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Honestly
Songs like
Honestly
by
Boney James
Based on a tempo of (+/- 10%) and a similar genre
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Boney James
That Look On Your Face
117 bpm • C min • 04:48 • -8.17db
19% Popularity • 64% Danceability • 65% Energy • 18% Liveness
0% Instrumentalness • 57% Positiveness
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Avery*Sunshine
Fire
117 bpm • A min • 03:34 • -8.05db
32% Popularity • 74% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 71% Positiveness
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Musiq Soulchild
Whoknows
118 bpm • D Maj • 04:55 • -6.14db
40% Popularity • 41% Danceability • 68% Energy • 34% Liveness
0% Instrumentalness • 30% Positiveness
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Jackiem Joyner
Say Yes
118 bpm • F min • 05:12 • -6.95db
29% Popularity • 68% Danceability • 52% Energy • 17% Liveness
15% Instrumentalness • 27% Positiveness
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Miles Jaye
I've Been A Fool For You
118 bpm • B min • 05:59 • -13.65db
36% Popularity • 58% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
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Teena Marie
My Body's Hungry
116 bpm • A Maj • 05:32 • -7.23db
24% Popularity • 70% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
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Boney James
Honestly
117 bpm • G Maj • 04:25 • -8.07db
31% Popularity • 70% Danceability • 37% Energy • 24% Liveness
0% Instrumentalness • 29% Positiveness
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Aaron Hall
Let's Make Love
118 bpm • B min • 06:30 • -5.77db
33% Popularity • 74% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Avery*Sunshine
The Ice Cream Song
116 bpm • B min • 04:47 • -7.34db
9% Popularity • 53% Danceability • 49% Energy • 30% Liveness
0% Instrumentalness • 14% Positiveness
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K'Jon
Come Get to This (Marvin Gaye Dedication...
116 bpm • A min • 03:27 • -9.26db
19% Popularity • 75% Danceability • 71% Energy • 28% Liveness
0% Instrumentalness • 85% Positiveness
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Anthony David
Can't Look Down
118 bpm • C# Maj • 03:28 • -9.78db
28% Popularity • 68% Danceability • 49% Energy • 17% Liveness
0% Instrumentalness • 36% Positiveness
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The Floacist
Let Me
116 bpm • F# Maj • 03:53 • -11db
27% Popularity • 73% Danceability • 50% Energy • 10% Liveness
2% Instrumentalness • 57% Positiveness
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Boney James
Seduction
117 bpm • A# min • 05:27 • -9.93db
33% Popularity • 72% Danceability • 54% Energy • 10% Liveness
10% Instrumentalness • 55% Positiveness
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Maxwell
Sumthin' Sumthin' - (Mellosmoothe) [cut]
115 bpm • F# Maj • 04:12 • -17.36db
37% Popularity • 34% Danceability • 20% Energy • 8% Liveness
2% Instrumentalness • 18% Positiveness
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L.J. Reynolds
Come Get to This (Stepping out Tonight)
115 bpm • G Maj • 06:35 • -6db
24% Popularity • 72% Danceability • 83% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
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Rachelle Ferrell
Reflections Of My Heart
119 bpm • E min • 05:10 • -17db
17% Popularity • 48% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Tony! Toni! Toné!
Still A Man
119 bpm • B min • 07:18 • -8db
32% Popularity • 65% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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The Floacist
Alright Then
120 bpm • C# min • 04:33 • -11db
22% Popularity • 78% Danceability • 41% Energy • 5% Liveness
0% Instrumentalness • 38% Positiveness
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Boney James
Love Song
118 bpm • G Maj • 04:50 • -10.22db
16% Popularity • 69% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
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Avery*Sunshine
Like This
120 bpm • F Maj • 06:02 • -11.81db
30% Popularity • 66% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Maxwell
Stop the World
120 bpm • C Maj • 03:56 • -8.48db
34% Popularity • 73% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Stokley
She...
