Songs like Honky Tonk by Bobby "Blue" Bland
Based on a tempo of (+/- 10%) and a similar genre
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The Dramatics
Get Up And Get Down
100 bpm • C# min • 03:13 • -10db
35% Popularity • 64% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
35% Popularity • 64% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
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Sam & Dave
Broke Down Piece of Man
100 bpm • E Maj • 02:57 • -11.89db
31% Popularity • 73% Danceability • 41% Energy • 30% Liveness
0% Instrumentalness • 70% Positiveness
31% Popularity • 73% Danceability • 41% Energy • 30% Liveness
0% Instrumentalness • 70% Positiveness
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Donny Hathaway
A Song for You
100 bpm • F Maj • 05:25 • -13.16db
60% Popularity • 33% Danceability • 22% Energy • 24% Liveness
0% Instrumentalness • 7% Positiveness
60% Popularity • 33% Danceability • 22% Energy • 24% Liveness
0% Instrumentalness • 7% Positiveness
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The Impressions
We're A Winner
100 bpm • G Maj • 02:25 • -10db
37% Popularity • 55% Danceability • 78% Energy • 35% Liveness
0% Instrumentalness • 81% Positiveness
37% Popularity • 55% Danceability • 78% Energy • 35% Liveness
0% Instrumentalness • 81% Positiveness
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Bo Diddley
Hit Or Miss
100 bpm • G Maj • 03:43 • -7db
34% Popularity • 70% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
34% Popularity • 70% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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George McCrae
I Get Lifted
100 bpm • F Maj • 02:47 • -8db
40% Popularity • 80% Danceability • 65% Energy • 12% Liveness
12% Instrumentalness • 92% Positiveness
40% Popularity • 80% Danceability • 65% Energy • 12% Liveness
12% Instrumentalness • 92% Positiveness
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The Dramatics
Get Up And Get Down - 45 Version
100 bpm • C# min • 03:11 • -16db
39% Popularity • 59% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
39% Popularity • 59% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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Tower Of Power
Don't Change Horses (In the Middle of a ...
99 bpm • C Maj • 04:44 • -6.49db
36% Popularity • 70% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 89% Positiveness
36% Popularity • 70% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 89% Positiveness
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Al Green
Love and Happiness
99 bpm • F# Maj • 05:07 • -10.96db
64% Popularity • 82% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
64% Popularity • 82% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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Four Tops
Ain't No Woman (Like The One I've Got)
99 bpm • D min • 03:07 • -9.69db
56% Popularity • 56% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
56% Popularity • 56% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
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Terry Callier
You Goin' Miss Your Candyman
99 bpm • A min • 07:19 • -12.8db
45% Popularity • 45% Danceability • 65% Energy • 28% Liveness
10% Instrumentalness • 61% Positiveness
45% Popularity • 45% Danceability • 65% Energy • 28% Liveness
10% Instrumentalness • 61% Positiveness
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Ruth Brown
I Don't Know
101 bpm • G# Maj • 02:53 • -8db
50% Popularity • 73% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
50% Popularity • 73% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
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The Gap Band
Outstanding - Original 12" Mix
99 bpm • F# Maj • 06:15 • -11.71db
59% Popularity • 79% Danceability • 48% Energy • 3% Liveness
2% Instrumentalness • 82% Positiveness
59% Popularity • 79% Danceability • 48% Energy • 3% Liveness
2% Instrumentalness • 82% Positiveness
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Marlena Shaw
Woman Of The Ghetto
101 bpm • A min • 06:02 • -12.69db
39% Popularity • 64% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
39% Popularity • 64% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
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Joe Simon
The Chokin' Kind
99 bpm • G# Maj • 02:40 • -12.53db
31% Popularity • 69% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
31% Popularity • 69% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
