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Honey
Songs like
Honey
by
Jordy Maxwell
Based on a tempo of (+/- 10%) and a similar genre
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Michael Dunstan
Home
131 bpm • G# Maj • 03:00 • -10.18db
35% Popularity • 64% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Josh Lee Hamilton
Heart Is Ready
131 bpm • C Maj • 04:12 • -10db
17% Popularity • 69% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Rod Coote
Unwind
131 bpm • B min • 03:05 • -8.82db
17% Popularity • 61% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Ben Zaidi
Younger with Time.
131 bpm • D Maj • 03:42 • -16.99db
18% Popularity • 54% Danceability • 14% Energy • 11% Liveness
1% Instrumentalness • 24% Positiveness
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The Vanns
Deranged - Acoustic Version
131 bpm • C# Maj • 03:42 • -18.01db
8% Popularity • 54% Danceability • 20% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
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Christian Sparacio
Sunsets and Revelry
130 bpm • C min • 03:37 • -8.51db
14% Popularity • 50% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
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Jordy Maxwell
Honey
131 bpm • D Maj • 04:12 • -7.61db
13% Popularity • 51% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Alexander Biggs
Madeleine
130 bpm • G# Maj • 03:00 • -9.89db
27% Popularity • 64% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Dean Ray
Crystal Water Top UN-plugged
130 bpm • C Maj • 03:20 • -13.5db
20% Popularity • 48% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Lachlan Edwards
Little Things
130 bpm • G Maj • 03:23 • -12.66db
20% Popularity • 60% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Ben Camden
Clouds
130 bpm • B Maj • 03:47 • -16.58db
15% Popularity • 76% Danceability • 42% Energy • 14% Liveness
4% Instrumentalness • 52% Positiveness
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Robbie Miller
On The Run
130 bpm • E Maj • 02:54 • -12.39db
14% Popularity • 65% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Jordy Maxwell
She Came Back with Rainbows
130 bpm • G Maj • 03:50 • -9.58db
37% Popularity • 56% Danceability • 62% Energy • 21% Liveness
0% Instrumentalness • 32% Positiveness
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Winterbourne
Sunrise
130 bpm • G Maj • 04:33 • -8.17db
34% Popularity • 53% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Joel Leggett
Jeans
132 bpm • G Maj • 03:17 • -6.77db
26% Popularity • 68% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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The Dreggs
Your Love
130 bpm • E min • 03:59 • -11.35db
39% Popularity • 68% Danceability • 48% Energy • 11% Liveness
6% Instrumentalness • 31% Positiveness
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Salt Tree
She's The One
130 bpm • C min • 03:51 • -9db
49% Popularity • 68% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Layup
Shake It All Loose
130 bpm • B Maj • 02:23 • -6.22db
17% Popularity • 74% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 87% Positiveness
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Ed Prosek
The Other Side
130 bpm • A Maj • 03:53 • -13db
44% Popularity • 60% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Alivan Blu
February
130 bpm • E min • 03:22 • -9.13db
35% Popularity • 71% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Joel Leggett
Bright Blue
132 bpm • G# Maj • 03:32 • -6.66db
28% Popularity • 73% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Waller
the way she understand
133 bpm • E Maj • 02:04 • -10.71db
30% Popularity • 74% Danceability • 37% Energy • 10% Liveness
1% Instrumentalness • 88% Positiveness
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The Dreggs
The Forest Song
130 bpm • F Maj • 04:03 • -11.2db
42% Popularity • 68% Danceability • 67% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
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Terrible Sons
The World Is Walking over Us
129 bpm • F min • 03:30 • -10db
11% Popularity • 71% Danceability • 55% Energy • 9% Liveness
3% Instrumentalness • 47% Positiveness
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Oliver Hazard
Fly Right
133 bpm • A# Maj • 03:23 • -9.37db
36% Popularity • 69% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Felipe Baldomir
I'll Be There
129 bpm • G Maj • 03:50 • -9.43db
33% Popularity • 59% Danceability • 49% Energy • 28% Liveness
