Songs like Hopelessly In Love by Carroll Thompson
Based on a tempo of (+/- 10%) and a similar genre
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Leroy Mafia
You Lie
142 bpm • E Maj • 03:47 • -8.05db
17% Popularity • 68% Danceability • 43% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
17% Popularity • 68% Danceability • 43% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
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Barry Boom
Dial My Number
142 bpm • G min • 03:39 • -9.1db
20% Popularity • 75% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
20% Popularity • 75% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
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Carroll Thompson
Hopelessly In Love (12" Mix) (2021 - Rem...
142 bpm • F# Maj • 05:04 • -14.56db
10% Popularity • 81% Danceability • 28% Energy • 34% Liveness
0% Instrumentalness • 87% Positiveness
10% Popularity • 81% Danceability • 28% Energy • 34% Liveness
0% Instrumentalness • 87% Positiveness
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Janet Lee Davis
Key To Your Heart
142 bpm • D Maj • 02:56 • -10.9db
16% Popularity • 76% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
16% Popularity • 76% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
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Louisa Mark
Keep Away Girls - - Vocal & Dub
142 bpm • F min • 08:25 • -13.52db
10% Popularity • 81% Danceability • 38% Energy • 7% Liveness
8% Instrumentalness • 76% Positiveness
10% Popularity • 81% Danceability • 38% Energy • 7% Liveness
8% Instrumentalness • 76% Positiveness
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Janet Kay
I Do Love You
142 bpm • F Maj • 03:22 • -6.87db
27% Popularity • 69% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
27% Popularity • 69% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
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Intense
The Very Best
142 bpm • F# min • 03:13 • -8.1db
13% Popularity • 83% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
13% Popularity • 83% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Barry Boom
His Love
142 bpm • B min • 04:31 • -8.31db
13% Popularity • 71% Danceability • 46% Energy • 5% Liveness
0% Instrumentalness • 63% Positiveness
13% Popularity • 71% Danceability • 46% Energy • 5% Liveness
0% Instrumentalness • 63% Positiveness
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Horace Andy
Natty Dread A Weh She Want
142 bpm • D Maj • 03:52 • -9.97db
34% Popularity • 90% Danceability • 52% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
34% Popularity • 90% Danceability • 52% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
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Carroll Thompson
Hopelessly in Love
142 bpm • F# Maj • 03:53 • -15.09db
13% Popularity • 80% Danceability • 32% Energy • 15% Liveness
0% Instrumentalness • 94% Positiveness
13% Popularity • 80% Danceability • 32% Energy • 15% Liveness
0% Instrumentalness • 94% Positiveness
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Sister Love
Every Bit of My Heart
141 bpm • G Maj • 07:31 • -5.8db
9% Popularity • 83% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 76% Positiveness
9% Popularity • 83% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 76% Positiveness
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Tetrack
Let's Get Started
141 bpm • C# min • 03:43 • -8.57db
14% Popularity • 68% Danceability • 55% Energy • 17% Liveness
0% Instrumentalness • 59% Positiveness
14% Popularity • 68% Danceability • 55% Energy • 17% Liveness
0% Instrumentalness • 59% Positiveness
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Intense
On My Mind
141 bpm • E Maj • 03:42 • -13.63db
15% Popularity • 82% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
15% Popularity • 82% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Sandra Cross
Can I Be Your Girl
140 bpm • C Maj • 03:20 • -9.44db
21% Popularity • 85% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
21% Popularity • 85% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
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The Abyssinians
This Land Is For Everyone - Remastered 2...