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Commodores
Slippery When Wet
101 bpm • A Maj • 03:20 • -11.77db
44% Popularity • 72% Danceability • 78% Energy • 15% Liveness
0% Instrumentalness • 95% Positiveness
44% Popularity • 72% Danceability • 78% Energy • 15% Liveness
0% Instrumentalness • 95% Positiveness
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Elmore James
Dust My Broom
101 bpm • G Maj • 02:55 • -4.91db
38% Popularity • 51% Danceability • 66% Energy • 32% Liveness
26% Instrumentalness • 66% Positiveness
38% Popularity • 51% Danceability • 66% Energy • 32% Liveness
26% Instrumentalness • 66% Positiveness
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Jimmy Ruffin
What Becomes Of The Brokenhearted
99 bpm • G min • 02:55 • -12.67db
59% Popularity • 72% Danceability • 42% Energy • 57% Liveness
0% Instrumentalness • 59% Positiveness
59% Popularity • 72% Danceability • 42% Energy • 57% Liveness
0% Instrumentalness • 59% Positiveness
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Dionne Warwick
Walk on By
99 bpm • F Maj • 02:58 • -9.03db
67% Popularity • 70% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
67% Popularity • 70% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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Camille Yarbrough
Take Yo' Praise
101 bpm • C# Maj • 04:13 • -14.49db
60% Popularity • 80% Danceability • 53% Energy • 14% Liveness
1% Instrumentalness • 53% Positiveness
60% Popularity • 80% Danceability • 53% Energy • 14% Liveness
1% Instrumentalness • 53% Positiveness
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Tommy James & The Shondells
Crystal Blue Persuasion
99 bpm • A Maj • 04:02 • -11.45db
54% Popularity • 62% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
54% Popularity • 62% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
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Eddie Kendricks
Keep On Truckin'
102 bpm • C# Maj • 07:59 • -9.76db
42% Popularity • 45% Danceability • 81% Energy • 4% Liveness
1% Instrumentalness • 86% Positiveness
42% Popularity • 45% Danceability • 81% Energy • 4% Liveness
1% Instrumentalness • 86% Positiveness
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Bobby "Blue" Bland
How Does A Cheatin' Woman Feel - Single ...
98 bpm • F min • 02:37 • -8.36db
8% Popularity • 42% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
8% Popularity • 42% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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The Staple Singers
I'll Take You There
102 bpm • C Maj • 03:16 • -8.37db
69% Popularity • 85% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 78% Positiveness
69% Popularity • 85% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 78% Positiveness
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The Ides Of March
Vehicle
102 bpm • A# min • 02:58 • -8.81db
53% Popularity • 47% Danceability • 73% Energy • 26% Liveness
0% Instrumentalness • 93% Positiveness
53% Popularity • 47% Danceability • 73% Energy • 26% Liveness
0% Instrumentalness • 93% Positiveness
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Johnny "Guitar" Watson
A Real Mother For Ya
98 bpm • D# Maj • 05:04 • -8.49db
44% Popularity • 86% Danceability • 67% Energy • 5% Liveness
1% Instrumentalness • 47% Positiveness
44% Popularity • 86% Danceability • 67% Energy • 5% Liveness
1% Instrumentalness • 47% Positiveness
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Gil Scott-Heron
Home Is Where the Hatred Is
98 bpm • A# Maj • 03:21 • -9db
49% Popularity • 69% Danceability • 71% Energy • 18% Liveness
1% Instrumentalness • 90% Positiveness
49% Popularity • 69% Danceability • 71% Energy • 18% Liveness
1% Instrumentalness • 90% Positiveness
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Eddie Floyd
I've Never Found A Girl (To Love Me Like...
102 bpm • D Maj • 02:41 • -14.85db
40% Popularity • 67% Danceability • 40% Energy • 60% Liveness
0% Instrumentalness • 88% Positiveness
40% Popularity • 67% Danceability • 40% Energy • 60% Liveness
0% Instrumentalness • 88% Positiveness
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Bobby "Blue" Bland
I Wouldn't Treat A Dog (The Way You Trea...
98 bpm • G min • 03:18 • -18.76db
42% Popularity • 68% Danceability • 27% Energy • 10% Liveness
91% Instrumentalness • 87% Positiveness
42% Popularity • 68% Danceability • 27% Energy • 10% Liveness
91% Instrumentalness • 87% Positiveness
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Tower Of Power
What Is Hip?
