Songs like Honey Can We Run Away by Charlie Collins
Based on a tempo of (+/- 10%) and a similar genre
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Charlie Collins
Honey Can We Run Away
94 bpm • A# min • 04:20 • -5.24db
11% Popularity • 45% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 11% Positiveness
11% Popularity • 45% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 11% Positiveness
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George Alice
Teenager
94 bpm • G# Maj • 03:06 • -7.1db
26% Popularity • 66% Danceability • 49% Energy • 36% Liveness
0% Instrumentalness • 87% Positiveness
26% Popularity • 66% Danceability • 49% Energy • 36% Liveness
0% Instrumentalness • 87% Positiveness
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Banjo Lucia
That's Not Loving
94 bpm • D Maj • 03:34 • -9.92db
18% Popularity • 41% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
18% Popularity • 41% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
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Carla Geneve
Don't Wanna Be Your Lover
94 bpm • G# Maj • 03:41 • -6.72db
20% Popularity • 72% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
20% Popularity • 72% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Mia Wray
Silk Chiffon - triple j Like A Version
95 bpm • D Maj • 03:20 • -10.23db
34% Popularity • 62% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
34% Popularity • 62% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
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Jem Cassar-Daley
By The Sea
93 bpm • G Maj • 04:16 • -9.16db
16% Popularity • 40% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
16% Popularity • 40% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Charli Adams
Cheer Captain
95 bpm • C Maj • 03:00 • -6.8db
24% Popularity • 57% Danceability • 71% Energy • 17% Liveness
0% Instrumentalness • 47% Positiveness
24% Popularity • 57% Danceability • 71% Energy • 17% Liveness
0% Instrumentalness • 47% Positiveness
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Erthlings
Cloud Nine
95 bpm • D Maj • 03:26 • -11.09db
12% Popularity • 69% Danceability • 37% Energy • 11% Liveness
2% Instrumentalness • 40% Positiveness
12% Popularity • 69% Danceability • 37% Energy • 11% Liveness
2% Instrumentalness • 40% Positiveness
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Matilda Cole
Camden
95 bpm • D# Maj • 04:09 • -5.85db
17% Popularity • 71% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 55% Positiveness
17% Popularity • 71% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 55% Positiveness
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Lily Papas
Jackson
93 bpm • G Maj • 03:41 • -10.75db
9% Popularity • 67% Danceability • 40% Energy • 20% Liveness
0% Instrumentalness • 37% Positiveness
9% Popularity • 67% Danceability • 40% Energy • 20% Liveness
0% Instrumentalness • 37% Positiveness
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Goodwill
Clinging Onto You
95 bpm • A# Maj • 03:56 • -7.44db
13% Popularity • 52% Danceability • 59% Energy • 24% Liveness
0% Instrumentalness • 48% Positiveness
13% Popularity • 52% Danceability • 59% Energy • 24% Liveness
0% Instrumentalness • 48% Positiveness
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Allison Ponthier
Cowboy
96 bpm • C min • 04:00 • -8.27db
25% Popularity • 31% Danceability • 38% Energy • 17% Liveness
0% Instrumentalness • 15% Positiveness
25% Popularity • 31% Danceability • 38% Energy • 17% Liveness
0% Instrumentalness • 15% Positiveness
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Carla Wehbe
Somebody Loves You
95 bpm • C# Maj • 03:58 • -8db
23% Popularity • 56% Danceability • 62% Energy • 21% Liveness
0% Instrumentalness • 39% Positiveness
23% Popularity • 56% Danceability • 62% Energy • 21% Liveness
0% Instrumentalness • 39% Positiveness
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Asha Jefferies
Bad Kisser
96 bpm • G Maj • 03:14 • -8.96db
16% Popularity • 53% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
16% Popularity • 53% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
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Azure Ryder
Wolves
96 bpm • D Maj • 02:43 • -9db
50% Popularity • 58% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
50% Popularity • 58% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Erthlings
Returning
96 bpm • F# Maj • 03:36 • -6.46db
30% Popularity • 55% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
30% Popularity • 55% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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Taylor Swift
Fortnight
96 bpm • B Maj • 03:48 • -10.9db
92% Popularity • 68% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
92% Popularity • 68% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Jess Day
New Shoes
92 bpm • E Maj • 02:58 • -6.56db
11% Popularity • 65% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
11% Popularity • 65% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Amy Shark
That Girl
92 bpm • C Maj • 02:27 • -6.47db
28% Popularity • 70% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
28% Popularity • 70% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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There's A Tuesday
Girl At Night
92 bpm • C# Maj • 03:35 • -7.62db
20% Popularity • 55% Danceability • 88% Energy • 15% Liveness
0% Instrumentalness • 77% Positiveness
20% Popularity • 55% Danceability • 88% Energy • 15% Liveness
0% Instrumentalness • 77% Positiveness
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Shannen James
Fashionably Late (Every New Year’s Day...
