Songs like Hoovers & Horns - Ingo Remix by Fergie
Based on a tempo of (+/- 10%) and a similar genre
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Mark Sherry
The Release
142 bpm • E min • 04:05 • -6.34db
8% Popularity • 50% Danceability • 100% Energy • 19% Liveness
78% Instrumentalness • 13% Positiveness
8% Popularity • 50% Danceability • 100% Energy • 19% Liveness
78% Instrumentalness • 13% Positiveness
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BK
You Are The Master (ASOT 1143)
142 bpm • C# Maj • 03:34 • -6.26db
11% Popularity • 68% Danceability • 98% Energy • 7% Liveness
2% Instrumentalness • 42% Positiveness
11% Popularity • 68% Danceability • 98% Energy • 7% Liveness
2% Instrumentalness • 42% Positiveness
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Paul Denton
Introversion
142 bpm • G# Maj • 02:54 • -6.11db
33% Popularity • 50% Danceability • 100% Energy • 9% Liveness
90% Instrumentalness • 80% Positiveness
33% Popularity • 50% Danceability • 100% Energy • 9% Liveness
90% Instrumentalness • 80% Positiveness
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Sneijder
Everybody's Free
140 bpm • F# Maj • 04:20 • -3.74db
20% Popularity • 40% Danceability • 99% Energy • 74% Liveness
0% Instrumentalness • 11% Positiveness
20% Popularity • 40% Danceability • 99% Energy • 74% Liveness
0% Instrumentalness • 11% Positiveness
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Karney
The Weasel (ASOT 1166)
140 bpm • E min • 02:23 • -6.07db
39% Popularity • 53% Danceability • 100% Energy • 22% Liveness
91% Instrumentalness • 24% Positiveness
39% Popularity • 53% Danceability • 100% Energy • 22% Liveness
91% Instrumentalness • 24% Positiveness
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Richard Durand
Wunderbaum
140 bpm • D Maj • 03:18 • -4.86db
23% Popularity • 58% Danceability • 99% Energy • 39% Liveness
73% Instrumentalness • 38% Positiveness
23% Popularity • 58% Danceability • 99% Energy • 39% Liveness
73% Instrumentalness • 38% Positiveness
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Philippe El Sisi
The Phoenix (FSOE 650 Anthem)
140 bpm • G Maj • 04:06 • -3.76db
14% Popularity • 43% Danceability • 98% Energy • 58% Liveness
57% Instrumentalness • 14% Positiveness
14% Popularity • 43% Danceability • 98% Energy • 58% Liveness
57% Instrumentalness • 14% Positiveness
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BK
XTC Nation (Mixed)
142 bpm • G Maj • 02:01 • -8.81db
21% Popularity • 70% Danceability • 89% Energy • 12% Liveness
37% Instrumentalness • 35% Positiveness
21% Popularity • 70% Danceability • 89% Energy • 12% Liveness
37% Instrumentalness • 35% Positiveness
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Marcel Woods
Advanced - Maddix Remix
140 bpm • F# min • 04:11 • -6db
26% Popularity • 46% Danceability • 96% Energy • 24% Liveness
70% Instrumentalness • 29% Positiveness
26% Popularity • 46% Danceability • 96% Energy • 24% Liveness
70% Instrumentalness • 29% Positiveness
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Paul Denton
Why We Fall
142 bpm • C min • 03:20 • -5.26db
16% Popularity • 35% Danceability • 98% Energy • 37% Liveness
97% Instrumentalness • 54% Positiveness
16% Popularity • 35% Danceability • 98% Energy • 37% Liveness
97% Instrumentalness • 54% Positiveness
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John Askew
These Dogs Trust No One
140 bpm • F# min • 04:06 • -7.49db
14% Popularity • 50% Danceability • 96% Energy • 39% Liveness
23% Instrumentalness • 30% Positiveness
14% Popularity • 50% Danceability • 96% Energy • 39% Liveness
23% Instrumentalness • 30% Positiveness
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Will Rees
Natural World
140 bpm • F# min • 03:17 • -6.74db
20% Popularity • 38% Danceability • 100% Energy • 74% Liveness
68% Instrumentalness • 22% Positiveness
20% Popularity • 38% Danceability • 100% Energy • 74% Liveness
68% Instrumentalness • 22% Positiveness
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Prototype
Soundpiercing - SUPERSTRINGS Remix
140 bpm • G# Maj • 03:55 • -5.9db
28% Popularity • 55% Danceability • 93% Energy • 18% Liveness