144 bpm • G Maj • 03:55 • -5.93db
24% Popularity • 60% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
24% Popularity • 60% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
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Carroll Thompson
Hopelessly in Love (2021 - Remaster)
142 bpm • F# Maj • 03:55 • -15.2db
24% Popularity • 80% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 93% Positiveness
24% Popularity • 80% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 93% Positiveness
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Ruddy Thomas
When I Think of You (7" Mix)
144 bpm • C min • 03:29 • -11.9db
9% Popularity • 67% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 67% Positiveness
9% Popularity • 67% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 67% Positiveness
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The In Crowd
His Majesty Is Coming
140 bpm • G Maj • 03:16 • -7.53db
21% Popularity • 70% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
21% Popularity • 70% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Intense
On My Mind
141 bpm • C# min • 04:57 • -15.36db
10% Popularity • 80% Danceability • 28% Energy • 5% Liveness
0% Instrumentalness • 86% Positiveness
10% Popularity • 80% Danceability • 28% Energy • 5% Liveness
0% Instrumentalness • 86% Positiveness
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Sandra Cross
Hello There
140 bpm • G Maj • 03:42 • -8.67db
23% Popularity • 85% Danceability • 37% Energy • 10% Liveness
1% Instrumentalness • 52% Positiveness
23% Popularity • 85% Danceability • 37% Energy • 10% Liveness
1% Instrumentalness • 52% Positiveness
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Marie Pierre
Choose Me
140 bpm • F# min • 04:14 • -7.58db
13% Popularity • 68% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 61% Positiveness
13% Popularity • 68% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 61% Positiveness
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Carroll Thompson
Your Love (12" Mix) (2021 - Remaster)
143 bpm • C# Maj • 03:46 • -15.5db
10% Popularity • 77% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
10% Popularity • 77% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
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Ruddy Thomas
When I Think Of You
144 bpm • G min • 06:54 • -9.19db
22% Popularity • 71% Danceability • 45% Energy • 7% Liveness
10% Instrumentalness • 54% Positiveness
22% Popularity • 71% Danceability • 45% Energy • 7% Liveness
10% Instrumentalness • 54% Positiveness
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Peter Spence
Things in Life
140 bpm • A# min • 03:46 • -7.13db
23% Popularity • 73% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
23% Popularity • 73% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
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Garnett Silk
Harder
140 bpm • C Maj • 03:35 • -3.61db
18% Popularity • 91% Danceability • 60% Energy • 3% Liveness
0% Instrumentalness • 89% Positiveness
18% Popularity • 91% Danceability • 60% Energy • 3% Liveness
0% Instrumentalness • 89% Positiveness
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Louisa Mark
Hello There
140 bpm • A Maj • 04:16 • -10.54db
18% Popularity • 67% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
18% Popularity • 67% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
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Fred Locks
True Rastaman
140 bpm • F# min • 03:37 • -5.33db
25% Popularity • 78% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
25% Popularity • 78% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
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Carroll Thompson
Merry-Go-Round (2021 - Remaster)
141 bpm • C# min • 04:22 • -13.61db
18% Popularity • 72% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
18% Popularity • 72% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
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Samuel Blaser
Beautiful Bed of Lies
140 bpm • A# min • 05:03 • -9.11db
6% Popularity • 71% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
6% Popularity • 71% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
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Anthony Pure Silk Brightly
Your Love
140 bpm • G Maj • 04:40 • -11.98db
20% Popularity • 77% Danceability • 33% Energy • 18% Liveness
0% Instrumentalness • 76% Positiveness
20% Popularity • 77% Danceability • 33% Energy • 18% Liveness
0% Instrumentalness • 76% Positiveness
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Leroy Smart
Balistic Affair
145 bpm • B min • 03:03 • -9.88db
32% Popularity • 86% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
32% Popularity • 86% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
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George Faith
Have I Told You Lately
139 bpm • F Maj • 03:49 • -12.36db
17% Popularity • 76% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
17% Popularity • 76% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Audrey Scott
Goodbye My Love
145 bpm • F# Maj • 04:23 • -17.55db
13% Popularity • 83% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
13% Popularity • 83% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
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Carroll Thompson
World of Love
144 bpm • G# Maj • 03:34 • -14.92db
4% Popularity • 63% Danceability • 32% Energy • 33% Liveness
0% Instrumentalness • 63% Positiveness
4% Popularity • 63% Danceability • 32% Energy • 33% Liveness
0% Instrumentalness • 63% Positiveness
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Various Artists
Mellow - Intense
139 bpm • G Maj • 04:07 • -9.67db
