Songs like Hookup Culture - Acoustic Version by Jordan Suaste
Based on a tempo of (+/- 10%) and a similar genre
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Streetlight Eyes
Boats and Birds
105 bpm • A# Maj • 03:25 • -16.13db
15% Popularity • 63% Danceability • 28% Energy • 25% Liveness
78% Instrumentalness • 40% Positiveness
15% Popularity • 63% Danceability • 28% Energy • 25% Liveness
78% Instrumentalness • 40% Positiveness
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Tate McRae
all my friends are fake
105 bpm • B min • 03:06 • -7.46db
57% Popularity • 71% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
57% Popularity • 71% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Elthia
i love you but you make me cry
105 bpm • D# Maj • 03:02 • -11.38db
36% Popularity • 45% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
36% Popularity • 45% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
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Bri Nichole
All the Bright Places
105 bpm • G# min • 04:19 • -12.4db
13% Popularity • 57% Danceability • 22% Energy • 19% Liveness
0% Instrumentalness • 31% Positiveness
13% Popularity • 57% Danceability • 22% Energy • 19% Liveness
0% Instrumentalness • 31% Positiveness
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Jordan Suaste
Hookup Culture - Acoustic Version
105 bpm • F# min • 03:29 • -10.63db
34% Popularity • 61% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
34% Popularity • 61% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Moira & Claire
Your Voice
105 bpm • F Maj • 04:04 • -6.81db
33% Popularity • 60% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
33% Popularity • 60% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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Thomas Reid
I Wish I Was Pretty
105 bpm • D min • 02:35 • -12db
14% Popularity • 71% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
14% Popularity • 71% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Avery Lynch
Don't Start Now
105 bpm • C Maj • 03:00 • -19.55db
21% Popularity • 67% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
21% Popularity • 67% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Andi
Don't Deserve This
105 bpm • A Maj • 03:05 • -8.85db
20% Popularity • 43% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
20% Popularity • 43% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
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Alec Wigdahl
A Little Bit Longer
105 bpm • G Maj • 03:02 • -7.3db
14% Popularity • 68% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
14% Popularity • 68% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Kallista Rowan
In Love Now
106 bpm • C# Maj • 04:01 • -8.12db
7% Popularity • 49% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
7% Popularity • 49% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Carson James Argenna
Budding Romance
104 bpm • F# Maj • 03:26 • -8.77db
26% Popularity • 50% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
26% Popularity • 50% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Rachel Bochner
Be Happier
106 bpm • F# Maj • 03:40 • -10.15db
19% Popularity • 47% Danceability • 39% Energy • 15% Liveness
0% Instrumentalness • 7% Positiveness
19% Popularity • 47% Danceability • 39% Energy • 15% Liveness
0% Instrumentalness • 7% Positiveness
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Wovy
Missing Your, Skin
104 bpm • G Maj • 03:55 • -11db
13% Popularity • 67% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
13% Popularity • 67% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Anson Seabra
Do Me a Favor
104 bpm • F# Maj • 03:54 • -14.27db
36% Popularity • 57% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
36% Popularity • 57% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Maddie Zahm
Fat Funny Friend (sadder)
106 bpm • C Maj • 03:22 • -9db
53% Popularity • 55% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
53% Popularity • 55% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Taylor Mecca
Darts in My Heart
104 bpm • C Maj • 02:41 • -8.68db
14% Popularity • 47% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
14% Popularity • 47% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Mira Housey
expiration date
104 bpm • A# Maj • 03:49 • -13.01db
15% Popularity • 57% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
15% Popularity • 57% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Abigail Barlow
Stayed Strangers
103 bpm • F# Maj • 03:25 • -13.56db
25% Popularity • 69% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
25% Popularity • 69% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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The Nebulous
I'll Follow You into the Dark
103 bpm • D# Maj • 03:20 • -15.3db
29% Popularity • 40% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
29% Popularity • 40% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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the Glass Child
Broken Little Dreamer
107 bpm • D# min • 02:10 • -9.49db
26% Popularity • 58% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
26% Popularity • 58% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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dalynn
i hate this place
107 bpm • C Maj • 03:12 • -14.96db
19% Popularity • 80% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
19% Popularity • 80% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Rory Webley
the spookiest depression bop u'v EVER he...