92 bpm • G# Maj • 04:01 • -4.83db
16% Popularity • 66% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
16% Popularity • 66% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Maddy Jane
Crazy Jane Talks to the Bishop
92 bpm • E Maj • 04:04 • -8.71db
8% Popularity • 55% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
8% Popularity • 55% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Thelma Plum
Love and War
92 bpm • A Maj • 03:28 • -10db
29% Popularity • 69% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
29% Popularity • 69% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Lisa Mitchell
Summoning
97 bpm • D Maj • 02:46 • -9.49db
17% Popularity • 53% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
17% Popularity • 53% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Germein
Good For A Girl
97 bpm • B Maj • 02:50 • -9.11db
15% Popularity • 73% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
15% Popularity • 73% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
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Ward Thomas
Don't Be a Stranger
97 bpm • C# min • 03:15 • -3.81db
13% Popularity • 62% Danceability • 81% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
13% Popularity • 62% Danceability • 81% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
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Alice Skye
Everything Is Great
96 bpm • G Maj • 02:52 • -8.24db
18% Popularity • 56% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
18% Popularity • 56% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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The Rubens
Apple
97 bpm • E Maj • 03:07 • -5.48db
19% Popularity • 60% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
19% Popularity • 60% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Charlie Collins
Hit The Lights
91 bpm • A# min • 04:04 • -7.27db
2% Popularity • 52% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
2% Popularity • 52% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Little Quirks
Devil's Ivy
97 bpm • C Maj • 03:15 • -7.5db
17% Popularity • 64% Danceability • 56% Energy • 34% Liveness
0% Instrumentalness • 59% Positiveness
17% Popularity • 64% Danceability • 56% Energy • 34% Liveness
0% Instrumentalness • 59% Positiveness
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Ainslie Wills
Two Strong Hearts
97 bpm • D Maj • 03:06 • -11.2db
40% Popularity • 56% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
40% Popularity • 56% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Lila Drew
Crystal Ball
90 bpm • D Maj • 03:35 • -7.01db
10% Popularity • 44% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
10% Popularity • 44% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Little Green
frida kahlo
98 bpm • E min • 02:25 • -11db
15% Popularity • 74% Danceability • 19% Energy • 19% Liveness
0% Instrumentalness • 47% Positiveness
15% Popularity • 74% Danceability • 19% Energy • 19% Liveness
0% Instrumentalness • 47% Positiveness
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George Alice
Mid Years
98 bpm • G# Maj • 02:58 • -5.42db
26% Popularity • 74% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
26% Popularity • 74% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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Greta Stanley
Plant My Feet
98 bpm • C Maj • 03:33 • -8db
18% Popularity • 68% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
18% Popularity • 68% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
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Meg Mac
Is It Worth Being Sad
98 bpm • F Maj • 04:01 • -7db
28% Popularity • 48% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
28% Popularity • 48% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Hein Cooper
Turbulent Heart
98 bpm • A min • 03:25 • -6.69db
11% Popularity • 61% Danceability • 60% Energy • 5% Liveness
0% Instrumentalness • 70% Positiveness
11% Popularity • 61% Danceability • 60% Energy • 5% Liveness
0% Instrumentalness • 70% Positiveness
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The Dreggs
Head Above The Water
98 bpm • E Maj • 03:35 • -8.63db
37% Popularity • 53% Danceability • 63% Energy • 6% Liveness
1% Instrumentalness • 21% Positiveness
37% Popularity • 53% Danceability • 63% Energy • 6% Liveness
1% Instrumentalness • 21% Positiveness
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Jess Day
Signals
98 bpm • B Maj • 03:15 • -5.5db
22% Popularity • 64% Danceability • 76% Energy • 17% Liveness
0% Instrumentalness • 65% Positiveness
22% Popularity • 64% Danceability • 76% Energy • 17% Liveness
0% Instrumentalness • 65% Positiveness
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Tia Gostelow
Valley Nights
90 bpm • G min • 03:37 • -8.05db
17% Popularity • 53% Danceability • 55% Energy • 12% Liveness
7% Instrumentalness • 20% Positiveness
17% Popularity • 53% Danceability • 55% Energy • 12% Liveness
7% Instrumentalness • 20% Positiveness
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Jem Cassar-Daley
Like It More
98 bpm • F# min • 03:01 • -8db
19% Popularity • 69% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
19% Popularity • 69% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Azure Ryder
Ladder to the Moon
99 bpm • E min • 03:31 • -6.37db
26% Popularity • 57% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
26% Popularity • 57% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Eliza & The Delusionals