17% Popularity • 70% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
17% Popularity • 70% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
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John McLean
Black Is Our Colour
146 bpm • F min • 02:50 • -10.01db
14% Popularity • 75% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
14% Popularity • 75% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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Vivian Jones
Extra Classic S.F
146 bpm • C# min • 04:00 • -10.21db
10% Popularity • 73% Danceability • 51% Energy • 19% Liveness
0% Instrumentalness • 92% Positiveness
10% Popularity • 73% Danceability • 51% Energy • 19% Liveness
0% Instrumentalness • 92% Positiveness
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Jimmy London
Jimmy Say Hello
145 bpm • C# Maj • 03:01 • -13.42db
26% Popularity • 78% Danceability • 39% Energy • 23% Liveness
0% Instrumentalness • 90% Positiveness
26% Popularity • 78% Danceability • 39% Energy • 23% Liveness
0% Instrumentalness • 90% Positiveness
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Louisa Mark
All My Loving
138 bpm • C# Maj • 03:23 • -14.04db
12% Popularity • 67% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
12% Popularity • 67% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
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Carroll Thompson
Your Love
140 bpm • C Maj • 03:51 • -14.72db
6% Popularity • 79% Danceability • 33% Energy • 5% Liveness
0% Instrumentalness • 87% Positiveness
6% Popularity • 79% Danceability • 33% Energy • 5% Liveness
0% Instrumentalness • 87% Positiveness
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Lloyd Parks
Officially
138 bpm • A# Maj • 03:01 • -12.64db
23% Popularity • 83% Danceability • 42% Energy • 33% Liveness
0% Instrumentalness • 95% Positiveness
23% Popularity • 83% Danceability • 42% Energy • 33% Liveness
0% Instrumentalness • 95% Positiveness
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Kofi
Keep U Satisfied
146 bpm • F# min • 03:51 • -11.22db
29% Popularity • 88% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
29% Popularity • 88% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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Michael Gordon
Turn Out the Lights
146 bpm • A# Maj • 05:30 • -6.21db
17% Popularity • 81% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
17% Popularity • 81% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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Larry Marshall
Thelma
146 bpm • C Maj • 02:46 • -13db
17% Popularity • 74% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 95% Positiveness
17% Popularity • 74% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 95% Positiveness
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Peter Spence
Baby I
146 bpm • G# Maj • 04:40 • -9.38db
16% Popularity • 75% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
16% Popularity • 75% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
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Carroll Thompson
Dreams of You
140 bpm • G Maj • 04:25 • -14.74db
4% Popularity • 63% Danceability • 40% Energy • 17% Liveness
0% Instrumentalness • 82% Positiveness
4% Popularity • 63% Danceability • 40% Energy • 17% Liveness
0% Instrumentalness • 82% Positiveness
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Nerious Joseph
Guidance
138 bpm • C Maj • 03:52 • -15.09db
33% Popularity • 88% Danceability • 27% Energy • 4% Liveness
0% Instrumentalness • 93% Positiveness
33% Popularity • 88% Danceability • 27% Energy • 4% Liveness
0% Instrumentalness • 93% Positiveness
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Janet-Lee Davis
You Pour Sugar On Me
138 bpm • F min • 03:58 • -7.23db
7% Popularity • 80% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
7% Popularity • 80% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
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Kofi
In Love With a Dreadlock
138 bpm • G Maj • 03:22 • -9.39db
15% Popularity • 78% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
15% Popularity • 78% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
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Ginger Williams
I'll Still Love You
146 bpm • C# Maj • 03:39 • -12.5db
25% Popularity • 68% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
25% Popularity • 68% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
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John McLean
Starliner
138 bpm • G Maj • 03:32 • -14.81db
17% Popularity • 83% Danceability • 35% Energy • 7% Liveness
22% Instrumentalness • 76% Positiveness
17% Popularity • 83% Danceability • 35% Energy • 7% Liveness
22% Instrumentalness • 76% Positiveness
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Carroll Thompson
Unity
146 bpm • C Maj • 05:17 • -12.15db
3% Popularity • 79% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 75% Positiveness
3% Popularity • 79% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 75% Positiveness
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Junior Tucker
Love Of A Lifetime
147 bpm • A Maj • 03:36 • -15.4db
34% Popularity • 89% Danceability • 27% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
34% Popularity • 89% Danceability • 27% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
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Tinga Stewart
Dream Of Me
147 bpm • G Maj • 03:24 • -5.92db
9% Popularity • 82% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
9% Popularity • 82% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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Cassandra
Thank You for the Many Things You've Don...
