Songs like Honest to Goodness - Original 45 Rpm Version by Herb Ward
Based on a tempo of (+/- 10%) and a similar genre
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Herb Ward
Honest to Goodness - Original 45 Rpm Ver...
137 bpm • A# Maj • 02:51 • -5.08db
9% Popularity • 58% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
9% Popularity • 58% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
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Shirley Ellis
Soul Time - Single Version
137 bpm • C# Maj • 02:38 • -7.63db
37% Popularity • 59% Danceability • 77% Energy • 7% Liveness
5% Instrumentalness • 89% Positiveness
37% Popularity • 59% Danceability • 77% Energy • 7% Liveness
5% Instrumentalness • 89% Positiveness
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The Belles
Don't Pretend
137 bpm • D# Maj • 02:19 • -9.56db
12% Popularity • 62% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 94% Positiveness
12% Popularity • 62% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 94% Positiveness
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James & Bobby Purify
Let Love Come Between Us
137 bpm • A Maj • 02:25 • -11db
30% Popularity • 69% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 90% Positiveness
30% Popularity • 69% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 90% Positiveness
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Chubby Checker
(At The) Discotheque
137 bpm • C min • 02:31 • -4.29db
15% Popularity • 60% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
15% Popularity • 60% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
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Joey Heatherton
When You Call Me Baby - Single Version
137 bpm • D Maj • 02:18 • -5.84db
14% Popularity • 78% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
14% Popularity • 78% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
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The Checkerboard Squares
Double Cookin'
137 bpm • C# Maj • 02:45 • -5.11db
16% Popularity • 49% Danceability • 87% Energy • 19% Liveness
86% Instrumentalness • 67% Positiveness
16% Popularity • 49% Danceability • 87% Energy • 19% Liveness
86% Instrumentalness • 67% Positiveness
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The Valentinos
Sweeter Than The Day Before
137 bpm • D Maj • 02:38 • -9db
18% Popularity • 58% Danceability • 58% Energy • 75% Liveness
0% Instrumentalness • 90% Positiveness
18% Popularity • 58% Danceability • 58% Energy • 75% Liveness
0% Instrumentalness • 90% Positiveness
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The Inspirations
Your Wish Is My Command
137 bpm • D min • 02:10 • -12.14db
10% Popularity • 53% Danceability • 56% Energy • 34% Liveness
0% Instrumentalness • 97% Positiveness
10% Popularity • 53% Danceability • 56% Energy • 34% Liveness
0% Instrumentalness • 97% Positiveness
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The Yum Yums
Gonna Be a Big Thing
137 bpm • D Maj • 02:24 • -9.06db
16% Popularity • 48% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
16% Popularity • 48% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
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The Invitations
Skiing in the Snow
137 bpm • C min • 02:39 • -5.62db
19% Popularity • 65% Danceability • 86% Energy • 16% Liveness
0% Instrumentalness • 89% Positiveness
19% Popularity • 65% Danceability • 86% Energy • 16% Liveness
0% Instrumentalness • 89% Positiveness
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Sidney Barnes
I Hurt on the Other Side (2019 Remaster)
137 bpm • G Maj • 02:56 • -10.97db
10% Popularity • 49% Danceability • 57% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
10% Popularity • 49% Danceability • 57% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
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Herb Ward
Honest to Goodness - Instrumental Versio...