81% Instrumentalness • 27% Positiveness
28% Popularity • 55% Danceability • 93% Energy • 18% Liveness
81% Instrumentalness • 27% Positiveness
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Tempo Giusto
The Electronic Dream
140 bpm • E Maj • 02:58 • -4.33db
14% Popularity • 67% Danceability • 98% Energy • 33% Liveness
85% Instrumentalness • 19% Positiveness
14% Popularity • 67% Danceability • 98% Energy • 33% Liveness
85% Instrumentalness • 19% Positiveness
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Yahel
Voyage - Omar Sherif Remix
140 bpm • D# min • 07:08 • -5.09db
15% Popularity • 49% Danceability • 99% Energy • 21% Liveness
82% Instrumentalness • 54% Positiveness
15% Popularity • 49% Danceability • 99% Energy • 21% Liveness
82% Instrumentalness • 54% Positiveness
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Andrea Ribeca
Galactica
140 bpm • G# Maj • 03:36 • -5.61db
28% Popularity • 42% Danceability • 99% Energy • 91% Liveness
88% Instrumentalness • 18% Positiveness
28% Popularity • 42% Danceability • 99% Energy • 91% Liveness
88% Instrumentalness • 18% Positiveness
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Ahmed Helmy
Les Etoiles
140 bpm • B Maj • 03:05 • -3.51db
32% Popularity • 59% Danceability • 98% Energy • 83% Liveness
58% Instrumentalness • 29% Positiveness
32% Popularity • 59% Danceability • 98% Energy • 83% Liveness
58% Instrumentalness • 29% Positiveness
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Sam Laxton
Innocence
140 bpm • B min • 03:37 • -4.39db
31% Popularity • 37% Danceability • 100% Energy • 90% Liveness
96% Instrumentalness • 52% Positiveness
31% Popularity • 37% Danceability • 100% Energy • 90% Liveness
96% Instrumentalness • 52% Positiveness
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Ralphie B
The Raid
140 bpm • D# min • 04:00 • -5.8db
8% Popularity • 44% Danceability • 98% Energy • 20% Liveness
85% Instrumentalness • 22% Positiveness
8% Popularity • 44% Danceability • 98% Energy • 20% Liveness
85% Instrumentalness • 22% Positiveness
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John Askew
The Witch - John Askew Remix
140 bpm • F# Maj • 03:47 • -5.15db
14% Popularity • 45% Danceability • 100% Energy • 82% Liveness
24% Instrumentalness • 4% Positiveness
14% Popularity • 45% Danceability • 100% Energy • 82% Liveness
24% Instrumentalness • 4% Positiveness
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Asteroid
Flow State
140 bpm • A# min • 04:02 • -6.27db
17% Popularity • 38% Danceability • 98% Energy • 36% Liveness
55% Instrumentalness • 46% Positiveness
17% Popularity • 38% Danceability • 98% Energy • 36% Liveness
55% Instrumentalness • 46% Positiveness
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Tempo Giusto
Soul Theory
140 bpm • D# Maj • 02:57 • -4.65db
34% Popularity • 59% Danceability • 94% Energy • 11% Liveness
88% Instrumentalness • 35% Positiveness
34% Popularity • 59% Danceability • 94% Energy • 11% Liveness
88% Instrumentalness • 35% Positiveness
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John O'Callaghan
Exactly - Ralphie B Remix
140 bpm • F min • 03:49 • -6.79db
37% Popularity • 44% Danceability • 99% Energy • 19% Liveness
95% Instrumentalness • 7% Positiveness
37% Popularity • 44% Danceability • 99% Energy • 19% Liveness
95% Instrumentalness • 7% Positiveness
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Richard Durand
Solar Express
140 bpm • G Maj • 03:57 • -7.04db
33% Popularity • 57% Danceability • 96% Energy • 8% Liveness
86% Instrumentalness • 8% Positiveness
33% Popularity • 57% Danceability • 96% Energy • 8% Liveness
86% Instrumentalness • 8% Positiveness
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Key4050
Faustino
140 bpm • G# min • 03:18 • -3.48db
12% Popularity • 52% Danceability • 99% Energy • 34% Liveness
88% Instrumentalness • 22% Positiveness
12% Popularity • 52% Danceability • 99% Energy • 34% Liveness
88% Instrumentalness • 22% Positiveness
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John Askew
Aces Hi
140 bpm • A# min • 03:44 • -4.49db