102 bpm • A Maj • 05:04 • -5.88db
49% Popularity • 67% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
49% Popularity • 67% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Al Green
Let's Stay Together
102 bpm • G min • 03:19 • -10.7db
78% Popularity • 76% Danceability • 40% Energy • 5% Liveness
1% Instrumentalness • 51% Positiveness
78% Popularity • 76% Danceability • 40% Energy • 5% Liveness
1% Instrumentalness • 51% Positiveness
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Billy Preston
Will It Go Round In Circles
98 bpm • C# Maj • 04:27 • -3.77db
46% Popularity • 69% Danceability • 95% Energy • 26% Liveness
0% Instrumentalness • 89% Positiveness
46% Popularity • 69% Danceability • 95% Energy • 26% Liveness
0% Instrumentalness • 89% Positiveness
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Sharon Jones & The Dap-Kings
This Land Is Your Land
98 bpm • F# Maj • 04:30 • -5.3db
47% Popularity • 62% Danceability • 71% Energy • 3% Liveness
0% Instrumentalness • 91% Positiveness
47% Popularity • 62% Danceability • 71% Energy • 3% Liveness
0% Instrumentalness • 91% Positiveness
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Sly & The Family Stone
If You Want Me to Stay
102 bpm • B min • 03:00 • -11.57db
66% Popularity • 84% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
66% Popularity • 84% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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The Trammps
Rubber Band
98 bpm • C# min • 05:15 • -12.31db
42% Popularity • 73% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 82% Positiveness
42% Popularity • 73% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 82% Positiveness
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The J.B.'s
Gimme Some More
98 bpm • D Maj • 03:07 • -9.97db
45% Popularity • 82% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
45% Popularity • 82% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
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Al Green
Tired of Being Alone
98 bpm • G Maj • 02:52 • -8.59db
71% Popularity • 77% Danceability • 40% Energy • 8% Liveness
1% Instrumentalness • 62% Positiveness
71% Popularity • 77% Danceability • 40% Energy • 8% Liveness
1% Instrumentalness • 62% Positiveness
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Saun & Starr
In the Night
98 bpm • G# Maj • 02:43 • -7db
60% Popularity • 71% Danceability • 40% Energy • 30% Liveness
0% Instrumentalness • 61% Positiveness
60% Popularity • 71% Danceability • 40% Energy • 30% Liveness
0% Instrumentalness • 61% Positiveness
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Harold Melvin & The Blue Notes
Wake Up Everybody
98 bpm • F# Maj • 07:32 • -8.12db
58% Popularity • 56% Danceability • 64% Energy • 26% Liveness
0% Instrumentalness • 63% Positiveness
58% Popularity • 56% Danceability • 64% Energy • 26% Liveness
0% Instrumentalness • 63% Positiveness
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Johnny "Guitar" Watson
Nothing Left To Be Desired
102 bpm • C Maj • 05:46 • -8.98db
27% Popularity • 73% Danceability • 54% Energy • 62% Liveness
0% Instrumentalness • 44% Positiveness
27% Popularity • 73% Danceability • 54% Energy • 62% Liveness
0% Instrumentalness • 44% Positiveness
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Luther Allison
Life Is A Bitch
102 bpm • F# min • 03:39 • -10.1db
42% Popularity • 59% Danceability • 74% Energy • 26% Liveness
0% Instrumentalness • 78% Positiveness
42% Popularity • 59% Danceability • 74% Energy • 26% Liveness
0% Instrumentalness • 78% Positiveness
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King Floyd
Hard to Handle
98 bpm • D# Maj • 02:25 • -8db
28% Popularity • 73% Danceability • 69% Energy • 47% Liveness
0% Instrumentalness • 96% Positiveness
28% Popularity • 73% Danceability • 69% Energy • 47% Liveness
0% Instrumentalness • 96% Positiveness
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Candi Staton
I'd Rather Be an Old Man's Sweetheart (T...