137 bpm • A# Maj • 03:08 • -6.23db
0% Popularity • 65% Danceability • 84% Energy • 10% Liveness
94% Instrumentalness • 92% Positiveness
0% Popularity • 65% Danceability • 84% Energy • 10% Liveness
94% Instrumentalness • 92% Positiveness
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Al Gardner
Sweet Baby
136 bpm • G# min • 02:32 • -8db
9% Popularity • 57% Danceability • 61% Energy • 29% Liveness
0% Instrumentalness • 71% Positiveness
9% Popularity • 57% Danceability • 61% Energy • 29% Liveness
0% Instrumentalness • 71% Positiveness
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Bobby Paris
I Walked Away
136 bpm • F Maj • 03:10 • -7.19db
30% Popularity • 34% Danceability • 47% Energy • 17% Liveness
0% Instrumentalness • 38% Positiveness
30% Popularity • 34% Danceability • 47% Energy • 17% Liveness
0% Instrumentalness • 38% Positiveness
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The Sapphires
Gotta Have Your Love
136 bpm • G# Maj • 02:16 • -11.19db
30% Popularity • 55% Danceability • 48% Energy • 21% Liveness
0% Instrumentalness • 45% Positiveness
30% Popularity • 55% Danceability • 48% Energy • 21% Liveness
0% Instrumentalness • 45% Positiveness
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Jackie Lee
Do the Temptation Walk
138 bpm • C min • 02:33 • -6.56db
21% Popularity • 60% Danceability • 83% Energy • 16% Liveness
0% Instrumentalness • 92% Positiveness
21% Popularity • 60% Danceability • 83% Energy • 16% Liveness
0% Instrumentalness • 92% Positiveness
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Eula Cooper
Let Our Love Grow Higher
136 bpm • A min • 02:40 • -8db
20% Popularity • 62% Danceability • 78% Energy • 26% Liveness
1% Instrumentalness • 96% Positiveness
20% Popularity • 62% Danceability • 78% Energy • 26% Liveness
1% Instrumentalness • 96% Positiveness
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Frankie Valli
You're Ready Now
136 bpm • B Maj • 02:18 • -7.55db
38% Popularity • 63% Danceability • 85% Energy • 24% Liveness
0% Instrumentalness • 87% Positiveness
38% Popularity • 63% Danceability • 85% Energy • 24% Liveness
0% Instrumentalness • 87% Positiveness
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Edward Hamilton
Baby Don't You Weep
138 bpm • B Maj • 02:51 • -9db
13% Popularity • 53% Danceability • 64% Energy • 46% Liveness
0% Instrumentalness • 69% Positiveness
13% Popularity • 53% Danceability • 64% Energy • 46% Liveness
0% Instrumentalness • 69% Positiveness
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Herb Ward
Honest to Goodness - Alternate Long Vers...
136 bpm • A# Maj • 03:09 • -5.47db
0% Popularity • 65% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
0% Popularity • 65% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
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The Astors
Daddy Didn't Tell Me
136 bpm • F Maj • 02:34 • -10db
8% Popularity • 70% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
8% Popularity • 70% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
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The Monitors
Share A Little Love With Me (Somebody)
136 bpm • F min • 02:22 • -6.5db
9% Popularity • 67% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
9% Popularity • 67% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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Bob Brady
Everybody's Goin' to the Love-In
138 bpm • C Maj • 02:46 • -8.04db
13% Popularity • 53% Danceability • 60% Energy • 67% Liveness
0% Instrumentalness • 92% Positiveness
13% Popularity • 53% Danceability • 60% Energy • 67% Liveness
0% Instrumentalness • 92% Positiveness
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Derek And Ray
Interplay
136 bpm • A Maj • 03:02 • -9.98db
14% Popularity • 55% Danceability • 76% Energy • 9% Liveness
48% Instrumentalness • 64% Positiveness
14% Popularity • 55% Danceability • 76% Energy • 9% Liveness
48% Instrumentalness • 64% Positiveness
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The Dells
Run For Cover
138 bpm • F Maj • 03:06 • -15.12db
29% Popularity • 52% Danceability • 50% Energy • 51% Liveness
0% Instrumentalness • 92% Positiveness
29% Popularity • 52% Danceability • 50% Energy • 51% Liveness
0% Instrumentalness • 92% Positiveness
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Linda Jones
Just Cant Live My Life
138 bpm • F min • 02:30 • -7.5db
19% Popularity • 61% Danceability • 72% Energy • 22% Liveness
0% Instrumentalness • 92% Positiveness
19% Popularity • 61% Danceability • 72% Energy • 22% Liveness
0% Instrumentalness • 92% Positiveness
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Darrell Banks
Angel Baby (Don't You Ever Leave Me)
136 bpm • C Maj • 02:56 • -9db
22% Popularity • 62% Danceability • 74% Energy • 35% Liveness
0% Instrumentalness • 97% Positiveness
22% Popularity • 62% Danceability • 74% Energy • 35% Liveness
0% Instrumentalness • 97% Positiveness
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The Invitations
What's Wrong with Me Baby?