Bed Song
99 bpm • D Maj • 03:20 • -4.33db
16% Popularity • 42% Danceability • 77% Energy • 38% Liveness
0% Instrumentalness • 54% Positiveness
16% Popularity • 42% Danceability • 77% Energy • 38% Liveness
0% Instrumentalness • 54% Positiveness
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Foreign Affairs
Rosanna
99 bpm • C# min • 03:07 • -10.5db
11% Popularity • 48% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 7% Positiveness
11% Popularity • 48% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 7% Positiveness
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Jess Day
Affection
90 bpm • C# Maj • 03:07 • -5.03db
30% Popularity • 72% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
30% Popularity • 72% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
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Ivy Rose
I've Been Watching You
99 bpm • C min • 03:15 • -4.94db
18% Popularity • 48% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 28% Positiveness
18% Popularity • 48% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 28% Positiveness
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MAY-A
Green
89 bpm • B Maj • 03:00 • -7db
34% Popularity • 69% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
34% Popularity • 69% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Suzi
Please Love Me
89 bpm • G Maj • 04:27 • -11.64db
9% Popularity • 54% Danceability • 27% Energy • 9% Liveness
14% Instrumentalness • 11% Positiveness
9% Popularity • 54% Danceability • 27% Energy • 9% Liveness
14% Instrumentalness • 11% Positiveness
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Tia Gostelow
Outer Space
100 bpm • D Maj • 03:28 • -3.66db
12% Popularity • 38% Danceability • 61% Energy • 34% Liveness
3% Instrumentalness • 15% Positiveness
12% Popularity • 38% Danceability • 61% Energy • 34% Liveness
3% Instrumentalness • 15% Positiveness
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Imogen Clark
First Class Man
100 bpm • D min • 03:40 • -6.59db
17% Popularity • 55% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 36% Positiveness
17% Popularity • 55% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 36% Positiveness
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Gordi
Hate The World
100 bpm • G Maj • 03:44 • -13.84db
9% Popularity • 59% Danceability • 38% Energy • 11% Liveness
7% Instrumentalness • 20% Positiveness
9% Popularity • 59% Danceability • 38% Energy • 11% Liveness
7% Instrumentalness • 20% Positiveness
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Thelma Plum
Body Do The Talking
100 bpm • G Maj • 02:26 • -8.84db
36% Popularity • 83% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
36% Popularity • 83% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Azure Ryder
Don't Start Now - triple j Like A Versio...
100 bpm • A min • 03:08 • -8.27db
28% Popularity • 70% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
28% Popularity • 70% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
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Jess Day
Naked
100 bpm • A# Maj • 03:12 • -3.83db
16% Popularity • 60% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
16% Popularity • 60% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
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MAY-A
Swing of Things
100 bpm • G Maj • 02:58 • -5.4db
27% Popularity • 64% Danceability • 61% Energy • 47% Liveness
0% Instrumentalness • 70% Positiveness
27% Popularity • 64% Danceability • 61% Energy • 47% Liveness
0% Instrumentalness • 70% Positiveness
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Suzi
At Least My Dog Still Loves Me
100 bpm • D# Maj • 02:54 • -8.21db
14% Popularity • 60% Danceability • 35% Energy • 13% Liveness
1% Instrumentalness • 62% Positiveness
14% Popularity • 60% Danceability • 35% Energy • 13% Liveness
1% Instrumentalness • 62% Positiveness
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Greta Stanley
Soak into This
100 bpm • E Maj • 03:25 • -5.61db
29% Popularity • 63% Danceability • 66% Energy • 22% Liveness
0% Instrumentalness • 82% Positiveness
29% Popularity • 63% Danceability • 66% Energy • 22% Liveness
0% Instrumentalness • 82% Positiveness
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Babygirl
Million Dollar Bed
100 bpm • A Maj • 03:23 • -8.48db
21% Popularity • 48% Danceability • 54% Energy • 11% Liveness
2% Instrumentalness • 56% Positiveness
21% Popularity • 48% Danceability • 54% Energy • 11% Liveness
2% Instrumentalness • 56% Positiveness
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Carla Wehbe
Like Lovers Do
100 bpm • D Maj • 02:41 • -10.86db
17% Popularity • 60% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 59% Positiveness
17% Popularity • 60% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 59% Positiveness
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Eluera
Petty
100 bpm • D Maj • 03:06 • -6.98db
9% Popularity • 70% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
9% Popularity • 70% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
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Hillsburn
Husha
100 bpm • C min • 03:52 • -11.54db
16% Popularity • 56% Danceability • 41% Energy • 12% Liveness
67% Instrumentalness • 14% Positiveness
16% Popularity • 56% Danceability • 41% Energy • 12% Liveness
67% Instrumentalness • 14% Positiveness
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EGOISM
What Are We Doing?