137 bpm • C Maj • 03:34 • -8.16db
16% Popularity • 84% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 89% Positiveness
16% Popularity • 84% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 89% Positiveness
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Winston Groovy
I Wanna Be Loved
147 bpm • F# Maj • 02:17 • -10.15db
17% Popularity • 86% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
17% Popularity • 86% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
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Sandra Cross
Put It On
137 bpm • C Maj • 04:47 • -13.08db
23% Popularity • 86% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
23% Popularity • 86% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
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Carroll Thompson
The Other Side Of Love
138 bpm • G Maj • 03:05 • -15db
11% Popularity • 82% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
11% Popularity • 82% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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Phil Francis
Laugh It Off
148 bpm • D Maj • 03:04 • -8.57db
8% Popularity • 68% Danceability • 47% Energy • 10% Liveness
1% Instrumentalness • 44% Positiveness
8% Popularity • 68% Danceability • 47% Energy • 10% Liveness
1% Instrumentalness • 44% Positiveness
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Winston Reedy
Baby Love
148 bpm • A Maj • 04:04 • -7.06db
14% Popularity • 71% Danceability • 73% Energy • 28% Liveness
0% Instrumentalness • 92% Positiveness
14% Popularity • 71% Danceability • 73% Energy • 28% Liveness
0% Instrumentalness • 92% Positiveness
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John McLean
And Now You're Gone
148 bpm • D Maj • 05:32 • -11.27db
8% Popularity • 72% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
8% Popularity • 72% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
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Louisa Mark
Moving Target
136 bpm • C# min • 03:42 • -12.92db
15% Popularity • 78% Danceability • 43% Energy • 4% Liveness
0% Instrumentalness • 97% Positiveness
15% Popularity • 78% Danceability • 43% Energy • 4% Liveness
0% Instrumentalness • 97% Positiveness
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Larry Marshall
I Admire You
136 bpm • F# Maj • 02:47 • -6.91db
16% Popularity • 86% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
16% Popularity • 86% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
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Carroll Thompson
Other Side Of Love
138 bpm • G Maj • 03:02 • -12.67db
0% Popularity • 75% Danceability • 49% Energy • 26% Liveness
0% Instrumentalness • 80% Positiveness
0% Popularity • 75% Danceability • 49% Energy • 26% Liveness
0% Instrumentalness • 80% Positiveness
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Private Collection
Slow Down
148 bpm • C min • 03:50 • -10.82db
17% Popularity • 77% Danceability • 40% Energy • 26% Liveness
0% Instrumentalness • 94% Positiveness
17% Popularity • 77% Danceability • 40% Energy • 26% Liveness
0% Instrumentalness • 94% Positiveness
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Ambelique
She's Mine
148 bpm • F Maj • 03:33 • -5.62db
18% Popularity • 77% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
18% Popularity • 77% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
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The Meditations
Something Looking Good
136 bpm • A Maj • 03:56 • -7.95db
15% Popularity • 86% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
15% Popularity • 86% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
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Tyrone Taylor
Cottage In Negril
136 bpm • C# Maj • 04:37 • -8db
11% Popularity • 64% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 84% Positiveness
11% Popularity • 64% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 84% Positiveness
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Alpha
Cant Get Over You
135 bpm • G Maj • 05:05 • -7.6db
18% Popularity • 78% Danceability • 43% Energy • 3% Liveness
0% Instrumentalness • 87% Positiveness
18% Popularity • 78% Danceability • 43% Energy • 3% Liveness
0% Instrumentalness • 87% Positiveness
