Songs like Hooray For Captain Spaulding by Groucho Marx
Based on a tempo of (+/- 10%) and a similar genre
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Spike Jones
Der Fuehrer's Face (Alternate Take)
141 bpm • A# Maj • 02:39 • -7.89db
8% Popularity • 77% Danceability • 59% Energy • 48% Liveness
0% Instrumentalness • 97% Positiveness
8% Popularity • 77% Danceability • 59% Energy • 48% Liveness
0% Instrumentalness • 97% Positiveness
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Bruce Lee
CapÃtulo 1.3 - 300 citas de los grandes...
141 bpm • A# Maj • 03:09 • -18.42db
0% Popularity • 66% Danceability • 16% Energy • 35% Liveness
0% Instrumentalness • 16% Positiveness
0% Popularity • 66% Danceability • 16% Energy • 35% Liveness
0% Instrumentalness • 16% Positiveness
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Groucho Marx
Hooray for Captain Spaulding
141 bpm • C Maj • 03:11 • -15.86db
0% Popularity • 66% Danceability • 29% Energy • 76% Liveness
0% Instrumentalness • 59% Positiveness
0% Popularity • 66% Danceability • 29% Energy • 76% Liveness
0% Instrumentalness • 59% Positiveness
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Carol Burnett
The Trolley Song
141 bpm • G min • 02:53 • -6.82db
19% Popularity • 56% Danceability • 56% Energy • 51% Liveness
0% Instrumentalness • 75% Positiveness
19% Popularity • 56% Danceability • 56% Energy • 51% Liveness
0% Instrumentalness • 75% Positiveness
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The Andrews Sisters with Orchestra
In The Mood
141 bpm • C min • 02:53 • -10db
22% Popularity • 80% Danceability • 40% Energy • 17% Liveness
0% Instrumentalness • 84% Positiveness
22% Popularity • 80% Danceability • 40% Energy • 17% Liveness
0% Instrumentalness • 84% Positiveness
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Albert Einstein
Chapter 1.6 - 100 citazioni umoristiche
141 bpm • C Maj • 03:07 • -20.6db
0% Popularity • 54% Danceability • 4% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
0% Popularity • 54% Danceability • 4% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
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Jimmy Durante
Inka Dinka Doo
141 bpm • D# Maj • 02:52 • -16.37db
19% Popularity • 64% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 75% Positiveness
19% Popularity • 64% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 75% Positiveness
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The Merry Macs
Mairzy Doats
141 bpm • C# Maj • 02:44 • -11.69db
33% Popularity • 79% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
33% Popularity • 79% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Groucho Marx
Hooray For Captain Spaulding
142 bpm • C Maj • 03:12 • -22.85db
0% Popularity • 68% Danceability • 14% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
0% Popularity • 68% Danceability • 14% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
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Stan Freberg
Sh-Boom
140 bpm • F Maj • 03:30 • -9.87db
8% Popularity • 54% Danceability • 47% Energy • 22% Liveness
0% Instrumentalness • 76% Positiveness
8% Popularity • 54% Danceability • 47% Energy • 22% Liveness
0% Instrumentalness • 76% Positiveness
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Oscar Wilde
Chapter 2.3 - 500 citazioni umorismo
142 bpm • C Maj • 03:10 • -23.55db
0% Popularity • 55% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
0% Popularity • 55% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Albert Einstein
Chapter 1.1 - 100 Citaten over Huwelijk
140 bpm • C Maj • 03:07 • -19.84db
0% Popularity • 68% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
0% Popularity • 68% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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George Bernard Shaw
Chapter 2.7 - 300 Quotations from the Gr...
