Songs like Honeysuckle Rose by Paul Posnak
Based on a tempo of (+/- 10%) and a similar genre
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Lena Mirage
Aurora's Harmony
98 bpm • C# min • 01:19 • -20.27db
8% Popularity • 75% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 56% Positiveness
8% Popularity • 75% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 56% Positiveness
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Wally Rose
New Era Rag
98 bpm • F Maj • 02:47 • -15.64db
12% Popularity • 46% Danceability • 33% Energy • 7% Liveness
90% Instrumentalness • 44% Positiveness
12% Popularity • 46% Danceability • 33% Energy • 7% Liveness
90% Instrumentalness • 44% Positiveness
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James Lyle Scott
Kansas City Rag
98 bpm • C Maj • 02:37 • -24.46db
12% Popularity • 48% Danceability • 16% Energy • 10% Liveness
85% Instrumentalness • 78% Positiveness
12% Popularity • 48% Danceability • 16% Energy • 10% Liveness
85% Instrumentalness • 78% Positiveness
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James Levine
Sugar Cane
98 bpm • A# Maj • 03:01 • -16.15db
12% Popularity • 42% Danceability • 30% Energy • 10% Liveness
89% Instrumentalness • 91% Positiveness
12% Popularity • 42% Danceability • 30% Energy • 10% Liveness
89% Instrumentalness • 91% Positiveness
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Vincent Youmans
Youmans / Arr Harris: Tea for Two
98 bpm • F Maj • 03:40 • -14.6db
11% Popularity • 49% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
11% Popularity • 49% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Frederic Curzon
The Boulevardier
98 bpm • A# Maj • 03:56 • -25.67db
11% Popularity • 69% Danceability • 9% Energy • 9% Liveness
37% Instrumentalness • 61% Positiveness
11% Popularity • 69% Danceability • 9% Energy • 9% Liveness
37% Instrumentalness • 61% Positiveness
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Ursula Dietrich Hollinshead
Echo D' Amour (Valse) - Duo-Art S-32258
97 bpm • A# Maj • 04:21 • -25.26db
19% Popularity • 31% Danceability • 5% Energy • 11% Liveness
89% Instrumentalness • 19% Positiveness
19% Popularity • 31% Danceability • 5% Energy • 11% Liveness
89% Instrumentalness • 19% Positiveness
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Friedrich Burgmüller
25 Études faciles et progressives, Op. ...
97 bpm • C Maj • 01:44 • -39.14db
18% Popularity • 19% Danceability • 0% Energy • 8% Liveness
98% Instrumentalness • 28% Positiveness
18% Popularity • 19% Danceability • 0% Energy • 8% Liveness
98% Instrumentalness • 28% Positiveness
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Morten Gunnar Larsen
Peace and Plenty Rag
99 bpm • C Maj • 03:03 • -22.4db
6% Popularity • 44% Danceability • 14% Energy • 9% Liveness
94% Instrumentalness • 62% Positiveness
6% Popularity • 44% Danceability • 14% Energy • 9% Liveness
94% Instrumentalness • 62% Positiveness
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John Alden Carpenter
Piano Quintet: III. Allegro non troppo
97 bpm • G Maj • 07:18 • -22.2db
0% Popularity • 37% Danceability • 12% Energy • 7% Liveness
57% Instrumentalness • 18% Positiveness
0% Popularity • 37% Danceability • 12% Energy • 7% Liveness
57% Instrumentalness • 18% Positiveness
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Aram Khachaturian
Children's Album No. 2 "Sounds of Childh...
97 bpm • C min • 01:24 • -20db
20% Popularity • 38% Danceability • 24% Energy • 9% Liveness
94% Instrumentalness • 54% Positiveness
20% Popularity • 38% Danceability • 24% Energy • 9% Liveness
94% Instrumentalness • 54% Positiveness
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Ragtime Jazz Band
Paramount Rag
97 bpm • G# Maj • 02:44 • -16.46db
12% Popularity • 59% Danceability • 42% Energy • 18% Liveness
83% Instrumentalness • 80% Positiveness
12% Popularity • 59% Danceability • 42% Energy • 18% Liveness
83% Instrumentalness • 80% Positiveness
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Sue Keller
St. Louis Rag - Tom Turpin, 1903
97 bpm • C Maj • 03:06 • -19.83db
9% Popularity • 49% Danceability • 20% Energy • 24% Liveness
86% Instrumentalness • 92% Positiveness
9% Popularity • 49% Danceability • 20% Energy • 24% Liveness
86% Instrumentalness • 92% Positiveness
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Hans Gál
Serenade for Clarinet, Violin and Cello,...
