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The Detours
Based on a tempo of (+/- 10%) and a similar genre
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The Liverbirds
Talking About You - Remastered 2024
147 bpm • F Maj • 03:07 • -11.47db
10% Popularity • 65% Danceability • 76% Energy • 36% Liveness
3% Instrumentalness • 96% Positiveness
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The Detours
Hot Stuff
147 bpm • G Maj • 01:56 • -10.12db
0% Popularity • 49% Danceability • 78% Energy • 17% Liveness
92% Instrumentalness • 73% Positiveness
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The Desperados
Messing With My Mind
146 bpm • B min • 03:00 • -2.65db
11% Popularity • 49% Danceability • 95% Energy • 36% Liveness
0% Instrumentalness • 97% Positiveness
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Ritchie Valens
Boney Moronie
146 bpm • F Maj • 02:44 • -8.18db
10% Popularity • 66% Danceability • 81% Energy • 25% Liveness
1% Instrumentalness • 97% Positiveness
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Wilson Pickett
What to Do
147 bpm • A# Maj • 02:04 • -5.03db
12% Popularity • 42% Danceability • 66% Energy • 35% Liveness
57% Instrumentalness • 88% Positiveness
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Innocent Tyler
Guess I'm Not over You
148 bpm • E Maj • 03:38 • -6.73db
10% Popularity • 42% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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The Decrees
Open Your Mind
146 bpm • F Maj • 03:27 • -8.65db
28% Popularity • 16% Danceability • 97% Energy • 80% Liveness
77% Instrumentalness • 14% Positiveness
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SNAPCAT BANDITS
If Looks Could Kill
148 bpm • A min • 04:13 • -3.07db
28% Popularity • 15% Danceability • 90% Energy • 5% Liveness
81% Instrumentalness • 48% Positiveness
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The Dynotones
Ala Kart
148 bpm • E Maj • 01:45 • -7.27db
8% Popularity • 47% Danceability • 83% Energy • 33% Liveness
97% Instrumentalness • 97% Positiveness
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Aron Blue
Here Kitty Kitty
146 bpm • A Maj • 03:08 • -8.7db
26% Popularity • 55% Danceability • 78% Energy • 12% Liveness
70% Instrumentalness • 97% Positiveness
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The Rhythm Shakers
Love You So
149 bpm • G min • 02:37 • -4.23db
12% Popularity • 65% Danceability • 96% Energy • 29% Liveness
1% Instrumentalness • 97% Positiveness
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Innocent Tyler
Don't Ever Call Here Again
146 bpm • G Maj • 03:40 • -5.45db
8% Popularity • 54% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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BORN LOST
Sad State of Affairs
145 bpm • E Maj • 03:36 • -3.52db
17% Popularity • 46% Danceability • 96% Energy • 31% Liveness
0% Instrumentalness • 62% Positiveness
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And Then They Run
Why?