114 bpm • F min • 04:23 • -6db
36% Popularity • 72% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Case
Happily Ever After
120 bpm • E min • 04:36 • -6.99db
51% Popularity • 75% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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The Floacist
Need You
114 bpm • A# min • 05:11 • -8.29db
14% Popularity • 76% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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Boney James
Soft
119 bpm • D# Maj • 03:36 • -15.6db
13% Popularity • 33% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Urban Knights
Strung Out
114 bpm • D min • 04:20 • -5.53db
18% Popularity • 75% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Maxwell
1990x
121 bpm • A# min • 04:44 • -7.46db
32% Popularity • 63% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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Miki Howard
Love Under New Management
121 bpm • C# Maj • 06:49 • -9.05db
35% Popularity • 57% Danceability • 53% Energy • 5% Liveness
0% Instrumentalness • 37% Positiveness
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Anthony David
Hello Like Before
113 bpm • A Maj • 04:14 • -12.04db
31% Popularity • 67% Danceability • 31% Energy • 10% Liveness
1% Instrumentalness • 34% Positiveness
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Phat Cat Players
Sundress
113 bpm • E min • 04:39 • -10db
25% Popularity • 59% Danceability • 65% Energy • 36% Liveness
0% Instrumentalness • 66% Positiveness
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Boney James
Wanna Show U Sumthin'
120 bpm • A# min • 05:24 • -11.75db
28% Popularity • 77% Danceability • 50% Energy • 7% Liveness
80% Instrumentalness • 93% Positiveness
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Impromp2
I'll Do Whatever
122 bpm • F min • 05:54 • -11db
12% Popularity • 70% Danceability • 22% Energy • 36% Liveness
0% Instrumentalness • 14% Positiveness
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Noel Gourdin
Can't Wait
122 bpm • G Maj • 03:28 • -6db
15% Popularity • 77% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
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Men At Large
So Alone
122 bpm • A min • 07:27 • -13db
34% Popularity • 63% Danceability • 36% Energy • 3% Liveness
0% Instrumentalness • 47% Positiveness
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Avery*Sunshine
Pinin'
112 bpm • C Maj • 04:57 • -6.85db
28% Popularity • 75% Danceability • 50% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
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Montell Jordan
What's On Tonight
112 bpm • F Maj • 04:36 • -11.54db
39% Popularity • 83% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
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Boney James
Grazin' in the Grass
112 bpm • G min • 05:08 • -4db
35% Popularity • 61% Danceability • 87% Energy • 62% Liveness
51% Instrumentalness • 88% Positiveness
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K'Jon
A Beautiful Thing
112 bpm • A Maj • 03:40 • -10.5db
31% Popularity • 49% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Chrisette Michele
If I Have My Way
123 bpm • F min • 04:02 • -6db
45% Popularity • 49% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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David Peaston
Can I?
123 bpm • G# Maj • 04:54 • -12db
28% Popularity • 46% Danceability • 33% Energy • 7% Liveness
0% Instrumentalness • 13% Positiveness
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Rachelle Ferrell
With Open Arms
124 bpm • F Maj • 06:23 • -15db
32% Popularity • 59% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Stokley
Organic
124 bpm • G min • 05:26 • -6.15db
32% Popularity • 62% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
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Atlantic Starr
Am I Dreaming
124 bpm • F# Maj • 05:30 • -10db
41% Popularity • 67% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Brian Simpson
Persuasion
110 bpm • D Maj • 04:25 • -9.99db
18% Popularity • 80% Danceability • 75% Energy • 10% Liveness
78% Instrumentalness • 65% Positiveness
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Hil St. Soul
Goodbye
110 bpm • A# min • 04:40 • -6db
23% Popularity • 71% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 87% Positiveness
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Avery*Sunshine
Call My Name
125 bpm • E Maj • 04:00 • -9.31db
21% Popularity • 49% Danceability • 35% Energy • 18% Liveness
0% Instrumentalness • 55% Positiveness
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Boney James
You Don't Have To Go Home
125 bpm • E min • 04:06 • -10.98db
19% Popularity • 44% Danceability • 51% Energy • 29% Liveness
21% Instrumentalness • 38% Positiveness
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L.T.D.