142 bpm • C Maj • 03:06 • -16.43db
0% Popularity • 55% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
0% Popularity • 55% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Shirley Temple
An Old Straw Hat
142 bpm • D Maj • 01:04 • -11.91db
23% Popularity • 74% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
23% Popularity • 74% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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Groucho Marx
Hooray For Captain Spaulding
140 bpm • C Maj • 03:11 • -12.61db
8% Popularity • 68% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
8% Popularity • 68% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Leonard Nimoy
Highly Illogical
142 bpm • G# Maj • 02:18 • -11db
25% Popularity • 58% Danceability • 71% Energy • 73% Liveness
0% Instrumentalness • 81% Positiveness
25% Popularity • 58% Danceability • 71% Energy • 73% Liveness
0% Instrumentalness • 81% Positiveness
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Mel Blanc
Woody Woodpecker - Remastered 2005
140 bpm • F Maj • 02:19 • -12.14db
18% Popularity • 70% Danceability • 48% Energy • 52% Liveness
0% Instrumentalness • 71% Positiveness
18% Popularity • 70% Danceability • 48% Energy • 52% Liveness
0% Instrumentalness • 71% Positiveness
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Baby Rose Marie
Come Out Come Out Wherever You Are
139 bpm • C Maj • 02:59 • -13.15db
7% Popularity • 73% Danceability • 21% Energy • 21% Liveness
0% Instrumentalness • 72% Positiveness
7% Popularity • 73% Danceability • 21% Energy • 21% Liveness
0% Instrumentalness • 72% Positiveness
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Tessie O'Shea
I Fell In Love With An Airman
139 bpm • D# Maj • 03:08 • -17.68db
8% Popularity • 78% Danceability • 27% Energy • 37% Liveness
0% Instrumentalness • 80% Positiveness
8% Popularity • 78% Danceability • 27% Energy • 37% Liveness
0% Instrumentalness • 80% Positiveness
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Oscar Wilde
Chapter 1.1 - 500 citazioni umorismo
143 bpm • C Maj • 03:15 • -22.39db
0% Popularity • 55% Danceability • 3% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
0% Popularity • 55% Danceability • 3% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
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Groucho Marx
CapÃtulo 1.1 - 100 citas de Groucho Mar...
142 bpm • G# Maj • 03:10 • -18.82db
0% Popularity • 67% Danceability • 16% Energy • 35% Liveness
0% Instrumentalness • 25% Positiveness
0% Popularity • 67% Danceability • 16% Energy • 35% Liveness
0% Instrumentalness • 25% Positiveness
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Spike Jones & His City Slickers
Der Führer's Face
139 bpm • A# Maj • 02:41 • -5.23db
9% Popularity • 70% Danceability • 84% Energy • 37% Liveness
6% Instrumentalness • 91% Positiveness
9% Popularity • 70% Danceability • 84% Energy • 37% Liveness
6% Instrumentalness • 91% Positiveness
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The Ames Brothers
Destination Moon
143 bpm • G# Maj • 02:27 • -8.74db
17% Popularity • 52% Danceability • 49% Energy • 4% Liveness
0% Instrumentalness • 67% Positiveness
17% Popularity • 52% Danceability • 49% Energy • 4% Liveness
0% Instrumentalness • 67% Positiveness
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The Cockney Bar Singers
My Old Man's A Dustman
143 bpm • D# Maj • 02:43 • -15.6db
10% Popularity • 60% Danceability • 55% Energy • 75% Liveness
0% Instrumentalness • 96% Positiveness
10% Popularity • 60% Danceability • 55% Energy • 75% Liveness
0% Instrumentalness • 96% Positiveness
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Chad Mitchell Trio
Lizzie Borden
143 bpm • D# Maj • 03:35 • -10.22db
15% Popularity • 51% Danceability • 82% Energy • 68% Liveness
0% Instrumentalness • 51% Positiveness
15% Popularity • 51% Danceability • 82% Energy • 68% Liveness
0% Instrumentalness • 51% Positiveness
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Norman Wisdom
Don't Laugh at Me ('Cause I'm a Fool)
143 bpm • A# Maj • 03:36 • -13.06db
37% Popularity • 30% Danceability • 18% Energy • 33% Liveness
0% Instrumentalness • 16% Positiveness
37% Popularity • 30% Danceability • 18% Energy • 33% Liveness
0% Instrumentalness • 16% Positiveness
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Groucho Marx
Dr. Hackenbush
142 bpm • C# Maj • 03:10 • -14.51db
3% Popularity • 69% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
3% Popularity • 69% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Frank Sinatra
High Hopes - Remastered 2009
138 bpm • D# Maj • 02:42 • -10db
35% Popularity • 72% Danceability • 21% Energy • 17% Liveness
0% Instrumentalness • 72% Positiveness
35% Popularity • 72% Danceability • 21% Energy • 17% Liveness
0% Instrumentalness • 72% Positiveness
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Albert Einstein
Chapter 1.1 - 100 humoristische citaten
138 bpm • C Maj • 03:14 • -20.08db
0% Popularity • 68% Danceability • 2% Energy • 23% Liveness
0% Instrumentalness • 42% Positiveness
0% Popularity • 68% Danceability • 2% Energy • 23% Liveness
0% Instrumentalness • 42% Positiveness
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Thornsby
Heavenly Holiday
144 bpm • C# Maj • 01:03 • -13.03db
13% Popularity • 51% Danceability • 28% Energy • 26% Liveness
0% Instrumentalness • 94% Positiveness
13% Popularity • 51% Danceability • 28% Energy • 26% Liveness
0% Instrumentalness • 94% Positiveness
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George Bernard Shaw
Chapter 1.1 - 300 Quotations from the Gr...
