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Hoodwinker
Songs like
Hoodwinker
by
Enter Shikari
Based on a tempo of (+/- 10%) and a similar genre
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Stick To Your Guns
Dog Days Are Over
172 bpm • G# min • 03:37 • -3.75db
19% Popularity • 30% Danceability • 96% Energy • 38% Liveness
0% Instrumentalness • 28% Positiveness
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The Intersphere
We Are
172 bpm • C# Maj • 03:30 • -4.97db
9% Popularity • 42% Danceability • 93% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
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Fightstar
Animal
172 bpm • B min • 03:10 • -3.52db
31% Popularity • 32% Danceability • 94% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Enter Shikari
Sssnakepit
172 bpm • C# Maj • 03:25 • -4.66db
40% Popularity • 32% Danceability • 87% Energy • 80% Liveness
0% Instrumentalness • 16% Positiveness
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Trash Boat
Break You
172 bpm • C Maj • 02:19 • -3.25db
0% Popularity • 25% Danceability • 97% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
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Blackout Problems
Queen
172 bpm • F Maj • 03:18 • -3.01db
23% Popularity • 46% Danceability • 93% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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Ocean Grove
NEO
173 bpm • B Maj • 01:53 • -3.53db
26% Popularity • 27% Danceability • 96% Energy • 39% Liveness
12% Instrumentalness • 12% Positiveness
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Arcane Roots
Over & Over
171 bpm • E Maj • 03:53 • -3.16db
22% Popularity • 11% Danceability • 98% Energy • 44% Liveness
0% Instrumentalness • 23% Positiveness
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Stick To Your Guns
Nobody
171 bpm • A# Maj • 03:05 • -6db
45% Popularity • 39% Danceability • 97% Energy • 34% Liveness
0% Instrumentalness • 16% Positiveness
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Enter Shikari
Hoodwinker
172 bpm • C# Maj • 03:47 • -5.27db
28% Popularity • 35% Danceability • 88% Energy • 18% Liveness
0% Instrumentalness • 18% Positiveness
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Stray From The Path
The House Always Wins
171 bpm • C# Maj • 03:39 • -2db
28% Popularity • 33% Danceability • 100% Energy • 41% Liveness
0% Instrumentalness • 11% Positiveness
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Being As An Ocean
Death's Great Black Wing Scrapes the Air
173 bpm • F# min • 04:18 • -7db
26% Popularity • 32% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Funeral For A Friend
Pencil Pusher
171 bpm • F# Maj • 02:59 • -4.5db
1% Popularity • 17% Danceability • 98% Energy • 21% Liveness
2% Instrumentalness • 18% Positiveness
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Arcane Roots
Rouen
173 bpm • B Maj • 06:41 • -4.75db
15% Popularity • 40% Danceability • 86% Energy • 16% Liveness
0% Instrumentalness • 17% Positiveness
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Boston Manor
Bad Machine
170 bpm • D Maj • 03:08 • -3.25db
41% Popularity • 29% Danceability • 63% Energy • 26% Liveness
0% Instrumentalness • 27% Positiveness
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Enter Shikari
...Meltdown
172 bpm • C# Maj • 03:23 • -3.37db
31% Popularity • 40% Danceability • 92% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
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BackWordz
Self Ownership
170 bpm • G Maj • 05:06 • -2.85db
30% Popularity • 42% Danceability • 99% Energy • 22% Liveness
0% Instrumentalness • 26% Positiveness
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Being As An Ocean
L'exquisite Douleur
170 bpm • G Maj • 03:54 • -6.28db
34% Popularity • 35% Danceability • 93% Energy • 23% Liveness
0% Instrumentalness • 27% Positiveness
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The Qemists
Take It Back
174 bpm • F min • 04:20 • -2.24db
35% Popularity • 41% Danceability • 99% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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Dragged Under
Roots
170 bpm • D min • 03:15 • -3.82db
30% Popularity • 48% Danceability • 98% Energy • 18% Liveness
0% Instrumentalness • 49% Positiveness
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Hellions
25
174 bpm • D Maj • 04:22 • -1.81db
15% Popularity • 32% Danceability • 95% Energy • 31% Liveness
0% Instrumentalness • 38% Positiveness
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Enter Shikari
Dear Future Historians...
