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Homesick
Songs like
Homesick
by
Nell Mescal
Based on a tempo of (+/- 10%) and a similar genre
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Nell Mescal
Punchline
160 bpm • G Maj • 03:32 • -7.59db
26% Popularity • 52% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Siobhán Winifred
Killers
160 bpm • B Maj • 03:36 • -5.46db
39% Popularity • 40% Danceability • 91% Energy • 36% Liveness
2% Instrumentalness • 52% Positiveness
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Juliana Madrid
Trackstar
160 bpm • D Maj • 03:26 • -3.95db
28% Popularity • 44% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Quiet Houses
Hot and Clumsy
160 bpm • D# Maj • 04:31 • -9.73db
28% Popularity • 48% Danceability • 71% Energy • 31% Liveness
1% Instrumentalness • 78% Positiveness
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Claire Rosinkranz
Screw Time
160 bpm • E Maj • 03:05 • -6.61db
38% Popularity • 55% Danceability • 94% Energy • 53% Liveness
0% Instrumentalness • 66% Positiveness
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Bottle Rockets
Community Service
160 bpm • C# Maj • 02:57 • -6.57db
20% Popularity • 48% Danceability • 91% Energy • 18% Liveness
0% Instrumentalness • 68% Positiveness
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Nell Mescal
Homesick
160 bpm • C# min • 03:01 • -4.32db
38% Popularity • 47% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Liang Lawrence
unposted letters
160 bpm • C# Maj • 03:25 • -8.71db
42% Popularity • 63% Danceability • 64% Energy • 12% Liveness
2% Instrumentalness • 57% Positiveness
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mercury
I Don’t Know You Like I Used To
160 bpm • F Maj • 04:19 • -7.23db
47% Popularity • 43% Danceability • 69% Energy • 35% Liveness
0% Instrumentalness • 32% Positiveness
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Luz
sustain
160 bpm • D Maj • 03:24 • -8.9db
31% Popularity • 63% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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saturn 17
magazine
160 bpm • C# min • 02:52 • -5.04db
32% Popularity • 50% Danceability • 85% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
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Wallice
Best Friend
160 bpm • D Maj • 02:43 • -5.06db
40% Popularity • 44% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Vistas
Retrospect
159 bpm • G# Maj • 03:26 • -3.98db
44% Popularity • 38% Danceability • 86% Energy • 30% Liveness
0% Instrumentalness • 50% Positiveness
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Juliana Madrid
Savior
161 bpm • B Maj • 02:57 • -7.64db
32% Popularity • 47% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Theo Bleak
Autumn Song
160 bpm • F# Maj • 02:59 • -10.77db
15% Popularity • 34% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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florence road
another seventeen
159 bpm • E Maj • 03:02 • -7.28db
40% Popularity • 50% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
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Carol Ades
Crying During Sex
162 bpm • G Maj • 03:40 • -7.67db
38% Popularity • 46% Danceability • 70% Energy • 10% Liveness
4% Instrumentalness • 31% Positiveness
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Nieve Ella
19 in a Week
162 bpm • A# Maj • 03:13 • -6db
36% Popularity • 46% Danceability • 82% Energy • 29% Liveness
0% Instrumentalness • 41% Positiveness
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Lizzy McAlpine
orange show speedway
158 bpm • C# Maj • 03:46 • -9db
57% Popularity • 63% Danceability • 53% Energy • 11% Liveness
1% Instrumentalness • 57% Positiveness
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Cece Coakley
Halfway
158 bpm • E Maj • 03:06 • -7.26db
20% Popularity • 50% Danceability • 50% Energy • 23% Liveness
0% Instrumentalness • 41% Positiveness
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FIZZ
The Grand Finale
163 bpm • E Maj • 05:23 • -6.08db
35% Popularity • 30% Danceability • 68% Energy • 30% Liveness
0% Instrumentalness • 25% Positiveness
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quinnie
flounder
162 bpm • B Maj • 03:39 • -6db
44% Popularity • 56% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
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Martin Luke Brown
**it gets better
163 bpm • G Maj • 03:09 • -4.94db
32% Popularity • 63% Danceability • 88% Energy • 10% Liveness
17% Instrumentalness • 80% Positiveness
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Genevieve Stokes
Can I
163 bpm • C Maj • 03:00 • -8.83db
38% Popularity • 52% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
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swim school