138 bpm • D Maj • 02:39 • -5.59db
13% Popularity • 59% Danceability • 78% Energy • 40% Liveness
0% Instrumentalness • 71% Positiveness
13% Popularity • 59% Danceability • 78% Energy • 40% Liveness
0% Instrumentalness • 71% Positiveness
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The Vibrations
'Cause You're Mine
138 bpm • D# min • 02:10 • -7.32db
36% Popularity • 50% Danceability • 80% Energy • 40% Liveness
10% Instrumentalness • 96% Positiveness
36% Popularity • 50% Danceability • 80% Energy • 40% Liveness
10% Instrumentalness • 96% Positiveness
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Kim Weston
Helpless - Stereo Version
136 bpm • F Maj • 02:35 • -6.75db
33% Popularity • 63% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
33% Popularity • 63% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
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Don Varner
Tear Stained Face
138 bpm • E min • 02:27 • -7.2db
6% Popularity • 69% Danceability • 80% Energy • 32% Liveness
0% Instrumentalness • 97% Positiveness
6% Popularity • 69% Danceability • 80% Energy • 32% Liveness
0% Instrumentalness • 97% Positiveness
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Linda Jones
I Just Can't Live My Life (Without You B...
138 bpm • F min • 02:30 • -6.24db
15% Popularity • 58% Danceability • 81% Energy • 31% Liveness
0% Instrumentalness • 91% Positiveness
15% Popularity • 58% Danceability • 81% Energy • 31% Liveness
0% Instrumentalness • 91% Positiveness
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Ike & Tina Turner
Somebody (Somewhere) Needs You - 2021 Re...
136 bpm • G Maj • 02:34 • -15.71db
17% Popularity • 64% Danceability • 44% Energy • 12% Liveness
1% Instrumentalness • 75% Positiveness
17% Popularity • 64% Danceability • 44% Energy • 12% Liveness
1% Instrumentalness • 75% Positiveness
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Nancy Wilson
The End Of Our Love
138 bpm • C min • 02:22 • -8.67db
12% Popularity • 53% Danceability • 57% Energy • 60% Liveness
0% Instrumentalness • 72% Positiveness
12% Popularity • 53% Danceability • 57% Energy • 60% Liveness
0% Instrumentalness • 72% Positiveness
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Bobby Angelle
Too Much for You
138 bpm • D# Maj • 03:04 • -4db
10% Popularity • 62% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
10% Popularity • 62% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
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The Ovations
They Say
138 bpm • D# min • 02:08 • -8.62db
16% Popularity • 64% Danceability • 48% Energy • 19% Liveness
29% Instrumentalness • 90% Positiveness
16% Popularity • 64% Danceability • 48% Energy • 19% Liveness
29% Instrumentalness • 90% Positiveness
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Chubby Checker
You Just Don't Know (What You Do To Me)
138 bpm • A Maj • 02:28 • -4.33db
15% Popularity • 63% Danceability • 80% Energy • 22% Liveness
3% Instrumentalness • 83% Positiveness
15% Popularity • 63% Danceability • 80% Energy • 22% Liveness
3% Instrumentalness • 83% Positiveness
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Brenda Holloway
Think It Over (Before You Break My Heart...