88 bpm • D Maj • 03:13 • -7.13db
31% Popularity • 49% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
31% Popularity • 49% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
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Thelma Plum
Woke Blokes
88 bpm • C min • 02:34 • -9db
36% Popularity • 80% Danceability • 39% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
36% Popularity • 80% Danceability • 39% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
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George Alice
Circles - Acoustic
100 bpm • C# min • 03:27 • -9.18db
27% Popularity • 48% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
27% Popularity • 48% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
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Azure Ryder
Petty Isn't Pretty
88 bpm • G min • 03:27 • -7.93db
29% Popularity • 73% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
29% Popularity • 73% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
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Joan & the Giants
Home Song
101 bpm • C Maj • 03:24 • -5.55db
11% Popularity • 56% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 23% Positiveness
11% Popularity • 56% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 23% Positiveness
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Eliza & The Delusionals
Give You Everything
101 bpm • A Maj • 03:23 • -3db
19% Popularity • 46% Danceability • 91% Energy • 24% Liveness
0% Instrumentalness • 50% Positiveness
19% Popularity • 46% Danceability • 91% Energy • 24% Liveness
0% Instrumentalness • 50% Positiveness
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Charlie Collins
Beautifully Blind
101 bpm • F# Maj • 03:17 • -5.92db
6% Popularity • 55% Danceability • 60% Energy • 34% Liveness
0% Instrumentalness • 35% Positiveness
6% Popularity • 55% Danceability • 60% Energy • 34% Liveness
0% Instrumentalness • 35% Positiveness
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Thelma Plum
These Days
88 bpm • C Maj • 03:23 • -8.68db
44% Popularity • 55% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
44% Popularity • 55% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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EGOISM
Never Leave
87 bpm • G# Maj • 03:22 • -6.02db
14% Popularity • 47% Danceability • 69% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
14% Popularity • 47% Danceability • 69% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
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Telenova
Lost Highway
87 bpm • G min • 04:09 • -4db
21% Popularity • 56% Danceability • 80% Energy • 37% Liveness
0% Instrumentalness • 64% Positiveness
21% Popularity • 56% Danceability • 80% Energy • 37% Liveness
0% Instrumentalness • 64% Positiveness
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Missy Higgins
Big Kids
87 bpm • C min • 03:46 • -6.18db
15% Popularity • 48% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
15% Popularity • 48% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Budjerah
Talk
87 bpm • A min • 03:27 • -6db
33% Popularity • 57% Danceability • 76% Energy • 31% Liveness
0% Instrumentalness • 45% Positiveness
33% Popularity • 57% Danceability • 76% Energy • 31% Liveness
0% Instrumentalness • 45% Positiveness
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Dulcie
Dust
102 bpm • G Maj • 02:43 • -6.86db
19% Popularity • 68% Danceability • 60% Energy • 19% Liveness
0% Instrumentalness • 74% Positiveness
19% Popularity • 68% Danceability • 60% Energy • 19% Liveness
0% Instrumentalness • 74% Positiveness
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Thelma Plum
Thulumaay Gii
87 bpm • G# Maj • 02:50 • -9.56db
29% Popularity • 67% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
29% Popularity • 67% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Greta Stanley
Kick
102 bpm • D Maj • 03:27 • -10db
38% Popularity • 77% Danceability • 52% Energy • 38% Liveness
4% Instrumentalness • 74% Positiveness
38% Popularity • 77% Danceability • 52% Energy • 38% Liveness
4% Instrumentalness • 74% Positiveness
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EGOISM
Lonely But Not Alone
102 bpm • E min • 03:16 • -4.62db
25% Popularity • 59% Danceability • 82% Energy • 46% Liveness
0% Instrumentalness • 51% Positiveness
25% Popularity • 59% Danceability • 82% Energy • 46% Liveness
0% Instrumentalness • 51% Positiveness
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Bonnie Kemplay
Blushing (Demo)
102 bpm • A# min • 04:06 • -12.7db
14% Popularity • 63% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
14% Popularity • 63% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
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Lucy Gaffney
Easy Come Easy Go
102 bpm • A Maj • 03:12 • -6.62db
8% Popularity • 57% Danceability • 75% Energy • 34% Liveness
12% Instrumentalness • 68% Positiveness
8% Popularity • 57% Danceability • 75% Energy • 34% Liveness
12% Instrumentalness • 68% Positiveness
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Birdz
LEGACY part 2