144 bpm • C Maj • 03:12 • -16.01db
0% Popularity • 56% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
0% Popularity • 56% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Oscar Wilde
CapÃtulo 1.7 & CapÃtulo 2.1 - 500 cita...
144 bpm • C Maj • 04:04 • -20.86db
0% Popularity • 48% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
0% Popularity • 48% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Groucho Marx
Dr Hackenbush
139 bpm • C# Maj • 03:09 • -17.2db
0% Popularity • 68% Danceability • 29% Energy • 30% Liveness
0% Instrumentalness • 72% Positiveness
0% Popularity • 68% Danceability • 29% Energy • 30% Liveness
0% Instrumentalness • 72% Positiveness
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Allan Sherman
I See Bones
138 bpm • G min • 03:19 • -13.45db
9% Popularity • 44% Danceability • 43% Energy • 73% Liveness
0% Instrumentalness • 53% Positiveness
9% Popularity • 44% Danceability • 43% Energy • 73% Liveness
0% Instrumentalness • 53% Positiveness
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Tom Lehrer
That's Mathematics
138 bpm • A# Maj • 01:45 • -13.74db
14% Popularity • 61% Danceability • 31% Energy • 30% Liveness
0% Instrumentalness • 80% Positiveness
14% Popularity • 61% Danceability • 31% Energy • 30% Liveness
0% Instrumentalness • 80% Positiveness
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Bruce Lee
CapÃtulo 1.2 - 300 citas de los grandes...
138 bpm • D# min • 03:09 • -17.87db
0% Popularity • 68% Danceability • 18% Energy • 32% Liveness
0% Instrumentalness • 24% Positiveness
0% Popularity • 68% Danceability • 18% Energy • 32% Liveness
0% Instrumentalness • 24% Positiveness
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Bob Hope
Buttons and Bows
144 bpm • C min • 03:00 • -12db
22% Popularity • 63% Danceability • 23% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
22% Popularity • 63% Danceability • 23% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
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George Bernard Shaw
Chapter 3.4 - 300 Quotations from the Gr...