We Both Deserve Each Other's Love
125 bpm • C# Maj • 03:07 • -15db
52% Popularity • 52% Danceability • 25% Energy • 8% Liveness
11% Instrumentalness • 28% Positiveness
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Anita Baker
Body and Soul
109 bpm • G# min • 05:42 • -10db
39% Popularity • 53% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Anthony David
Beautiful Problem
109 bpm • B min • 02:58 • -10db
33% Popularity • 36% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
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Musiq Soulchild
Visions
126 bpm • E min • 05:34 • -9.7db
22% Popularity • 46% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Avery*Sunshine
Call My Name
125 bpm • E Maj • 04:31 • -9db
39% Popularity • 68% Danceability • 36% Energy • 15% Liveness
0% Instrumentalness • 53% Positiveness
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Boney James
Shine
109 bpm • C# Maj • 04:22 • -7.24db
15% Popularity • 79% Danceability • 76% Energy • 33% Liveness
0% Instrumentalness • 53% Positiveness
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Maxwell
Fortunate
126 bpm • A# min • 05:01 • -8.31db
60% Popularity • 74% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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One Way
Something In The Past
126 bpm • F# min • 06:14 • -16db
33% Popularity • 61% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Gary Taylor
I Will Be Here ( Featuring Marva Hicks)
127 bpm • G# min • 05:37 • -11.01db
18% Popularity • 75% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Conya Doss
What I'd Do
127 bpm • C min • 04:18 • -5.73db
19% Popularity • 59% Danceability • 59% Energy • 56% Liveness
0% Instrumentalness • 44% Positiveness
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Dw3
When You Cry
127 bpm • C# Maj • 04:52 • -13.56db
10% Popularity • 46% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Universal Nubian Vocies
Something's Goin On
127 bpm • G min • 05:40 • -13.31db
37% Popularity • 67% Danceability • 42% Energy • 30% Liveness
0% Instrumentalness • 66% Positiveness
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Avery*Sunshine
Heaven Is Right Here
128 bpm • C# Maj • 05:38 • -6.43db
15% Popularity • 40% Danceability • 48% Energy • 31% Liveness
0% Instrumentalness • 17% Positiveness
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Marion Meadows
No Rhyme No Reason
128 bpm • G min • 04:15 • -9.1db
25% Popularity • 60% Danceability • 42% Energy • 22% Liveness
0% Instrumentalness • 30% Positiveness
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Meli'sa Morgan
Do You Still Love Me?
128 bpm • B min • 05:39 • -15db
37% Popularity • 57% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
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Maxwell
Lifetime - Remastered 2021
128 bpm • A Maj • 05:29 • -8.86db
52% Popularity • 68% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
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Calvin Richardson
Be Your Friend
128 bpm • F Maj • 03:45 • -8.44db
31% Popularity • 65% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Boney James
Something Inside
128 bpm • G# Maj • 03:53 • -10.45db
28% Popularity • 62% Danceability • 50% Energy • 29% Liveness
0% Instrumentalness • 23% Positiveness
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Van Hunt
Seconds Of Pleasure
107 bpm • E min • 05:40 • -8.29db
35% Popularity • 67% Danceability • 61% Energy • 21% Liveness
0% Instrumentalness • 68% Positiveness
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J. Spencer
U Should Be Mine
128 bpm • C# Maj • 04:30 • -10.99db
11% Popularity • 64% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
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Jaheim
Back In My Arms
107 bpm • C Maj • 05:40 • -7db
35% Popularity • 48% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
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Gary Taylor
Flirting With An Angel
129 bpm • F min • 04:38 • -12.92db
15% Popularity • 84% Danceability • 24% Energy • 5% Liveness
0% Instrumentalness • 73% Positiveness
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Rachelle Ferrell
Waiting
130 bpm • C Maj • 06:02 • -20.71db
27% Popularity • 67% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
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Boney James
Butter
130 bpm • D# min • 05:04 • -13.33db
43% Popularity • 66% Danceability • 40% Energy • 21% Liveness
82% Instrumentalness • 34% Positiveness
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Brian Culbertson
You're My Music
130 bpm • C# Maj • 04:46 • -12.11db
42% Popularity • 67% Danceability • 42% Energy • 6% Liveness
0% Instrumentalness • 37% Positiveness
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Marcus Johnson
Believe
130 bpm • F# Maj • 04:44 • -11db
23% Popularity • 60% Danceability • 56% Energy • 19% Liveness
2% Instrumentalness • 84% Positiveness
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Maxwell
...Til the Cops Come Knockin' - Remaster...