103 bpm • A# Maj • 02:09 • -16db
33% Popularity • 61% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
33% Popularity • 61% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
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The Impressions
We Must Be in Love
97 bpm • F min • 03:57 • -6db
35% Popularity • 56% Danceability • 85% Energy • 28% Liveness
0% Instrumentalness • 87% Positiveness
35% Popularity • 56% Danceability • 85% Energy • 28% Liveness
0% Instrumentalness • 87% Positiveness
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Earth, Wind & Fire
Shining Star
103 bpm • A Maj • 02:50 • -13.09db
65% Popularity • 68% Danceability • 69% Energy • 13% Liveness
1% Instrumentalness • 80% Positiveness
65% Popularity • 68% Danceability • 69% Energy • 13% Liveness
1% Instrumentalness • 80% Positiveness
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Bobby "Blue" Bland
Two Steps From The Blues
97 bpm • C# Maj • 02:33 • -14.66db
15% Popularity • 49% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
15% Popularity • 49% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
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The O'Jays
For the Love of Money
97 bpm • C Maj • 07:19 • -7.74db
55% Popularity • 68% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 89% Positiveness
55% Popularity • 68% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 89% Positiveness
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Billy Preston
Nothing From Nothing
103 bpm • A min • 02:36 • -4db
63% Popularity • 81% Danceability • 83% Energy • 20% Liveness
1% Instrumentalness • 91% Positiveness
63% Popularity • 81% Danceability • 83% Energy • 20% Liveness
1% Instrumentalness • 91% Positiveness
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Sharon Jones & The Dap-Kings
Better Things
97 bpm • F# Maj • 03:39 • -8db
55% Popularity • 82% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
55% Popularity • 82% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
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Jeanne & The Darlings
Soul Girl
97 bpm • C# Maj • 02:28 • -11.21db
27% Popularity • 74% Danceability • 49% Energy • 63% Liveness
0% Instrumentalness • 94% Positiveness
27% Popularity • 74% Danceability • 49% Energy • 63% Liveness
0% Instrumentalness • 94% Positiveness
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Rufus & Chaka Khan
You Got The Love
97 bpm • C Maj • 04:38 • -10.21db
43% Popularity • 56% Danceability • 70% Energy • 26% Liveness
0% Instrumentalness • 95% Positiveness
43% Popularity • 56% Danceability • 70% Energy • 26% Liveness
0% Instrumentalness • 95% Positiveness
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Bobby "Blue" Bland
That Did It - Single Version
103 bpm • A# Maj • 03:29 • -6.67db
8% Popularity • 41% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
8% Popularity • 41% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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King Floyd
Groove Me
103 bpm • B Maj • 03:03 • -9.38db
54% Popularity • 91% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
54% Popularity • 91% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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Smokey Robinson & The Miracles
The Tracks Of My Tears
97 bpm • G Maj • 02:54 • -10.91db
66% Popularity • 50% Danceability • 33% Energy • 22% Liveness
0% Instrumentalness • 73% Positiveness
66% Popularity • 50% Danceability • 33% Energy • 22% Liveness
0% Instrumentalness • 73% Positiveness
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Johnny "Guitar" Watson
Ain't That A Bitch
97 bpm • D# Maj • 05:02 • -6.61db
33% Popularity • 81% Danceability • 69% Energy • 43% Liveness
0% Instrumentalness • 72% Positiveness
33% Popularity • 81% Danceability • 69% Energy • 43% Liveness
0% Instrumentalness • 72% Positiveness
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The Impressions
This Is My Country
103 bpm • C# Maj • 02:48 • -11db
24% Popularity • 56% Danceability • 58% Energy • 33% Liveness
0% Instrumentalness • 75% Positiveness
24% Popularity • 56% Danceability • 58% Energy • 33% Liveness
0% Instrumentalness • 75% Positiveness
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Barry White
It's Ecstasy When You Lay Down Next To M...
103 bpm • G Maj • 06:57 • -10.15db
48% Popularity • 88% Danceability • 40% Energy • 4% Liveness
24% Instrumentalness • 79% Positiveness
48% Popularity • 88% Danceability • 40% Energy • 4% Liveness
24% Instrumentalness • 79% Positiveness
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Bobby "Blue" Bland
I've Got To Use My Imagination - Single ...