138 bpm • C Maj • 03:10 • -16.22db
0% Popularity • 48% Danceability • 6% Energy • 11% Liveness
1% Instrumentalness • 28% Positiveness
0% Popularity • 48% Danceability • 6% Energy • 11% Liveness
1% Instrumentalness • 28% Positiveness
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Groucho Marx
If You Want to Know Who We Are
139 bpm • G Maj • 01:03 • -12.76db
0% Popularity • 59% Danceability • 32% Energy • 75% Liveness
0% Instrumentalness • 22% Positiveness
0% Popularity • 59% Danceability • 32% Energy • 75% Liveness
0% Instrumentalness • 22% Positiveness
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Allan Sherman
Crazy Downtown
137 bpm • A Maj • 02:57 • -11.03db
16% Popularity • 60% Danceability • 58% Energy • 56% Liveness
0% Instrumentalness • 83% Positiveness
16% Popularity • 60% Danceability • 58% Energy • 56% Liveness
0% Instrumentalness • 83% Positiveness
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Albert Einstein
Chapter 1.7 - 100 citazioni umoristiche
137 bpm • C Maj • 04:36 • -19.33db
0% Popularity • 62% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
0% Popularity • 62% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Spike Jones
You'Re a Sap Mister Jap
137 bpm • F Maj • 02:02 • -7.07db
16% Popularity • 87% Danceability • 70% Energy • 30% Liveness
0% Instrumentalness • 98% Positiveness
16% Popularity • 87% Danceability • 70% Energy • 30% Liveness
0% Instrumentalness • 98% Positiveness
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Stan Freberg
Banana Boat (Day-O)
137 bpm • F Maj • 03:25 • -19.07db
15% Popularity • 67% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
15% Popularity • 67% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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The Mills Brothers
The Glow Worm - 1958 version
145 bpm • G Maj • 02:11 • -19db
28% Popularity • 82% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
28% Popularity • 82% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
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Groucho Marx
Dr. Hackenbush
144 bpm • C# Maj • 03:07 • -7.08db
0% Popularity • 62% Danceability • 62% Energy • 22% Liveness
0% Instrumentalness • 76% Positiveness
0% Popularity • 62% Danceability • 62% Energy • 22% Liveness
0% Instrumentalness • 76% Positiveness
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Noel Coward
Mrs Worthington
137 bpm • D# Maj • 02:02 • -18db
16% Popularity • 68% Danceability • 21% Energy • 29% Liveness
37% Instrumentalness • 74% Positiveness
16% Popularity • 68% Danceability • 21% Energy • 29% Liveness
37% Instrumentalness • 74% Positiveness
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George Formby
Leaning on a Lamp Post
137 bpm • C Maj • 03:02 • -14.85db
28% Popularity • 71% Danceability • 28% Energy • 6% Liveness
0% Instrumentalness • 69% Positiveness
28% Popularity • 71% Danceability • 28% Energy • 6% Liveness
0% Instrumentalness • 69% Positiveness
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Albert Einstein
Chapter 1.1 - 100 citazioni umoristiche
145 bpm • C Maj • 03:18 • -20.25db
0% Popularity • 58% Danceability • 5% Energy • 20% Liveness
0% Instrumentalness • 40% Positiveness
0% Popularity • 58% Danceability • 5% Energy • 20% Liveness
0% Instrumentalness • 40% Positiveness
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Bruce Lee
CapÃtulo 1.4 - 300 citas de los grandes...
137 bpm • G min • 03:18 • -17.83db
0% Popularity • 68% Danceability • 18% Energy • 22% Liveness
0% Instrumentalness • 21% Positiveness
0% Popularity • 68% Danceability • 18% Energy • 22% Liveness
0% Instrumentalness • 21% Positiveness
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Joel Grey
Give My Regards to Broadway
137 bpm • C Maj • 03:37 • -8db
20% Popularity • 45% Danceability • 54% Energy • 30% Liveness
0% Instrumentalness • 40% Positiveness
20% Popularity • 45% Danceability • 54% Energy • 30% Liveness
0% Instrumentalness • 40% Positiveness
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Groucho Marx
The Inimitable Groucho
145 bpm • G min • 04:51 • -16.5db
1% Popularity • 68% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
1% Popularity • 68% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Julius LaRosa
My Lady Loves to Dance
137 bpm • D# Maj • 02:17 • -9.16db
10% Popularity • 72% Danceability • 25% Energy • 54% Liveness
0% Instrumentalness • 91% Positiveness
10% Popularity • 72% Danceability • 25% Energy • 54% Liveness
0% Instrumentalness • 91% Positiveness
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The Andrews Sisters with Orchestra
Chattanooga Choo Choo
146 bpm • A# Maj • 02:52 • -13.61db
25% Popularity • 81% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
25% Popularity • 81% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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KRNR 93.9
Mayfield Cigarettes Advertisement
137 bpm • C Maj • 00:59 • -19.94db
9% Popularity • 44% Danceability • 32% Energy • 16% Liveness
94% Instrumentalness • 68% Positiveness
9% Popularity • 44% Danceability • 32% Energy • 16% Liveness
94% Instrumentalness • 68% Positiveness
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Augus Pritt
Good Mojo
136 bpm • C Maj • 02:34 • -8.18db
12% Popularity • 66% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
12% Popularity • 66% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
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Kate Smith
On The Atchison, Topeka And Santa Fe
146 bpm • G min • 02:30 • -12.57db
10% Popularity • 74% Danceability • 23% Energy • 31% Liveness
0% Instrumentalness • 71% Positiveness
10% Popularity • 74% Danceability • 23% Energy • 31% Liveness
0% Instrumentalness • 71% Positiveness
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Groucho Marx
Kapitel 1.1 - 100 Zitate von Groucho Mar...
