceability • 86% Energy • 31% Liveness
0% Instrumentalness • 27% Positiveness
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Renee Neufville
Watching Me
102 bpm • A# min • 04:26 • -6.62db
20% Popularity • 74% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
20% Popularity • 74% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
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Fertile Ground
Freedom
101 bpm • F Maj • 03:34 • -11.89db
12% Popularity • 52% Danceability • 43% Energy • 11% Liveness
1% Instrumentalness • 33% Positiveness
12% Popularity • 52% Danceability • 43% Energy • 11% Liveness
1% Instrumentalness • 33% Positiveness
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The Foreign Exchange
Body
104 bpm • C# Maj • 04:30 • -6.27db
26% Popularity • 79% Danceability • 59% Energy • 11% Liveness
26% Instrumentalness • 70% Positiveness
26% Popularity • 79% Danceability • 59% Energy • 11% Liveness
26% Instrumentalness • 70% Positiveness
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Carmen Rodgers
T.Y.S. (Tell Your Story)
103 bpm • C Maj • 04:54 • -8.9db
0% Popularity • 71% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
0% Popularity • 71% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Gary Taylor
My Blackness
101 bpm • C# min • 04:51 • -9.07db
18% Popularity • 83% Danceability • 49% Energy • 5% Liveness
0% Instrumentalness • 81% Positiveness
18% Popularity • 83% Danceability • 49% Energy • 5% Liveness
0% Instrumentalness • 81% Positiveness
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RC & The Gritz
Never Enough
101 bpm • C Maj • 06:03 • -9.38db
20% Popularity • 75% Danceability • 68% Energy • 9% Liveness
40% Instrumentalness • 72% Positiveness
20% Popularity • 75% Danceability • 68% Energy • 9% Liveness
40% Instrumentalness • 72% Positiveness
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The Floacist
Need You
114 bpm • A# min • 05:11 • -8.29db
15% Popularity • 76% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
15% Popularity • 76% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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Fertile Ground
Sweet Melodies
114 bpm • G# Maj • 04:03 • -10.26db
11% Popularity • 56% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
11% Popularity • 56% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Zo!
Love Up
100 bpm • B min • 04:20 • -10db
9% Popularity • 73% Danceability • 52% Energy • 28% Liveness
0% Instrumentalness • 50% Positiveness
9% Popularity • 73% Danceability • 52% Energy • 28% Liveness
0% Instrumentalness • 50% Positiveness
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Jaguar Wright
One More Drink
100 bpm • D Maj • 04:44 • -6.23db
15% Popularity • 89% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
15% Popularity • 89% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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Carmichael Musiclover
My Star
100 bpm • A# min • 03:57 • -7.04db
12% Popularity • 79% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
12% Popularity • 79% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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Jarrod Lawson
I'll Be Your Radio
100 bpm • D# min • 04:25 • -9.9db
32% Popularity • 63% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
32% Popularity • 63% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Gary Taylor
Lovin' My People
100 bpm • C# Maj • 05:05 • -7.09db
12% Popularity • 87% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
12% Popularity • 87% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
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Chaka Khan
Will You Love Me?