145 bpm • B Maj • 03:04 • -3.86db
8% Popularity • 55% Danceability • 91% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
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Haunted Tacoma
Manfish
145 bpm • G min • 03:17 • -3.34db
18% Popularity • 46% Danceability • 96% Energy • 6% Liveness
0% Instrumentalness • 62% Positiveness
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Brian Lambert
Face Master
145 bpm • A# min • 03:29 • -5.51db
10% Popularity • 49% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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The Astronauts
'55 Bird
149 bpm • A min • 01:53 • -10.43db
8% Popularity • 43% Danceability • 60% Energy • 34% Liveness
0% Instrumentalness • 73% Positiveness
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The Trashmen
Suzie Q
145 bpm • D# Maj • 02:10 • -7.05db
9% Popularity • 47% Danceability • 82% Energy • 14% Liveness
56% Instrumentalness • 96% Positiveness
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Thomas Nicholas Band
Flagpole Sitta
145 bpm • F# Maj • 03:36 • -4.68db
11% Popularity • 27% Danceability • 91% Energy • 32% Liveness
3% Instrumentalness • 36% Positiveness
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X Ray Cat Trio
Surfin' Sasquatch
149 bpm • E Maj • 02:08 • -7.48db
7% Popularity • 20% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Animal Hospital
Sanity
150 bpm • D# Maj • 04:11 • -3.93db
7% Popularity • 34% Danceability • 92% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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The Royal Blue
The Emperor Has a Jealous Need
150 bpm • D min • 02:45 • -5db
10% Popularity • 62% Danceability • 95% Energy • 13% Liveness
0% Instrumentalness • 73% Positiveness
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And Then They Run
Pulling Back the Curtains
150 bpm • E Maj • 02:59 • -4.01db
8% Popularity • 40% Danceability • 96% Energy • 39% Liveness
0% Instrumentalness • 28% Positiveness
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Drexler John
Our Lives
150 bpm • C# min • 02:22 • -7.1db
20% Popularity • 52% Danceability • 80% Energy • 21% Liveness
74% Instrumentalness • 93% Positiveness
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The Boogie Checkers
Big Fat Poodle
150 bpm • A# Maj • 03:12 • -9.17db
8% Popularity • 69% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
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Bobby Darin
Splish Splash
150 bpm • F Maj • 02:01 • -4.53db
13% Popularity • 64% Danceability • 77% Energy • 19% Liveness
0% Instrumentalness • 97% Positiveness
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The Ravs
You Missed The Moon
150 bpm • A Maj • 04:38 • -10.08db
10% Popularity • 33% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Bill Haley
Blue Comet Blues
144 bpm • D# Maj • 02:06 • -23.81db
16% Popularity • 48% Danceability • 37% Energy • 30% Liveness
93% Instrumentalness • 96% Positiveness
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Ojay
Only Open Roads
151 bpm • D Maj • 03:16 • -5.5db
12% Popularity • 51% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
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Drexler John
Cancer Culture
150 bpm • C Maj • 03:26 • -4.01db
20% Popularity • 42% Danceability • 97% Energy • 60% Liveness
6% Instrumentalness • 61% Positiveness
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The Kaisers
Liquorice Twitch
151 bpm • D Maj • 02:18 • -8db
15% Popularity • 51% Danceability • 91% Energy • 97% Liveness
4% Instrumentalness • 97% Positiveness
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Trini Lopez
This Little Girl Of Mine
142 bpm • C Maj • 02:22 • -9.15db
10% Popularity • 64% Danceability • 60% Energy • 15% Liveness
91% Instrumentalness • 86% Positiveness
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Gerry & The Pacemakers
Dizzy Miss Lizzie - Recorded for Saturda...
152 bpm • D Maj • 01:38 • -11.4db
15% Popularity • 58% Danceability • 66% Energy • 9% Liveness
35% Instrumentalness • 83% Positiveness
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The Trashmen
Summertime Blues
142 bpm • E Maj • 03:52 • -11.43db
10% Popularity • 62% Danceability • 59% Energy • 16% Liveness
3% Instrumentalness • 92% Positiveness
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Don't Panic
No Time for Second Chances
142 bpm • C# Maj • 03:09 • -2.36db
8% Popularity • 53% Danceability • 91% Energy • 21% Liveness
0% Instrumentalness • 69% Positiveness
