Songs like Hot Mess by Tebey
Based on a tempo of (+/- 10%) and a similar genre
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River Town Saints
Slow Kiss
113 bpm • E Maj • 02:37 • -5.81db
25% Popularity • 58% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
25% Popularity • 58% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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Marty Heddin
Going Like It's Going
113 bpm • E Maj • 02:46 • -5.1db
15% Popularity • 70% Danceability • 78% Energy • 23% Liveness
0% Instrumentalness • 48% Positiveness
15% Popularity • 70% Danceability • 78% Energy • 23% Liveness
0% Instrumentalness • 48% Positiveness
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Tebey
Hot Mess
113 bpm • B min • 02:53 • -2.48db
17% Popularity • 61% Danceability • 91% Energy • 31% Liveness
0% Instrumentalness • 69% Positiveness
17% Popularity • 61% Danceability • 91% Energy • 31% Liveness
0% Instrumentalness • 69% Positiveness
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Mitch Rossell
All About Me
113 bpm • F Maj • 03:34 • -6.63db
18% Popularity • 58% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
18% Popularity • 58% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Frank Ray
I'm Yours
112 bpm • B Maj • 02:50 • -5.62db
9% Popularity • 64% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
9% Popularity • 64% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Jason Blaine
Ain't Got Growin' Up Down Yet
112 bpm • A Maj • 03:29 • -3db
14% Popularity • 58% Danceability • 87% Energy • 25% Liveness
0% Instrumentalness • 64% Positiveness
14% Popularity • 58% Danceability • 87% Energy • 25% Liveness
0% Instrumentalness • 64% Positiveness
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Mark Leach
'65 Chevy Cool
112 bpm • D Maj • 03:27 • -7db
9% Popularity • 72% Danceability • 77% Energy • 27% Liveness
0% Instrumentalness • 53% Positiveness
9% Popularity • 72% Danceability • 77% Energy • 27% Liveness
0% Instrumentalness • 53% Positiveness
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Easton Corbin
Somebody's Gotta Be Country
114 bpm • G# Maj • 02:58 • -4.22db
26% Popularity • 72% Danceability • 72% Energy • 17% Liveness
0% Instrumentalness • 88% Positiveness
26% Popularity • 72% Danceability • 72% Energy • 17% Liveness
0% Instrumentalness • 88% Positiveness
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Ryan Robinette
Summer Better Than Others
114 bpm • F Maj • 02:53 • -5.55db
25% Popularity • 66% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
25% Popularity • 66% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Matt Stillwell
Something We Can Dance To
112 bpm • E Maj • 03:25 • -8.02db
16% Popularity • 67% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
16% Popularity • 67% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
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Dusty Black
You Can Say That Again
112 bpm • B Maj • 02:36 • -4.65db
29% Popularity • 55% Danceability • 79% Energy • 8% Liveness
2% Instrumentalness • 70% Positiveness
29% Popularity • 55% Danceability • 79% Energy • 8% Liveness
2% Instrumentalness • 70% Positiveness
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Styles Haury
What's Left of Me
112 bpm • G# Maj • 02:58 • -4db
12% Popularity • 64% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
12% Popularity • 64% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
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Tebey
Bad for Me
114 bpm • C# min • 02:45 • -2.59db
23% Popularity • 61% Danceability • 88% Energy • 44% Liveness
0% Instrumentalness • 68% Positiveness
23% Popularity • 61% Danceability • 88% Energy • 44% Liveness
0% Instrumentalness • 68% Positiveness
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James Barker Band
Slow Down Town
112 bpm • C# Maj • 03:26 • -5db
32% Popularity • 57% Danceability • 79% Energy • 6% Liveness
0% Instrumentalness • 21% Positiveness
32% Popularity • 57% Danceability • 79% Energy • 6% Liveness
0% Instrumentalness • 21% Positiveness
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Ryan Robinette
Beach Please
114 bpm • G Maj • 02:51 • -4.58db
19% Popularity • 63% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
19% Popularity • 63% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
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Nestor Andress
Drunk at a Bar
114 bpm • G# Maj • 03:10 • -4.44db
16% Popularity • 64% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
16% Popularity • 64% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Ben Gallaher
Love You Like America
114 bpm • C Maj • 02:48 • -4.41db
14% Popularity • 49% Danceability • 91% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
14% Popularity • 49% Danceability • 91% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
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Bobby Wills
Raise The Bar
115 bpm • D Maj • 02:38 • -3.63db
5% Popularity • 74% Danceability • 88% Energy • 24% Liveness
0% Instrumentalness • 90% Positiveness
5% Popularity • 74% Danceability • 88% Energy • 24% Liveness
0% Instrumentalness • 90% Positiveness
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Tebey
Till It's Gone
114 bpm • G# Maj • 03:22 • -5db