135 bpm • F Maj • 03:06 • -9db
24% Popularity • 58% Danceability • 66% Energy • 37% Liveness
0% Instrumentalness • 81% Positiveness
24% Popularity • 58% Danceability • 66% Energy • 37% Liveness
0% Instrumentalness • 81% Positiveness
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Larry Laster
Go for Yourself - Single Version
135 bpm • G Maj • 02:34 • -6.61db
11% Popularity • 64% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
11% Popularity • 64% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
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Stormy
I Won't Stop to Cry
135 bpm • G Maj • 02:52 • -6.13db
11% Popularity • 54% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 83% Positiveness
11% Popularity • 54% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 83% Positiveness
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Patrice Holloway
Stolen Hours
135 bpm • A# Maj • 02:38 • -8.47db
10% Popularity • 65% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 55% Positiveness
10% Popularity • 65% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 55% Positiveness
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Sisters Love
I'm Learning To Trust My Man
135 bpm • A min • 03:15 • -7.13db
7% Popularity • 67% Danceability • 95% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
7% Popularity • 67% Danceability • 95% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
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Barnaby Bye
Can't Live This Way
139 bpm • A Maj • 03:53 • -9.26db
7% Popularity • 63% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 82% Positiveness
7% Popularity • 63% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 82% Positiveness
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The Tomangoes
I Really Love You
135 bpm • D min • 02:08 • -6.14db
15% Popularity • 62% Danceability • 70% Energy • 45% Liveness
0% Instrumentalness • 91% Positiveness
15% Popularity • 62% Danceability • 70% Energy • 45% Liveness
0% Instrumentalness • 91% Positiveness
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Alice Clark
You Hit Me (Right Where It Hurt Me)
139 bpm • D# Maj • 02:53 • -5db
36% Popularity • 59% Danceability • 86% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
36% Popularity • 59% Danceability • 86% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
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Ila Vann
Can't Help Lovin' Dat Man
135 bpm • G Maj • 02:31 • -7.17db
12% Popularity • 60% Danceability • 64% Energy • 27% Liveness
48% Instrumentalness • 76% Positiveness
12% Popularity • 60% Danceability • 64% Energy • 27% Liveness
48% Instrumentalness • 76% Positiveness
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The Dalton Boys
I've Been Cheated
139 bpm • F# min • 02:34 • -2.72db
8% Popularity • 43% Danceability • 93% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
8% Popularity • 43% Danceability • 93% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
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Carl Carlton
Competition Ain't Nothin' - Single Versi...
139 bpm • F# Maj • 02:32 • -8.78db
15% Popularity • 79% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 94% Positiveness
15% Popularity • 79% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 94% Positiveness
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The Vondors
Look In The Mirror
139 bpm • G Maj • 02:16 • -5.11db
12% Popularity • 46% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 86% Positiveness
12% Popularity • 46% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 86% Positiveness
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The Showstoppers
Ain't Nothin But A Houseparty
135 bpm • C# Maj • 02:38 • -9db
37% Popularity • 64% Danceability • 72% Energy • 30% Liveness
0% Instrumentalness • 96% Positiveness
37% Popularity • 64% Danceability • 72% Energy • 30% Liveness
0% Instrumentalness • 96% Positiveness
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Barbara Lynn
Take Your Love and Run
135 bpm • A# Maj • 02:53 • -10db
13% Popularity • 62% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
13% Popularity • 62% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Darrow Fletcher
What Good Am I Without You