103 bpm • A min • 02:56 • -17.34db
23% Popularity • 52% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
23% Popularity • 52% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Jordan Suaste
Love Who You Want To (Sped Up)
103 bpm • A min • 02:05 • -5.98db
27% Popularity • 60% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
27% Popularity • 60% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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FINNEAS
Die Alone
103 bpm • C Maj • 04:21 • -11.83db
53% Popularity • 44% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
53% Popularity • 44% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Alec Benjamin
The Book of You & I
103 bpm • A# Maj • 03:27 • -6.24db
57% Popularity • 51% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
57% Popularity • 51% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Caroline Manning
I Love How
103 bpm • C Maj • 03:52 • -9.04db
21% Popularity • 66% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
21% Popularity • 66% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Ashna Katikala
Dear Parents
103 bpm • A Maj • 03:27 • -26.14db
17% Popularity • 51% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
17% Popularity • 51% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Rory Webley
the saddest bop u'v EVER heard
107 bpm • D# Maj • 03:11 • -17.58db
31% Popularity • 57% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
31% Popularity • 57% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Paravi
Falling
108 bpm • E Maj • 03:56 • -16.15db
28% Popularity • 34% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
28% Popularity • 34% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Anthony Amorim
Sometimes
108 bpm • C min • 03:54 • -20db
34% Popularity • 72% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
34% Popularity • 72% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Emily Strang
The Girl Who's Hidden
108 bpm • A# Maj • 02:24 • -17db
26% Popularity • 86% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
26% Popularity • 86% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Cassidi
if you hate me, say it
102 bpm • G Maj • 03:18 • -9.77db
21% Popularity • 61% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
21% Popularity • 61% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Londin Thompson
Wish It Would Rain
108 bpm • E Maj • 03:46 • -10.13db
25% Popularity • 69% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
25% Popularity • 69% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Emma Lu
Sick Girl
108 bpm • A# Maj • 03:36 • -24db
24% Popularity • 31% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
24% Popularity • 31% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Jeremy Zucker
scared
108 bpm • F Maj • 03:27 • -15.84db
58% Popularity • 58% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
58% Popularity • 58% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Luz
i'm lonely
109 bpm • F Maj • 03:01 • -11db
41% Popularity • 50% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
41% Popularity • 50% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Clinton Kane
forget about us
109 bpm • E Maj • 03:04 • -7.09db
48% Popularity • 53% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
48% Popularity • 53% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Erin Bloomer
Second Best - Acoustic
101 bpm • C Maj • 03:16 • -8db
10% Popularity • 65% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
10% Popularity • 65% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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badly
I'm Okay Now
101 bpm • D Maj • 03:02 • -7.37db
40% Popularity • 65% Danceability • 55% Energy • 33% Liveness
0% Instrumentalness • 50% Positiveness
40% Popularity • 65% Danceability • 55% Energy • 33% Liveness
0% Instrumentalness • 50% Positiveness
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Warwick Smith
I'm Not Angry Anymore
101 bpm • F Maj • 01:04 • -14.21db
29% Popularity • 77% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 13% Positiveness
29% Popularity • 77% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 13% Positiveness
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Avery Lynch
The Closest to That
109 bpm • B Maj • 03:37 • -12db
27% Popularity • 58% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
27% Popularity • 58% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Karina Grace
Doses
110 bpm • C# Maj • 02:37 • -16db
32% Popularity • 61% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 10% Positiveness
32% Popularity • 61% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 10% Positiveness
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PEACH MARTINE
Scared of Getting Older
110 bpm • D min • 01:00 • -28.87db
23% Popularity • 53% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