100 bpm • A# min • 04:58 • -5.21db
32% Popularity • 90% Danceability • 57% Energy • 5% Liveness
0% Instrumentalness • 71% Positiveness
32% Popularity • 90% Danceability • 57% Energy • 5% Liveness
0% Instrumentalness • 71% Positiveness
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The Foreign Exchange
Don't Wait
100 bpm • D Maj • 03:52 • -10db
29% Popularity • 80% Danceability • 52% Energy • 32% Liveness
2% Instrumentalness • 63% Positiveness
29% Popularity • 80% Danceability • 52% Energy • 32% Liveness
2% Instrumentalness • 63% Positiveness
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Jimmy Sommers
If I Knew
100 bpm • D min • 04:47 • -6.35db
14% Popularity • 79% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
14% Popularity • 79% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
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Lori Williams
Let's Walk
100 bpm • C# min • 04:25 • -7.34db
10% Popularity • 81% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
10% Popularity • 81% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Meshell Ndegeocello
Trust
100 bpm • G min • 05:25 • -10.86db
20% Popularity • 56% Danceability • 37% Energy • 12% Liveness
8% Instrumentalness • 29% Positiveness
20% Popularity • 56% Danceability • 37% Energy • 12% Liveness
8% Instrumentalness • 29% Positiveness
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Terrace Martin
Its Yours
100 bpm • F min • 03:16 • -19.58db
14% Popularity • 55% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
14% Popularity • 55% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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Bosco
MPH
115 bpm • F# Maj • 04:32 • -8.52db
10% Popularity • 77% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
10% Popularity • 77% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Carmen Rodgers
Changes
99 bpm • A Maj • 03:51 • -7.6db
1% Popularity • 45% Danceability • 56% Energy • 31% Liveness
4% Instrumentalness • 41% Positiveness
1% Popularity • 45% Danceability • 56% Energy • 31% Liveness
4% Instrumentalness • 41% Positiveness
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Maxwell
I'm You: You Are Me and We Are You (Pt M...
99 bpm • G Maj • 06:35 • -9.93db
26% Popularity • 72% Danceability • 59% Energy • 18% Liveness
38% Instrumentalness • 50% Positiveness
26% Popularity • 72% Danceability • 59% Energy • 18% Liveness
38% Instrumentalness • 50% Positiveness
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Lori Williams
I Like the Way You Talk (To Me)
100 bpm • B min • 04:42 • -10db
14% Popularity • 40% Danceability • 55% Energy • 8% Liveness
2% Instrumentalness • 49% Positiveness
14% Popularity • 40% Danceability • 55% Energy • 8% Liveness
2% Instrumentalness • 49% Positiveness
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RC & The Gritz
Let You Know
99 bpm • B min • 03:16 • -10db
26% Popularity • 77% Danceability • 43% Energy • 32% Liveness
0% Instrumentalness • 65% Positiveness
26% Popularity • 77% Danceability • 43% Energy • 32% Liveness
0% Instrumentalness • 65% Positiveness
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Adriana Evans
All For Love
99 bpm • G# min • 04:25 • -10.14db
33% Popularity • 83% Danceability • 42% Energy • 7% Liveness
4% Instrumentalness • 78% Positiveness
33% Popularity • 83% Danceability • 42% Energy • 7% Liveness
4% Instrumentalness • 78% Positiveness
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Gary Taylor
Woman of Color ( Brothers To Sisters Rem...
99 bpm • G min • 05:40 • -13.23db
7% Popularity • 71% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
7% Popularity • 71% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Dw3
On the Floor
99 bpm • D Maj • 04:22 • -7.88db
29% Popularity • 73% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
29% Popularity • 73% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Maxwell
...Til the Cops Come Knockin' - Encore L...
116 bpm • C min • 05:40 • -12.95db
10% Popularity • 49% Danceability • 39% Energy • 71% Liveness
0% Instrumentalness • 29% Positiveness
10% Popularity • 49% Danceability • 39% Energy • 71% Liveness
0% Instrumentalness • 29% Positiveness
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The Floacist
Let Me
116 bpm • F# Maj • 03:53 • -11db
27% Popularity • 73% Danceability • 50% Energy • 10% Liveness
2% Instrumentalness • 57% Positiveness
27% Popularity • 73% Danceability • 50% Energy • 10% Liveness
2% Instrumentalness • 57% Positiveness
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Jaspects
Find My Way To Love - Chantae Cann
99 bpm • C# Maj • 05:17 • -9.96db
21% Popularity • 32% Danceability • 38% Energy • 24% Liveness
0% Instrumentalness • 8% Positiveness
21% Popularity • 32% Danceability • 38% Energy • 24% Liveness
0% Instrumentalness • 8% Positiveness
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Ron D.