24% Popularity • 58% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
24% Popularity • 58% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Kip Moore
Motorcycle
115 bpm • G Maj • 04:14 • -7.1db
30% Popularity • 68% Danceability • 87% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
30% Popularity • 68% Danceability • 87% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
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Ryan Robinette
I'll Tap Anything
111 bpm • C Maj • 03:03 • -3db
16% Popularity • 61% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
16% Popularity • 61% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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Hillside Outlaws
Girls in Trucks
111 bpm • B Maj • 03:19 • -3.14db
13% Popularity • 65% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
13% Popularity • 65% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
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Carter Lybrand
It's Gonna Take Neon
115 bpm • A# Maj • 03:27 • -6.76db
32% Popularity • 59% Danceability • 78% Energy • 31% Liveness
3% Instrumentalness • 74% Positiveness
32% Popularity • 59% Danceability • 78% Energy • 31% Liveness
3% Instrumentalness • 74% Positiveness
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Bobby Wills
Somebody Will
111 bpm • D Maj • 03:10 • -8db
12% Popularity • 62% Danceability • 57% Energy • 21% Liveness
0% Instrumentalness • 88% Positiveness
12% Popularity • 62% Danceability • 57% Energy • 21% Liveness
0% Instrumentalness • 88% Positiveness
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Adam Sanders
Daddy Jesus and Earnhardt
115 bpm • G Maj • 03:29 • -5db
19% Popularity • 60% Danceability • 88% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
19% Popularity • 60% Danceability • 88% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
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Tebey
What Was I Drinking
116 bpm • E min • 02:57 • -3db
35% Popularity • 64% Danceability • 90% Energy • 24% Liveness
0% Instrumentalness • 55% Positiveness
35% Popularity • 64% Danceability • 90% Energy • 24% Liveness
0% Instrumentalness • 55% Positiveness
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Ryan Lindsay
Wild
116 bpm • C# Maj • 02:51 • -4.98db
11% Popularity • 61% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
11% Popularity • 61% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
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Hunter Brothers
Lost
110 bpm • C# Maj • 02:43 • -4.47db
42% Popularity • 58% Danceability • 80% Energy • 35% Liveness
0% Instrumentalness • 59% Positiveness
42% Popularity • 58% Danceability • 80% Energy • 35% Liveness
0% Instrumentalness • 59% Positiveness
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Dallas Smith
Side Effects
110 bpm • E Maj • 02:57 • -4db
37% Popularity • 63% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
37% Popularity • 63% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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James Barker Band
Chills
116 bpm • G# min • 03:08 • -6db
50% Popularity • 66% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
50% Popularity • 66% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Shelby Lee Lowe
Be That Fire
110 bpm • E Maj • 03:30 • -7.86db
31% Popularity • 63% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
31% Popularity • 63% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Tebey
What Was I Drinking - Acoustic
116 bpm • G Maj • 02:58 • -6.34db
13% Popularity • 79% Danceability • 78% Energy • 3% Liveness
0% Instrumentalness • 92% Positiveness
13% Popularity • 79% Danceability • 78% Energy • 3% Liveness
0% Instrumentalness • 92% Positiveness
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Doug McCormick
Pretty Girls & Fishing Poles
110 bpm • A Maj • 03:58 • -4db
12% Popularity • 65% Danceability • 88% Energy • 32% Liveness
0% Instrumentalness • 85% Positiveness
12% Popularity • 65% Danceability • 88% Energy • 32% Liveness
0% Instrumentalness • 85% Positiveness
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Nick Hickman
Bridges To Burn
110 bpm • B Maj • 03:10 • -6.1db
10% Popularity • 68% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
10% Popularity • 68% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Houston Bernard
People We Are
110 bpm • A Maj • 02:44 • -6.79db
13% Popularity • 55% Danceability • 68% Energy • 32% Liveness
0% Instrumentalness • 74% Positiveness
13% Popularity • 55% Danceability • 68% Energy • 32% Liveness
0% Instrumentalness • 74% Positiveness
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The Washboard Union
She Gets Me
110 bpm • A Maj • 03:25 • -6db
30% Popularity • 72% Danceability • 82% Energy • 30% Liveness
0% Instrumentalness • 61% Positiveness
30% Popularity • 72% Danceability • 82% Energy • 30% Liveness
0% Instrumentalness • 61% Positiveness
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Blane Howard
Rock on Her Window
110 bpm • C Maj • 03:19 • -2db
11% Popularity • 62% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
11% Popularity • 62% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Tebey
Show You What It's Like (Sam Ellis Remix...