135 bpm • C min • 02:24 • -6.9db
19% Popularity • 44% Danceability • 67% Energy • 20% Liveness
0% Instrumentalness • 76% Positiveness
19% Popularity • 44% Danceability • 67% Energy • 20% Liveness
0% Instrumentalness • 76% Positiveness
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Gloria Jones
Come Go With Me
135 bpm • G# Maj • 01:53 • -8.01db
17% Popularity • 58% Danceability • 88% Energy • 14% Liveness
1% Instrumentalness • 56% Positiveness
17% Popularity • 58% Danceability • 88% Energy • 14% Liveness
1% Instrumentalness • 56% Positiveness
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Billy Butler
Right Track
135 bpm • F Maj • 02:28 • -8.43db
21% Popularity • 64% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
21% Popularity • 64% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
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Darrell Banks
Somebody (Somewhere Needs You)
135 bpm • D# Maj • 02:33 • -10db
24% Popularity • 64% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 91% Positiveness
24% Popularity • 64% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 91% Positiveness
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The Fuzz
I'm so Glad
135 bpm • A min • 02:26 • -6.27db
11% Popularity • 81% Danceability • 80% Energy • 5% Liveness
0% Instrumentalness • 97% Positiveness
11% Popularity • 81% Danceability • 80% Energy • 5% Liveness
0% Instrumentalness • 97% Positiveness
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The Dells
It's All Up To You
135 bpm • G Maj • 04:02 • -12.73db
18% Popularity • 49% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
18% Popularity • 49% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
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Jackie Moore
Both Ends Against the Middle
135 bpm • A min • 02:30 • -7.45db
17% Popularity • 64% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 71% Positiveness
17% Popularity • 64% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 71% Positiveness
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Esther Phillips
Catch Me I'm Falling
139 bpm • D Maj • 02:35 • -11.39db
18% Popularity • 59% Danceability • 65% Energy • 57% Liveness
0% Instrumentalness • 76% Positiveness
18% Popularity • 59% Danceability • 65% Energy • 57% Liveness
0% Instrumentalness • 76% Positiveness
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Bobby Garrett
I Can't Get Away
139 bpm • A Maj • 03:12 • -7.18db
13% Popularity • 46% Danceability • 77% Energy • 73% Liveness
0% Instrumentalness • 86% Positiveness
13% Popularity • 46% Danceability • 77% Energy • 73% Liveness
0% Instrumentalness • 86% Positiveness
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Labrenda Ben
I Don't Want Your Promises
135 bpm • D# Maj • 02:24 • -7.98db
12% Popularity • 64% Danceability • 71% Energy • 17% Liveness
0% Instrumentalness • 89% Positiveness
12% Popularity • 64% Danceability • 71% Energy • 17% Liveness
0% Instrumentalness • 89% Positiveness
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The Soul Twins
It's Not What You Do, It's the Way That ...
134 bpm • F Maj • 02:40 • -9.73db
24% Popularity • 56% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
24% Popularity • 56% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
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Tony & Tyrone
Please Operator
140 bpm • A# min • 02:49 • -7.5db
12% Popularity • 62% Danceability • 63% Energy • 35% Liveness
0% Instrumentalness • 95% Positiveness
12% Popularity • 62% Danceability • 63% Energy • 35% Liveness
0% Instrumentalness • 95% Positiveness
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Shawn Robinson
My Dear Heart
134 bpm • A Maj • 02:27 • -8.04db
10% Popularity • 62% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 97% Positiveness
10% Popularity • 62% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 97% Positiveness
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The Dalton Boys
Take My Hand
134 bpm • A Maj • 02:48 • -7.19db
9% Popularity • 54% Danceability • 56% Energy • 32% Liveness
0% Instrumentalness • 92% Positiveness
9% Popularity • 54% Danceability • 56% Energy • 32% Liveness
0% Instrumentalness • 92% Positiveness
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Moses Dillard