25% Popularity • 40% Danceability • 100% Energy • 46% Liveness
87% Instrumentalness • 23% Positiveness
25% Popularity • 40% Danceability • 100% Energy • 46% Liveness
87% Instrumentalness • 23% Positiveness
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Ahmed Romel
Serene
140 bpm • G# Maj • 04:05 • -10.23db
15% Popularity • 35% Danceability • 97% Energy • 10% Liveness
88% Instrumentalness • 7% Positiveness
15% Popularity • 35% Danceability • 97% Energy • 10% Liveness
88% Instrumentalness • 7% Positiveness
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Paul Denton
Ocean of Time
140 bpm • E min • 03:05 • -7.95db
19% Popularity • 57% Danceability • 99% Energy • 35% Liveness
84% Instrumentalness • 59% Positiveness
19% Popularity • 57% Danceability • 99% Energy • 35% Liveness
84% Instrumentalness • 59% Positiveness
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John O'Callaghan
Riverside
140 bpm • C# min • 03:52 • -8.41db
33% Popularity • 50% Danceability • 98% Energy • 46% Liveness
73% Instrumentalness • 31% Positiveness
33% Popularity • 50% Danceability • 98% Energy • 46% Liveness
73% Instrumentalness • 31% Positiveness
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Trance Wax
Artifical Intelligence
140 bpm • A# min • 03:18 • -4.97db
14% Popularity • 57% Danceability • 96% Energy • 10% Liveness
82% Instrumentalness • 46% Positiveness
14% Popularity • 57% Danceability • 96% Energy • 10% Liveness
82% Instrumentalness • 46% Positiveness
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Key4050
Beetlejuice
140 bpm • C# Maj • 05:08 • -7.78db
17% Popularity • 66% Danceability • 100% Energy • 18% Liveness
85% Instrumentalness • 67% Positiveness
17% Popularity • 66% Danceability • 100% Energy • 18% Liveness
85% Instrumentalness • 67% Positiveness
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Binary Finary
1998 (ASOT 1138) - Victor Ruiz Remix
140 bpm • G Maj • 04:34 • -5.89db
14% Popularity • 47% Danceability • 94% Energy • 12% Liveness
91% Instrumentalness • 3% Positiveness
14% Popularity • 47% Danceability • 94% Energy • 12% Liveness
91% Instrumentalness • 3% Positiveness
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John Askew
Aces Hi - Extended Mix
140 bpm • C# Maj • 08:18 • -4.51db
8% Popularity • 46% Danceability • 99% Energy • 5% Liveness
86% Instrumentalness • 44% Positiveness
8% Popularity • 46% Danceability • 99% Energy • 5% Liveness
86% Instrumentalness • 44% Positiveness
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Ahmed Romel
In Your Thoughts
140 bpm • F min • 05:02 • -6.03db
14% Popularity • 36% Danceability • 99% Energy • 6% Liveness
95% Instrumentalness • 10% Positiveness
14% Popularity • 36% Danceability • 99% Energy • 6% Liveness
95% Instrumentalness • 10% Positiveness
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Paul Denton
Recoil
140 bpm • A Maj • 02:55 • -5.74db
40% Popularity • 36% Danceability • 97% Energy • 73% Liveness
87% Instrumentalness • 35% Positiveness
40% Popularity • 36% Danceability • 97% Energy • 73% Liveness
87% Instrumentalness • 35% Positiveness
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John O'Callaghan
Impulse Barrier - Extended Mix
140 bpm • B Maj • 05:52 • -6.62db
7% Popularity • 62% Danceability • 98% Energy • 67% Liveness
87% Instrumentalness • 19% Positiveness
7% Popularity • 62% Danceability • 98% Energy • 67% Liveness
87% Instrumentalness • 19% Positiveness
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Marcel Woods
Advanced - Maddix Extended Remix
140 bpm • G# Maj • 05:47 • -7db
13% Popularity • 50% Danceability • 94% Energy • 7% Liveness
76% Instrumentalness • 43% Positiveness
13% Popularity • 50% Danceability • 94% Energy • 7% Liveness
76% Instrumentalness • 43% Positiveness
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Inoblivion
Silver Was The Sky
140 bpm • G# Maj • 07:46 • -5.94db
8% Popularity • 45% Danceability • 100% Energy • 66% Liveness
88% Instrumentalness • 60% Positiveness
8% Popularity • 45% Danceability • 100% Energy • 66% Liveness
88% Instrumentalness • 60% Positiveness
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BK