110 bpm • D Maj • 03:15 • -6.3db
16% Popularity • 51% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
16% Popularity • 51% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Todd Cameron
Denim Days, Neon Lights
117 bpm • G Maj • 03:10 • -3db
23% Popularity • 53% Danceability • 91% Energy • 25% Liveness
0% Instrumentalness • 71% Positiveness
23% Popularity • 53% Danceability • 91% Energy • 25% Liveness
0% Instrumentalness • 71% Positiveness
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Chad Brownlee
Back In The Game
117 bpm • B Maj • 03:03 • -4.46db
20% Popularity • 66% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
20% Popularity • 66% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Bobby Wills
Pretty Good Tonight
117 bpm • G# Maj • 02:41 • -5.68db
11% Popularity • 56% Danceability • 78% Energy • 25% Liveness
0% Instrumentalness • 42% Positiveness
11% Popularity • 56% Danceability • 78% Energy • 25% Liveness
0% Instrumentalness • 42% Positiveness
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Carvin Walls
It's Workin'
109 bpm • G Maj • 02:56 • -5.74db
19% Popularity • 74% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
19% Popularity • 74% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
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Dallas Smith
Somebody Somewhere
118 bpm • B Maj • 03:30 • -2.78db
32% Popularity • 56% Danceability • 91% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
32% Popularity • 56% Danceability • 91% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
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Tebey
Now I Do
109 bpm • A Maj • 03:58 • -3.45db
23% Popularity • 62% Danceability • 87% Energy • 22% Liveness
0% Instrumentalness • 50% Positiveness
23% Popularity • 62% Danceability • 87% Energy • 22% Liveness
0% Instrumentalness • 50% Positiveness
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The Gusto
Thinkin Bout Drinkin
118 bpm • C# Maj • 03:07 • -9.59db
19% Popularity • 72% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
19% Popularity • 72% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
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Trey Calloway
When You Walk In
118 bpm • G# Maj • 03:31 • -3.69db
20% Popularity • 53% Danceability • 93% Energy • 17% Liveness
0% Instrumentalness • 52% Positiveness
20% Popularity • 53% Danceability • 93% Energy • 17% Liveness
0% Instrumentalness • 52% Positiveness
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Lee Brice
If You
118 bpm • D Maj • 02:13 • -5.93db
38% Popularity • 67% Danceability • 76% Energy • 28% Liveness
0% Instrumentalness • 98% Positiveness
38% Popularity • 67% Danceability • 76% Energy • 28% Liveness
0% Instrumentalness • 98% Positiveness
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James Barker Band
It's Working
118 bpm • G Maj • 03:13 • -5db
39% Popularity • 67% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
39% Popularity • 67% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Jon Langston
Howdy Howdy Howdy
118 bpm • G Maj • 03:04 • -4.56db
30% Popularity • 64% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
30% Popularity • 64% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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Ben Gallaher
Every Small Town
118 bpm • G Maj • 03:22 • -4.41db
23% Popularity • 59% Danceability • 90% Energy • 23% Liveness
0% Instrumentalness • 67% Positiveness
23% Popularity • 59% Danceability • 90% Energy • 23% Liveness
0% Instrumentalness • 67% Positiveness
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Landon Parker
Good Beer Drinkin'
118 bpm • D Maj • 03:22 • -4db
24% Popularity • 58% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
24% Popularity • 58% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
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Chris Buck Band
Holy Ground
118 bpm • G Maj • 02:53 • -4.62db
26% Popularity • 58% Danceability • 82% Energy • 38% Liveness
0% Instrumentalness • 32% Positiveness
26% Popularity • 58% Danceability • 82% Energy • 38% Liveness
0% Instrumentalness • 32% Positiveness
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Travis Denning
River Named Mississippi
108 bpm • G Maj • 02:45 • -5.32db
36% Popularity • 71% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