86 bpm • B Maj • 03:23 • -12db
9% Popularity • 61% Danceability • 45% Energy • 54% Liveness
0% Instrumentalness • 34% Positiveness
9% Popularity • 61% Danceability • 45% Energy • 54% Liveness
0% Instrumentalness • 34% Positiveness
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Lucy Blue
Your Brother's Friend
103 bpm • D Maj • 04:00 • -9.47db
11% Popularity • 54% Danceability • 49% Energy • 18% Liveness
0% Instrumentalness • 24% Positiveness
11% Popularity • 54% Danceability • 49% Energy • 18% Liveness
0% Instrumentalness • 24% Positiveness
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Alice Skye
Melbourne
86 bpm • A min • 03:41 • -12.19db
14% Popularity • 70% Danceability • 36% Energy • 34% Liveness
0% Instrumentalness • 31% Positiveness
14% Popularity • 70% Danceability • 36% Energy • 34% Liveness
0% Instrumentalness • 31% Positiveness
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E^ST
FOUND SOMEBODY
86 bpm • C Maj • 03:21 • -7.57db
12% Popularity • 58% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
12% Popularity • 58% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
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Didirri
The Critic
86 bpm • G Maj • 03:47 • -8db
11% Popularity • 62% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
11% Popularity • 62% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Ash Lune
Panic at the Party
86 bpm • D Maj • 03:27 • -12.38db
16% Popularity • 44% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
16% Popularity • 44% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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MAY-A
Apricots - Naked
86 bpm • E Maj • 03:34 • -8.34db
23% Popularity • 55% Danceability • 31% Energy • 28% Liveness
0% Instrumentalness • 12% Positiveness
23% Popularity • 55% Danceability • 31% Energy • 28% Liveness
0% Instrumentalness • 12% Positiveness
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Allday
Bright
103 bpm • C# min • 03:41 • -7.95db
21% Popularity • 60% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
21% Popularity • 60% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
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The Rubens
Back To Back
103 bpm • A Maj • 03:14 • -4.47db
20% Popularity • 71% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 85% Positiveness
20% Popularity • 71% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 85% Positiveness
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Chloe Dadd
Just You Wait
103 bpm • D Maj • 03:10 • -6.1db
11% Popularity • 61% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
11% Popularity • 61% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Master Peace
Go Your Own Way
104 bpm • F Maj • 03:25 • -11.81db
19% Popularity • 61% Danceability • 26% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
19% Popularity • 61% Danceability • 26% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
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Leith
cowboys don't have friends
104 bpm • C# Maj • 02:37 • -3.61db
15% Popularity • 67% Danceability • 73% Energy • 18% Liveness
0% Instrumentalness • 45% Positiveness
15% Popularity • 67% Danceability • 73% Energy • 18% Liveness
0% Instrumentalness • 45% Positiveness
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Alexander Biggs
Low
85 bpm • F# Maj • 02:49 • -9.55db
13% Popularity • 69% Danceability • 52% Energy • 36% Liveness
4% Instrumentalness • 45% Positiveness
13% Popularity • 69% Danceability • 52% Energy • 36% Liveness
4% Instrumentalness • 45% Positiveness
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Jordy Maxwell
Yellow Dress
104 bpm • E Maj • 03:56 • -9db
20% Popularity • 44% Danceability • 44% Energy • 22% Liveness
0% Instrumentalness • 26% Positiveness
20% Popularity • 44% Danceability • 44% Energy • 22% Liveness
0% Instrumentalness • 26% Positiveness
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flowerkid
miss andry
104 bpm • F# min • 04:23 • -4.14db
27% Popularity • 52% Danceability • 72% Energy • 21% Liveness
0% Instrumentalness • 15% Positiveness
27% Popularity • 52% Danceability • 72% Energy • 21% Liveness
0% Instrumentalness • 15% Positiveness
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Amy Shark
Worst Day of My Life
104 bpm • F Maj • 03:01 • -4.7db
41% Popularity • 68% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
41% Popularity • 68% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Anna Vaus
In Bloom
104 bpm • C# Maj • 03:55 • -5.75db
13% Popularity • 59% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
13% Popularity • 59% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Dulcie
Ethereal
104 bpm • E min • 03:08 • -5.98db
11% Popularity • 66% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
11% Popularity • 66% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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Charlie Collins
Who's Gonna Save You Now
104 bpm • A min • 04:26 • -6.35db
6% Popularity • 53% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
6% Popularity • 53% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
