Songs like Homeless (Demo) by Paul Simon
Based on a tempo of (+/- 10%) and a similar genre
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Paul Simon
Crazy Love, Vol. II
125 bpm • C Maj • 04:19 • -9.63db
43% Popularity • 71% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
43% Popularity • 71% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Elvis Costello
Indoor Fireworks
125 bpm • E Maj • 04:10 • -13.98db
30% Popularity • 55% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
30% Popularity • 55% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Bruce Springsteen
Mansion On the Hill
125 bpm • D Maj • 04:04 • -16.8db
41% Popularity • 34% Danceability • 9% Energy • 21% Liveness
0% Instrumentalness • 18% Positiveness
41% Popularity • 34% Danceability • 9% Energy • 21% Liveness
0% Instrumentalness • 18% Positiveness
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Lyle Lovett
The Road To Ensenada
125 bpm • D Maj • 04:15 • -11db
31% Popularity • 57% Danceability • 36% Energy • 39% Liveness
0% Instrumentalness • 26% Positiveness
31% Popularity • 57% Danceability • 36% Energy • 39% Liveness
0% Instrumentalness • 26% Positiveness
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Kate & Anna McGarrigle
Walking Song - Remastered
125 bpm • G Maj • 03:34 • -17.88db
13% Popularity • 42% Danceability • 6% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
13% Popularity • 42% Danceability • 6% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
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John Martyn
May You Never
125 bpm • E Maj • 03:40 • -15db
48% Popularity • 67% Danceability • 17% Energy • 11% Liveness
79% Instrumentalness • 73% Positiveness
48% Popularity • 67% Danceability • 17% Energy • 11% Liveness
79% Instrumentalness • 73% Positiveness
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Paul Simon
Homeless (Demo)
125 bpm • G min • 02:30 • -17.04db
37% Popularity • 32% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
37% Popularity • 32% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Jackson Browne
The Only Child
125 bpm • F Maj • 03:41 • -8.71db
30% Popularity • 50% Danceability • 53% Energy • 19% Liveness
0% Instrumentalness • 44% Positiveness
30% Popularity • 50% Danceability • 53% Energy • 19% Liveness
0% Instrumentalness • 44% Positiveness
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Rickie Lee Jones
Stewart's Coat
124 bpm • G Maj • 04:31 • -16.52db
31% Popularity • 52% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
31% Popularity • 52% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Jim Croce
Alabama Rain
126 bpm • G Maj • 02:14 • -14.78db
52% Popularity • 62% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 61% Positiveness
52% Popularity • 62% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 61% Positiveness
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The Moody Blues
Voices In The Sky
126 bpm • E Maj • 03:28 • -12.63db
39% Popularity • 49% Danceability • 35% Energy • 12% Liveness
9% Instrumentalness • 42% Positiveness
39% Popularity • 49% Danceability • 35% Energy • 12% Liveness
9% Instrumentalness • 42% Positiveness
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Gerry Rafferty
Mattie's Rag
126 bpm • D min • 03:26 • -14db
35% Popularity • 65% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
35% Popularity • 65% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Paul Simon
Crazy Love - Demo
125 bpm • C Maj • 02:31 • -7.86db
35% Popularity • 72% Danceability • 77% Energy • 4% Liveness
76% Instrumentalness • 95% Positiveness
35% Popularity • 72% Danceability • 77% Energy • 4% Liveness
76% Instrumentalness • 95% Positiveness
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Carole King
Smackwater Jack
126 bpm • G Maj • 03:41 • -8.88db
45% Popularity • 66% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
45% Popularity • 66% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
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Eric Andersen
Wind and Sand
124 bpm • F Maj • 04:28 • -18db