99 bpm • F# min • 02:52 • -24.17db
17% Popularity • 20% Danceability • 3% Energy • 14% Liveness
9% Instrumentalness • 14% Positiveness
17% Popularity • 20% Danceability • 3% Energy • 14% Liveness
9% Instrumentalness • 14% Positiveness
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Frederick Laurence
Spring Nocturne
97 bpm • E min • 05:47 • -24.68db
20% Popularity • 19% Danceability • 4% Energy • 6% Liveness
4% Instrumentalness • 4% Positiveness
20% Popularity • 19% Danceability • 4% Energy • 6% Liveness
4% Instrumentalness • 4% Positiveness
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Spirit LoFi
City Lights, Soft Sounds
97 bpm • D# Maj • 02:55 • -26.43db
10% Popularity • 68% Danceability • 14% Energy • 10% Liveness
97% Instrumentalness • 30% Positiveness
10% Popularity • 68% Danceability • 14% Energy • 10% Liveness
97% Instrumentalness • 30% Positiveness
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Alexander Tsfasman
Suite for Piano and Orchestra: No. 4, Ra...
99 bpm • F Maj • 03:02 • -15.35db
12% Popularity • 40% Danceability • 46% Energy • 32% Liveness
91% Instrumentalness • 65% Positiveness
12% Popularity • 40% Danceability • 46% Energy • 32% Liveness
91% Instrumentalness • 65% Positiveness
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Liberace with Paul Weston and His Orchestra
Warsaw Concerto
99 bpm • C# Maj • 06:00 • -25.67db
9% Popularity • 28% Danceability • 9% Energy • 18% Liveness
88% Instrumentalness • 6% Positiveness
9% Popularity • 28% Danceability • 9% Energy • 18% Liveness
88% Instrumentalness • 6% Positiveness
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Isaac Albéniz
Espana, Op. 165: I. Prelude
99 bpm • D Maj • 01:56 • -23.23db
9% Popularity • 39% Danceability • 3% Energy • 12% Liveness
94% Instrumentalness • 6% Positiveness
9% Popularity • 39% Danceability • 3% Energy • 12% Liveness
94% Instrumentalness • 6% Positiveness
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John Alden Carpenter
Violin Sonata: II. Allegro
97 bpm • D# Maj • 06:24 • -19.77db
0% Popularity • 26% Danceability • 12% Energy • 19% Liveness
16% Instrumentalness • 7% Positiveness
0% Popularity • 26% Danceability • 12% Energy • 19% Liveness
16% Instrumentalness • 7% Positiveness
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Friedrich Burgmüller
25 Études faciles et progressives, Op. ...