36% Popularity • 71% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Justin Fancy
Laid Back Kinda Night
108 bpm • A# Maj • 03:05 • -4.29db
8% Popularity • 60% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
8% Popularity • 60% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Bobby Wills
Never Didn’t Love You
108 bpm • B min • 03:13 • -6db
27% Popularity • 67% Danceability • 80% Energy • 22% Liveness
0% Instrumentalness • 79% Positiveness
27% Popularity • 67% Danceability • 80% Energy • 22% Liveness
0% Instrumentalness • 79% Positiveness
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Chad Brownlee
Forever's Gotta Start Somewhere
108 bpm • C Maj • 03:09 • -4db
43% Popularity • 55% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
43% Popularity • 55% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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The Reklaws
Hometown Kids
108 bpm • F Maj • 03:06 • -6db
36% Popularity • 57% Danceability • 79% Energy • 27% Liveness
0% Instrumentalness • 75% Positiveness
36% Popularity • 57% Danceability • 79% Energy • 27% Liveness
0% Instrumentalness • 75% Positiveness
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Jason Cassidy
I Got It Good
119 bpm • F Maj • 03:22 • -4.85db
10% Popularity • 56% Danceability • 90% Energy • 18% Liveness
0% Instrumentalness • 55% Positiveness
10% Popularity • 56% Danceability • 90% Energy • 18% Liveness
0% Instrumentalness • 55% Positiveness
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David Adam Byrnes
Tequila Salt and Time
119 bpm • A# Maj • 03:36 • -5.54db
28% Popularity • 68% Danceability • 90% Energy • 33% Liveness
0% Instrumentalness • 84% Positiveness
28% Popularity • 68% Danceability • 90% Energy • 33% Liveness
0% Instrumentalness • 84% Positiveness
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Landon Parker
Up for Anything
119 bpm • C Maj • 02:54 • -4db
22% Popularity • 72% Danceability • 73% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
22% Popularity • 72% Danceability • 73% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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Tebey
Happened on a Saturday Night
119 bpm • C# Maj • 02:53 • -5.11db
43% Popularity • 64% Danceability • 89% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
43% Popularity • 64% Danceability • 89% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
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Dustin Huff
Damn Good
107 bpm • B Maj • 03:13 • -6.26db
13% Popularity • 62% Danceability • 77% Energy • 26% Liveness
0% Instrumentalness • 83% Positiveness
13% Popularity • 62% Danceability • 77% Energy • 26% Liveness
0% Instrumentalness • 83% Positiveness
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Travis Denning
Add Her To The List
107 bpm • F# Maj • 02:38 • -5.99db
48% Popularity • 60% Danceability • 73% Energy • 18% Liveness
0% Instrumentalness • 61% Positiveness
48% Popularity • 60% Danceability • 73% Energy • 18% Liveness
0% Instrumentalness • 61% Positiveness
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Lucas Hoge
To Go With Whiskey
107 bpm • E min • 03:15 • -5.36db
20% Popularity • 68% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
20% Popularity • 68% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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Chase Bryant
Somewhere in a Bar
120 bpm • F Maj • 03:58 • -6.17db
16% Popularity • 60% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
16% Popularity • 60% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Jason Benoit
I Won't Go
120 bpm • F# Maj • 03:02 • -7.04db
13% Popularity • 71% Danceability • 74% Energy • 17% Liveness
0% Instrumentalness • 59% Positiveness
13% Popularity • 71% Danceability • 74% Energy • 17% Liveness
0% Instrumentalness • 59% Positiveness
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Tebey
I'm in the Mood
120 bpm • E Maj • 03:42 • -5.71db
16% Popularity • 56% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
16% Popularity • 56% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Cameran Nelson
Reckless In Texas
120 bpm • F# Maj • 03:00 • -3.75db
11% Popularity • 64% Danceability • 84% Energy • 37% Liveness
0% Instrumentalness • 39% Positiveness