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Carroll Thompson
Simply in Love (2021 - Remaster)
138 bpm • A Maj • 04:02 • -15.36db
19% Popularity • 77% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
19% Popularity • 77% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
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The Sadonians
Goodbye My Love
135 bpm • F min • 05:20 • -8.02db
20% Popularity • 69% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 57% Positiveness
20% Popularity • 69% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 57% Positiveness
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Roland Burrell
Stormy Night
135 bpm • G Maj • 02:53 • -13.5db
31% Popularity • 71% Danceability • 38% Energy • 48% Liveness
0% Instrumentalness • 83% Positiveness
31% Popularity • 71% Danceability • 38% Energy • 48% Liveness
0% Instrumentalness • 83% Positiveness
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Jimmy London
Bridge over Trouble Waters
135 bpm • D Maj • 03:22 • -5.06db
17% Popularity • 86% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
17% Popularity • 86% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
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Kofi
Secret Combination
135 bpm • B Maj • 02:59 • -10.03db
16% Popularity • 88% Danceability • 25% Energy • 6% Liveness
0% Instrumentalness • 65% Positiveness
16% Popularity • 88% Danceability • 25% Energy • 6% Liveness
0% Instrumentalness • 65% Positiveness
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Donna Rhoden
Its True
135 bpm • C Maj • 04:29 • -9.18db
24% Popularity • 73% Danceability • 60% Energy • 13% Liveness
4% Instrumentalness • 77% Positiveness
24% Popularity • 73% Danceability • 60% Energy • 13% Liveness
4% Instrumentalness • 77% Positiveness
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Sandra Cross
Can't Let You Go
135 bpm • C Maj • 06:15 • -12.92db
12% Popularity • 87% Danceability • 44% Energy • 23% Liveness
0% Instrumentalness • 84% Positiveness
12% Popularity • 87% Danceability • 44% Energy • 23% Liveness
0% Instrumentalness • 84% Positiveness
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Carroll Thompson
The Other Side Of Love
136 bpm • B min • 04:27 • -13.99db
5% Popularity • 76% Danceability • 35% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
5% Popularity • 76% Danceability • 35% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
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Berres Hammond & Zap Power
Sunshine People
150 bpm • G min • 03:43 • -11.49db
6% Popularity • 72% Danceability • 49% Energy • 4% Liveness
0% Instrumentalness • 82% Positiveness
6% Popularity • 72% Danceability • 49% Energy • 4% Liveness
0% Instrumentalness • 82% Positiveness
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15 16 17
Emotions
150 bpm • D Maj • 03:50 • -9.11db
15% Popularity • 64% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
15% Popularity • 64% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Kofi
Didn't I
134 bpm • C Maj • 05:28 • -13.65db
27% Popularity • 78% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
27% Popularity • 78% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
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Ambelique
Get You Off My Mind
134 bpm • B Maj • 03:05 • -13.23db
11% Popularity • 89% Danceability • 15% Energy • 5% Liveness
0% Instrumentalness • 67% Positiveness
11% Popularity • 89% Danceability • 15% Energy • 5% Liveness
0% Instrumentalness • 67% Positiveness
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Eargasm
This Is Lovers Rock
134 bpm • G Maj • 07:07 • -23.88db
15% Popularity • 56% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
15% Popularity • 56% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Carroll Thompson
Sing Me a Love Song (2021 - Remaster)
136 bpm • G# min • 04:15 • -13.7db
23% Popularity • 77% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
23% Popularity • 77% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
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Sylvia Tella
Happy Home
151 bpm • A Maj • 03:48 • -6db
17% Popularity • 79% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 67% Positiveness