99 bpm • D min • 02:10 • -26.47db
11% Popularity • 21% Danceability • 5% Energy • 16% Liveness
86% Instrumentalness • 16% Positiveness
11% Popularity • 21% Danceability • 5% Energy • 16% Liveness
86% Instrumentalness • 16% Positiveness
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Oscar Lank
Stride In My Mind
97 bpm • C Maj • 01:17 • -16.84db
17% Popularity • 70% Danceability • 22% Energy • 9% Liveness
94% Instrumentalness • 95% Positiveness
17% Popularity • 70% Danceability • 22% Energy • 9% Liveness
94% Instrumentalness • 95% Positiveness
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Jelly Roll Morton
Kansas City Stomp
100 bpm • D# Maj • 02:45 • -24db
26% Popularity • 57% Danceability • 17% Energy • 9% Liveness
85% Instrumentalness • 51% Positiveness
26% Popularity • 57% Danceability • 17% Energy • 9% Liveness
85% Instrumentalness • 51% Positiveness
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The Royal Wind Music
String of Pearls
96 bpm • D# min • 01:52 • -22.71db
21% Popularity • 32% Danceability • 5% Energy • 14% Liveness
95% Instrumentalness • 19% Positiveness
21% Popularity • 32% Danceability • 5% Energy • 14% Liveness
95% Instrumentalness • 19% Positiveness
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Thomas Ritchson
Leviathan
100 bpm • F min • 01:51 • -18.64db
18% Popularity • 80% Danceability • 10% Energy • 10% Liveness
80% Instrumentalness • 22% Positiveness
18% Popularity • 80% Danceability • 10% Energy • 10% Liveness
80% Instrumentalness • 22% Positiveness
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balsimo rolon
sabe que soltera ese bajo
100 bpm • C min • 01:59 • -26.76db
8% Popularity • 60% Danceability • 3% Energy • 10% Liveness
78% Instrumentalness • 21% Positiveness
8% Popularity • 60% Danceability • 3% Energy • 10% Liveness
78% Instrumentalness • 21% Positiveness
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Aaron Copland
2 Preludes: Prelude No. 2 for Violin and...
96 bpm • B Maj • 04:54 • -31.43db
0% Popularity • 19% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 3% Positiveness
0% Popularity • 19% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 3% Positiveness
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John Philip Sousa
Hands across the Sea
100 bpm • A# Maj • 02:24 • -12.67db
8% Popularity • 66% Danceability • 56% Energy • 10% Liveness
86% Instrumentalness • 89% Positiveness
8% Popularity • 66% Danceability • 56% Energy • 10% Liveness
86% Instrumentalness • 89% Positiveness
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Scott Cotton
More Powder
96 bpm • C Maj • 01:31 • -14.9db
11% Popularity • 55% Danceability • 32% Energy • 15% Liveness
91% Instrumentalness • 76% Positiveness
11% Popularity • 55% Danceability • 32% Energy • 15% Liveness
91% Instrumentalness • 76% Positiveness
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Ragtime Jazz Band
Rag Sentimental
100 bpm • C min • 02:59 • -15.63db
11% Popularity • 68% Danceability • 37% Energy • 12% Liveness
85% Instrumentalness • 80% Positiveness
11% Popularity • 68% Danceability • 37% Energy • 12% Liveness
85% Instrumentalness • 80% Positiveness
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Paul Posnak
Etude in A-Flat (Chopin)
96 bpm • G# Maj • 02:22 • -21.57db
0% Popularity • 22% Danceability • 29% Energy • 19% Liveness
82% Instrumentalness • 13% Positiveness
0% Popularity • 22% Danceability • 29% Energy • 19% Liveness
82% Instrumentalness • 13% Positiveness
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Aaron Robinson
12th Street Rag
100 bpm • D# Maj • 02:32 • -13.66db
10% Popularity • 50% Danceability • 49% Energy • 11% Liveness
91% Instrumentalness • 90% Positiveness
10% Popularity • 50% Danceability • 49% Energy • 11% Liveness
91% Instrumentalness • 90% Positiveness
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Rihards Dubra
Les passions d'hiver
96 bpm • E min • 09:15 • -21.13db
14% Popularity • 28% Danceability • 16% Energy • 26% Liveness
52% Instrumentalness • 10% Positiveness
14% Popularity • 28% Danceability • 16% Energy • 26% Liveness
52% Instrumentalness • 10% Positiveness
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Charles Trenet
En Avril, à Paris (Arr. Weissenberg)
96 bpm • F# min • 03:26 • -23.57db
15% Popularity • 33% Danceability • 3% Energy • 20% Liveness
80% Instrumentalness • 7% Positiveness
15% Popularity • 33% Danceability • 3% Energy • 20% Liveness
80% Instrumentalness • 7% Positiveness
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Lynn Stanford
Tendu
96 bpm • A Maj • 01:29 • -18.01db
9% Popularity • 65% Danceability • 21% Energy • 6% Liveness
96% Instrumentalness • 78% Positiveness
9% Popularity • 65% Danceability • 21% Energy • 6% Liveness
96% Instrumentalness • 78% Positiveness
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Joseph F. Lamb
Sensation
100 bpm • G Maj • 02:46 • -23db
13% Popularity • 51% Danceability • 20% Energy • 12% Liveness
86% Instrumentalness • 90% Positiveness
13% Popularity • 51% Danceability • 20% Energy • 12% Liveness
86% Instrumentalness • 90% Positiveness
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Tom Turpin
Harlem Rag
101 bpm • D Maj • 02:41 • -18.29db
13% Popularity • 46% Danceability • 27% Energy • 17% Liveness
82% Instrumentalness • 71% Positiveness
13% Popularity • 46% Danceability • 27% Energy • 17% Liveness
82% Instrumentalness • 71% Positiveness
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Mathias Proenza
Balaur
95 bpm • G min • 03:16 • -21.81db
14% Popularity • 34% Danceability • 4% Energy • 8% Liveness
90% Instrumentalness • 29% Positiveness
14% Popularity • 34% Danceability • 4% Energy • 8% Liveness
90% Instrumentalness • 29% Positiveness
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John Alden Carpenter
Violin Sonata: IV. Presto giocoso
95 bpm • G Maj • 08:39 • -19.58db
0% Popularity • 23% Danceability • 16% Energy • 22% Liveness
3% Instrumentalness • 6% Positiveness
0% Popularity • 23% Danceability • 16% Energy • 22% Liveness
3% Instrumentalness • 6% Positiveness
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Nikolai Rimsky-Korsakov
The Tale of Tsar Saltan: The Flight of t...