Worthy
99 bpm • D# min • 02:54 • -3.83db
15% Popularity • 60% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
15% Popularity • 60% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Gary Taylor
Woman of Color
99 bpm • G min • 05:42 • -12.79db
13% Popularity • 72% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
13% Popularity • 72% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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The Foreign Exchange
Right After Midnight
98 bpm • F# Maj • 04:18 • -9.45db
20% Popularity • 74% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
20% Popularity • 74% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Maxwell
Luxury: Cococure - Remastered 2018
99 bpm • C Maj • 05:32 • -8db
39% Popularity • 70% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
39% Popularity • 70% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
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Jaguar Wright
Told Ya
98 bpm • F# min • 03:51 • -7.69db
10% Popularity • 90% Danceability • 57% Energy • 4% Liveness
0% Instrumentalness • 81% Positiveness
10% Popularity • 90% Danceability • 57% Energy • 4% Liveness
0% Instrumentalness • 81% Positiveness
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Joonie
Far Away
98 bpm • D min • 04:17 • -9.21db
15% Popularity • 70% Danceability • 58% Energy • 12% Liveness
11% Instrumentalness • 83% Positiveness
15% Popularity • 70% Danceability • 58% Energy • 12% Liveness
11% Instrumentalness • 83% Positiveness
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Impromp2
You're Gonna Love It
98 bpm • C# Maj • 04:50 • -8.63db
16% Popularity • 74% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
16% Popularity • 74% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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HEAVy
Do for You
98 bpm • F min • 04:46 • -5.33db
12% Popularity • 74% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 52% Positiveness
12% Popularity • 74% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 52% Positiveness
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Don-E
Hold On
98 bpm • A# Maj • 04:42 • -7db
13% Popularity • 74% Danceability • 74% Energy • 36% Liveness
0% Instrumentalness • 62% Positiveness
13% Popularity • 74% Danceability • 74% Energy • 36% Liveness
0% Instrumentalness • 62% Positiveness
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Maxwell
Dancewitme - Remastered 2021
98 bpm • B min • 06:14 • -6.68db
36% Popularity • 71% Danceability • 64% Energy • 32% Liveness
66% Instrumentalness • 72% Positiveness
36% Popularity • 71% Danceability • 64% Energy • 32% Liveness
66% Instrumentalness • 72% Positiveness
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Debórah Bond
radio
98 bpm • B Maj • 03:47 • -12.5db
29% Popularity • 60% Danceability • 54% Energy • 10% Liveness
24% Instrumentalness • 73% Positiveness
29% Popularity • 60% Danceability • 54% Energy • 10% Liveness
24% Instrumentalness • 73% Positiveness
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Musiq Soulchild
Who's To Say
98 bpm • C# Maj • 03:55 • -7.72db
11% Popularity • 72% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
11% Popularity • 72% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
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We Are KING
Supernatural - Extended Mix
98 bpm • D# min • 06:45 • -10.49db
20% Popularity • 27% Danceability • 50% Energy • 13% Liveness
3% Instrumentalness • 7% Positiveness
20% Popularity • 27% Danceability • 50% Energy • 13% Liveness
3% Instrumentalness • 7% Positiveness
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Gwen Bunn
Without a Doubt
98 bpm • F# Maj • 04:01 • -9.38db
16% Popularity • 66% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
16% Popularity • 66% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Don-E
He Ain't Got My Style
98 bpm • A Maj • 04:03 • -7.73db
9% Popularity • 81% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
9% Popularity • 81% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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![Sumthin' Sumthin' - (Mellosmoothe) [Uncut] cover art](https://i.scdn.co/image/ab67616d00001e02aabcf149fe7da097e3b1e348)
Maxwell
Sumthin' Sumthin' - (Mellosmoothe) [Uncu...