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Ray Collins' Hot Club
Hi-Fi Phono
152 bpm • E min • 03:27 • -6.88db
8% Popularity • 60% Danceability • 82% Energy • 8% Liveness
37% Instrumentalness • 89% Positiveness
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The Rockin' R's
Nameless
142 bpm • G# Maj • 01:38 • -8.7db
12% Popularity • 54% Danceability • 90% Energy • 18% Liveness
97% Instrumentalness • 80% Positiveness
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The Marcels
Allright, Okay, You Win
153 bpm • G# Maj • 02:42 • -11.91db
14% Popularity • 37% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
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Brain Eaters
Spunky
153 bpm • D Maj • 02:28 • -3.11db
10% Popularity • 16% Danceability • 84% Energy • 34% Liveness
70% Instrumentalness • 70% Positiveness
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The Nightdrivers
Nightmare
153 bpm • A min • 02:22 • -4.45db
12% Popularity • 39% Danceability • 94% Energy • 12% Liveness
97% Instrumentalness • 69% Positiveness
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Further North
Live to Love
153 bpm • C# min • 02:51 • -4.82db
11% Popularity • 41% Danceability • 94% Energy • 35% Liveness
0% Instrumentalness • 64% Positiveness
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The Squires
I Wonder - Mono
141 bpm • D Maj • 02:21 • -5.1db
18% Popularity • 60% Danceability • 88% Energy • 35% Liveness
0% Instrumentalness • 95% Positiveness
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Jack Rabbit Slim
Midnight Black
141 bpm • E Maj • 02:54 • -7.77db
13% Popularity • 56% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
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Thee Scarecrows AKA
Ten Heads Are Better Than One
154 bpm • A Maj • 03:40 • -4.65db
8% Popularity • 41% Danceability • 99% Energy • 12% Liveness
0% Instrumentalness • 87% Positiveness
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Marcia Ratke
Letz Roll
154 bpm • C Maj • 02:55 • -7.39db
10% Popularity • 49% Danceability • 89% Energy • 22% Liveness
4% Instrumentalness • 80% Positiveness
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Muddy Waters
Got My Mojo Working
141 bpm • F Maj • 06:12 • -8.33db
10% Popularity • 56% Danceability • 85% Energy • 95% Liveness
0% Instrumentalness • 83% Positiveness
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Sam The Sham & The Pharaohs
Every Woman I Know (Crazy 'Bout An Auto)
140 bpm • E Maj • 02:10 • -13.03db
12% Popularity • 56% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
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Drexler John
Stagnant
140 bpm • D Maj • 03:41 • -2.32db
20% Popularity • 48% Danceability • 82% Energy • 51% Liveness
30% Instrumentalness • 69% Positiveness
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Johnny "Guitar" Watson
Space Guitar - (Alternate Version)
140 bpm • C Maj • 02:34 • -5.37db
11% Popularity • 47% Danceability • 84% Energy • 32% Liveness
72% Instrumentalness • 74% Positiveness
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The DML Cartel
Train Wreck (Remaxxed)
140 bpm • D# Maj • 04:05 • -3.31db
18% Popularity • 48% Danceability • 91% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Marcia Ratke
Let's Get Very High
154 bpm • B min • 02:51 • -7.14db
9% Popularity • 48% Danceability • 80% Energy • 55% Liveness
0% Instrumentalness • 93% Positiveness
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James Harman
A Rut And A Groove
140 bpm • C# Maj • 05:55 • -8.34db
10% Popularity • 59% Danceability • 62% Energy • 22% Liveness
0% Instrumentalness • 75% Positiveness
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Mountain Estates
Aliens
140 bpm • C Maj • 04:20 • -9.17db
14% Popularity • 39% Danceability • 94% Energy • 7% Liveness
0% Instrumentalness • 13% Positiveness
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Lloyd David Cadigan
Echoes
154 bpm • E Maj • 03:02 • -4.29db
12% Popularity • 46% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
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Drexler John
Free Me Lord
155 bpm • E Maj • 03:01 • -2.36db
24% Popularity • 33% Danceability • 99% Energy • 32% Liveness
0% Instrumentalness • 74% Positiveness
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Neil Young
Cry, Cry, Cry
154 bpm • C Maj • 02:39 • -10.62db
14% Popularity • 46% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
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Where's John?