95 bpm • F Maj • 01:14 • -29db
4% Popularity • 46% Danceability • 9% Energy • 24% Liveness
90% Instrumentalness • 47% Positiveness
4% Popularity • 46% Danceability • 9% Energy • 24% Liveness
90% Instrumentalness • 47% Positiveness
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Aaron Copland
Violin Sonata: I. Andante semplice
95 bpm • G Maj • 07:41 • -25.35db
10% Popularity • 27% Danceability • 3% Energy • 6% Liveness
0% Instrumentalness • 11% Positiveness
10% Popularity • 27% Danceability • 3% Energy • 6% Liveness
0% Instrumentalness • 11% Positiveness
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Gaspar D. Villate
Cómo Tú Quieras Ay Ay
101 bpm • F# min • 01:11 • -19.53db
7% Popularity • 47% Danceability • 22% Energy • 16% Liveness
90% Instrumentalness • 89% Positiveness
7% Popularity • 47% Danceability • 22% Energy • 16% Liveness
90% Instrumentalness • 89% Positiveness
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Camille Saint-Saëns
Samson et Dalila, Op. 47: Act I: Dance O...
101 bpm • D min • 02:24 • -32.58db
8% Popularity • 39% Danceability • 2% Energy • 9% Liveness
1% Instrumentalness • 46% Positiveness
8% Popularity • 39% Danceability • 2% Energy • 9% Liveness
1% Instrumentalness • 46% Positiveness
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Louis Moreau Gottschalk
Souvenir de Porto Rico (Marcha De Los Ji...
101 bpm • D# min • 06:22 • -18.35db
13% Popularity • 48% Danceability • 15% Energy • 10% Liveness
90% Instrumentalness • 32% Positiveness
13% Popularity • 48% Danceability • 15% Energy • 10% Liveness
90% Instrumentalness • 32% Positiveness
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![(Ré)inventio: No. 5 in E-Flat Major [After J.S. Bach's BWV 776] cover art](https://i.scdn.co/image/ab67616d00001e025657f4fc85bfe8b8e02c6d0e)
Chiahu Lee
(Ré)inventio: No. 5 in E-Flat Major [Af...
95 bpm • D# Maj • 01:28 • -16.07db
13% Popularity • 54% Danceability • 41% Energy • 10% Liveness
87% Instrumentalness • 84% Positiveness
13% Popularity • 54% Danceability • 41% Energy • 10% Liveness
87% Instrumentalness • 84% Positiveness
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Scott Kirby
Evergreen Rag (1915 - James Scott)
95 bpm • G Maj • 03:00 • -22.39db
12% Popularity • 57% Danceability • 18% Energy • 14% Liveness
84% Instrumentalness • 88% Positiveness
12% Popularity • 57% Danceability • 18% Energy • 14% Liveness
84% Instrumentalness • 88% Positiveness
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Aaron Copland
Shaw, Artie : Clarinet Concerto
102 bpm • A# Maj • 07:34 • -13.3db
12% Popularity • 44% Danceability • 26% Energy • 37% Liveness
54% Instrumentalness • 35% Positiveness
12% Popularity • 44% Danceability • 26% Energy • 37% Liveness
54% Instrumentalness • 35% Positiveness
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Béla Bartók
The Wooden Prince, Sz. 60 (Final Version...