See Red - from Studio 456
157 bpm • A Maj • 04:06 • -5.07db
16% Popularity • 34% Danceability • 86% Energy • 35% Liveness
76% Instrumentalness • 14% Positiveness
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Siobhán Winifred
Black Hole
163 bpm • B Maj • 04:01 • -7.71db
27% Popularity • 54% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
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Edie Bens
Cashmere Sweaters
157 bpm • G# Maj • 03:03 • -7.87db
11% Popularity • 47% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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Juliana Madrid
Let The Light In
156 bpm • C Maj • 01:23 • -6.83db
39% Popularity • 25% Danceability • 44% Energy • 23% Liveness
0% Instrumentalness • 12% Positiveness
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Martin Luke Brown
see u later x
157 bpm • B Maj • 03:03 • -6.39db
33% Popularity • 51% Danceability • 50% Energy • 11% Liveness
2% Instrumentalness • 51% Positiveness
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Lucy Blue
Postman
164 bpm • F# Maj • 03:14 • -8.17db
12% Popularity • 41% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Phoebe Go
Something You Were Trying
164 bpm • A# Maj • 03:39 • -6.98db
35% Popularity • 59% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 66% Positiveness
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Betty Taylor
Stallin'
156 bpm • C Maj • 04:25 • -6db
32% Popularity • 55% Danceability • 88% Energy • 19% Liveness
5% Instrumentalness • 56% Positiveness
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FIZZ
As Good As It Gets
156 bpm • G Maj • 02:44 • -7.3db
41% Popularity • 57% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Keni Titus
Come Back
156 bpm • F# Maj • 02:46 • -6.81db
22% Popularity • 54% Danceability • 51% Energy • 31% Liveness
1% Instrumentalness • 60% Positiveness
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Mallory Merk
Thorns
156 bpm • D Maj • 03:13 • -5db
26% Popularity • 33% Danceability • 60% Energy • 22% Liveness
0% Instrumentalness • 18% Positiveness
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ella jane
Dog Years
156 bpm • A# Maj • 02:21 • -12.29db
29% Popularity • 63% Danceability • 20% Energy • 31% Liveness
0% Instrumentalness • 69% Positiveness
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Grace Enger
Ruin
156 bpm • D Maj • 03:43 • -6.64db
30% Popularity • 66% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
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The Aces
Person
165 bpm • D Maj • 03:36 • -6.83db
33% Popularity • 29% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 23% Positiveness
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Nieve Ella
Girlfriend
165 bpm • D Maj • 03:57 • -7.74db
36% Popularity • 34% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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Thomas Headon
not saying goodbye :(
155 bpm • G# Maj • 02:42 • -6.27db
24% Popularity • 57% Danceability • 63% Energy • 24% Liveness
0% Instrumentalness • 70% Positiveness
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Spyres
The Thing
165 bpm • A Maj • 03:16 • -8.38db
27% Popularity • 55% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Shallow Alcove
We're All Doomed
155 bpm • G Maj • 02:30 • -7.49db
36% Popularity • 54% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
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Imani Graham
Just Stay For Once
155 bpm • C Maj • 03:36 • -5.39db
39% Popularity • 54% Danceability • 85% Energy • 24% Liveness
0% Instrumentalness • 37% Positiveness
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Kayla Grace
pork pies
155 bpm • D Maj • 03:01 • -6.28db
11% Popularity • 62% Danceability • 68% Energy • 27% Liveness
1% Instrumentalness • 56% Positiveness
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Euan Blackman
Everybody Lets You Down
155 bpm • F min • 03:32 • -12.66db
29% Popularity • 52% Danceability • 37% Energy • 10% Liveness
1% Instrumentalness • 45% Positiveness
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Katie Gregson-MacLeod
Your Ex
155 bpm • C Maj • 03:37 • -5.15db
41% Popularity • 55% Danceability • 68% Energy • 28% Liveness
0% Instrumentalness • 46% Positiveness
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Dolores Forever
Funeral
155 bpm • C Maj • 03:26 • -5.08db
15% Popularity • 46% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
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Matilda Mann
Bloom
166 bpm • F min • 02:46 • -7.08db
46% Popularity • 50% Danceability • 84% Energy • 35% Liveness
2% Instrumentalness • 56% Positiveness
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Charli Adams
na na na song
166 bpm • E Maj • 03:24 • -7.95db