11% Popularity • 64% Danceability • 84% Energy • 37% Liveness
0% Instrumentalness • 39% Positiveness
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Chandler Roberts
Backwoods Therapy
120 bpm • A Maj • 04:08 • -2.27db
9% Popularity • 56% Danceability • 92% Energy • 32% Liveness
0% Instrumentalness • 53% Positiveness
9% Popularity • 56% Danceability • 92% Energy • 32% Liveness
0% Instrumentalness • 53% Positiveness
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Styles Haury
No Beer Limit
120 bpm • F# Maj • 02:29 • -3.26db
13% Popularity • 65% Danceability • 92% Energy • 23% Liveness
0% Instrumentalness • 92% Positiveness
13% Popularity • 65% Danceability • 92% Energy • 23% Liveness
0% Instrumentalness • 92% Positiveness
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Donny Lee
Good One
120 bpm • B Maj • 03:07 • -4.56db
18% Popularity • 69% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
18% Popularity • 69% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
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Michael Ray
Tonight's the Night
120 bpm • C# Maj • 03:36 • -3.73db
16% Popularity • 64% Danceability • 87% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
16% Popularity • 64% Danceability • 87% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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Tebey
Hold Your Horses
120 bpm • G min • 02:44 • -2.32db
42% Popularity • 59% Danceability • 93% Energy • 17% Liveness
0% Instrumentalness • 74% Positiveness
42% Popularity • 59% Danceability • 93% Energy • 17% Liveness
0% Instrumentalness • 74% Positiveness
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Dan Davidson
Church
120 bpm • C# Maj • 02:58 • -5.75db
25% Popularity • 58% Danceability • 89% Energy • 36% Liveness
0% Instrumentalness • 76% Positiveness
25% Popularity • 58% Danceability • 89% Energy • 36% Liveness
0% Instrumentalness • 76% Positiveness
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Mitch Rossell
Raised by the Radio
120 bpm • E Maj • 03:44 • -6.36db
19% Popularity • 73% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
19% Popularity • 73% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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Bobby Wills
Gettin' Her Over You
120 bpm • C# Maj • 03:18 • -4.92db
7% Popularity • 57% Danceability • 78% Energy • 31% Liveness
0% Instrumentalness • 80% Positiveness
7% Popularity • 57% Danceability • 78% Energy • 31% Liveness
0% Instrumentalness • 80% Positiveness
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Joe Peters
Chevy Nova
106 bpm • F# Maj • 03:25 • -4.85db
19% Popularity • 61% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
19% Popularity • 61% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Chad Cooke Band
Buddy With A Boat
106 bpm • E min • 03:33 • -5.31db
12% Popularity • 66% Danceability • 76% Energy • 15% Liveness
0% Instrumentalness • 55% Positiveness
12% Popularity • 66% Danceability • 76% Energy • 15% Liveness
0% Instrumentalness • 55% Positiveness
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Tebey
Wake Me up
120 bpm • D Maj • 04:35 • -4db
41% Popularity • 57% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
41% Popularity • 57% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Dylan Scott
I'm Over You
106 bpm • D# Maj • 03:03 • -5.55db
34% Popularity • 58% Danceability • 57% Energy • 19% Liveness
0% Instrumentalness • 51% Positiveness
34% Popularity • 58% Danceability • 57% Energy • 19% Liveness
0% Instrumentalness • 51% Positiveness
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James Barker Band
Just Sayin'
106 bpm • F# Maj • 03:07 • -5db
38% Popularity • 65% Danceability • 82% Energy • 36% Liveness
0% Instrumentalness • 92% Positiveness
38% Popularity • 65% Danceability • 82% Energy • 36% Liveness
0% Instrumentalness • 92% Positiveness
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Bobby Wills
So Much For Taking It Slow
106 bpm • D Maj • 03:28 • -6.11db
14% Popularity • 69% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
14% Popularity • 69% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
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Brett Kissel
Pick Me Up
106 bpm • E Maj • 03:22 • -4.92db
26% Popularity • 53% Danceability • 77% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