173 bpm • A Maj • 06:28 • -10.03db
28% Popularity • 26% Danceability • 24% Energy • 15% Liveness
0% Instrumentalness • 12% Positiveness
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Proceed
Visual Field
170 bpm • A min • 03:17 • -5.38db
11% Popularity • 51% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Belle Haven
The Carving Knife
170 bpm • F# min • 03:04 • -3.45db
13% Popularity • 29% Danceability • 96% Energy • 23% Liveness
0% Instrumentalness • 40% Positiveness
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Beartooth
Loser
170 bpm • G# Maj • 03:59 • -3.21db
41% Popularity • 50% Danceability • 96% Energy • 42% Liveness
0% Instrumentalness • 67% Positiveness
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Dragged Under
The Real You
174 bpm • G# Maj • 04:07 • -3.37db
32% Popularity • 38% Danceability • 99% Energy • 6% Liveness
0% Instrumentalness • 38% Positiveness
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Twin Atlantic
What Is Light? Where Is Laughter?
174 bpm • A Maj • 03:38 • -3.91db
28% Popularity • 20% Danceability • 98% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Enter Shikari
The Jester
171 bpm • C Maj • 03:55 • -4.49db
39% Popularity • 49% Danceability • 76% Energy • 71% Liveness
0% Instrumentalness • 53% Positiveness
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From First To Last
Make War
174 bpm • G Maj • 03:23 • -4.23db
43% Popularity • 45% Danceability • 92% Energy • 48% Liveness
0% Instrumentalness • 28% Positiveness
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Sleepwave
Through The Looking Glass
170 bpm • E min • 03:35 • -4.17db
21% Popularity • 43% Danceability • 96% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
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Dead!
Up for Ran$om
170 bpm • D Maj • 03:36 • -1.93db
13% Popularity • 18% Danceability • 98% Energy • 85% Liveness
0% Instrumentalness • 24% Positiveness
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Stick To Your Guns
We Still Believe
170 bpm • G Maj • 03:33 • -4.31db
40% Popularity • 42% Danceability • 97% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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A Day To Remember
Naivety
175 bpm • C Maj • 03:19 • -3.62db
45% Popularity • 35% Danceability • 98% Energy • 26% Liveness
0% Instrumentalness • 33% Positiveness
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Enter Shikari
Wall
173 bpm • B Maj • 04:29 • -4.35db
32% Popularity • 28% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
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Out Came the Wolves
96
175 bpm • C# min • 03:29 • -5.38db
20% Popularity • 46% Danceability • 98% Energy • 91% Liveness
13% Instrumentalness • 18% Positiveness
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Arcane Roots
You Are
169 bpm • G# Maj • 04:09 • -4.3db
18% Popularity • 53% Danceability • 82% Energy • 49% Liveness
2% Instrumentalness • 69% Positiveness
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Being As An Ocean
Play Pretend
175 bpm • E min • 04:02 • -5.63db
32% Popularity • 40% Danceability • 90% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
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Stick To Your Guns
Nothing You Can Do To Me
175 bpm • G Maj • 02:22 • -6db
38% Popularity • 42% Danceability • 96% Energy • 32% Liveness
0% Instrumentalness • 34% Positiveness
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FEVER 333
We're Coming In
175 bpm • F# Maj • 02:16 • -6.25db
34% Popularity • 63% Danceability • 79% Energy • 39% Liveness
0% Instrumentalness • 53% Positiveness
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Enter Shikari
Antwerpen
171 bpm • F Maj • 03:14 • -2.08db
30% Popularity • 30% Danceability • 98% Energy • 45% Liveness
0% Instrumentalness • 17% Positiveness
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Stray From The Path
Badge & A Bullet Pt. II
175 bpm • F Maj • 03:30 • -2.38db
26% Popularity • 37% Danceability • 96% Energy • 4% Liveness