97 bpm • A min • 04:14 • -14.5db
28% Popularity • 56% Danceability • 40% Energy • 11% Liveness
2% Instrumentalness • 89% Positiveness
28% Popularity • 56% Danceability • 40% Energy • 11% Liveness
2% Instrumentalness • 89% Positiveness
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Blood, Sweat & Tears
Spinning Wheel
97 bpm • G Maj • 04:07 • -9.31db
52% Popularity • 70% Danceability • 50% Energy • 26% Liveness
0% Instrumentalness • 54% Positiveness
52% Popularity • 70% Danceability • 50% Energy • 26% Liveness
0% Instrumentalness • 54% Positiveness
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Barbara Lewis
Hello Stranger
103 bpm • C Maj • 02:46 • -23.88db
53% Popularity • 46% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
53% Popularity • 46% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
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Frederick Knight
I've Been Lonely For So Long
97 bpm • G Maj • 03:18 • -14db
38% Popularity • 79% Danceability • 29% Energy • 9% Liveness
1% Instrumentalness • 87% Positiveness
38% Popularity • 79% Danceability • 29% Energy • 9% Liveness
1% Instrumentalness • 87% Positiveness
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Joe Simon
Theme from Cleopatra Jones
97 bpm • G Maj • 03:50 • -10db
23% Popularity • 63% Danceability • 56% Energy • 29% Liveness
0% Instrumentalness • 72% Positiveness
23% Popularity • 63% Danceability • 56% Energy • 29% Liveness
0% Instrumentalness • 72% Positiveness
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Billy Preston
I Wrote A Simple Song
97 bpm • G min • 03:25 • -9.89db
28% Popularity • 70% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
28% Popularity • 70% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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Bobby "Blue" Bland
Up And Down World
97 bpm • A Maj • 03:34 • -17.57db
20% Popularity • 70% Danceability • 28% Energy • 10% Liveness
2% Instrumentalness • 84% Positiveness
20% Popularity • 70% Danceability • 28% Energy • 10% Liveness
2% Instrumentalness • 84% Positiveness
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Lafayette Afro Rock Band
Darkest Light
104 bpm • B Maj • 06:26 • -5db
42% Popularity • 40% Danceability • 80% Energy • 24% Liveness
6% Instrumentalness • 56% Positiveness
42% Popularity • 40% Danceability • 80% Energy • 24% Liveness
6% Instrumentalness • 56% Positiveness
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Grover Washington, Jr.
Mister Magic
104 bpm • F min • 09:01 • -8.47db
50% Popularity • 73% Danceability • 64% Energy • 6% Liveness
37% Instrumentalness • 87% Positiveness
50% Popularity • 73% Danceability • 64% Energy • 6% Liveness
37% Instrumentalness • 87% Positiveness
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The Meters
People Say
104 bpm • G Maj • 05:18 • -13db
41% Popularity • 83% Danceability • 66% Energy • 4% Liveness
1% Instrumentalness • 84% Positiveness
41% Popularity • 83% Danceability • 66% Energy • 4% Liveness
1% Instrumentalness • 84% Positiveness
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Sharon Jones & The Dap-Kings
How Long Do I Have to Wait for You?
104 bpm • A# min • 04:03 • -3.37db
65% Popularity • 67% Danceability • 91% Energy • 10% Liveness
1% Instrumentalness • 97% Positiveness
65% Popularity • 67% Danceability • 91% Energy • 10% Liveness
1% Instrumentalness • 97% Positiveness
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James Carr
You've Got My Mind Messed Up
96 bpm • F min • 02:25 • -7.93db
35% Popularity • 58% Danceability • 63% Energy • 53% Liveness
0% Instrumentalness • 78% Positiveness
35% Popularity • 58% Danceability • 63% Energy • 53% Liveness
0% Instrumentalness • 78% Positiveness
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Freddy King
Have You Ever Loved a Woman
96 bpm • C# Maj • 03:07 • -9.94db
30% Popularity • 72% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
30% Popularity • 72% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Fontella Bass
Soul Of The Man
96 bpm • G# Maj • 03:32 • -9.66db
18% Popularity • 62% Danceability • 46% Energy • 20% Liveness
0% Instrumentalness • 38% Positiveness
18% Popularity • 62% Danceability • 46% Energy • 20% Liveness
0% Instrumentalness • 38% Positiveness