I Don't Know Why
155 bpm • G Maj • 03:59 • -5.4db
13% Popularity • 44% Danceability • 90% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
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The Detours
You Jump I Jump
155 bpm • E Maj • 03:22 • -4.79db
0% Popularity • 56% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
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The Coasters
Searchin'
155 bpm • B min • 02:15 • -3.5db
10% Popularity • 45% Danceability • 96% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
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Innocent Tyler
Hurts Like Hell
155 bpm • D# Maj • 03:53 • -5.47db
8% Popularity • 52% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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Winfred Houston
Illusion
139 bpm • F min • 03:22 • -10.75db
30% Popularity • 30% Danceability • 74% Energy • 11% Liveness
3% Instrumentalness • 68% Positiveness
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Drexler John
Child Of Love
139 bpm • G Maj • 02:55 • -9.87db
10% Popularity • 51% Danceability • 67% Energy • 20% Liveness
1% Instrumentalness • 42% Positiveness
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Long Tall Texans
Breakaway
139 bpm • C Maj • 02:13 • -9.8db
14% Popularity • 45% Danceability • 90% Energy • 4% Liveness
22% Instrumentalness • 82% Positiveness
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Knife Hands
Vices
156 bpm • A min • 03:35 • -3.92db
12% Popularity • 46% Danceability • 96% Energy • 35% Liveness
0% Instrumentalness • 53% Positiveness
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Greg Pater
Gun Valley
138 bpm • F# Maj • 03:57 • -12.11db
21% Popularity • 35% Danceability • 56% Energy • 9% Liveness
2% Instrumentalness • 39% Positiveness
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Xephyr
The Disparation
138 bpm • C# min • 03:33 • -4.82db
8% Popularity • 38% Danceability • 93% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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Liam Rouse
Dirty Little Secret
138 bpm • B Maj • 03:49 • -8.45db
7% Popularity • 36% Danceability • 86% Energy • 81% Liveness
65% Instrumentalness • 65% Positiveness
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Drexler John
Land Of The Free
139 bpm • E Maj • 03:06 • -4.87db
20% Popularity • 57% Danceability • 86% Energy • 35% Liveness
0% Instrumentalness • 64% Positiveness
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Flight 19
Jesus Jumped the Fence
138 bpm • E min • 02:15 • -0.09db
11% Popularity • 57% Danceability • 99% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Jim Fleming
Ask Her to Dance
157 bpm • G Maj • 02:20 • -6.59db
14% Popularity • 48% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 95% Positiveness
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Ritchie Valens
Hurry Up
138 bpm • D# Maj • 01:52 • -8.76db
8% Popularity • 58% Danceability • 66% Energy • 43% Liveness
0% Instrumentalness • 86% Positiveness
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The Peawees
A Reason Why
157 bpm • C# Maj • 02:50 • -4.54db
10% Popularity • 48% Danceability • 92% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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The Troubled Three
You Gotta Stay True
157 bpm • G Maj • 02:36 • -9.96db
12% Popularity • 62% Danceability • 77% Energy • 22% Liveness
8% Instrumentalness • 92% Positiveness
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Drexler John
Eyes On The Prize
156 bpm • A Maj • 02:33 • -10.02db
10% Popularity • 53% Danceability • 80% Energy • 35% Liveness
58% Instrumentalness • 68% Positiveness
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Pat Capocci
More Thrills Than Ever
157 bpm • F Maj • 02:43 • -7.3db
25% Popularity • 67% Danceability • 81% Energy • 26% Liveness
0% Instrumentalness • 90% Positiveness
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And Then They Run
That Was Yesterday
138 bpm • D# min • 03:24 • -3.84db
9% Popularity • 36% Danceability • 97% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
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Jimmy Soul
When Matilda Comes Back
137 bpm • G# Maj • 02:37 • -7.29db
16% Popularity • 50% Danceability • 79% Energy • 27% Liveness
0% Instrumentalness • 94% Positiveness
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The Del Moroccos
I Want Some More
158 bpm • A Maj • 01:40 • -3.56db
15% Popularity • 50% Danceability • 94% Energy • 29% Liveness
23% Instrumentalness • 96% Positiveness