10% Popularity • 50% Danceability • 13% Energy • 13% Liveness
18% Instrumentalness • 15% Positiveness
10% Popularity • 50% Danceability • 13% Energy • 13% Liveness
18% Instrumentalness • 15% Positiveness
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James Taylor
One Morning in May - 2019 Remaster
124 bpm • F Maj • 02:54 • -17.24db
23% Popularity • 65% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
23% Popularity • 65% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Jackson Browne
Fountain of Sorrow - Remastered
126 bpm • F Maj • 06:52 • -10.12db
44% Popularity • 64% Danceability • 50% Energy • 6% Liveness
0% Instrumentalness • 41% Positiveness
44% Popularity • 64% Danceability • 50% Energy • 6% Liveness
0% Instrumentalness • 41% Positiveness
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Gerry Rafferty
The Royal Mile
124 bpm • A min • 03:48 • -13.32db
30% Popularity • 53% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
30% Popularity • 53% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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The Waterboys
A Man is in Love
126 bpm • F Maj • 03:50 • -13.28db
42% Popularity • 41% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
42% Popularity • 41% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Paul Simon
Train in the Distance
124 bpm • D Maj • 03:11 • -19.29db
23% Popularity • 48% Danceability • 13% Energy • 12% Liveness
6% Instrumentalness • 43% Positiveness
23% Popularity • 48% Danceability • 13% Energy • 12% Liveness
6% Instrumentalness • 43% Positiveness
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Gillian Welch
Make Me a Pallet on Your Floor
124 bpm • D# Maj • 02:46 • -13.47db
28% Popularity • 58% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
28% Popularity • 58% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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James Taylor
Soldiers - 2019 Remaster
126 bpm • C# min • 01:15 • -18.74db
38% Popularity • 58% Danceability • 17% Energy • 24% Liveness
0% Instrumentalness • 31% Positiveness
38% Popularity • 58% Danceability • 17% Energy • 24% Liveness
0% Instrumentalness • 31% Positiveness
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Traveling Wilburys
Inside Out
123 bpm • F min • 03:35 • -5db
45% Popularity • 63% Danceability • 88% Energy • 17% Liveness
0% Instrumentalness • 41% Positiveness
45% Popularity • 63% Danceability • 88% Energy • 17% Liveness
0% Instrumentalness • 41% Positiveness
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Tom Paxton
Whose Garden Was This
123 bpm • F# min • 02:29 • -16db
21% Popularity • 36% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
21% Popularity • 36% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Kate & Anna McGarrigle
Travellin' on for Jesus
123 bpm • A Maj • 02:43 • -10.85db
15% Popularity • 72% Danceability • 43% Energy • 18% Liveness
0% Instrumentalness • 68% Positiveness
15% Popularity • 72% Danceability • 43% Energy • 18% Liveness
0% Instrumentalness • 68% Positiveness
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Paul Simon
Peace Like a River
127 bpm • F Maj • 03:23 • -14.27db
46% Popularity • 64% Danceability • 34% Energy • 11% Liveness
6% Instrumentalness • 67% Positiveness
46% Popularity • 64% Danceability • 34% Energy • 11% Liveness
6% Instrumentalness • 67% Positiveness
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The Byrds
All I Really Want to Do
123 bpm • A Maj • 02:03 • -8db
37% Popularity • 45% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
37% Popularity • 45% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
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Pete Townshend
Till The Rivers All Run Dry
123 bpm • E Maj • 03:52 • -22db
33% Popularity • 73% Danceability • 22% Energy • 6% Liveness
16% Instrumentalness • 60% Positiveness
33% Popularity • 73% Danceability • 22% Energy • 6% Liveness
16% Instrumentalness • 60% Positiveness
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Bruce Cockburn
Peggy's Kitchen Wall