95 bpm • F Maj • 04:14 • -16.72db
10% Popularity • 20% Danceability • 26% Energy • 9% Liveness
77% Instrumentalness • 6% Positiveness
10% Popularity • 20% Danceability • 26% Energy • 9% Liveness
77% Instrumentalness • 6% Positiveness
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Cheesy Jazzdaddy
Lifelong Prelude
95 bpm • C# Maj • 02:14 • -21.55db
8% Popularity • 44% Danceability • 3% Energy • 14% Liveness
89% Instrumentalness • 8% Positiveness
8% Popularity • 44% Danceability • 3% Energy • 14% Liveness
89% Instrumentalness • 8% Positiveness
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Paul Posnak
Etude in G-Flat (Chopin)
102 bpm • C# Maj • 01:04 • -20.22db
0% Popularity • 25% Danceability • 60% Energy • 13% Liveness
79% Instrumentalness • 90% Positiveness
0% Popularity • 25% Danceability • 60% Energy • 13% Liveness
79% Instrumentalness • 90% Positiveness
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William Bolcom
3 Ghost Rags: No. 2. The Poltergeist
102 bpm • D# min • 03:54 • -19.95db
9% Popularity • 52% Danceability • 18% Energy • 17% Liveness
88% Instrumentalness • 36% Positiveness
9% Popularity • 52% Danceability • 18% Energy • 17% Liveness
88% Instrumentalness • 36% Positiveness
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Carl Maria von Weber
Variations on a Theme from the Opera Sil...
94 bpm • F Maj • 01:45 • -15.81db
9% Popularity • 22% Danceability • 8% Energy • 11% Liveness
85% Instrumentalness • 27% Positiveness
9% Popularity • 22% Danceability • 8% Energy • 11% Liveness
85% Instrumentalness • 27% Positiveness
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Hércules Gomes
Saracoteando
102 bpm • D# Maj • 01:40 • -12.52db
9% Popularity • 49% Danceability • 35% Energy • 16% Liveness
80% Instrumentalness • 76% Positiveness
9% Popularity • 49% Danceability • 35% Energy • 16% Liveness
80% Instrumentalness • 76% Positiveness
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Béla Bartók
Bartók / Arr. Székely: 6 Romanian Folk...
102 bpm • A min • 01:04 • -23db
8% Popularity • 58% Danceability • 4% Energy • 8% Liveness
93% Instrumentalness • 58% Positiveness
8% Popularity • 58% Danceability • 4% Energy • 8% Liveness
93% Instrumentalness • 58% Positiveness
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Paul Jeanjean
Variations on The Carnival of Venice
94 bpm • A# Maj • 08:07 • -21db
9% Popularity • 33% Danceability • 9% Energy • 9% Liveness
45% Instrumentalness • 33% Positiveness
9% Popularity • 33% Danceability • 9% Energy • 9% Liveness
45% Instrumentalness • 33% Positiveness
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Nikolai Kapustin
Sinfonietta for Piano 4-Hands, Op. 49: I...
94 bpm • C# Maj • 05:05 • -17.59db
10% Popularity • 59% Danceability • 32% Energy • 10% Liveness
87% Instrumentalness • 51% Positiveness
10% Popularity • 59% Danceability • 32% Energy • 10% Liveness
87% Instrumentalness • 51% Positiveness
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Willie "The Lion" Smith
Rippling Waters
103 bpm • D Maj • 02:30 • -26db
18% Popularity • 40% Danceability • 12% Energy • 8% Liveness
89% Instrumentalness • 45% Positiveness
18% Popularity • 40% Danceability • 12% Energy • 8% Liveness
89% Instrumentalness • 45% Positiveness
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Georges Guilhaud
Trois pièces - Andante religieux
93 bpm • D# Maj • 03:09 • -22.57db
15% Popularity • 26% Danceability • 3% Energy • 13% Liveness
86% Instrumentalness • 26% Positiveness
15% Popularity • 26% Danceability • 3% Energy • 13% Liveness
86% Instrumentalness • 26% Positiveness
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Erik Satie
Je te veux, ES 30
93 bpm • C Maj • 05:27 • -28.31db
8% Popularity • 30% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 16% Positiveness
8% Popularity • 30% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 16% Positiveness
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Charles Wakefield Cadman
Piano Trio in D Major, Op. 56: I. Allegr...
93 bpm • F Maj • 08:59 • -21.18db
0% Popularity • 26% Danceability • 10% Energy • 7% Liveness
7% Instrumentalness • 7% Positiveness
0% Popularity • 26% Danceability • 10% Energy • 7% Liveness
7% Instrumentalness • 7% Positiveness
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Oscar Lank
Subtle Skat Shivers
103 bpm • C# Maj • 01:38 • -20.34db
15% Popularity • 61% Danceability • 9% Energy • 9% Liveness
91% Instrumentalness • 27% Positiveness
15% Popularity • 61% Danceability • 9% Energy • 9% Liveness
91% Instrumentalness • 27% Positiveness
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William Grant Still
In memoriam, "The Colored Soldiers who D...