XTC Nation
140 bpm • G Maj • 03:29 • -6.49db
17% Popularity • 69% Danceability • 93% Energy • 10% Liveness
35% Instrumentalness • 44% Positiveness
17% Popularity • 69% Danceability • 93% Energy • 10% Liveness
35% Instrumentalness • 44% Positiveness
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Will Rees
Natural World - Extended Mix
140 bpm • F# min • 07:24 • -6.32db
8% Popularity • 48% Danceability • 100% Energy • 14% Liveness
81% Instrumentalness • 30% Positiveness
8% Popularity • 48% Danceability • 100% Energy • 14% Liveness
81% Instrumentalness • 30% Positiveness
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Sneijder
Dawn
140 bpm • C Maj • 03:57 • -5.84db
15% Popularity • 54% Danceability • 96% Energy • 24% Liveness
77% Instrumentalness • 12% Positiveness
15% Popularity • 54% Danceability • 96% Energy • 24% Liveness
77% Instrumentalness • 12% Positiveness
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![Let The Light Shine In (ASOT 1128) [Service For Dreamers] cover art](https://i.scdn.co/image/ab67616d00001e025988dc9fa3c11822be15d55b)
Darren Tate
Let The Light Shine In (ASOT 1128) [Serv...
140 bpm • D min • 03:05 • -10.18db
15% Popularity • 42% Danceability • 68% Energy • 70% Liveness
65% Instrumentalness • 4% Positiveness
15% Popularity • 42% Danceability • 68% Energy • 70% Liveness
65% Instrumentalness • 4% Positiveness
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John Askew
Running in the Dark (Mixed)
140 bpm • A# Maj • 01:22 • -8.49db
28% Popularity • 48% Danceability • 97% Energy • 40% Liveness
67% Instrumentalness • 30% Positiveness
28% Popularity • 48% Danceability • 97% Energy • 40% Liveness
67% Instrumentalness • 30% Positiveness
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Sam Laxton
Into Me
140 bpm • A Maj • 03:15 • -3.98db
16% Popularity • 51% Danceability • 96% Energy • 8% Liveness
68% Instrumentalness • 35% Positiveness
16% Popularity • 51% Danceability • 96% Energy • 8% Liveness
68% Instrumentalness • 35% Positiveness
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Paul Denton
Global Consciousness
140 bpm • F# min • 03:11 • -4.54db
30% Popularity • 46% Danceability • 99% Energy • 40% Liveness
84% Instrumentalness • 4% Positiveness
30% Popularity • 46% Danceability • 99% Energy • 40% Liveness
84% Instrumentalness • 4% Positiveness
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ID
A State of Trance ID #001 (ASOT 1166)
140 bpm • F# min • 03:10 • -7.42db
40% Popularity • 74% Danceability • 96% Energy • 14% Liveness
51% Instrumentalness • 80% Positiveness
40% Popularity • 74% Danceability • 96% Energy • 14% Liveness
51% Instrumentalness • 80% Positiveness
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Mark Sherry
Losing My Mind
140 bpm • F min • 04:02 • -6.29db
16% Popularity • 46% Danceability • 98% Energy • 23% Liveness
67% Instrumentalness • 16% Positiveness
16% Popularity • 46% Danceability • 98% Energy • 23% Liveness
67% Instrumentalness • 16% Positiveness
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STANDERWICK
Live For The Weekend
140 bpm • F# Maj • 03:27 • -5.13db
15% Popularity • 69% Danceability • 97% Energy • 12% Liveness
1% Instrumentalness • 18% Positiveness
15% Popularity • 69% Danceability • 97% Energy • 12% Liveness
1% Instrumentalness • 18% Positiveness
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Angelus
Roll The Dice
140 bpm • D Maj • 03:18 • -5.54db
17% Popularity • 37% Danceability • 98% Energy • 29% Liveness
55% Instrumentalness • 22% Positiveness
17% Popularity • 37% Danceability • 98% Energy • 29% Liveness
55% Instrumentalness • 22% Positiveness
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John Askew
Afterburner
140 bpm • G# Maj • 03:25 • -5.58db
20% Popularity • 48% Danceability • 99% Energy • 35% Liveness
55% Instrumentalness • 23% Positiveness
20% Popularity • 48% Danceability • 99% Energy • 35% Liveness
55% Instrumentalness • 23% Positiveness
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Andrea Ribeca
Ephemerides
140 bpm • C# Maj • 03:36 • -4.62db
23% Popularity • 56% Danceability • 96% Energy • 41% Liveness