137 bpm • C Maj • 05:06 • -20.47db
0% Popularity • 57% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
0% Popularity • 57% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Guy Mitchell
Theres a Pawn Shop on The Corner
146 bpm • G Maj • 02:56 • -8.15db
10% Popularity • 62% Danceability • 47% Energy • 44% Liveness
0% Instrumentalness • 94% Positiveness
10% Popularity • 62% Danceability • 47% Energy • 44% Liveness
0% Instrumentalness • 94% Positiveness
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Tyrone Bray
Slick Sucker
146 bpm • G min • 02:33 • -6.95db
13% Popularity • 58% Danceability • 51% Energy • 57% Liveness
0% Instrumentalness • 88% Positiveness
13% Popularity • 58% Danceability • 51% Energy • 57% Liveness
0% Instrumentalness • 88% Positiveness
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Guy Lombardo
Enjoy Yourself (It's Later Than You Thin...
146 bpm • A# Maj • 03:20 • -11.09db
34% Popularity • 78% Danceability • 38% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
34% Popularity • 78% Danceability • 38% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
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Frances Langford & Johnny 'Scat' Davis
Hooray for Hollywood
136 bpm • F# min • 03:49 • -6db
11% Popularity • 62% Danceability • 75% Energy • 59% Liveness
9% Instrumentalness • 66% Positiveness
11% Popularity • 62% Danceability • 75% Energy • 59% Liveness
9% Instrumentalness • 66% Positiveness
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Alex Mendham and His Orchestra
Pop Goes Your Heart
146 bpm • C# Maj • 02:39 • -11.12db
8% Popularity • 66% Danceability • 33% Energy • 11% Liveness
6% Instrumentalness • 86% Positiveness
8% Popularity • 66% Danceability • 33% Energy • 11% Liveness
6% Instrumentalness • 86% Positiveness
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Oscar Wilde
Chapter 1.8 & Chapter 2.1 - 500 citazion...
146 bpm • C Maj • 03:11 • -23db
0% Popularity • 55% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
0% Popularity • 55% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Guy Mitchell
Pittsburgh, Pennsylvania - Single Versio...
146 bpm • G Maj • 02:56 • -15.01db
18% Popularity • 63% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
18% Popularity • 63% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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Bob Hope
Road To Morocco: Ain't Got a Dime To My ...