0% Instrumentalness • 19% Positiveness
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Hayden Everett
Kennecott
133 bpm • G Maj • 03:28 • -10.21db
26% Popularity • 58% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
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Hayden Calnin
Let's Dance
129 bpm • F# Maj • 04:01 • -8db
31% Popularity • 52% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Salt Tree
Rising Again
128 bpm • C# Maj • 03:23 • -12db
46% Popularity • 72% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Josh Lee Hamilton
With the Wind
134 bpm • C# Maj • 04:04 • -10.82db
13% Popularity • 68% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 29% Positiveness
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Bookie Baker
Autumn Wind
134 bpm • D Maj • 03:48 • -12.28db
10% Popularity • 60% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Porch Music
Canyon Road
134 bpm • C# min • 03:58 • -11.29db
23% Popularity • 56% Danceability • 53% Energy • 17% Liveness
92% Instrumentalness • 66% Positiveness
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Andrew & Veda
About Your Eyes
134 bpm • E Maj • 02:54 • -20db
12% Popularity • 63% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Great Gable
Our Love (Acoustic)
128 bpm • A Maj • 03:49 • -8.58db
11% Popularity • 80% Danceability • 45% Energy • 37% Liveness
0% Instrumentalness • 46% Positiveness
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Field Guide
All the Other Lovers
128 bpm • F Maj • 03:11 • -15.39db
29% Popularity • 65% Danceability • 33% Energy • 9% Liveness
49% Instrumentalness • 31% Positiveness
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Felipe Baldomir
Amber
128 bpm • B Maj • 04:36 • -10.86db
34% Popularity • 66% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Luke Morris
Mexico
128 bpm • D Maj • 04:54 • -7.44db
25% Popularity • 55% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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There's A Tuesday
Sound Of The Stars
134 bpm • C Maj • 03:32 • -8.9db
12% Popularity • 39% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Joel Leggett
Bright Blue (Acoustic Version)
134 bpm • G# Maj • 03:33 • -16.79db
19% Popularity • 53% Danceability • 23% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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Tay Oskee
Blood Rush - Acoustic
128 bpm • D Maj • 03:10 • -9.45db
28% Popularity • 82% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
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Benny Walker
Money and Fools
135 bpm • B Maj • 03:50 • -9.62db
33% Popularity • 70% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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Felipe Baldomir
Ocean is Calling
128 bpm • B Maj • 03:26 • -11db
44% Popularity • 65% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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This New Light
Awakening
135 bpm • D Maj • 04:23 • -8.04db
22% Popularity • 43% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Caiola
Hydroplane
135 bpm • D# Maj • 03:49 • -9.44db
31% Popularity • 67% Danceability • 43% Energy • 12% Liveness
12% Instrumentalness • 14% Positiveness
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Ade Mai
I Love You More
135 bpm • B min • 03:22 • -11db
18% Popularity • 54% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Salt Tree
Let My Guard Down
135 bpm • F# min • 03:10 • -8.33db
40% Popularity • 67% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Jordy Maxwell
Mother
135 bpm • D Maj • 04:41 • -13.43db
20% Popularity • 40% Danceability • 23% Energy • 17% Liveness
0% Instrumentalness • 30% Positiveness
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Nick Cunningham
Lucy
135 bpm • C# Maj • 03:34 • -20.66db
27% Popularity • 44% Danceability • 30% Energy • 11% Liveness
84% Instrumentalness • 13% Positiveness
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Jon Bryant
I Don't Know How
127 bpm • C Maj • 03:46 • -8db
17% Popularity • 61% Danceability • 71% Energy • 35% Liveness
2% Instrumentalness • 57% Positiveness
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Casual Fan
Flight
127 bpm • E Maj • 03:59 • -6.93db
29% Popularity • 63% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
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Lachlan Ross
City Lights
127 bpm • D Maj • 04:16 • -11db
11% Popularity • 40% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Carly King
Mountains, Alone.