2% Instrumentalness • 17% Positiveness
23% Popularity • 56% Danceability • 96% Energy • 41% Liveness
2% Instrumentalness • 17% Positiveness
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Will Rees
Sanctuary
140 bpm • G# min • 06:30 • -7.02db
15% Popularity • 45% Danceability • 98% Energy • 34% Liveness
93% Instrumentalness • 59% Positiveness
15% Popularity • 45% Danceability • 98% Energy • 34% Liveness
93% Instrumentalness • 59% Positiveness
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Lostly
Start a Fire
140 bpm • G# Maj • 03:41 • -5.67db
17% Popularity • 38% Danceability • 99% Energy • 59% Liveness
93% Instrumentalness • 49% Positiveness
17% Popularity • 38% Danceability • 99% Energy • 59% Liveness
93% Instrumentalness • 49% Positiveness
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Trance Wax
Love Me Higher
140 bpm • A# min • 03:45 • -5.69db
21% Popularity • 52% Danceability • 98% Energy • 15% Liveness
90% Instrumentalness • 21% Positiveness
21% Popularity • 52% Danceability • 98% Energy • 15% Liveness
90% Instrumentalness • 21% Positiveness
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Sneijder
In and Out of My Life - Will Rees Remix
140 bpm • A# min • 03:57 • -6.75db
36% Popularity • 25% Danceability • 99% Energy • 41% Liveness
79% Instrumentalness • 49% Positiveness
36% Popularity • 25% Danceability • 99% Energy • 41% Liveness
79% Instrumentalness • 49% Positiveness
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RAM
RAMplify - Asteroid Remix
140 bpm • D Maj • 03:48 • -7.2db
14% Popularity • 21% Danceability • 97% Energy • 90% Liveness
83% Instrumentalness • 28% Positiveness
14% Popularity • 21% Danceability • 97% Energy • 90% Liveness
83% Instrumentalness • 28% Positiveness
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Duran & Aytek
Orange
140 bpm • G Maj • 03:22 • -6.24db
18% Popularity • 73% Danceability • 98% Energy • 61% Liveness
92% Instrumentalness • 34% Positiveness
18% Popularity • 73% Danceability • 98% Energy • 61% Liveness
92% Instrumentalness • 34% Positiveness
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Andrea Ribeca
They Come Into My Head
140 bpm • G# Maj • 03:27 • -4.67db
22% Popularity • 52% Danceability • 99% Energy • 8% Liveness
70% Instrumentalness • 16% Positiveness
22% Popularity • 52% Danceability • 99% Energy • 8% Liveness
70% Instrumentalness • 16% Positiveness
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Lostly
Saudade - Extended Mix
140 bpm • D# min • 06:58 • -7.05db
7% Popularity • 56% Danceability • 96% Energy • 15% Liveness
82% Instrumentalness • 84% Positiveness
7% Popularity • 56% Danceability • 96% Energy • 15% Liveness
82% Instrumentalness • 84% Positiveness
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NG Rezonance
Want You
140 bpm • C# Maj • 04:43 • -6.07db
7% Popularity • 40% Danceability • 99% Energy • 36% Liveness
94% Instrumentalness • 41% Positiveness
7% Popularity • 40% Danceability • 99% Energy • 36% Liveness
94% Instrumentalness • 41% Positiveness
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John O'Callaghan
Impulse Barrier
140 bpm • B Maj • 03:30 • -6.16db
22% Popularity • 52% Danceability • 98% Energy • 37% Liveness
92% Instrumentalness • 8% Positiveness
22% Popularity • 52% Danceability • 98% Energy • 37% Liveness
92% Instrumentalness • 8% Positiveness
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Sneijder
Proper Order - Mark Sherry Remix
140 bpm • C# Maj • 04:00 • -5.23db
7% Popularity • 43% Danceability • 98% Energy • 39% Liveness
93% Instrumentalness • 50% Positiveness
7% Popularity • 43% Danceability • 98% Energy • 39% Liveness
93% Instrumentalness • 50% Positiveness
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John Askew
Running in the Dark
140 bpm • C Maj • 03:24 • -2.81db
22% Popularity • 55% Danceability • 99% Energy • 87% Liveness
2% Instrumentalness • 20% Positiveness
22% Popularity • 55% Danceability • 99% Energy • 87% Liveness
2% Instrumentalness • 20% Positiveness
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Sam Laxton
Scent
140 bpm • F# min • 03:23 • -4.43db