127 bpm • D Maj • 03:42 • -13.98db
19% Popularity • 79% Danceability • 41% Energy • 17% Liveness
0% Instrumentalness • 95% Positiveness
19% Popularity • 79% Danceability • 41% Energy • 17% Liveness
0% Instrumentalness • 95% Positiveness
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Jim Croce
Photographs and Memories
123 bpm • G Maj • 02:08 • -14.73db
58% Popularity • 58% Danceability • 23% Energy • 19% Liveness
0% Instrumentalness • 49% Positiveness
58% Popularity • 58% Danceability • 23% Energy • 19% Liveness
0% Instrumentalness • 49% Positiveness
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Eric Andersen
Blue River
127 bpm • F Maj • 04:45 • -14.43db
20% Popularity • 41% Danceability • 26% Energy • 12% Liveness
53% Instrumentalness • 14% Positiveness
20% Popularity • 41% Danceability • 26% Energy • 12% Liveness
53% Instrumentalness • 14% Positiveness
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Kate & Anna McGarrigle
Kiss and Say Goodbye
123 bpm • C Maj • 02:50 • -11db
22% Popularity • 69% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
22% Popularity • 69% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
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Nick Drake
Saturday Sun
127 bpm • C Maj • 04:05 • -20db
55% Popularity • 55% Danceability • 12% Energy • 10% Liveness
1% Instrumentalness • 14% Positiveness
55% Popularity • 55% Danceability • 12% Energy • 10% Liveness
1% Instrumentalness • 14% Positiveness
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George Harrison
All Things Must Pass (2020 Mix)
123 bpm • A Maj • 03:46 • -8.21db
48% Popularity • 51% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
48% Popularity • 51% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Ray Davies
Celluloid Heroes
128 bpm • G Maj • 05:20 • -12.35db
13% Popularity • 45% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 26% Positiveness
13% Popularity • 45% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 26% Positiveness
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Rickie Lee Jones
The Last Chance Texaco
122 bpm • B Maj • 04:05 • -14.07db
27% Popularity • 55% Danceability • 17% Energy • 18% Liveness
0% Instrumentalness • 8% Positiveness
27% Popularity • 55% Danceability • 17% Energy • 18% Liveness
0% Instrumentalness • 8% Positiveness
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Paul Simon
Train in the Distance
122 bpm • G# Maj • 05:12 • -16.84db
35% Popularity • 64% Danceability • 25% Energy • 11% Liveness
2% Instrumentalness • 30% Positiveness
35% Popularity • 64% Danceability • 25% Energy • 11% Liveness
2% Instrumentalness • 30% Positiveness
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Billy Bragg
Ingrid Bergman
128 bpm • E Maj • 01:50 • -14.51db
41% Popularity • 64% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
41% Popularity • 64% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Daniel Lanois
Rocky World
128 bpm • G Maj • 02:55 • -13.72db
15% Popularity • 47% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
15% Popularity • 47% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
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George Harrison
All Things Must Pass (2014 Remaster)
122 bpm • A Maj • 03:46 • -8.38db
55% Popularity • 51% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
55% Popularity • 51% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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The Byrds
The Bells of Rhymney
122 bpm • D Maj • 03:30 • -8.07db
35% Popularity • 38% Danceability • 67% Energy • 34% Liveness
0% Instrumentalness • 64% Positiveness
35% Popularity • 38% Danceability • 67% Energy • 34% Liveness
0% Instrumentalness • 64% Positiveness
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Ralph McTell
Nanna's Song
122 bpm • E Maj • 03:07 • -17.26db
16% Popularity • 61% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
16% Popularity • 61% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Paul Simon
Shelter of Your Arms (Unreleased Work-In...