My Elusive Dreams
134 bpm • G# Maj • 02:17 • -7.74db
11% Popularity • 69% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
11% Popularity • 69% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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The Exciters
Blowing Up My Mind
134 bpm • D# Maj • 02:47 • -6.14db
23% Popularity • 72% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
23% Popularity • 72% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Ty Karim
Lighten up Baby
134 bpm • G Maj • 02:42 • -4.49db
9% Popularity • 66% Danceability • 82% Energy • 19% Liveness
0% Instrumentalness • 46% Positiveness
9% Popularity • 66% Danceability • 82% Energy • 19% Liveness
0% Instrumentalness • 46% Positiveness
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Pookie Hudson
This Gets to Me
134 bpm • G Maj • 03:44 • -7.06db
10% Popularity • 74% Danceability • 75% Energy • 20% Liveness
81% Instrumentalness • 95% Positiveness
10% Popularity • 74% Danceability • 75% Energy • 20% Liveness
81% Instrumentalness • 95% Positiveness
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Martha Reeves & The Vandellas
One Way Out
134 bpm • D# Maj • 02:25 • -6.68db
17% Popularity • 66% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 87% Positiveness
17% Popularity • 66% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 87% Positiveness
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Northern Soul Allstars
If That's What You Wanted
134 bpm • F Maj • 02:38 • -6.93db
17% Popularity • 62% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
17% Popularity • 62% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
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The Casualeers
Dance Dance Dance - Mono
140 bpm • D# Maj • 02:41 • -9.35db
34% Popularity • 58% Danceability • 66% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
34% Popularity • 58% Danceability • 66% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
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Percy Milem
Call on Me
140 bpm • A min • 02:20 • -6.27db
17% Popularity • 64% Danceability • 69% Energy • 24% Liveness
0% Instrumentalness • 96% Positiveness
17% Popularity • 64% Danceability • 69% Energy • 24% Liveness
0% Instrumentalness • 96% Positiveness
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Ty Karim
Lighten Up Baby
134 bpm • G Maj • 02:41 • -3.91db
16% Popularity • 68% Danceability • 83% Energy • 47% Liveness
0% Instrumentalness • 58% Positiveness
16% Popularity • 68% Danceability • 83% Energy • 47% Liveness
0% Instrumentalness • 58% Positiveness
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Carl Douglas
Serving a Sentence of Life
134 bpm • B min • 02:24 • -6.22db
25% Popularity • 51% Danceability • 80% Energy • 46% Liveness
0% Instrumentalness • 95% Positiveness
25% Popularity • 51% Danceability • 80% Energy • 46% Liveness
0% Instrumentalness • 95% Positiveness
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Herb Ward
If You Got to Leave Me
134 bpm • C Maj • 02:34 • -5.1db
0% Popularity • 56% Danceability • 69% Energy • 36% Liveness
0% Instrumentalness • 83% Positiveness
0% Popularity • 56% Danceability • 69% Energy • 36% Liveness
0% Instrumentalness • 83% Positiveness
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Danny White
Keep My Woman Home
134 bpm • G# Maj • 02:24 • -7db
13% Popularity • 65% Danceability • 55% Energy • 13% Liveness
14% Instrumentalness • 96% Positiveness
13% Popularity • 65% Danceability • 55% Energy • 13% Liveness
14% Instrumentalness • 96% Positiveness
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the Kelly Brothers
Love Time
134 bpm • A Maj • 02:32 • -4.49db
16% Popularity • 58% Danceability • 70% Energy • 13% Liveness
69% Instrumentalness • 82% Positiveness
16% Popularity • 58% Danceability • 70% Energy • 13% Liveness
69% Instrumentalness • 82% Positiveness
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Al Williams
I Am Nothing
140 bpm • C Maj • 02:08 • -10.05db
23% Popularity • 60% Danceability • 49% Energy • 12% Liveness
1% Instrumentalness • 81% Positiveness
23% Popularity • 60% Danceability • 49% Energy • 12% Liveness
1% Instrumentalness • 81% Positiveness
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Curtis Lee
Is She in Your Town?