26% Popularity • 46% Danceability • 100% Energy • 58% Liveness
97% Instrumentalness • 41% Positiveness
26% Popularity • 46% Danceability • 100% Energy • 58% Liveness
97% Instrumentalness • 41% Positiveness
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Lostly
Saudade
140 bpm • D# min • 03:30 • -7.09db
12% Popularity • 48% Danceability • 92% Energy • 39% Liveness
73% Instrumentalness • 31% Positiveness
12% Popularity • 48% Danceability • 92% Energy • 39% Liveness
73% Instrumentalness • 31% Positiveness
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Steve Dekay
Black Magic
140 bpm • G Maj • 03:25 • -5.41db
23% Popularity • 57% Danceability • 94% Energy • 31% Liveness
90% Instrumentalness • 31% Positiveness
23% Popularity • 57% Danceability • 94% Energy • 31% Liveness
90% Instrumentalness • 31% Positiveness
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YORK
The Awakening - NRG Trax Remix
140 bpm • B min • 02:42 • -6db
26% Popularity • 74% Danceability • 96% Energy • 20% Liveness
74% Instrumentalness • 34% Positiveness
26% Popularity • 74% Danceability • 96% Energy • 20% Liveness
74% Instrumentalness • 34% Positiveness
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Sneijder
Into The Light
140 bpm • G# Maj • 04:17 • -5.32db
12% Popularity • 40% Danceability • 99% Energy • 31% Liveness
91% Instrumentalness • 27% Positiveness
12% Popularity • 40% Danceability • 99% Energy • 31% Liveness
91% Instrumentalness • 27% Positiveness
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Andrea Ribeca
Spielraum
140 bpm • G# Maj • 03:43 • -4.56db
27% Popularity • 56% Danceability • 98% Energy • 11% Liveness
74% Instrumentalness • 18% Positiveness
27% Popularity • 56% Danceability • 98% Energy • 11% Liveness
74% Instrumentalness • 18% Positiveness
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John O'Callaghan
Stresstest - John Askew Remix
140 bpm • F# Maj • 03:34 • -9.23db
21% Popularity • 43% Danceability • 98% Energy • 16% Liveness
97% Instrumentalness • 13% Positiveness
21% Popularity • 43% Danceability • 98% Energy • 16% Liveness
97% Instrumentalness • 13% Positiveness
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BK
XTC Nation (Mixed)
140 bpm • E min • 01:08 • -8.78db
28% Popularity • 59% Danceability • 99% Energy • 6% Liveness
72% Instrumentalness • 65% Positiveness
28% Popularity • 59% Danceability • 99% Energy • 6% Liveness
72% Instrumentalness • 65% Positiveness
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Scot Project
G2 (Good Times)
140 bpm • A Maj • 04:12 • -4.95db
12% Popularity • 57% Danceability • 93% Energy • 71% Liveness
84% Instrumentalness • 6% Positiveness
12% Popularity • 57% Danceability • 93% Energy • 71% Liveness
84% Instrumentalness • 6% Positiveness
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Will Rees
Exhilarate
138 bpm • E min • 04:06 • -5.62db
14% Popularity • 17% Danceability • 99% Energy • 81% Liveness
89% Instrumentalness • 13% Positiveness
14% Popularity • 17% Danceability • 99% Energy • 81% Liveness
89% Instrumentalness • 13% Positiveness
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Sneijder
Bring the Noize
140 bpm • A Maj • 03:48 • -6.47db
7% Popularity • 58% Danceability • 100% Energy • 39% Liveness
47% Instrumentalness • 6% Positiveness
7% Popularity • 58% Danceability • 100% Energy • 39% Liveness
47% Instrumentalness • 6% Positiveness
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Andrea Ribeca
Sonance
140 bpm • C min • 03:30 • -5.2db
32% Popularity • 41% Danceability • 98% Energy • 50% Liveness
89% Instrumentalness • 11% Positiveness
32% Popularity • 41% Danceability • 98% Energy • 50% Liveness
89% Instrumentalness • 11% Positiveness
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ID
A State of Trance ID #002 (ASOT 1166)
138 bpm • B min • 02:53 • -5.75db
40% Popularity • 50% Danceability • 91% Energy • 11% Liveness
47% Instrumentalness • 13% Positiveness
40% Popularity • 50% Danceability • 91% Energy • 11% Liveness
47% Instrumentalness • 13% Positiveness
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John Askew
Escapism (ASOT 1135) - Balthazar & JackR...