128 bpm • G# Maj • 03:09 • -17db
19% Popularity • 60% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
19% Popularity • 60% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Kate & Anna McGarrigle
No Biscuit Blues - Remastered
121 bpm • G Maj • 01:42 • -13.66db
19% Popularity • 67% Danceability • 41% Energy • 30% Liveness
0% Instrumentalness • 85% Positiveness
19% Popularity • 67% Danceability • 41% Energy • 30% Liveness
0% Instrumentalness • 85% Positiveness
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David Byrne
She Only Sleeps
121 bpm • A# Maj • 02:58 • -12.42db
25% Popularity • 84% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
25% Popularity • 84% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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Elvis Costello
Baby Plays Around
129 bpm • A Maj • 02:46 • -18db
22% Popularity • 54% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
22% Popularity • 54% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
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Bruce Springsteen
Valentine's Day
121 bpm • E Maj • 05:12 • -18.12db
37% Popularity • 51% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
37% Popularity • 51% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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The Waterboys
When Will We Be Married - 2006 Remaster
121 bpm • E min • 03:00 • -8db
36% Popularity • 58% Danceability • 51% Energy • 27% Liveness
0% Instrumentalness • 72% Positiveness
36% Popularity • 58% Danceability • 51% Energy • 27% Liveness
0% Instrumentalness • 72% Positiveness
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Bryan Ferry
When She Walks In The Room
130 bpm • G Maj • 06:23 • -10db
15% Popularity • 65% Danceability • 47% Energy • 12% Liveness
15% Instrumentalness • 43% Positiveness
15% Popularity • 65% Danceability • 47% Energy • 12% Liveness
15% Instrumentalness • 43% Positiveness
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Donovan
Jennifer Juniper
129 bpm • D Maj • 02:40 • -19db
38% Popularity • 62% Danceability • 29% Energy • 52% Liveness
0% Instrumentalness • 88% Positiveness
38% Popularity • 62% Danceability • 29% Energy • 52% Liveness
0% Instrumentalness • 88% Positiveness
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Tim Hardin
Unforgiven
130 bpm • D Maj • 03:22 • -15.47db
41% Popularity • 35% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
41% Popularity • 35% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Sandy Denny
Solo
130 bpm • D Maj • 04:24 • -7.78db
9% Popularity • 45% Danceability • 33% Energy • 15% Liveness
57% Instrumentalness • 44% Positiveness
9% Popularity • 45% Danceability • 33% Energy • 15% Liveness
57% Instrumentalness • 44% Positiveness
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Jim Croce
Lover's Cross
120 bpm • C Maj • 03:04 • -15.24db
51% Popularity • 72% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
51% Popularity • 72% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
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John Hiatt
What Do We Do Now
130 bpm • D Maj • 02:58 • -10.81db
46% Popularity • 62% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
46% Popularity • 62% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Cowboy Junkies
Mining For Gold
120 bpm • C# Maj • 01:32 • -21.52db
36% Popularity • 46% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
36% Popularity • 46% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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James Taylor
Sunny Skies - 2019 Remaster
120 bpm • C Maj • 02:21 • -21.28db
47% Popularity • 81% Danceability • 10% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
47% Popularity • 81% Danceability • 10% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
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The Beach Boys
Cuddle Up - Remastered 2000
130 bpm • F Maj • 05:29 • -13.72db
21% Popularity • 24% Danceability • 12% Energy • 14% Liveness
43% Instrumentalness • 4% Positiveness
21% Popularity • 24% Danceability • 12% Energy • 14% Liveness
43% Instrumentalness • 4% Positiveness
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Al Stewart
Sand in Your Shoes - 2001 Remaster
120 bpm • G Maj • 03:04 • -11.44db
34% Popularity • 73% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
34% Popularity • 73% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
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Paul Simon
That's Where I Belong
130 bpm • D# Maj • 03:12 • -13.19db
24% Popularity • 67% Danceability • 39% Energy • 9% Liveness
1% Instrumentalness • 38% Positiveness
24% Popularity • 67% Danceability • 39% Energy • 9% Liveness
1% Instrumentalness • 38% Positiveness
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Carole King
I Feel the Earth Move
120 bpm • G min • 02:58 • -8.78db
67% Popularity • 71% Danceability • 58% Energy • 5% Liveness
0% Instrumentalness • 64% Positiveness
67% Popularity • 71% Danceability • 58% Energy • 5% Liveness
0% Instrumentalness • 64% Positiveness
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John Martyn
Fairy Tale Lullaby
120 bpm • G Maj • 02:49 • -11db
34% Popularity • 56% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
34% Popularity • 56% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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Kate & Anna McGarrigle
Jigsaw Puzzle of Life
120 bpm • C Maj • 02:33 • -11db
16% Popularity • 57% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
16% Popularity • 57% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Bill Fay
Cosmic Concerto (Life Is People)
130 bpm • F# Maj • 07:56 • -13.92db
14% Popularity • 35% Danceability • 25% Energy • 10% Liveness
9% Instrumentalness • 10% Positiveness
14% Popularity • 35% Danceability • 25% Energy • 10% Liveness
9% Instrumentalness • 10% Positiveness
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RodrÃguez
This Is Not a Song, It's an Outburst: Or...