140 bpm • B min • 02:08 • -9db
15% Popularity • 57% Danceability • 69% Energy • 18% Liveness
0% Instrumentalness • 92% Positiveness
15% Popularity • 57% Danceability • 69% Energy • 18% Liveness
0% Instrumentalness • 92% Positiveness
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The Three Degrees
Contact
140 bpm • A# Maj • 02:33 • -5.9db
11% Popularity • 49% Danceability • 74% Energy • 56% Liveness
0% Instrumentalness • 47% Positiveness
11% Popularity • 49% Danceability • 74% Energy • 56% Liveness
0% Instrumentalness • 47% Positiveness
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Roscoe Shelton
Running for My Life
134 bpm • G Maj • 02:28 • -13.22db
8% Popularity • 83% Danceability • 38% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
8% Popularity • 83% Danceability • 38% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
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The Olympics
The Same Old Thing
140 bpm • A# Maj • 02:16 • -8db
12% Popularity • 47% Danceability • 54% Energy • 14% Liveness
1% Instrumentalness • 86% Positiveness
12% Popularity • 47% Danceability • 54% Energy • 14% Liveness
1% Instrumentalness • 86% Positiveness
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Rose Batiste
This Heart Is Lonely
134 bpm • D Maj • 02:59 • -10.59db
12% Popularity • 58% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
12% Popularity • 58% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
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Alexander Patton
A Lil' Lovin' Sometimes
141 bpm • A# Maj • 02:22 • -4db
19% Popularity • 61% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
19% Popularity • 61% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Majestees
Take Back All Those Things
141 bpm • G# Maj • 01:59 • -4.01db
8% Popularity • 38% Danceability • 82% Energy • 17% Liveness
0% Instrumentalness • 84% Positiveness
8% Popularity • 38% Danceability • 82% Energy • 17% Liveness
0% Instrumentalness • 84% Positiveness
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Shorty Long
Baby Come Home To Me
141 bpm • F Maj • 02:23 • -9.17db
11% Popularity • 68% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
11% Popularity • 68% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
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Lorraine Silver
Lost Summer Love
133 bpm • A# Maj • 02:03 • -12.12db
15% Popularity • 56% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
15% Popularity • 56% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Pookie Hudson
This Gets to Me
133 bpm • G Maj • 02:04 • -8.96db
9% Popularity • 76% Danceability • 63% Energy • 34% Liveness
0% Instrumentalness • 96% Positiveness
9% Popularity • 76% Danceability • 63% Energy • 34% Liveness
0% Instrumentalness • 96% Positiveness
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Frank Wilson
My Sugar Baby
141 bpm • C Maj • 02:40 • -7.51db
27% Popularity • 46% Danceability • 68% Energy • 46% Liveness
0% Instrumentalness • 90% Positiveness
27% Popularity • 46% Danceability • 68% Energy • 46% Liveness
0% Instrumentalness • 90% Positiveness
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Cajun Hart
Got to Find a Way
133 bpm • F Maj • 03:07 • -6.98db
21% Popularity • 54% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
21% Popularity • 54% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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The Epitome Of Sound
You Don't Love Me
133 bpm • C# Maj • 02:51 • -7.18db
14% Popularity • 48% Danceability • 65% Energy • 9% Liveness
6% Instrumentalness • 85% Positiveness
14% Popularity • 48% Danceability • 65% Energy • 9% Liveness
6% Instrumentalness • 85% Positiveness
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Major Lance
You Don't Want Me No More
133 bpm • A min • 02:12 • -9db
20% Popularity • 61% Danceability • 72% Energy • 46% Liveness
0% Instrumentalness • 96% Positiveness
20% Popularity • 61% Danceability • 72% Energy • 46% Liveness
0% Instrumentalness • 96% Positiveness
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Brenda Holloway
Starting The Hurt All Over Again - Singl...
133 bpm • D# Maj • 02:25 • -9db
11% Popularity • 63% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
11% Popularity • 63% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
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Fuller Brothers
Time's a Wasting
133 bpm • G min • 02:32 • -6.01db
15% Popularity • 61% Danceability • 80% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
15% Popularity • 61% Danceability • 80% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
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Bunny Sigler
Girl Don't Make Me Wait
133 bpm • B min • 02:23 • -5.11db
27% Popularity • 69% Danceability • 72% Energy • 4% Liveness
0% Instrumentalness • 73% Positiveness
27% Popularity • 69% Danceability • 72% Energy • 4% Liveness
0% Instrumentalness • 73% Positiveness
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Cliff Nobles
My Love Is Getting Stronger
133 bpm • G Maj • 02:51 • -7db
28% Popularity • 70% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 73% Positiveness
28% Popularity • 70% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 73% Positiveness