23% Popularity • 53% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
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Zevia
toxicity
110 bpm • C Maj • 03:13 • -11db
34% Popularity • 65% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
34% Popularity • 65% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Carson James Argenna
Soulmate Song
100 bpm • A Maj • 03:31 • -6.57db
36% Popularity • 60% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
36% Popularity • 60% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Ashe
Cold in California
110 bpm • A Maj • 03:27 • -8.05db
35% Popularity • 43% Danceability • 49% Energy • 36% Liveness
0% Instrumentalness • 31% Positiveness
35% Popularity • 43% Danceability • 49% Energy • 36% Liveness
0% Instrumentalness • 31% Positiveness
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Kate Vogel
Ghost in These Streets
110 bpm • D Maj • 04:12 • -11db
13% Popularity • 60% Danceability • 27% Energy • 18% Liveness
0% Instrumentalness • 16% Positiveness
13% Popularity • 60% Danceability • 27% Energy • 18% Liveness
0% Instrumentalness • 16% Positiveness
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Bri Green
Awhile
110 bpm • C Maj • 04:11 • -12.3db
8% Popularity • 64% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
8% Popularity • 64% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Tate McRae
Shoulder to Shoulder
110 bpm • D min • 03:50 • -6.38db
51% Popularity • 70% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
51% Popularity • 70% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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sophiemarie.b
Want You To Love Me
110 bpm • E min • 02:34 • -7.45db
23% Popularity • 77% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
23% Popularity • 77% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
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amber rosales
Talk 2 Me
110 bpm • C Maj • 02:44 • -13.27db
18% Popularity • 65% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
18% Popularity • 65% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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awfultune
everyday
110 bpm • D Maj • 03:25 • -16.15db
31% Popularity • 72% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
31% Popularity • 72% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Alexis Rae
Dear Ex Best Friend
100 bpm • A Maj • 02:33 • -11.24db
19% Popularity • 41% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
19% Popularity • 41% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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MAY-A
Fools Paradise
100 bpm • C Maj • 03:20 • -10.92db
21% Popularity • 66% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 11% Positiveness
21% Popularity • 66% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 11% Positiveness
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Londin Thompson
Wish It Would Rain - Piano Version
110 bpm • E Maj • 03:46 • -9.72db
19% Popularity • 46% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
19% Popularity • 46% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
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Alec Benjamin
I Built A Friend (2020)
100 bpm • A Maj • 02:56 • -8.28db
56% Popularity • 60% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
56% Popularity • 60% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
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Jonny West
homicide
110 bpm • B Maj • 03:32 • -8.86db
11% Popularity • 64% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
11% Popularity • 64% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Adam Ambrose
Simple Kind of Love - Demo
100 bpm • C Maj • 03:06 • -8db
14% Popularity • 75% Danceability • 46% Energy • 20% Liveness
0% Instrumentalness • 28% Positiveness
14% Popularity • 75% Danceability • 46% Energy • 20% Liveness
0% Instrumentalness • 28% Positiveness
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Anke Richards
He Said, She Said
100 bpm • G# min • 02:10 • -12.91db
24% Popularity • 66% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
24% Popularity • 66% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Joey Kidney
From the Dust
100 bpm • C Maj • 05:24 • -10.37db
30% Popularity • 33% Danceability • 58% Energy • 10% Liveness
1% Instrumentalness • 13% Positiveness
30% Popularity • 33% Danceability • 58% Energy • 10% Liveness
1% Instrumentalness • 13% Positiveness
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Carson Shmyr
Breathe
110 bpm • A min • 02:03 • -16.84db
28% Popularity • 60% Danceability • 19% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
28% Popularity • 60% Danceability • 19% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
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Ashe
Shitty Places, Pretty Faces