17% Popularity • 79% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 67% Positiveness
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Legato
Fool for Your Love
134 bpm • C# Maj • 04:13 • -7.28db
13% Popularity • 67% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
13% Popularity • 67% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
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Kofi
Dread a Who She Love
134 bpm • G Maj • 03:05 • -12.88db
14% Popularity • 91% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
14% Popularity • 91% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
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Sandra Cross
I Adore You
134 bpm • F Maj • 03:59 • -8.78db
25% Popularity • 81% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 52% Positiveness
25% Popularity • 81% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 52% Positiveness
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Louisa Mark
Funny Guys
134 bpm • B Maj • 03:23 • -15db
7% Popularity • 79% Danceability • 44% Energy • 6% Liveness
8% Instrumentalness • 75% Positiveness
7% Popularity • 79% Danceability • 44% Energy • 6% Liveness
8% Instrumentalness • 75% Positiveness
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Carroll Thompson
I'm so Sorry (2021 - Remaster)
136 bpm • A Maj • 04:24 • -15.13db
21% Popularity • 86% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
21% Popularity • 86% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
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Hugo Lobo
Dreamland
134 bpm • F Maj • 03:10 • -7.32db
5% Popularity • 72% Danceability • 52% Energy • 17% Liveness
0% Instrumentalness • 81% Positiveness
5% Popularity • 72% Danceability • 52% Energy • 17% Liveness
0% Instrumentalness • 81% Positiveness
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Bunny Maloney
Baby I've Been Missing You
151 bpm • F Maj • 04:15 • -7db
21% Popularity • 73% Danceability • 64% Energy • 14% Liveness
2% Instrumentalness • 78% Positiveness
21% Popularity • 73% Danceability • 64% Energy • 14% Liveness
2% Instrumentalness • 78% Positiveness
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Revelation
With You Boy
133 bpm • G Maj • 06:13 • -6.27db
20% Popularity • 82% Danceability • 64% Energy • 8% Liveness
6% Instrumentalness • 65% Positiveness
20% Popularity • 82% Danceability • 64% Energy • 8% Liveness
6% Instrumentalness • 65% Positiveness
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Jimmy London
Cathy's Clown
152 bpm • B min • 02:40 • -6db
25% Popularity • 71% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
25% Popularity • 71% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
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Black Harmony
What's It All About
133 bpm • A Maj • 04:20 • -12.36db
15% Popularity • 76% Danceability • 48% Energy • 15% Liveness
8% Instrumentalness • 84% Positiveness
15% Popularity • 76% Danceability • 48% Energy • 15% Liveness
8% Instrumentalness • 84% Positiveness
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Carroll Thompson
When We Are as One (2021 - Remaster)
136 bpm • G Maj • 03:51 • -15.48db
19% Popularity • 84% Danceability • 32% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
19% Popularity • 84% Danceability • 32% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
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Ronnie Davis
My World
133 bpm • C Maj • 02:27 • -8db
15% Popularity • 72% Danceability • 55% Energy • 20% Liveness
0% Instrumentalness • 80% Positiveness
15% Popularity • 72% Danceability • 55% Energy • 20% Liveness
0% Instrumentalness • 80% Positiveness
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Louisa Mark
Step It Brother Clem
133 bpm • E Maj • 02:26 • -14.93db
14% Popularity • 77% Danceability • 41% Energy • 33% Liveness
0% Instrumentalness • 66% Positiveness
14% Popularity • 77% Danceability • 41% Energy • 33% Liveness
0% Instrumentalness • 66% Positiveness
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TonyJ
Telephone Line
133 bpm • C Maj • 05:52 • -8.4db
10% Popularity • 83% Danceability • 69% Energy • 30% Liveness
0% Instrumentalness • 96% Positiveness
10% Popularity • 83% Danceability • 69% Energy • 30% Liveness
0% Instrumentalness • 96% Positiveness