98 bpm • F# Maj • 05:28 • -18db
15% Popularity • 48% Danceability • 17% Energy • 12% Liveness
5% Instrumentalness • 15% Positiveness
15% Popularity • 48% Danceability • 17% Energy • 12% Liveness
5% Instrumentalness • 15% Positiveness
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Darien Brockington
Love Is Gone
97 bpm • F Maj • 03:17 • -10.68db
12% Popularity • 72% Danceability • 34% Energy • 14% Liveness
1% Instrumentalness • 56% Positiveness
12% Popularity • 72% Danceability • 34% Energy • 14% Liveness
1% Instrumentalness • 56% Positiveness
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Joonie
So Fly
98 bpm • A# Maj • 03:42 • -6.56db
21% Popularity • 73% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
21% Popularity • 73% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
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Trina Broussard
Losing My Mind
97 bpm • F# Maj • 04:37 • -4.41db
19% Popularity • 78% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
19% Popularity • 78% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
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Shaila Prospere
Lets Be
97 bpm • G# Maj • 04:42 • -7.91db
19% Popularity • 68% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
19% Popularity • 68% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Carmen Rodgers
Say So
97 bpm • A# Maj • 04:15 • -7.31db
0% Popularity • 58% Danceability • 76% Energy • 25% Liveness
1% Instrumentalness • 36% Positiveness
0% Popularity • 58% Danceability • 76% Energy • 25% Liveness
1% Instrumentalness • 36% Positiveness
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Maxwell
Sumthin' Sumthin' - (Mantra) [Uncut]
98 bpm • F# Maj • 05:09 • -5.05db
13% Popularity • 81% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
13% Popularity • 81% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Donnie
You Got A Friend
118 bpm • C# Maj • 05:30 • -8.55db
16% Popularity • 70% Danceability • 57% Energy • 33% Liveness
0% Instrumentalness • 53% Positiveness
16% Popularity • 70% Danceability • 57% Energy • 33% Liveness
0% Instrumentalness • 53% Positiveness
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Adriana Evans
Calling Me
97 bpm • G Maj • 04:21 • -9.14db
12% Popularity • 73% Danceability • 62% Energy • 5% Liveness
1% Instrumentalness • 73% Positiveness
12% Popularity • 73% Danceability • 62% Energy • 5% Liveness
1% Instrumentalness • 73% Positiveness
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Jaguar Wright
Lineage
96 bpm • C# Maj • 05:52 • -9db
15% Popularity • 70% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
15% Popularity • 70% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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The Floacist
Start Again
96 bpm • F min • 04:40 • -8db
28% Popularity • 64% Danceability • 71% Energy • 34% Liveness
1% Instrumentalness • 52% Positiveness
28% Popularity • 64% Danceability • 71% Energy • 34% Liveness
1% Instrumentalness • 52% Positiveness
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The Foreign Exchange
Come Around
96 bpm • A# Maj • 04:01 • -6db
35% Popularity • 69% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
35% Popularity • 69% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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Maxwell
NoOne - Remastered 2021
117 bpm • F# Maj • 04:41 • -5.85db
36% Popularity • 84% Danceability • 78% Energy • 6% Liveness
6% Instrumentalness • 87% Positiveness
36% Popularity • 84% Danceability • 78% Energy • 6% Liveness
6% Instrumentalness • 87% Positiveness
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Darien Brockington
Sacrifice
96 bpm • G# Maj • 03:12 • -10.54db
20% Popularity • 78% Danceability • 35% Energy • 31% Liveness
0% Instrumentalness • 70% Positiveness
20% Popularity • 78% Danceability • 35% Energy • 31% Liveness
0% Instrumentalness • 70% Positiveness
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Eric Lau
Divine
96 bpm • A# min • 03:23 • -6db
13% Popularity • 60% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