21% Popularity • 49% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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Alessi Rose
say ur mine
166 bpm • E Maj • 03:22 • -12.38db
32% Popularity • 49% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Phoebe Hall
Sometimes
166 bpm • D Maj • 03:54 • -6.46db
14% Popularity • 59% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Keni Titus
just keep driving
154 bpm • D Maj • 03:23 • -5.74db
31% Popularity • 56% Danceability • 58% Energy • 22% Liveness
0% Instrumentalness • 66% Positiveness
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Annika Bennett
Madwoman
154 bpm • C Maj • 03:17 • -8.7db
34% Popularity • 58% Danceability • 40% Energy • 33% Liveness
0% Instrumentalness • 52% Positiveness
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Harriette
bc i love you
166 bpm • C Maj • 03:57 • -6.37db
31% Popularity • 55% Danceability • 76% Energy • 12% Liveness
3% Instrumentalness • 64% Positiveness
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Nell Mescal
Missing You
154 bpm • C Maj • 04:26 • -14.16db
26% Popularity • 31% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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SOFY
socks
154 bpm • F Maj • 03:38 • -4.59db
36% Popularity • 61% Danceability • 76% Energy • 63% Liveness
0% Instrumentalness • 81% Positiveness
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Suki Waterhouse
Nostalgia
154 bpm • F# Maj • 03:57 • -8db
59% Popularity • 52% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Siobhán Winifred
Sober
153 bpm • C Maj • 03:52 • -7.73db
24% Popularity • 67% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
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Matilda Mann
Margaux
167 bpm • D min • 02:26 • -14db
45% Popularity • 38% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
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Ber
Your Internet Sucks
168 bpm • B Maj • 02:49 • -9db
34% Popularity • 68% Danceability • 66% Energy • 49% Liveness
0% Instrumentalness • 35% Positiveness
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Alfie Jukes
Orange Juice
154 bpm • B Maj • 03:23 • -11.26db
44% Popularity • 33% Danceability • 36% Energy • 10% Liveness
2% Instrumentalness • 20% Positiveness
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Josie Oliver
Glued
152 bpm • G min • 03:16 • -9.61db
29% Popularity • 56% Danceability • 65% Energy • 14% Liveness
1% Instrumentalness • 37% Positiveness
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Cate
Get Better
168 bpm • A# Maj • 02:51 • -4db
33% Popularity • 63% Danceability • 81% Energy • 5% Liveness
0% Instrumentalness • 48% Positiveness
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Kristiane
State Lines
152 bpm • C Maj • 02:32 • -8.64db
23% Popularity • 59% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
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FIZZ
High In Brighton
168 bpm • A Maj • 02:51 • -6.37db
41% Popularity • 23% Danceability • 78% Energy • 78% Liveness
0% Instrumentalness • 23% Positiveness
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Tommy Lefroy
Jericho Beach
152 bpm • A Maj • 02:56 • -10db
39% Popularity • 48% Danceability • 26% Energy • 34% Liveness
10% Instrumentalness • 24% Positiveness
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Isabel Pless
Switch the Station
152 bpm • D# Maj • 02:53 • -11db
18% Popularity • 46% Danceability • 41% Energy • 29% Liveness
0% Instrumentalness • 62% Positiveness
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Becca Mancari
Over And Over
169 bpm • D Maj • 02:32 • -7.5db
25% Popularity • 55% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 76% Positiveness
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MARIS
False Idol
151 bpm • C Maj • 02:27 • -6.39db
31% Popularity • 59% Danceability • 71% Energy • 39% Liveness
0% Instrumentalness • 57% Positiveness
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Claud
Every Fucking Time
170 bpm • F# Maj • 02:47 • -7.73db
29% Popularity • 40% Danceability • 47% Energy • 28% Liveness
0% Instrumentalness • 33% Positiveness
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Maggie Rogers
Shatter
150 bpm • A Maj • 03:40 • -2db
60% Popularity • 57% Danceability • 85% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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Ellur
Close To You
150 bpm • A# Maj • 03:06 • -6.17db
16% Popularity • 50% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Elle Coves
Born To Lose
150 bpm • E Maj • 03:00 • -3.51db
45% Popularity • 56% Danceability • 88% Energy • 20% Liveness
0% Instrumentalness • 66% Positiveness
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Dolores Forever
Rothko
150 bpm • G min • 02:58 • -6.99db