120 bpm • E Maj • 02:06 • -6.49db
51% Popularity • 62% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 83% Positiveness
51% Popularity • 62% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 83% Positiveness
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Paul Simon
Was a Sunny Day
120 bpm • C Maj • 03:44 • -16.64db
33% Popularity • 74% Danceability • 25% Energy • 20% Liveness
0% Instrumentalness • 65% Positiveness
33% Popularity • 74% Danceability • 25% Energy • 20% Liveness
0% Instrumentalness • 65% Positiveness
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Steve Forbert
Thinkin'
119 bpm • E Maj • 03:27 • -18.24db
16% Popularity • 59% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
16% Popularity • 59% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
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Jim Croce
These Dreams
119 bpm • D Maj • 03:14 • -15.2db
45% Popularity • 58% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
45% Popularity • 58% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
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Buffalo Springfield
On the Way Home
119 bpm • F Maj • 02:30 • -12db
50% Popularity • 66% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 90% Positiveness
50% Popularity • 66% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 90% Positiveness
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Dan Fogelberg
Illinois
131 bpm • C Maj • 04:12 • -14.57db
30% Popularity • 47% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
30% Popularity • 47% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
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Billy Bragg
Birds And Ships
119 bpm • D Maj • 02:15 • -12db
40% Popularity • 61% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
40% Popularity • 61% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Gerry Rafferty
The Ark
119 bpm • D Maj • 05:39 • -12.67db
40% Popularity • 53% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
40% Popularity • 53% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
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Nick Drake
' Cello Song
119 bpm • D# Maj • 04:44 • -17.22db
51% Popularity • 51% Danceability • 39% Energy • 6% Liveness
86% Instrumentalness • 52% Positiveness
51% Popularity • 51% Danceability • 39% Energy • 6% Liveness
86% Instrumentalness • 52% Positiveness
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Jim Croce
New York's Not My Home
131 bpm • B min • 03:07 • -9.2db
52% Popularity • 53% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
52% Popularity • 53% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
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Warren Zevon
Johnny Strikes up the Band
119 bpm • A Maj • 02:51 • -7.46db
41% Popularity • 64% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
41% Popularity • 64% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
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The Lovin' Spoonful
Younger Girl
119 bpm • G Maj • 02:17 • -12db
32% Popularity • 58% Danceability • 26% Energy • 35% Liveness
0% Instrumentalness • 54% Positiveness
32% Popularity • 58% Danceability • 26% Energy • 35% Liveness
0% Instrumentalness • 54% Positiveness
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Leonard Cohen
You Got Me Singing
132 bpm • D# Maj • 03:31 • -12db
48% Popularity • 51% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
48% Popularity • 51% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Paul Simon
Slip Slidin' Away (Demo)
118 bpm • G# Maj • 05:29 • -19db
37% Popularity • 47% Danceability • 22% Energy • 29% Liveness
4% Instrumentalness • 49% Positiveness
37% Popularity • 47% Danceability • 22% Energy • 29% Liveness
4% Instrumentalness • 49% Positiveness
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John Martyn
Spencer The Rover
132 bpm • E Maj • 04:09 • -19db
33% Popularity • 41% Danceability • 10% Energy • 11% Liveness
1% Instrumentalness • 25% Positiveness
33% Popularity • 41% Danceability • 10% Energy • 11% Liveness
1% Instrumentalness • 25% Positiveness
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Carole King
Jazzman
118 bpm • F Maj • 03:43 • -10db
44% Popularity • 58% Danceability • 66% Energy • 23% Liveness
0% Instrumentalness • 81% Positiveness
44% Popularity • 58% Danceability • 66% Energy • 23% Liveness
0% Instrumentalness • 81% Positiveness
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Supertramp
Even In The Quietest Moments
132 bpm • G Maj • 06:26 • -7.41db
53% Popularity • 43% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
53% Popularity • 43% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
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Elton John
Come Down In Time
118 bpm • E min • 03:25 • -13.96db
38% Popularity • 53% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
38% Popularity • 53% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Dan Fogelberg
Changing Horses
133 bpm • G Maj • 02:35 • -19.75db
33% Popularity • 61% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
33% Popularity • 61% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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Paul Simon
The Story of "Graceland" as Told by Paul...