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Irma Thomas
Time Is On My Side
96 bpm • C Maj • 02:52 • -9db
49% Popularity • 52% Danceability • 62% Energy • 51% Liveness
1% Instrumentalness • 60% Positiveness
49% Popularity • 52% Danceability • 62% Energy • 51% Liveness
1% Instrumentalness • 60% Positiveness
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Bobby "Blue" Bland
Yolanda
96 bpm • B min • 03:43 • -15db
28% Popularity • 60% Danceability • 49% Energy • 36% Liveness
19% Instrumentalness • 81% Positiveness
28% Popularity • 60% Danceability • 49% Energy • 36% Liveness
19% Instrumentalness • 81% Positiveness
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Donny Hathaway
Voices Inside (Everything Is Everything)
96 bpm • G# min • 03:25 • -10.99db
26% Popularity • 68% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
26% Popularity • 68% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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The Honey Drippers
Impeach the President
96 bpm • A Maj • 03:58 • -5.77db
37% Popularity • 69% Danceability • 73% Energy • 14% Liveness
2% Instrumentalness • 88% Positiveness
37% Popularity • 69% Danceability • 73% Energy • 14% Liveness
2% Instrumentalness • 88% Positiveness
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Dr. John
Right Place Wrong Time
105 bpm • C# Maj • 02:55 • -13.7db
59% Popularity • 79% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 83% Positiveness
59% Popularity • 79% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 83% Positiveness
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Little Willie John
You Hurt Me
96 bpm • G min • 03:07 • -11db
30% Popularity • 66% Danceability • 44% Energy • 33% Liveness
0% Instrumentalness • 80% Positiveness
30% Popularity • 66% Danceability • 44% Energy • 33% Liveness
0% Instrumentalness • 80% Positiveness
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Eddie Holman
I Love You
105 bpm • F min • 03:15 • -9.33db
28% Popularity • 50% Danceability • 40% Energy • 20% Liveness
0% Instrumentalness • 65% Positiveness
28% Popularity • 50% Danceability • 40% Energy • 20% Liveness
0% Instrumentalness • 65% Positiveness
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Bobby "Blue" Bland
The Soul Of A Man
105 bpm • B Maj • 03:03 • -9.13db
16% Popularity • 64% Danceability • 70% Energy • 9% Liveness
3% Instrumentalness • 85% Positiveness
16% Popularity • 64% Danceability • 70% Energy • 9% Liveness
3% Instrumentalness • 85% Positiveness
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B.T. Express
Do It ('Til You're Satisfied)
105 bpm • A# Maj • 05:53 • -10.14db
39% Popularity • 70% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
39% Popularity • 70% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Dennis Edwards
Don't Look Any Further
95 bpm • A min • 04:02 • -7.77db
60% Popularity • 75% Danceability • 70% Energy • 12% Liveness
2% Instrumentalness • 77% Positiveness
60% Popularity • 75% Danceability • 70% Energy • 12% Liveness
2% Instrumentalness • 77% Positiveness
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Michael McDonald
I Keep Forgettin' (Every Time You're Nea...
95 bpm • E min • 03:42 • -13.87db
66% Popularity • 73% Danceability • 48% Energy • 4% Liveness
0% Instrumentalness • 93% Positiveness
66% Popularity • 73% Danceability • 48% Energy • 4% Liveness
0% Instrumentalness • 93% Positiveness
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Sharon Jones & The Dap-Kings
Nobody's Baby
95 bpm • F Maj • 02:27 • -9db
63% Popularity • 70% Danceability • 61% Energy • 17% Liveness
0% Instrumentalness • 74% Positiveness
63% Popularity • 70% Danceability • 61% Energy • 17% Liveness
0% Instrumentalness • 74% Positiveness
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Johnny Adams
I Don't Worry Myself
95 bpm • A Maj • 02:30 • -10db
24% Popularity • 69% Danceability • 75% Energy • 30% Liveness
0% Instrumentalness • 87% Positiveness
24% Popularity • 69% Danceability • 75% Energy • 30% Liveness
0% Instrumentalness • 87% Positiveness
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Bobby "Blue" Bland
I Need Your Love So Bad
95 bpm • G Maj • 03:36 • -10.17db
18% Popularity • 72% Danceability • 49% Energy • 22% Liveness