126 bpm • C Maj • 03:00 • -8.95db
35% Popularity • 57% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Eli Teplin
Off The Grid
126 bpm • F# Maj • 03:47 • -12.97db
28% Popularity • 55% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 9% Positiveness
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Gretta Ray
Re: Stacks
136 bpm • F Maj • 04:25 • -16.29db
37% Popularity • 34% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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John Muirhead
Love Can Save Us
136 bpm • A# Maj • 02:56 • -6.55db
14% Popularity • 60% Danceability • 83% Energy • 27% Liveness
0% Instrumentalness • 56% Positiveness
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Rod Coote
Ghost Town
136 bpm • D Maj • 03:13 • -13.63db
13% Popularity • 67% Danceability • 43% Energy • 8% Liveness
5% Instrumentalness • 31% Positiveness
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This New Light
Reverie
136 bpm • B Maj • 04:32 • -13.87db
31% Popularity • 58% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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The Dreggs
Postcards
136 bpm • G Maj • 03:53 • -11.68db
47% Popularity • 73% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Tyne-James Organ
Stranger
136 bpm • E Maj • 04:19 • -5.18db
19% Popularity • 64% Danceability • 93% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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Dustin Tebbutt
Cedar On The Fire
136 bpm • E Maj • 04:40 • -12db
34% Popularity • 72% Danceability • 43% Energy • 9% Liveness
82% Instrumentalness • 17% Positiveness
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Joel Leggett
Changing Currents
126 bpm • C Maj • 04:18 • -8db
31% Popularity • 74% Danceability • 49% Energy • 14% Liveness
7% Instrumentalness • 56% Positiveness
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The Northern Folk
Fourteen Days
136 bpm • E Maj • 02:21 • -10.67db
11% Popularity • 36% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Lawson Hull
Honey
126 bpm • F Maj • 04:25 • -7.43db
19% Popularity • 57% Danceability • 46% Energy • 12% Liveness
17% Instrumentalness • 31% Positiveness
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Hudson Taylor
Won't Be Too Long
136 bpm • G Maj • 03:52 • -7.59db
3% Popularity • 57% Danceability • 55% Energy • 10% Liveness
77% Instrumentalness • 28% Positiveness
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Tay Oskee
We Were Young
136 bpm • A Maj • 04:53 • -9.63db
35% Popularity • 31% Danceability • 56% Energy • 10% Liveness
17% Instrumentalness • 8% Positiveness
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Austin Mackay
Stay a Little Longer
137 bpm • D Maj • 04:26 • -9.97db
16% Popularity • 46% Danceability • 48% Energy • 22% Liveness
0% Instrumentalness • 19% Positiveness
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The Franklin Electric
Why You Gotta Be
137 bpm • C Maj • 03:48 • -7.22db
30% Popularity • 59% Danceability • 80% Energy • 24% Liveness
0% Instrumentalness • 74% Positiveness
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Jesse Taylor
Morning Light
126 bpm • D# Maj • 03:36 • -9.44db
25% Popularity • 55% Danceability • 46% Energy • 10% Liveness
2% Instrumentalness • 11% Positiveness
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Wormy
Big Mountain
137 bpm • C Maj • 04:47 • -9.22db
36% Popularity • 54% Danceability • 47% Energy • 12% Liveness
1% Instrumentalness • 15% Positiveness
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Alivan Blu
Embers
125 bpm • C# Maj • 04:12 • -8.52db
30% Popularity • 40% Danceability • 67% Energy • 20% Liveness
0% Instrumentalness • 4% Positiveness
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Nick Cunningham
Nervous
125 bpm • C Maj • 03:12 • -12db
33% Popularity • 68% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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Luke Morris
I Was Somewhere Else
137 bpm • A min • 05:04 • -10.34db
13% Popularity • 45% Danceability • 46% Energy • 7% Liveness
62% Instrumentalness • 14% Positiveness
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Josh Pyke
I Don't Know
125 bpm • D# min • 02:04 • -7.39db
13% Popularity • 41% Danceability • 36% Energy • 30% Liveness
0% Instrumentalness • 45% Positiveness
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bennyjeans
you don't need me
125 bpm • D Maj • 03:23 • -15.86db
7% Popularity • 50% Danceability • 24% Energy • 37% Liveness
0% Instrumentalness • 18% Positiveness
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Boy & Bear
Hold Your Nerve - Acoustic
125 bpm • E Maj • 03:51 • -6.85db