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The Rhythm Shakers
Home Wrecker
158 bpm • C Maj • 02:40 • -4.92db
9% Popularity • 62% Danceability • 88% Energy • 18% Liveness
0% Instrumentalness • 86% Positiveness
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Drexler John
Take It Easy
156 bpm • A Maj • 01:46 • -2.15db
20% Popularity • 48% Danceability • 94% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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Marcia Ratke
They Said I Was No Good
137 bpm • C Maj • 02:37 • -6.42db
12% Popularity • 54% Danceability • 81% Energy • 14% Liveness
1% Instrumentalness • 82% Positiveness
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This Side of Midnight
If That Was for You, Then This Is for Me
137 bpm • C Maj • 03:58 • -12.02db
11% Popularity • 24% Danceability • 61% Energy • 6% Liveness
0% Instrumentalness • 28% Positiveness
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Fish Taesh
One Day
158 bpm • C# min • 04:02 • -6.24db
27% Popularity • 42% Danceability • 83% Energy • 40% Liveness
0% Instrumentalness • 48% Positiveness
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The Coasters
Yakety Yak
158 bpm • A# Maj • 01:53 • -4.11db
12% Popularity • 38% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
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Carpool
Crocodile Tears
136 bpm • G Maj • 05:04 • -3.73db
22% Popularity • 28% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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Drexler John
All Over Me
137 bpm • A Maj • 03:21 • -14db
10% Popularity • 56% Danceability • 62% Energy • 35% Liveness
0% Instrumentalness • 68% Positiveness
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Marcia Ratke
Cleaner
158 bpm • G# Maj • 02:58 • -8.77db
9% Popularity • 47% Danceability • 76% Energy • 10% Liveness
17% Instrumentalness • 75% Positiveness
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The Chantays
Green Room
159 bpm • A Maj • 03:41 • -14.95db
7% Popularity • 37% Danceability • 55% Energy • 14% Liveness
88% Instrumentalness • 36% Positiveness
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Strange Tenants
Hebba Hebba Hubba Hubba Ho
136 bpm • G Maj • 02:44 • -9.13db
9% Popularity • 61% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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The Kingsmen
Over You
136 bpm • C Maj • 02:05 • -18.67db
8% Popularity • 63% Danceability • 28% Energy • 6% Liveness
0% Instrumentalness • 50% Positiveness
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Ashes of Billy
Obscene
136 bpm • A# Maj • 03:52 • -4.74db
15% Popularity • 46% Danceability • 85% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
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The Jokers
Lucille - Tv Show
136 bpm • D Maj • 02:12 • -8.77db
8% Popularity • 59% Danceability • 90% Energy • 19% Liveness
91% Instrumentalness • 97% Positiveness
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This Side of Midnight
Girl in the Red Dress
160 bpm • G Maj • 04:17 • -11.55db
11% Popularity • 46% Danceability • 71% Energy • 34% Liveness
0% Instrumentalness • 37% Positiveness
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Pavid Vermin
The Beach Boys Never Surfed
160 bpm • B Maj • 01:57 • -2.81db
16% Popularity • 25% Danceability • 86% Energy • 26% Liveness
2% Instrumentalness • 80% Positiveness
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Slim Harpo
Cigarettes and Coffee Blues
135 bpm • A Maj • 02:11 • -5.75db
16% Popularity • 51% Danceability • 84% Energy • 21% Liveness
0% Instrumentalness • 73% Positiveness
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Innocent Tyler
Weak Spot
160 bpm • C# Maj • 03:10 • -5.42db
12% Popularity • 42% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
► Preview
Lush City Ferals
Loveless Mantis
160 bpm • D Maj • 03:45 • -4.96db
9% Popularity • 48% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Gems
Bread n' Butter
135 bpm • A Maj • 02:01 • -3.04db
9% Popularity • 59% Danceability • 93% Energy • 28% Liveness
92% Instrumentalness • 98% Positiveness
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Deadwell
All About You
160 bpm • F Maj • 03:27 • -11.73db
9% Popularity • 49% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
► Preview
Phantom Dan
Bittersweet Cave
135 bpm • F# Maj • 02:50 • -3.04db
7% Popularity • 44% Danceability • 96% Energy • 17% Liveness
0% Instrumentalness • 40% Positiveness
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