0% Instrumentalness • 52% Positiveness
18% Popularity • 72% Danceability • 49% Energy • 22% Liveness
0% Instrumentalness • 52% Positiveness
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Tower Of Power
So Very Hard to Go
95 bpm • A# Maj • 03:37 • -6.45db
50% Popularity • 64% Danceability • 64% Energy • 33% Liveness
0% Instrumentalness • 72% Positiveness
50% Popularity • 64% Danceability • 64% Energy • 33% Liveness
0% Instrumentalness • 72% Positiveness
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Gil Scott-Heron
Gun
105 bpm • D# Maj • 03:59 • -11db
49% Popularity • 82% Danceability • 49% Energy • 29% Liveness
1% Instrumentalness • 96% Positiveness
49% Popularity • 82% Danceability • 49% Energy • 29% Liveness
1% Instrumentalness • 96% Positiveness
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Eddie Floyd
Knock on Wood
105 bpm • E Maj • 03:09 • -12.92db
61% Popularity • 86% Danceability • 35% Energy • 5% Liveness
1% Instrumentalness • 96% Positiveness
61% Popularity • 86% Danceability • 35% Energy • 5% Liveness
1% Instrumentalness • 96% Positiveness
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Donny Hathaway
Love, Love, Love
95 bpm • G# Maj • 03:22 • -7.78db
54% Popularity • 49% Danceability • 71% Energy • 16% Liveness
0% Instrumentalness • 64% Positiveness
54% Popularity • 49% Danceability • 71% Energy • 16% Liveness
0% Instrumentalness • 64% Positiveness
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Earl King
Mother's Love
95 bpm • A Maj • 02:43 • -9db
27% Popularity • 57% Danceability • 55% Energy • 8% Liveness
1% Instrumentalness • 49% Positiveness
27% Popularity • 57% Danceability • 55% Energy • 8% Liveness
1% Instrumentalness • 49% Positiveness
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Bobby "Blue" Bland
Farther Up The Road
105 bpm • A# Maj • 02:57 • -10db
38% Popularity • 51% Danceability • 40% Energy • 44% Liveness
0% Instrumentalness • 77% Positiveness
38% Popularity • 51% Danceability • 40% Energy • 44% Liveness
0% Instrumentalness • 77% Positiveness
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Harold Melvin & The Blue Notes
If You Don't Know Me by Now
95 bpm • B Maj • 03:25 • -9.55db
61% Popularity • 34% Danceability • 46% Energy • 58% Liveness
0% Instrumentalness • 46% Positiveness
61% Popularity • 34% Danceability • 46% Energy • 58% Liveness
0% Instrumentalness • 46% Positiveness
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Ben E. King
Supernatural Thing, Pt. 1
95 bpm • A# min • 04:11 • -10.93db
48% Popularity • 72% Danceability • 58% Energy • 7% Liveness
1% Instrumentalness • 83% Positiveness
48% Popularity • 72% Danceability • 58% Energy • 7% Liveness
1% Instrumentalness • 83% Positiveness
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Bobby Rush
I Ain't Studdin You
95 bpm • D min • 05:47 • -3.29db
17% Popularity • 77% Danceability • 85% Energy • 34% Liveness
1% Instrumentalness • 85% Positiveness
17% Popularity • 77% Danceability • 85% Energy • 34% Liveness
1% Instrumentalness • 85% Positiveness
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Esther Phillips
No Headstone on My Grave
95 bpm • A# Maj • 03:19 • -8.91db
34% Popularity • 55% Danceability • 36% Energy • 25% Liveness
2% Instrumentalness • 53% Positiveness
34% Popularity • 55% Danceability • 36% Energy • 25% Liveness
2% Instrumentalness • 53% Positiveness
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Baby Huey
A Change Is Going To Come
105 bpm • F# min • 09:31 • -10.47db
32% Popularity • 46% Danceability • 32% Energy • 22% Liveness
0% Instrumentalness • 36% Positiveness
32% Popularity • 46% Danceability • 32% Energy • 22% Liveness
0% Instrumentalness • 36% Positiveness
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The Emotions
Blind Alley
106 bpm • D min • 03:04 • -12db
39% Popularity • 77% Danceability • 44% Energy • 10% Liveness
1% Instrumentalness • 97% Positiveness
39% Popularity • 77% Danceability • 44% Energy • 10% Liveness
1% Instrumentalness • 97% Positiveness
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The Dramatics
Your Love Was Strange
106 bpm • C Maj • 03:04 • -9db
29% Popularity • 59% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
29% Popularity • 59% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