138 bpm • B Maj • 02:12 • -5.88db
7% Popularity • 50% Danceability • 98% Energy • 13% Liveness
94% Instrumentalness • 30% Positiveness
7% Popularity • 50% Danceability • 98% Energy • 13% Liveness
94% Instrumentalness • 30% Positiveness
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Woody van Eyden
Óskandi
138 bpm • G min • 03:36 • -5.37db
20% Popularity • 42% Danceability • 99% Energy • 28% Liveness
95% Instrumentalness • 4% Positiveness
20% Popularity • 42% Danceability • 99% Energy • 28% Liveness
95% Instrumentalness • 4% Positiveness
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Kryder
The Devil (ASOT 1143)
138 bpm • G Maj • 04:12 • -6.7db
11% Popularity • 60% Danceability • 98% Energy • 10% Liveness
18% Instrumentalness • 45% Positiveness
11% Popularity • 60% Danceability • 98% Energy • 10% Liveness
18% Instrumentalness • 45% Positiveness
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Lange
Sincere - William Byrne Remix
138 bpm • F# min • 03:52 • -11.5db
12% Popularity • 57% Danceability • 78% Energy • 32% Liveness
75% Instrumentalness • 16% Positiveness
12% Popularity • 57% Danceability • 78% Energy • 32% Liveness
75% Instrumentalness • 16% Positiveness
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Andrea Ribeca
Space Line
140 bpm • C# Maj • 03:37 • -5.21db
26% Popularity • 22% Danceability • 100% Energy • 84% Liveness
94% Instrumentalness • 6% Positiveness
26% Popularity • 22% Danceability • 100% Energy • 84% Liveness
94% Instrumentalness • 6% Positiveness
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Gareth Emery
Gunshots (Mixed) - Bogdan Vix Remix
138 bpm • A# min • 04:45 • -8.09db
16% Popularity • 44% Danceability • 99% Energy • 16% Liveness
27% Instrumentalness • 12% Positiveness
16% Popularity • 44% Danceability • 99% Energy • 16% Liveness
27% Instrumentalness • 12% Positiveness
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Key4050
Prometheus
138 bpm • C Maj • 04:59 • -9.8db
13% Popularity • 78% Danceability • 92% Energy • 9% Liveness
92% Instrumentalness • 91% Positiveness
13% Popularity • 78% Danceability • 92% Energy • 9% Liveness
92% Instrumentalness • 91% Positiveness
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Alan Morris
Esperanza
138 bpm • A min • 03:39 • -5.19db
14% Popularity • 37% Danceability • 96% Energy • 37% Liveness
85% Instrumentalness • 10% Positiveness
14% Popularity • 37% Danceability • 96% Energy • 37% Liveness
85% Instrumentalness • 10% Positiveness
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D72
Take Control (ASOT 1165)
138 bpm • G# Maj • 01:51 • -6.16db
39% Popularity • 53% Danceability • 93% Energy • 19% Liveness
94% Instrumentalness • 10% Positiveness
39% Popularity • 53% Danceability • 93% Energy • 19% Liveness
94% Instrumentalness • 10% Positiveness
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Sneijder
In And Out Of My Life (ASOT 1164) - Will...