0% Instrumentalness • 23% Positiveness
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Kids In Glass Houses
Peace
168 bpm • D# Maj • 03:38 • -4db
33% Popularity • 44% Danceability • 98% Energy • 6% Liveness
0% Instrumentalness • 48% Positiveness
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A Day To Remember
Reassemble
168 bpm • B min • 03:57 • -6db
40% Popularity • 21% Danceability • 91% Energy • 26% Liveness
0% Instrumentalness • 7% Positiveness
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We Are The Ocean
Look Alive
176 bpm • A min • 03:01 • -4.3db
23% Popularity • 30% Danceability • 98% Energy • 20% Liveness
0% Instrumentalness • 18% Positiveness
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FEVER 333
Made An America
176 bpm • D# min • 02:53 • -4.23db
46% Popularity • 48% Danceability • 93% Energy • 18% Liveness
0% Instrumentalness • 67% Positiveness
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Boston Manor
Carbon Mono
168 bpm • F# Maj • 03:55 • -4.33db
39% Popularity • 41% Danceability • 97% Energy • 91% Liveness
0% Instrumentalness • 49% Positiveness
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Enter Shikari
Zzzonked
173 bpm • G# Maj • 03:27 • -5.03db
37% Popularity • 43% Danceability • 89% Energy • 35% Liveness
0% Instrumentalness • 35% Positiveness
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Beartooth
However You Want It Said
168 bpm • C Maj • 03:17 • -3.6db
40% Popularity • 43% Danceability • 97% Energy • 37% Liveness
0% Instrumentalness • 43% Positiveness
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You Me At Six
Time Is Money
176 bpm • F min • 02:55 • -3.8db
27% Popularity • 21% Danceability • 83% Energy • 34% Liveness
0% Instrumentalness • 58% Positiveness
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We Are The Ocean
The Waiting Room
168 bpm • G Maj • 03:34 • -3.55db
37% Popularity • 41% Danceability • 98% Energy • 30% Liveness
12% Instrumentalness • 34% Positiveness
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Proceed
A Tricycle Journey
177 bpm • E min • 03:13 • -5.14db
11% Popularity • 43% Danceability • 94% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
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Twin Atlantic
Fall into the Party
178 bpm • F Maj • 03:25 • -3.91db
29% Popularity • 31% Danceability • 90% Energy • 11% Liveness
7% Instrumentalness • 66% Positiveness
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Enter Shikari
No Sleep Tonight
170 bpm • F Maj • 04:16 • -2.4db
40% Popularity • 30% Danceability • 96% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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He Is Legend
This Will Never Work
178 bpm • C# Maj • 03:51 • -4db
21% Popularity • 36% Danceability • 96% Energy • 8% Liveness
90% Instrumentalness • 68% Positiveness
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Canterbury
Satellite
166 bpm • F# min • 02:44 • -5.05db
1% Popularity • 31% Danceability • 96% Energy • 18% Liveness
11% Instrumentalness • 35% Positiveness
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We Are The Ocean
All of This Has to End
178 bpm • G# min • 03:24 • -5.32db
24% Popularity • 30% Danceability • 96% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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From First To Last
Ride The Wings of Pestilence
165 bpm • G min • 03:40 • -3.31db
29% Popularity • 35% Danceability • 94% Energy • 32% Liveness
0% Instrumentalness • 33% Positiveness
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Hellions
Nottingham
165 bpm • D Maj • 04:56 • -1.49db
15% Popularity • 44% Danceability • 96% Energy • 33% Liveness
0% Instrumentalness • 44% Positiveness
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Enter Shikari
The Last Garrison
176 bpm • D min • 03:42 • -4.77db
43% Popularity • 36% Danceability • 86% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
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Underoath
On My Teeth
165 bpm • C# Maj • 03:10 • -4.22db