100 bpm • A Maj • 03:33 • -9.05db
31% Popularity • 57% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
31% Popularity • 57% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Emily Strang
Sore
100 bpm • E min • 03:01 • -16.08db
26% Popularity • 78% Danceability • 28% Energy • 30% Liveness
0% Instrumentalness • 56% Positiveness
26% Popularity • 78% Danceability • 28% Energy • 30% Liveness
0% Instrumentalness • 56% Positiveness
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Alec Benjamin
Six Feet Apart
111 bpm • F Maj • 02:53 • -7.12db
52% Popularity • 49% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
52% Popularity • 49% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
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Jordan Suaste
100 boys
111 bpm • C# Maj • 03:16 • -11.91db
23% Popularity • 66% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
23% Popularity • 66% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
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Mali-Koa
Some Things
99 bpm • F Maj • 03:12 • -6.59db
12% Popularity • 59% Danceability • 41% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
12% Popularity • 59% Danceability • 41% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
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Christian Leave
Please Notice
111 bpm • D Maj • 01:56 • -8.45db
65% Popularity • 55% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
65% Popularity • 55% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Noah Vela
just a kid
111 bpm • C# Maj • 04:03 • -8db
35% Popularity • 33% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
35% Popularity • 33% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Anson Seabra
Broken
99 bpm • F# Maj • 05:05 • -14.2db
55% Popularity • 48% Danceability • 8% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
55% Popularity • 48% Danceability • 8% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
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Aria Rayes
The Girl You Call Best Friend
111 bpm • D# Maj • 02:42 • -13db
35% Popularity • 63% Danceability • 30% Energy • 35% Liveness
0% Instrumentalness • 36% Positiveness
35% Popularity • 63% Danceability • 30% Energy • 35% Liveness
0% Instrumentalness • 36% Positiveness
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Rory Webley
a teenage love bop like u’v NEVER hear...
99 bpm • A min • 03:10 • -20.28db
26% Popularity • 56% Danceability • 6% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
26% Popularity • 56% Danceability • 6% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
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PEACH MARTINE
Talking Stage
112 bpm • A min • 01:00 • -25.08db
20% Popularity • 63% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
20% Popularity • 63% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Dylan Davidson
Know Me Better
112 bpm • A Maj • 04:30 • -12db
21% Popularity • 67% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
21% Popularity • 67% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Olivia Panacci
Keep Me Safe
112 bpm • C Maj • 03:51 • -10.6db
16% Popularity • 69% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
16% Popularity • 69% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Marina Lin
a letter to my crush
112 bpm • F# Maj • 02:25 • -12.12db
21% Popularity • 69% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
21% Popularity • 69% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Charlotte Lawrence
Everybody Loves You
112 bpm • D Maj • 03:24 • -10.28db
44% Popularity • 48% Danceability • 23% Energy • 37% Liveness
0% Instrumentalness • 33% Positiveness
44% Popularity • 48% Danceability • 23% Energy • 37% Liveness
0% Instrumentalness • 33% Positiveness
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Acacia
mommy
112 bpm • E min • 03:58 • -10.43db
28% Popularity • 67% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
28% Popularity • 67% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Jordan Suaste
Body
98 bpm • E min • 03:25 • -8.69db
58% Popularity • 45% Danceability • 32% Energy • 6% Liveness
0% Instrumentalness • 33% Positiveness
58% Popularity • 45% Danceability • 32% Energy • 6% Liveness
0% Instrumentalness • 33% Positiveness
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Sophie Pecora
Devil
98 bpm • F Maj • 03:22 • -7.67db
16% Popularity • 75% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
16% Popularity • 75% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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Lia Marie Johnson
Champagne
98 bpm • C Maj • 03:53 • -10.25db
42% Popularity • 36% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 10% Positiveness
42% Popularity • 36% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 10% Positiveness
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Anthony Amorim
MISC.