138 bpm • A# min • 02:33 • -6.39db
38% Popularity • 44% Danceability • 98% Energy • 14% Liveness
89% Instrumentalness • 24% Positiveness
38% Popularity • 44% Danceability • 98% Energy • 14% Liveness
89% Instrumentalness • 24% Positiveness
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Binary Finary
1998 (ASOT 1140) - Victor Ruiz Remix
138 bpm • E min • 03:42 • -6.09db
18% Popularity • 30% Danceability • 90% Energy • 8% Liveness
82% Instrumentalness • 3% Positiveness
18% Popularity • 30% Danceability • 90% Energy • 8% Liveness
82% Instrumentalness • 3% Positiveness
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![Backstage (ASOT 1141) [Tune Of The Week] cover art](https://i.scdn.co/image/ab67616d00001e02789040573be9fd0501d3958c)
Silva City
Backstage (ASOT 1141) [Tune Of The Week]
138 bpm • G min • 03:11 • -6.87db
12% Popularity • 20% Danceability • 96% Energy • 21% Liveness
94% Instrumentalness • 40% Positiveness
12% Popularity • 20% Danceability • 96% Energy • 21% Liveness
94% Instrumentalness • 40% Positiveness
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Photographer
Subway
138 bpm • F min • 03:47 • -6.47db
18% Popularity • 42% Danceability • 96% Energy • 42% Liveness
96% Instrumentalness • 55% Positiveness
18% Popularity • 42% Danceability • 96% Energy • 42% Liveness
96% Instrumentalness • 55% Positiveness
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Marco V
GODD - Mark Sherry Remix
138 bpm • A# Maj • 04:20 • -12.12db
18% Popularity • 49% Danceability • 97% Energy • 20% Liveness
12% Instrumentalness • 19% Positiveness
18% Popularity • 49% Danceability • 97% Energy • 20% Liveness
12% Instrumentalness • 19% Positiveness
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A.r.d.i.
Mystical
138 bpm • F min • 03:21 • -7.43db
13% Popularity • 52% Danceability • 97% Energy • 32% Liveness
62% Instrumentalness • 4% Positiveness
13% Popularity • 52% Danceability • 97% Energy • 32% Liveness
62% Instrumentalness • 4% Positiveness
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Maria Healy
Midnight Oil
138 bpm • G min • 03:47 • -8.71db
13% Popularity • 40% Danceability • 99% Energy • 21% Liveness
94% Instrumentalness • 25% Positiveness
13% Popularity • 40% Danceability • 99% Energy • 21% Liveness
94% Instrumentalness • 25% Positiveness
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Key4050
Schillachi
138 bpm • C Maj • 04:43 • -10.69db
6% Popularity • 66% Danceability • 87% Energy • 14% Liveness
88% Instrumentalness • 33% Positiveness
6% Popularity • 66% Danceability • 87% Energy • 14% Liveness
88% Instrumentalness • 33% Positiveness
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Silva City
Hector (ASOT 1148)
138 bpm • B min • 03:00 • -6.98db
19% Popularity • 52% Danceability • 94% Energy • 33% Liveness
88% Instrumentalness • 25% Positiveness
19% Popularity • 52% Danceability • 94% Energy • 33% Liveness
88% Instrumentalness • 25% Positiveness
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Trance Wax
Open Up The Night (ASOT 1165) - X-Coast ...
138 bpm • E min • 02:33 • -5.5db
38% Popularity • 34% Danceability • 98% Energy • 16% Liveness
0% Instrumentalness • 77% Positiveness
38% Popularity • 34% Danceability • 98% Energy • 16% Liveness
0% Instrumentalness • 77% Positiveness
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![Eternity (ASOT 1103) [Service For Dreamers] - The Thrillseekers Remix cover art](https://i.scdn.co/image/ab67616d00001e02ad1019d53c46527b273c3d25)
Alibi
Eternity (ASOT 1103) [Service For Dreame...
138 bpm • D Maj • 01:51 • -8.14db
38% Popularity • 53% Danceability • 96% Energy • 10% Liveness
80% Instrumentalness • 26% Positiveness
38% Popularity • 53% Danceability • 96% Energy • 10% Liveness
80% Instrumentalness • 26% Positiveness
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Bryan Kearney
Shine A Light - Extended Mix
138 bpm • F Maj • 07:25 • -5.21db
18% Popularity • 62% Danceability • 99% Energy • 9% Liveness
8% Instrumentalness • 11% Positiveness
18% Popularity • 62% Danceability • 99% Energy • 9% Liveness
8% Instrumentalness • 11% Positiveness
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Joint Operations Centre
Darkstate (A Dreamstate Anthem)
138 bpm • B Maj • 03:23 • -6.22db
11% Popularity • 53% Danceability • 91% Energy • 68% Liveness
83% Instrumentalness • 10% Positiveness
11% Popularity • 53% Danceability • 91% Energy • 68% Liveness
83% Instrumentalness • 10% Positiveness