43% Popularity • 41% Danceability • 94% Energy • 20% Liveness
0% Instrumentalness • 13% Positiveness
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Stray From The Path
Second Death
179 bpm • G# Maj • 03:10 • -2.23db
29% Popularity • 35% Danceability • 95% Energy • 33% Liveness
0% Instrumentalness • 38% Positiveness
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Boston Manor
Drowned in Gold
165 bpm • C# Maj • 02:48 • -4.45db
27% Popularity • 40% Danceability • 96% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
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Canterbury
Drive. Ride. Drive
165 bpm • E min • 02:47 • -4.96db
14% Popularity • 40% Danceability • 99% Energy • 13% Liveness
80% Instrumentalness • 42% Positiveness
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Stick To Your Guns
The Crown
165 bpm • A min • 03:30 • -6.9db
35% Popularity • 44% Danceability • 92% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
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Enter Shikari
Myopia
168 bpm • D min • 04:10 • -5.61db
29% Popularity • 42% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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We Are The Ocean
Overtime Is a Crime
180 bpm • G Maj • 03:09 • -3.43db
22% Popularity • 34% Danceability • 99% Energy • 34% Liveness
16% Instrumentalness • 20% Positiveness
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Being As An Ocean
The Zealot's Blindfold
180 bpm • E min • 04:08 • -3.94db
3% Popularity • 40% Danceability • 96% Energy • 26% Liveness
0% Instrumentalness • 30% Positiveness
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Boston Manor
Heathens
180 bpm • D# min • 03:46 • -6db
37% Popularity • 35% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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CrazyEightyEight
Shinebox
180 bpm • D min • 03:59 • -7.02db
35% Popularity • 38% Danceability • 97% Energy • 30% Liveness
0% Instrumentalness • 15% Positiveness
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Stick To Your Guns
It Starts With Me
180 bpm • D min • 02:31 • -9.89db
26% Popularity • 29% Danceability • 70% Energy • 62% Liveness
1% Instrumentalness • 21% Positiveness
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Sienna Skies
Sea of Smiles
180 bpm • A Maj • 05:03 • -4.09db
28% Popularity • 32% Danceability • 95% Energy • 33% Liveness
43% Instrumentalness • 26% Positiveness
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Enter Shikari
The Sights
178 bpm • C Maj • 03:20 • -9db
44% Popularity • 51% Danceability • 77% Energy • 16% Liveness
0% Instrumentalness • 41% Positiveness
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Beartooth
Finish Line
180 bpm • G Maj • 03:01 • -2.86db
34% Popularity • 32% Danceability • 99% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Ocean Grove
The Wrong Way
180 bpm • G# Maj • 03:44 • -3.12db
28% Popularity • 19% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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From First To Last
The Latest Plague
180 bpm • G# Maj • 03:23 • -3.65db
20% Popularity • 43% Danceability • 99% Energy • 43% Liveness
0% Instrumentalness • 37% Positiveness
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Stick To Your Guns
Delinelle
165 bpm • D Maj • 02:34 • -2.23db
26% Popularity • 39% Danceability • 97% Energy • 34% Liveness
0% Instrumentalness • 36% Positiveness
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Fightstar
Floods
164 bpm • G# min • 03:37 • -6db
35% Popularity • 33% Danceability • 87% Energy • 15% Liveness
2% Instrumentalness • 17% Positiveness
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Enter Shikari
Live Outside
165 bpm • G Maj • 03:40 • -8.26db
47% Popularity • 48% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Beartooth
Give It Up
180 bpm • C Maj • 04:30 • -2.74db
34% Popularity • 38% Danceability • 99% Energy • 5% Liveness
0% Instrumentalness • 22% Positiveness
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Dead!