13% Popularity • 64% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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Alivan Blu
In My Head
125 bpm • A# Maj • 03:27 • -8.57db
28% Popularity • 62% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 10% Positiveness
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Whiskey Jack
Golden State
138 bpm • C Maj • 02:56 • -9.02db
10% Popularity • 58% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Austin Mackay
17
125 bpm • C# Maj • 03:36 • -9.2db
14% Popularity • 75% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
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Daniel Nunnelee
Rooftops at Sunset
125 bpm • C Maj • 02:56 • -6.36db
26% Popularity • 48% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Felipe Baldomir
Jonson Street
124 bpm • E Maj • 04:38 • -13db
30% Popularity • 64% Danceability • 48% Energy • 10% Liveness
1% Instrumentalness • 21% Positiveness
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Salt Tree
Moving Away
138 bpm • D Maj • 03:40 • -12.02db
25% Popularity • 62% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Didirri
Sold for Sale
138 bpm • C Maj • 04:18 • -7.84db
11% Popularity • 43% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
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Highline
Chiswick Park
138 bpm • D Maj • 03:17 • -6.39db
15% Popularity • 57% Danceability • 56% Energy • 10% Liveness
2% Instrumentalness • 7% Positiveness
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Austin Mackay
Edge of Unknown
138 bpm • F# Maj • 03:51 • -5.35db
24% Popularity • 53% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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The Stone Apes
Creatures of the Night
124 bpm • A# Maj • 03:54 • -15.96db
7% Popularity • 71% Danceability • 35% Energy • 34% Liveness
0% Instrumentalness • 42% Positiveness
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Alivan Blu
Home - Acoustic
124 bpm • D Maj • 03:16 • -18.4db
35% Popularity • 55% Danceability • 6% Energy • 16% Liveness
0% Instrumentalness • 19% Positiveness
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Beachfriends
Waves
124 bpm • C Maj • 03:21 • -9.04db
29% Popularity • 80% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Adam Simons
Strawberry Moon
124 bpm • C# Maj • 04:10 • -10.07db
13% Popularity • 58% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
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Felipe Baldomir
We Take so Much
124 bpm • E Maj • 03:10 • -9.09db
33% Popularity • 65% Danceability • 51% Energy • 28% Liveness
0% Instrumentalness • 12% Positiveness
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Oliver Hazard
Use Me Up
124 bpm • G Maj • 03:55 • -9.15db
28% Popularity • 62% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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APRE
Come Down - Mahogany Sessions
139 bpm • G Maj • 04:34 • -13.15db
11% Popularity • 60% Danceability • 24% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
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The Rions
Anakin - Bathroom Sessions
124 bpm • A min • 04:53 • -9.33db
27% Popularity • 48% Danceability • 69% Energy • 12% Liveness
13% Instrumentalness • 23% Positiveness
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Pacific Avenue
Easy Love (Acoustic)
139 bpm • E Maj • 03:37 • -6.07db
17% Popularity • 49% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Joel Leggett
Loops
123 bpm • E min • 02:49 • -13.13db
35% Popularity • 77% Danceability • 64% Energy • 12% Liveness
17% Instrumentalness • 50% Positiveness
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This New Light
103
123 bpm • G Maj • 02:59 • -6.58db
35% Popularity • 62% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
► Preview
Daniel Nunnelee
Colorado (The First Time)
140 bpm • G Maj • 03:25 • -9.58db
31% Popularity • 45% Danceability • 35% Energy • 10% Liveness
1% Instrumentalness • 35% Positiveness
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Austin Mackay
Without You
123 bpm • G# Maj • 04:30 • -12.01db
18% Popularity • 58% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 10% Positiveness
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James Abberley
Honey and the Bee
123 bpm • A# Maj • 04:46 • -10db
11% Popularity • 60% Danceability • 58% Energy • 15% Liveness
1% Instrumentalness • 23% Positiveness
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Alivan Blu
Solace
140 bpm • C Maj • 02:08 • -11.24db
42% Popularity • 58% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Rod Coote
Easy to Love
140 bpm • G Maj • 03:58 • -14.05db
21% Popularity • 39% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Honey