118 bpm • C# min • 09:37 • -16.72db
31% Popularity • 64% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
31% Popularity • 64% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Richard Thompson
King Of Bohemia
133 bpm • D# Maj • 03:44 • -19db
13% Popularity • 46% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
13% Popularity • 46% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Buffalo Springfield
Four Days Gone
118 bpm • D min • 02:57 • -10.52db
35% Popularity • 70% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
35% Popularity • 70% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Sandy Denny
Who Knows Where The Time Goes? - BBC Ses...
133 bpm • D# Maj • 05:35 • -13.79db
34% Popularity • 40% Danceability • 8% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
34% Popularity • 40% Danceability • 8% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
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Eric Andersen
Thirsty Boots
133 bpm • B Maj • 05:13 • -14.81db
24% Popularity • 57% Danceability • 40% Energy • 12% Liveness
9% Instrumentalness • 74% Positiveness
24% Popularity • 57% Danceability • 40% Energy • 12% Liveness
9% Instrumentalness • 74% Positiveness
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James Taylor
Oh, Susannah - 2019 Remaster
118 bpm • G Maj • 02:01 • -19.63db
40% Popularity • 57% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
40% Popularity • 57% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Paul McCartney
Junior’s Farm - One Hand Clapping Sess...
134 bpm • C Maj • 04:17 • -7.28db
19% Popularity • 34% Danceability • 75% Energy • 15% Liveness
30% Instrumentalness • 43% Positiveness
19% Popularity • 34% Danceability • 75% Energy • 15% Liveness
30% Instrumentalness • 43% Positiveness
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Iron & Wine
Sweet Talk
134 bpm • G# Maj • 03:38 • -8.23db
14% Popularity • 64% Danceability • 68% Energy • 9% Liveness
16% Instrumentalness • 90% Positiveness
14% Popularity • 64% Danceability • 68% Energy • 9% Liveness
16% Instrumentalness • 90% Positiveness
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Nick Drake
Time Of No Reply - Orchestrated Version
117 bpm • G Maj • 02:46 • -13.99db
32% Popularity • 47% Danceability • 30% Energy • 12% Liveness
26% Instrumentalness • 41% Positiveness
32% Popularity • 47% Danceability • 30% Energy • 12% Liveness
26% Instrumentalness • 41% Positiveness
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Elvis Costello & The Attractions
Almost Blue
116 bpm • E min • 02:47 • -15.74db
34% Popularity • 44% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
34% Popularity • 44% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Lowell George
20 Million Things
116 bpm • G Maj • 02:50 • -12db
31% Popularity • 63% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
31% Popularity • 63% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
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Leonard Cohen
Going Home
116 bpm • D Maj • 03:51 • -16.53db
35% Popularity • 55% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
35% Popularity • 55% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Paul Simon
The Coast
116 bpm • C min • 05:04 • -14.99db
39% Popularity • 67% Danceability • 54% Energy • 20% Liveness
6% Instrumentalness • 80% Positiveness
39% Popularity • 67% Danceability • 54% Energy • 20% Liveness
6% Instrumentalness • 80% Positiveness
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The Byrds
Goin' Back
116 bpm • E Maj • 03:25 • -10.23db
42% Popularity • 50% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
42% Popularity • 50% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Cowboy Junkies
Misguided Angel
135 bpm • G Maj • 04:52 • -19.46db
40% Popularity • 44% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
40% Popularity • 44% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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Bruce Springsteen
Used Cars
116 bpm • F# min • 03:08 • -18.48db
39% Popularity • 38% Danceability • 5% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
39% Popularity • 38% Danceability • 5% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