Something More Original
164 bpm • F# Maj • 02:53 • -3.01db
25% Popularity • 14% Danceability • 97% Energy • 36% Liveness
0% Instrumentalness • 39% Positiveness
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Stray From The Path
Outbreak
181 bpm • E min • 03:04 • -1.77db
26% Popularity • 42% Danceability • 100% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
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Stick To Your Guns
Universal Language
165 bpm • D Maj • 02:51 • -4.43db
33% Popularity • 36% Danceability • 97% Energy • 38% Liveness
0% Instrumentalness • 49% Positiveness
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Max Raptor
England Breathes
163 bpm • F min • 03:31 • -5.15db
25% Popularity • 36% Danceability • 93% Energy • 21% Liveness
0% Instrumentalness • 34% Positiveness
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Enter Shikari
Take My Country Back
180 bpm • F Maj • 03:43 • -8.59db
35% Popularity • 37% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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We Are The Ocean
What It Feels Like
162 bpm • G# min • 03:02 • -4.83db
29% Popularity • 34% Danceability • 93% Energy • 12% Liveness
6% Instrumentalness • 44% Positiveness
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Dead!
Alaska
162 bpm • F# Maj • 03:45 • -5.22db
13% Popularity • 30% Danceability • 84% Energy • 31% Liveness
0% Instrumentalness • 37% Positiveness
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Dragged Under
Riot
162 bpm • A Maj • 03:00 • -4.3db
29% Popularity • 48% Danceability • 96% Energy • 35% Liveness
0% Instrumentalness • 44% Positiveness
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Stick To Your Guns
Left You Behind
182 bpm • A# Maj • 04:29 • -7db
38% Popularity • 26% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Stray From The Path
D.I.E.P.I.G.
161 bpm • G min • 02:31 • -1.47db
30% Popularity • 51% Danceability • 100% Energy • 38% Liveness
0% Instrumentalness • 10% Positiveness
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Enter Shikari
Torn Apart
164 bpm • G min • 03:54 • -5.94db
40% Popularity • 50% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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We Are The Ocean
I Wanna Be
162 bpm • A min • 02:38 • -4.19db
9% Popularity • 37% Danceability • 99% Energy • 38% Liveness
68% Instrumentalness • 34% Positiveness
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MassMatiks
Blank Wall
162 bpm • F# min • 03:11 • -3.48db
11% Popularity • 42% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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A Day To Remember
In Florida
161 bpm • E min • 03:22 • -3.82db
38% Popularity • 49% Danceability • 93% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Max Raptor
Damage Appreciation
160 bpm • G Maj • 03:24 • -4.66db
11% Popularity • 56% Danceability • 88% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
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Reuben
Blamethrower
160 bpm • C# Maj • 03:10 • -2db
22% Popularity • 53% Danceability • 97% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
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Ocean Grove
Beers
160 bpm • F# Maj • 02:51 • -0.97db
25% Popularity • 29% Danceability • 100% Energy • 42% Liveness
1% Instrumentalness • 8% Positiveness
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We Are The Ocean
Trouble Is Temporary, Time Is Tonic
162 bpm • G min • 02:44 • -3.72db
24% Popularity • 44% Danceability • 97% Energy • 12% Liveness
24% Instrumentalness • 61% Positiveness
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Stick To Your Guns
56
160 bpm • G# Maj • 03:16 • -3.01db
27% Popularity • 44% Danceability • 96% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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A Day To Remember
Bullfight
160 bpm • G# Maj • 04:35 • -3.54db
47% Popularity • 36% Danceability • 95% Energy • 5% Liveness
0% Instrumentalness • 25% Positiveness
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Canterbury
Something Better
160 bpm • F# min • 03:30 • -4db
32% Popularity • 36% Danceability • 94% Energy • 75% Liveness
0% Instrumentalness • 35% Positiveness
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Hoodwinker