13% Popularity • 60% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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Sy Smith
Can't Get Over You
96 bpm • B min • 03:54 • -6.99db
11% Popularity • 65% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
11% Popularity • 65% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Donnie
Turn Around
96 bpm • A Maj • 04:16 • -7.17db
12% Popularity • 62% Danceability • 69% Energy • 23% Liveness
0% Instrumentalness • 44% Positiveness
12% Popularity • 62% Danceability • 69% Energy • 23% Liveness
0% Instrumentalness • 44% Positiveness
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Ashleigh Smith
In the Rain
96 bpm • A# min • 04:13 • -7.15db
15% Popularity • 66% Danceability • 66% Energy • 28% Liveness
0% Instrumentalness • 67% Positiveness
15% Popularity • 66% Danceability • 66% Energy • 28% Liveness
0% Instrumentalness • 67% Positiveness
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Maxwell
Matrimony: Maybe You - Cut
96 bpm • C# Maj • 04:01 • -10.51db
13% Popularity • 65% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
13% Popularity • 65% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Darien Brockington
Steppin' Out
96 bpm • A# min • 03:29 • -12.31db
14% Popularity • 74% Danceability • 47% Energy • 13% Liveness
15% Instrumentalness • 76% Positiveness
14% Popularity • 74% Danceability • 47% Energy • 13% Liveness
15% Instrumentalness • 76% Positiveness
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Avani
The Waiting's Over
96 bpm • G# min • 03:57 • -7.85db
19% Popularity • 85% Danceability • 45% Energy • 5% Liveness
0% Instrumentalness • 89% Positiveness
19% Popularity • 85% Danceability • 45% Energy • 5% Liveness
0% Instrumentalness • 89% Positiveness
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Don-E
Stay AWhile
96 bpm • G# min • 04:15 • -9.9db
13% Popularity • 78% Danceability • 57% Energy • 11% Liveness
1% Instrumentalness • 70% Positiveness
13% Popularity • 78% Danceability • 57% Energy • 11% Liveness
1% Instrumentalness • 70% Positiveness
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Carmen Rodgers
Make A Way
96 bpm • F# Maj • 02:59 • -7.14db
2% Popularity • 63% Danceability • 42% Energy • 26% Liveness
0% Instrumentalness • 60% Positiveness
2% Popularity • 63% Danceability • 42% Energy • 26% Liveness
0% Instrumentalness • 60% Positiveness
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October London
One Shot to Love
96 bpm • C Maj • 04:02 • -8.08db
29% Popularity • 47% Danceability • 66% Energy • 35% Liveness
0% Instrumentalness • 57% Positiveness
29% Popularity • 47% Danceability • 66% Energy • 35% Liveness
0% Instrumentalness • 57% Positiveness
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Maxwell
Matrimony: Maybe You - Remastered 2018
96 bpm • C# Maj • 04:38 • -9.16db
45% Popularity • 62% Danceability • 57% Energy • 52% Liveness
0% Instrumentalness • 34% Positiveness
45% Popularity • 62% Danceability • 57% Energy • 52% Liveness
0% Instrumentalness • 34% Positiveness
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The Foreign Exchange
If She Breaks Your Heart
96 bpm • C Maj • 05:20 • -9.66db
22% Popularity • 39% Danceability • 46% Energy • 29% Liveness
1% Instrumentalness • 44% Positiveness
22% Popularity • 39% Danceability • 46% Energy • 29% Liveness
1% Instrumentalness • 44% Positiveness
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Myron
Destiny
120 bpm • C Maj • 03:58 • -8.85db
16% Popularity • 76% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
16% Popularity • 76% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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The Floacist
Alright Then
120 bpm • C# min • 04:33 • -11db
21% Popularity • 78% Danceability • 41% Energy • 5% Liveness
0% Instrumentalness • 38% Positiveness
21% Popularity • 78% Danceability • 41% Energy • 5% Liveness
0% Instrumentalness • 38% Positiveness
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Carmen Rodgers
Rain Dance
96 bpm • F min • 01:19 • -17.69db
2% Popularity • 31% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
2% Popularity • 31% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