103 bpm • A# min • 07:28 • -25.81db
8% Popularity • 18% Danceability • 3% Energy • 8% Liveness
93% Instrumentalness • 6% Positiveness
8% Popularity • 18% Danceability • 3% Energy • 8% Liveness
93% Instrumentalness • 6% Positiveness
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Aaron Copland
Billy the Kid (version for violin and pi...
103 bpm • A Maj • 03:56 • -32.05db
0% Popularity • 22% Danceability • 1% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
0% Popularity • 22% Danceability • 1% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
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Paul Posnak
Swanee
93 bpm • D Maj • 03:18 • -20.19db
0% Popularity • 44% Danceability • 15% Energy • 8% Liveness
89% Instrumentalness • 25% Positiveness
0% Popularity • 44% Danceability • 15% Energy • 8% Liveness
89% Instrumentalness • 25% Positiveness
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John Alden Carpenter
Violin Sonata: I. Larghetto
93 bpm • G Maj • 06:10 • -22.47db
0% Popularity • 19% Danceability • 12% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
0% Popularity • 19% Danceability • 12% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
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Edward MacDowell
Sea Pieces, Op. 55: No. 3: A.D. MDCXX
93 bpm • G Maj • 01:57 • -25.05db
11% Popularity • 39% Danceability • 3% Energy • 8% Liveness
83% Instrumentalness • 13% Positiveness
11% Popularity • 39% Danceability • 3% Energy • 8% Liveness
83% Instrumentalness • 13% Positiveness
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Spring Music
Schumann: Variations On The Name „Abeg...
93 bpm • F# Maj • 01:08 • -21.56db
8% Popularity • 29% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
8% Popularity • 29% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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childhood dreams
Schumann: Variations On The Name „Abeg...
93 bpm • F Maj • 01:06 • -19.3db
17% Popularity • 52% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
17% Popularity • 52% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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Pacho Flores
Morocota
92 bpm • D Maj • 04:46 • -15.7db
7% Popularity • 18% Danceability • 18% Energy • 35% Liveness
91% Instrumentalness • 13% Positiveness
7% Popularity • 18% Danceability • 18% Energy • 35% Liveness
91% Instrumentalness • 13% Positiveness
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Max Keenlyside
Charleston Rag
104 bpm • C# Maj • 03:28 • -18.85db
14% Popularity • 47% Danceability • 22% Energy • 16% Liveness
90% Instrumentalness • 62% Positiveness
14% Popularity • 47% Danceability • 22% Energy • 16% Liveness
90% Instrumentalness • 62% Positiveness
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Charles Wakefield Cadman
Violin Sonata in G Major: I. Allegretto ...
92 bpm • G Maj • 06:48 • -23.25db
0% Popularity • 26% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
0% Popularity • 26% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Sergei Rachmaninoff
Rhapsody on a Theme of Paganini, Op. 43:...