135 bpm • C min • 02:14 • -12db
16% Popularity • 72% Danceability • 25% Energy • 10% Liveness
5% Instrumentalness • 64% Positiveness
16% Popularity • 72% Danceability • 25% Energy • 10% Liveness
5% Instrumentalness • 64% Positiveness
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Noel Coward
Mad Dogs and Englishmen
136 bpm • G# Maj • 02:49 • -11.96db
12% Popularity • 67% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
12% Popularity • 67% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
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Rudy Vallee
Maine Stein Song (aka the Stein Song)
135 bpm • G# Maj • 01:26 • -11.79db
21% Popularity • 59% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
21% Popularity • 59% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Phil Harris
That's What I Like About the South
135 bpm • C Maj • 02:52 • -13.09db
12% Popularity • 76% Danceability • 34% Energy • 28% Liveness
4% Instrumentalness • 90% Positiveness
12% Popularity • 76% Danceability • 34% Energy • 28% Liveness
4% Instrumentalness • 90% Positiveness
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Allan Sherman
Downtown
135 bpm • A Maj • 02:37 • -13.02db
8% Popularity • 64% Danceability • 64% Energy • 88% Liveness
0% Instrumentalness • 86% Positiveness
8% Popularity • 64% Danceability • 64% Energy • 88% Liveness
0% Instrumentalness • 86% Positiveness
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Groucho Marx
Father's Day
135 bpm • C# Maj • 02:52 • -19.05db
0% Popularity • 41% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
0% Popularity • 41% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Harry Champion
A Little Bit Of Cucumber
135 bpm • F# min • 02:50 • -9db
8% Popularity • 80% Danceability • 60% Energy • 24% Liveness
10% Instrumentalness • 96% Positiveness
8% Popularity • 80% Danceability • 60% Energy • 24% Liveness
10% Instrumentalness • 96% Positiveness
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Noel Coward
Mad Dogs and Englishmen
134 bpm • C Maj • 02:51 • -16db
24% Popularity • 68% Danceability • 27% Energy • 8% Liveness
26% Instrumentalness • 75% Positiveness
24% Popularity • 68% Danceability • 27% Energy • 8% Liveness
26% Instrumentalness • 75% Positiveness
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Albert Einstein
Chapter 1.6 - 100 Citaten over Huwelijk
134 bpm • C Maj • 03:08 • -20.48db
0% Popularity • 69% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
0% Popularity • 69% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Joe Loss & His Orchestra
Tiggerty Boo
134 bpm • C# Maj • 02:37 • -22.87db
11% Popularity • 80% Danceability • 15% Energy • 13% Liveness
64% Instrumentalness • 85% Positiveness
11% Popularity • 80% Danceability • 15% Energy • 13% Liveness
64% Instrumentalness • 85% Positiveness
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George Bernard Shaw
Chapter 2.4 - 300 Quotations from the Gr...
149 bpm • C Maj • 03:10 • -17.11db
0% Popularity • 51% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
0% Popularity • 51% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Groucho Marx
CapÃtulo 1.6 - 100 citas de Groucho Mar...
148 bpm • A# Maj • 03:09 • -18.5db
0% Popularity • 66% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
0% Popularity • 66% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Bruce Lee
Kapitel 3.6 - 300 Zitate von den großen...
150 bpm • C Maj • 03:10 • -19.32db
0% Popularity • 52% Danceability • 3% Energy • 17% Liveness
0% Instrumentalness • 44% Positiveness
0% Popularity • 52% Danceability • 3% Energy • 17% Liveness
0% Instrumentalness • 44% Positiveness
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Noel Coward
Mad Dogs And Englishmen
134 bpm • C Maj • 02:51 • -22db
11% Popularity • 68% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
11% Popularity • 68% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Ruth Wallis
The Same Little Yo-Yo
133 bpm • F Maj • 02:46 • -9.94db
11% Popularity • 84% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
11% Popularity • 84% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
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Tom Lehrer
The Wiener Schnitzel Waltz
133 bpm • G# Maj • 02:04 • -16.52db
7% Popularity • 47% Danceability • 29% Energy • 93% Liveness
0% Instrumentalness • 55% Positiveness
7% Popularity • 47% Danceability • 29% Energy • 93% Liveness
0% Instrumentalness • 55% Positiveness
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Spike Jones
Pack up Your Troubles in Your Old Kit Ba...