130 bpm • C min • 06:55 • -8.44db
46% Popularity • 71% Danceability • 54% Energy • 16% Liveness
7% Instrumentalness • 64% Positiveness
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Joe
#LEANINTOIT (LEAN INTO IT)
130 bpm • F min • 04:01 • -8.03db
32% Popularity • 66% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Phat Cat Players
The Phat Cat Theme
131 bpm • C Maj • 04:54 • -8.79db
18% Popularity • 63% Danceability • 71% Energy • 20% Liveness
0% Instrumentalness • 87% Positiveness
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Boney James
Stone Groove
105 bpm • G# Maj • 04:45 • -9.83db
41% Popularity • 73% Danceability • 63% Energy • 5% Liveness
90% Instrumentalness • 56% Positiveness
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Anita Baker
Soul Inspiration
104 bpm • F# Maj • 05:19 • -7db
25% Popularity • 65% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Rachelle Ferrell
Welcome To My Love
104 bpm • C# Maj • 05:39 • -16.76db
30% Popularity • 74% Danceability • 39% Energy • 2% Liveness
0% Instrumentalness • 87% Positiveness
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Richard Elliot
Crush
104 bpm • F min • 03:40 • -7.69db
29% Popularity • 79% Danceability • 70% Energy • 6% Liveness
75% Instrumentalness • 93% Positiveness
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Chrisette Michele
Golden
132 bpm • F min • 04:23 • -7.38db
31% Popularity • 55% Danceability • 52% Energy • 20% Liveness
0% Instrumentalness • 15% Positiveness
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Tony Terry
With You
132 bpm • G# Maj • 05:05 • -10db
48% Popularity • 62% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Boney James
Deep Time
104 bpm • A min • 04:57 • -8.98db
30% Popularity • 60% Danceability • 40% Energy • 9% Liveness
14% Instrumentalness • 25% Positiveness
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Gary Taylor
Special
132 bpm • C# Maj • 04:53 • -10db
18% Popularity • 67% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 71% Positiveness
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Calvin Richardson
More Than A Woman
132 bpm • A# min • 05:21 • -6db
39% Popularity • 74% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Anita Baker
Whatever It Takes
132 bpm • B Maj • 05:35 • -11.69db
32% Popularity • 71% Danceability • 42% Energy • 5% Liveness
0% Instrumentalness • 41% Positiveness
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Chantay Savage
Pillow Talk
134 bpm • A# Maj • 04:53 • -11db
22% Popularity • 65% Danceability • 50% Energy • 4% Liveness
0% Instrumentalness • 31% Positiveness
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Algebra
What Happened?
134 bpm • C min • 04:18 • -7.6db
20% Popularity • 57% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Pete Belasco
I'll Come to You
134 bpm • G# Maj • 05:53 • -14.78db
23% Popularity • 64% Danceability • 31% Energy • 8% Liveness
21% Instrumentalness • 34% Positiveness
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Boney James
Don't Let Me Be Lonely Tonight
134 bpm • F min • 04:16 • -11.54db
27% Popularity • 72% Danceability • 23% Energy • 10% Liveness
1% Instrumentalness • 41% Positiveness
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Calvin Richardson
Treat Her Right
132 bpm • D Maj • 03:31 • -6.86db
37% Popularity • 60% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Floetry
If I Was A Bird
102 bpm • A# Maj • 05:03 • -9.34db
33% Popularity • 36% Danceability • 55% Energy • 4% Liveness
0% Instrumentalness • 46% Positiveness
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Rachelle Ferrell
I Know You Love Me
135 bpm • A# Maj • 03:56 • -13.7db
19% Popularity • 72% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Trina Broussard
Where I'm Supposed to Be
135 bpm • D Maj • 04:35 • -6.72db
31% Popularity • 69% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
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Pete Belasco
Hurry Hurry
102 bpm • A# Maj • 05:09 • -12.86db
24% Popularity • 64% Danceability • 34% Energy • 17% Liveness
3% Instrumentalness • 50% Positiveness
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Boney James
Happy Home
135 bpm • A# Maj • 05:58 • -8.97db
14% Popularity • 65% Danceability • 61% Energy • 6% Liveness
0% Instrumentalness • 69% Positiveness
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Anita Baker
You Bring Me Joy
135 bpm • A Maj • 04:24 • -7.22db
40% Popularity • 38% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Gary Taylor
My Blackness
101 bpm • C# min • 04:51 • -9.07db
19% Popularity • 83% Danceability • 49% Energy • 5% Liveness
0% Instrumentalness • 81% Positiveness
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Angela Winbush
Too Good to Let You Go
136 bpm • C min • 05:44 • -6.98db
21% Popularity • 62% Danceability • 56% Energy • 22% Liveness
0% Instrumentalness • 60% Positiveness
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Aaron Hall
Don't Be Afraid - Sex You Down Some Mo' ...
136 bpm • A min • 04:31 • -6.75db
40% Popularity • 51% Danceability • 71% Energy • 45% Liveness
0% Instrumentalness • 36% Positiveness
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Honestly