92 bpm • A min • 01:28 • -26.32db
9% Popularity • 30% Danceability • 15% Energy • 10% Liveness
76% Instrumentalness • 4% Positiveness
9% Popularity • 30% Danceability • 15% Energy • 10% Liveness
76% Instrumentalness • 4% Positiveness
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Aaron Copland
2 Preludes: Prelude No. 1 for Violin and...
92 bpm • C# Maj • 03:41 • -27.06db
0% Popularity • 23% Danceability • 2% Energy • 13% Liveness
12% Instrumentalness • 4% Positiveness
0% Popularity • 23% Danceability • 2% Energy • 13% Liveness
12% Instrumentalness • 4% Positiveness
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Igor Stravinsky
Ebony Concerto: 1. Allegro moderato
92 bpm • A# Maj • 03:09 • -27db
9% Popularity • 55% Danceability • 11% Energy • 10% Liveness
92% Instrumentalness • 57% Positiveness
9% Popularity • 55% Danceability • 11% Energy • 10% Liveness
92% Instrumentalness • 57% Positiveness
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James Lyle Scott
Grace and Beauty
105 bpm • C# Maj • 03:06 • -25db
11% Popularity • 44% Danceability • 14% Energy • 12% Liveness
86% Instrumentalness • 78% Positiveness
11% Popularity • 44% Danceability • 14% Energy • 12% Liveness
86% Instrumentalness • 78% Positiveness
► Preview
Stephen Heller
25 Etudes Mélodiques, Op. 45: No. 2 in ...
92 bpm • D min • 01:03 • -17.09db
13% Popularity • 46% Danceability • 14% Energy • 11% Liveness
92% Instrumentalness • 69% Positiveness
13% Popularity • 46% Danceability • 14% Energy • 11% Liveness
92% Instrumentalness • 69% Positiveness
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Fucik
Entry of the Gladiators
105 bpm • D# Maj • 01:35 • -19.59db
7% Popularity • 76% Danceability • 10% Energy • 11% Liveness
94% Instrumentalness • 69% Positiveness
7% Popularity • 76% Danceability • 10% Energy • 11% Liveness
94% Instrumentalness • 69% Positiveness
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Sergei Prokofiev
Visions fugitives, Op. 22: No. 2, Andant...
91 bpm • C min • 01:13 • -32.79db
12% Popularity • 33% Danceability • 0% Energy • 9% Liveness
95% Instrumentalness • 7% Positiveness
12% Popularity • 33% Danceability • 0% Energy • 9% Liveness
95% Instrumentalness • 7% Positiveness
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Kathleen Tagg
Berimbau
105 bpm • G# Maj • 03:52 • -15.64db
8% Popularity • 46% Danceability • 37% Energy • 12% Liveness
87% Instrumentalness • 36% Positiveness
8% Popularity • 46% Danceability • 37% Energy • 12% Liveness
87% Instrumentalness • 36% Positiveness
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Augusta Holmès
Trois petites pièces: Gigue
105 bpm • F Maj • 01:23 • -24db
16% Popularity • 58% Danceability • 18% Energy • 14% Liveness
89% Instrumentalness • 88% Positiveness
16% Popularity • 58% Danceability • 18% Energy • 14% Liveness
89% Instrumentalness • 88% Positiveness
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Jasmine Choi, Sam Minaie, Nathaniel Smith & Hugh Sung
Suite for Flute and Jazz Trio : Baroque ...
105 bpm • C Maj • 05:31 • -18.77db
10% Popularity • 44% Danceability • 23% Energy • 6% Liveness
94% Instrumentalness • 48% Positiveness
10% Popularity • 44% Danceability • 23% Energy • 6% Liveness
94% Instrumentalness • 48% Positiveness
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Eugène Bozza
Ballade
105 bpm • D# Maj • 04:21 • -22db
9% Popularity • 35% Danceability • 10% Energy • 10% Liveness
84% Instrumentalness • 17% Positiveness
9% Popularity • 35% Danceability • 10% Energy • 10% Liveness
84% Instrumentalness • 17% Positiveness
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Serkmusic
Rahmaninov Flight of the Bumblebee
91 bpm • A min • 01:11 • -20.27db
13% Popularity • 43% Danceability • 22% Energy • 62% Liveness
92% Instrumentalness • 51% Positiveness
13% Popularity • 43% Danceability • 22% Energy • 62% Liveness
92% Instrumentalness • 51% Positiveness
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João Luiz da Paz
Partida
105 bpm • E min • 04:13 • -21.09db
14% Popularity • 46% Danceability • 2% Energy • 10% Liveness
75% Instrumentalness • 20% Positiveness
14% Popularity • 46% Danceability • 2% Energy • 10% Liveness
75% Instrumentalness • 20% Positiveness
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Stephen Perillo
Flute Sonata: I. Allegro
91 bpm • F Maj • 05:11 • -9.03db
0% Popularity • 75% Danceability • 63% Energy • 12% Liveness
15% Instrumentalness • 80% Positiveness
0% Popularity • 75% Danceability • 63% Energy • 12% Liveness
15% Instrumentalness • 80% Positiveness
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Zdeněk Fibich
Poeme, Op. 41 No. 6
91 bpm • C# Maj • 04:25 • -21db
12% Popularity • 11% Danceability • 14% Energy • 14% Liveness
92% Instrumentalness • 4% Positiveness
12% Popularity • 11% Danceability • 14% Energy • 14% Liveness
92% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Clarinet Sonata in E-Flat Major, Op. 167...