23% Popularity • 64% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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Pet Snake
Jacket
150 bpm • F# Maj • 03:44 • -6db
15% Popularity • 54% Danceability • 80% Energy • 8% Liveness
57% Instrumentalness • 88% Positiveness
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Alix Page
Automatic
150 bpm • F Maj • 02:33 • -9db
28% Popularity • 60% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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The Aces
Younger
171 bpm • B Maj • 02:10 • -5.99db
39% Popularity • 38% Danceability • 67% Energy • 6% Liveness
2% Instrumentalness • 67% Positiveness
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Edie Bens
Poster Child
149 bpm • C Maj • 03:07 • -7.62db
9% Popularity • 64% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 76% Positiveness
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The Beaches
Shower Beer
149 bpm • E Maj • 03:11 • -3.24db
53% Popularity • 45% Danceability • 93% Energy • 27% Liveness
0% Instrumentalness • 74% Positiveness
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Nell Mescal
Warm Body
149 bpm • D Maj • 04:32 • -5.08db
39% Popularity • 38% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Chrissy
Feminine Feelings
148 bpm • E Maj • 03:09 • -9.34db
40% Popularity • 55% Danceability • 45% Energy • 33% Liveness
0% Instrumentalness • 45% Positiveness
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The Sunshine State
Pushing 30
148 bpm • D Maj • 03:30 • -6.51db
23% Popularity • 50% Danceability • 57% Energy • 38% Liveness
0% Instrumentalness • 30% Positiveness
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Raffaella
LIPSTICK
148 bpm • D Maj • 03:19 • -6.53db
26% Popularity • 50% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Siobhán Winifred
This House
148 bpm • C# Maj • 03:41 • -11db
27% Popularity • 37% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Etta Marcus
Provider
148 bpm • D Maj • 03:05 • -9.35db
24% Popularity • 57% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Eliza Harrison Smith
Back Of My Mind
148 bpm • E Maj • 03:30 • -6.15db
39% Popularity • 61% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
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The Academic
My Very Best
148 bpm • A Maj • 03:17 • -7db
35% Popularity • 67% Danceability • 77% Energy • 9% Liveness
1% Instrumentalness • 71% Positiveness
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Susannah Joffe
In Your Room
148 bpm • D Maj • 03:26 • -7.88db
28% Popularity • 51% Danceability • 66% Energy • 16% Liveness
1% Instrumentalness • 68% Positiveness
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buffchick
I Lied Again
148 bpm • D Maj • 02:50 • -8db
32% Popularity • 48% Danceability • 56% Energy • 39% Liveness
12% Instrumentalness • 34% Positiveness
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Holly Humberstone
Ghost Me
174 bpm • D Maj • 03:37 • -7.35db
46% Popularity • 54% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
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Matilda Mann
If Only
174 bpm • G Maj • 03:06 • -11.48db
31% Popularity • 28% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Beeson
everybody's baby
174 bpm • D Maj • 04:02 • -8.55db
33% Popularity • 50% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
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girlhouse
worth it
175 bpm • C Maj • 03:43 • -8.11db
20% Popularity • 30% Danceability • 52% Energy • 25% Liveness
0% Instrumentalness • 18% Positiveness
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Kingfishr
Anyway
174 bpm • G# Maj • 03:43 • -7.55db
44% Popularity • 41% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Gatlin
When You’re Breaking My Heart
175 bpm • A# Maj • 03:04 • -6.33db
38% Popularity • 50% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 23% Positiveness
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Alex Amor
Cherry Blossom Boy
146 bpm • C# min • 03:37 • -5.83db
30% Popularity • 59% Danceability • 75% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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Dolores Forever
Good Time All The Time
146 bpm • D Maj • 03:12 • -4.3db
29% Popularity • 59% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
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Boyish
Kill Your Pain
146 bpm • C# Maj • 02:46 • -6.19db
52% Popularity • 49% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Edie Bens
Head Over Heels
146 bpm • A Maj • 03:14 • -7.96db
29% Popularity • 50% Danceability • 56% Energy • 17% Liveness
0% Instrumentalness • 22% Positiveness
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Harriette
Fucking Married
146 bpm • G Maj • 03:13 • -7.75db
37% Popularity • 58% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Homesick