113 bpm • D Maj • 02:45 • -10.73db
17% Popularity • 54% Danceability • 19% Energy • 28% Liveness
0% Instrumentalness • 28% Positiveness
17% Popularity • 54% Danceability • 19% Energy • 28% Liveness
0% Instrumentalness • 28% Positiveness
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Jess Benko
Self Deprecation
98 bpm • C Maj • 03:46 • -16.16db
29% Popularity • 57% Danceability • 6% Energy • 13% Liveness
0% Instrumentalness • 7% Positiveness
29% Popularity • 57% Danceability • 6% Energy • 13% Liveness
0% Instrumentalness • 7% Positiveness
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Laila Mach
Official Lover
113 bpm • G Maj • 03:27 • -9.18db
28% Popularity • 50% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
28% Popularity • 50% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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Isaac Dunbar
freshman year
113 bpm • G Maj • 03:00 • -7.76db
29% Popularity • 60% Danceability • 41% Energy • 20% Liveness
0% Instrumentalness • 49% Positiveness
29% Popularity • 60% Danceability • 41% Energy • 20% Liveness
0% Instrumentalness • 49% Positiveness
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Jesse Blue
if this was a movie
113 bpm • F Maj • 02:50 • -12.6db
14% Popularity • 86% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
14% Popularity • 86% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Egg
putting a spin on payphone
97 bpm • B Maj • 04:18 • -20.44db
29% Popularity • 70% Danceability • 5% Energy • 30% Liveness
0% Instrumentalness • 35% Positiveness
29% Popularity • 70% Danceability • 5% Energy • 30% Liveness
0% Instrumentalness • 35% Positiveness
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Marco Tamimi
Different Eyes
113 bpm • D Maj • 03:54 • -11.78db
44% Popularity • 44% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
44% Popularity • 44% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
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FINNEAS
Hollywood Forever
113 bpm • G Maj • 04:11 • -11.36db
37% Popularity • 38% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
37% Popularity • 38% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Leanna Firestone
Hide
113 bpm • A# Maj • 02:59 • -6.82db
25% Popularity • 38% Danceability • 66% Energy • 31% Liveness
0% Instrumentalness • 34% Positiveness
25% Popularity • 38% Danceability • 66% Energy • 31% Liveness
0% Instrumentalness • 34% Positiveness
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PEACH MARTINE
Prom Date
113 bpm • A min • 01:36 • -29.95db
21% Popularity • 61% Danceability • 7% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
21% Popularity • 61% Danceability • 7% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
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Em Beihold
Just Fine
97 bpm • C Maj • 02:47 • -13.61db
24% Popularity • 39% Danceability • 28% Energy • 13% Liveness
1% Instrumentalness • 7% Positiveness
24% Popularity • 39% Danceability • 28% Energy • 13% Liveness
1% Instrumentalness • 7% Positiveness
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Caroline Manning
both ways
97 bpm • G Maj • 03:52 • -12.38db
24% Popularity • 72% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
24% Popularity • 72% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Au/Ra
Panic Room - Acoustic
97 bpm • C min • 04:17 • -7.33db
41% Popularity • 56% Danceability • 35% Energy • 6% Liveness
0% Instrumentalness • 40% Positiveness
41% Popularity • 56% Danceability • 35% Energy • 6% Liveness
0% Instrumentalness • 40% Positiveness
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Isaac Dunbar
suicide
97 bpm • D Maj • 04:17 • -9.31db
45% Popularity • 59% Danceability • 48% Energy • 14% Liveness
61% Instrumentalness • 26% Positiveness
45% Popularity • 59% Danceability • 48% Energy • 14% Liveness
61% Instrumentalness • 26% Positiveness
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Noah Cyrus
Liar
114 bpm • G# Maj • 02:52 • -10.83db
46% Popularity • 48% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
46% Popularity • 48% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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DeCC
Teenage Lover
97 bpm • C Maj • 04:19 • -12.47db
16% Popularity • 72% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
16% Popularity • 72% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
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Michael Stolar
(Why Don't I) Hate You
114 bpm • D min • 04:50 • -16.92db
14% Popularity • 48% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
14% Popularity • 48% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