106 bpm • A# min • 02:01 • -27db
20% Popularity • 38% Danceability • 5% Energy • 10% Liveness
48% Instrumentalness • 22% Positiveness
20% Popularity • 38% Danceability • 5% Energy • 10% Liveness
48% Instrumentalness • 22% Positiveness
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Miikka Lehtoaho
Thy Grace
106 bpm • C# Maj • 05:01 • -21.31db
12% Popularity • 43% Danceability • 2% Energy • 13% Liveness
91% Instrumentalness • 7% Positiveness
12% Popularity • 43% Danceability • 2% Energy • 13% Liveness
91% Instrumentalness • 7% Positiveness
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Pyotr Ilyich Tchaikovsky
Swan Lake Suite, Op. 20a, TH 219, Act II...
106 bpm • E min • 02:47 • -21.88db
2% Popularity • 20% Danceability • 8% Energy • 10% Liveness
93% Instrumentalness • 6% Positiveness
2% Popularity • 20% Danceability • 8% Energy • 10% Liveness
93% Instrumentalness • 6% Positiveness
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Nikolai Kapustin
Sonata Fantasy (Piano Sonata No. 1) Op. ...
106 bpm • D Maj • 03:02 • -11.07db
13% Popularity • 46% Danceability • 62% Energy • 14% Liveness
90% Instrumentalness • 71% Positiveness
13% Popularity • 46% Danceability • 62% Energy • 14% Liveness
90% Instrumentalness • 71% Positiveness
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Bill Evans
Waltz for Debbie
91 bpm • F Maj • 01:43 • -27.52db
7% Popularity • 38% Danceability • 6% Energy • 11% Liveness
81% Instrumentalness • 11% Positiveness
7% Popularity • 38% Danceability • 6% Energy • 11% Liveness
81% Instrumentalness • 11% Positiveness
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Clara Schumann
Prelude in F Minor
90 bpm • F min • 01:43 • -29db
30% Popularity • 23% Danceability • 10% Energy • 9% Liveness
84% Instrumentalness • 36% Positiveness
30% Popularity • 23% Danceability • 10% Energy • 9% Liveness
84% Instrumentalness • 36% Positiveness
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Edward MacDowell
Woodland Sketches, Op. 51: No. 2: Will-o...
106 bpm • F# min • 01:28 • -33.71db
13% Popularity • 40% Danceability • 1% Energy • 8% Liveness
81% Instrumentalness • 43% Positiveness
13% Popularity • 40% Danceability • 1% Energy • 8% Liveness
81% Instrumentalness • 43% Positiveness
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Earl Wild
7 Virtuoso Etudes: No. 1, I Got Rhythm (...
106 bpm • F# Maj • 02:12 • -19.15db
21% Popularity • 34% Danceability • 27% Energy • 9% Liveness
91% Instrumentalness • 25% Positiveness
21% Popularity • 34% Danceability • 27% Energy • 9% Liveness
91% Instrumentalness • 25% Positiveness
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Jean Sibelius
Ten Pieces, Op. 24: Impromptu, Op. 24: N...
106 bpm • C min • 04:23 • -15.3db
8% Popularity • 38% Danceability • 33% Energy • 11% Liveness
84% Instrumentalness • 8% Positiveness
8% Popularity • 38% Danceability • 33% Energy • 11% Liveness
84% Instrumentalness • 8% Positiveness
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Carroll Gibbons
Midnight In Mayfair
90 bpm • C# Maj • 02:50 • -31.22db
9% Popularity • 29% Danceability • 5% Energy • 13% Liveness
93% Instrumentalness • 25% Positiveness
9% Popularity • 29% Danceability • 5% Energy • 13% Liveness
93% Instrumentalness • 25% Positiveness
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Charles Wakefield Cadman
Piano Quintet in G Minor: II. Andante co...
90 bpm • G Maj • 06:55 • -28.99db
0% Popularity • 10% Danceability • 3% Energy • 9% Liveness
74% Instrumentalness • 3% Positiveness
0% Popularity • 10% Danceability • 3% Energy • 9% Liveness
74% Instrumentalness • 3% Positiveness
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A Nanut
Polonaise In A Major, Op 40 No 1
90 bpm • A Maj • 04:34 • -19db
10% Popularity • 36% Danceability • 16% Energy • 10% Liveness
82% Instrumentalness • 19% Positiveness
10% Popularity • 36% Danceability • 16% Energy • 10% Liveness
82% Instrumentalness • 19% Positiveness