150 bpm • G Maj • 02:29 • -10.77db
8% Popularity • 74% Danceability • 65% Energy • 26% Liveness
0% Instrumentalness • 96% Positiveness
8% Popularity • 74% Danceability • 65% Energy • 26% Liveness
0% Instrumentalness • 96% Positiveness
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Groucho Marx
A Wand'ring Minstrel I
134 bpm • A# Maj • 03:40 • -14.18db
0% Popularity • 62% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
0% Popularity • 62% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
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KRNR 93.9
Armour Hot Dogs Advertisement
132 bpm • G Maj • 01:01 • -17.68db
8% Popularity • 71% Danceability • 30% Energy • 20% Liveness
79% Instrumentalness • 92% Positiveness
8% Popularity • 71% Danceability • 30% Energy • 20% Liveness
79% Instrumentalness • 92% Positiveness
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The Mills Brothers
The Glow Worm - Single Version
150 bpm • C Maj • 02:40 • -10.95db
32% Popularity • 69% Danceability • 29% Energy • 28% Liveness
0% Instrumentalness • 89% Positiveness
32% Popularity • 69% Danceability • 29% Energy • 28% Liveness
0% Instrumentalness • 89% Positiveness
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Jack Barnett
A Real Piano Player
132 bpm • C Maj • 04:01 • -14.76db
8% Popularity • 61% Danceability • 27% Energy • 29% Liveness
0% Instrumentalness • 67% Positiveness
8% Popularity • 61% Danceability • 27% Energy • 29% Liveness
0% Instrumentalness • 67% Positiveness
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The Merry Macs
Praise the Lord and Pass the Ammunition
150 bpm • D Maj • 02:33 • -11.73db
29% Popularity • 67% Danceability • 28% Energy • 18% Liveness
0% Instrumentalness • 84% Positiveness
29% Popularity • 67% Danceability • 28% Energy • 18% Liveness
0% Instrumentalness • 84% Positiveness
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Flanagan & Allen
The Umbrella Man
132 bpm • C# Maj • 02:43 • -10db
19% Popularity • 47% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
19% Popularity • 47% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
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Groucho Marx
Three Little Maids
133 bpm • C Maj • 02:42 • -16.9db
0% Popularity • 55% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
0% Popularity • 55% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Albert Einstein
Chapter 1.2 - 100 citazioni umoristiche
132 bpm • C Maj • 03:10 • -19.92db
0% Popularity • 61% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
0% Popularity • 61% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Desi Arnaz
I Love Lucy
131 bpm • C# Maj • 01:53 • -11db
22% Popularity • 71% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
22% Popularity • 71% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Spike Jones
Little Bo Beep Has Lost Her Jeep
131 bpm • F Maj • 02:04 • -8.11db
14% Popularity • 86% Danceability • 58% Energy • 28% Liveness
0% Instrumentalness • 99% Positiveness
14% Popularity • 86% Danceability • 58% Energy • 28% Liveness
0% Instrumentalness • 99% Positiveness
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The Ames Brothers
The Naughty Lady of Shady Lane
131 bpm • C# Maj • 02:51 • -8.27db
25% Popularity • 70% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
25% Popularity • 70% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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Bob Hope
Two Sleepy People - Remastered
131 bpm • A# Maj • 03:00 • -10.94db
11% Popularity • 56% Danceability • 25% Energy • 20% Liveness
0% Instrumentalness • 38% Positiveness
11% Popularity • 56% Danceability • 25% Energy • 20% Liveness
0% Instrumentalness • 38% Positiveness
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Noel Coward
I'Ll See You Again
131 bpm • G Maj • 03:17 • -19.29db
11% Popularity • 40% Danceability • 8% Energy • 10% Liveness
68% Instrumentalness • 25% Positiveness
11% Popularity • 40% Danceability • 8% Energy • 10% Liveness
68% Instrumentalness • 25% Positiveness
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Albert Einstein
Chapter 1.5 - 100 citazioni umoristiche
152 bpm • C Maj • 03:10 • -19.59db
0% Popularity • 57% Danceability • 6% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
0% Popularity • 57% Danceability • 6% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
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George Reeves
Corn Flakes Commercial
130 bpm • A Maj • 01:02 • -16.01db
10% Popularity • 71% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
10% Popularity • 71% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Julie Andrews
So Long, Farewell - Festival Reprise
130 bpm • A# Maj • 01:53 • -16.62db
11% Popularity • 48% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
11% Popularity • 48% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Eddie Cantor
Ma! (He's Making Eyes at Me)
130 bpm • F Maj • 02:18 • -10db
26% Popularity • 78% Danceability • 41% Energy • 5% Liveness
0% Instrumentalness • 76% Positiveness
26% Popularity • 78% Danceability • 41% Energy • 5% Liveness
0% Instrumentalness • 76% Positiveness