26% Popularity • 53% Danceability • 77% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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Steven Lee Olsen
Can't Not
121 bpm • D Maj • 02:43 • -4.2db
30% Popularity • 68% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
30% Popularity • 68% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Tebey
Love's Got a Hold on You
106 bpm • E Maj • 03:22 • -6.35db
15% Popularity • 63% Danceability • 69% Energy • 37% Liveness
0% Instrumentalness • 37% Positiveness
15% Popularity • 63% Danceability • 69% Energy • 37% Liveness
0% Instrumentalness • 37% Positiveness
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Trea Landon
Water & Beer
121 bpm • D Maj • 02:38 • -4.37db
18% Popularity • 72% Danceability • 90% Energy • 37% Liveness
0% Instrumentalness • 96% Positiveness
18% Popularity • 72% Danceability • 90% Energy • 37% Liveness
0% Instrumentalness • 96% Positiveness
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Manny Blu
Born To Ride
121 bpm • C# Maj • 02:59 • -4.36db
21% Popularity • 59% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
21% Popularity • 59% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Styles Haury
Whatever Happened To Her
105 bpm • C# Maj • 03:30 • -4.39db
22% Popularity • 67% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
22% Popularity • 67% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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The Washboard Union
Dock Rock
105 bpm • A Maj • 03:09 • -4db
37% Popularity • 71% Danceability • 88% Energy • 16% Liveness
0% Instrumentalness • 83% Positiveness
37% Popularity • 71% Danceability • 88% Energy • 16% Liveness
0% Instrumentalness • 83% Positiveness
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Steven Lee Olsen
Bigger Than This Town
121 bpm • B Maj • 02:54 • -5.42db
41% Popularity • 62% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
41% Popularity • 62% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Tebey
Denim on Denim
105 bpm • E Maj • 02:46 • -4.61db
40% Popularity • 69% Danceability • 85% Energy • 43% Liveness
0% Instrumentalness • 77% Positiveness
40% Popularity • 69% Danceability • 85% Energy • 43% Liveness
0% Instrumentalness • 77% Positiveness
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Adam Sanders
We Live It
105 bpm • C Maj • 02:57 • -4.16db
20% Popularity • 64% Danceability • 91% Energy • 42% Liveness
0% Instrumentalness • 58% Positiveness
20% Popularity • 64% Danceability • 91% Energy • 42% Liveness
0% Instrumentalness • 58% Positiveness
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Chris Buck Band
She Gone
122 bpm • G Maj • 02:33 • -3.89db
15% Popularity • 67% Danceability • 93% Energy • 21% Liveness
0% Instrumentalness • 67% Positiveness
15% Popularity • 67% Danceability • 93% Energy • 21% Liveness
0% Instrumentalness • 67% Positiveness
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Andy Velo
Drinkin' Friends
122 bpm • E Maj • 03:34 • -4.23db
10% Popularity • 67% Danceability • 80% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
10% Popularity • 67% Danceability • 80% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
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Jojo Mason
What We Do With It
122 bpm • D Maj • 02:48 • -5.41db
10% Popularity • 72% Danceability • 75% Energy • 17% Liveness
0% Instrumentalness • 83% Positiveness
10% Popularity • 72% Danceability • 75% Energy • 17% Liveness
0% Instrumentalness • 83% Positiveness
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J Michael Harter
Holy Cowgirl
122 bpm • D Maj • 02:33 • -5.44db
10% Popularity • 75% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
10% Popularity • 75% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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Tebey
Tipsy
122 bpm • D Maj • 04:03 • -4.29db
8% Popularity • 63% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
8% Popularity • 63% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Frank Ray
Tequila Mockingbird
104 bpm • F min • 03:23 • -8.24db
23% Popularity • 56% Danceability • 84% Energy • 21% Liveness
0% Instrumentalness • 76% Positiveness
23% Popularity • 56% Danceability • 84% Energy • 21% Liveness
0% Instrumentalness • 76% Positiveness
