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Houdou Nisbi
Songs like
Houdou Nisbi
by
Ziad Rahbani
Based on a tempo of (+/- 10%) and a similar genre
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Ihsan Al Munzer
Shis Kebap
128 bpm • C Maj • 05:28 • -13db
16% Popularity • 48% Danceability • 41% Energy • 10% Liveness
67% Instrumentalness • 72% Positiveness
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Ziad Rahbani
Relative Calm
128 bpm • G min • 04:32 • -19db
9% Popularity • 59% Danceability • 19% Energy • 8% Liveness
87% Instrumentalness • 46% Positiveness
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Jack DeJohnette
Four Levels Of Joy
128 bpm • A# Maj • 03:12 • -20.87db
33% Popularity • 44% Danceability • 30% Energy • 13% Liveness
96% Instrumentalness • 81% Positiveness
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Ahmed Malek
Sans Titre
128 bpm • A# Maj • 02:46 • -5db
28% Popularity • 49% Danceability • 93% Energy • 34% Liveness
15% Instrumentalness • 64% Positiveness
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The Free Music
Free Music II
129 bpm • A# min • 04:22 • -8.97db
20% Popularity • 59% Danceability • 84% Energy • 16% Liveness
71% Instrumentalness • 97% Positiveness
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Ferkat Al Ard
Lahnon Lemra'ati Wa Beladi
129 bpm • D Maj • 05:16 • -10.2db
16% Popularity • 30% Danceability • 41% Energy • 13% Liveness
12% Instrumentalness • 18% Positiveness
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Herbie Mann
The Oud and the Pussycat
127 bpm • A min • 05:03 • -7.78db
8% Popularity • 62% Danceability • 72% Energy • 37% Liveness
50% Instrumentalness • 77% Positiveness
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Ziad Rahbani
Houdou Nisbi
128 bpm • G min • 04:32 • -18.95db
34% Popularity • 59% Danceability • 18% Energy • 8% Liveness
95% Instrumentalness • 50% Positiveness
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Malcolm Strachan
Cut to the Chase
129 bpm • A min • 06:53 • -8.07db
33% Popularity • 66% Danceability • 76% Energy • 6% Liveness
60% Instrumentalness • 64% Positiveness
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Johnny Pate
Jazar's Theme - Soundtrack
129 bpm • C min • 01:35 • -12.69db
39% Popularity • 38% Danceability • 48% Energy • 10% Liveness
95% Instrumentalness • 24% Positiveness
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Idris Muhammad
Camby Bolongo
127 bpm • E Maj • 04:33 • -7db
28% Popularity • 89% Danceability • 52% Energy • 7% Liveness
77% Instrumentalness • 91% Positiveness
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Hailu Mergia
Migibima Moltual
127 bpm • C min • 06:26 • -11db
37% Popularity • 55% Danceability • 63% Energy • 33% Liveness
23% Instrumentalness • 82% Positiveness
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Joe Harriott
Hum Dono
127 bpm • G Maj • 06:54 • -18db
16% Popularity • 60% Danceability • 41% Energy • 10% Liveness
88% Instrumentalness • 59% Positiveness
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Ancient Infinity Orchestra
Equanimity
127 bpm • C min • 08:33 • -13.8db
29% Popularity • 49% Danceability • 32% Energy • 16% Liveness
94% Instrumentalness • 48% Positiveness
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Al Massrieen
Mafatshi Leh
127 bpm • G# min • 02:50 • -8.64db
46% Popularity • 43% Danceability • 62% Energy • 25% Liveness
0% Instrumentalness • 38% Positiveness
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Mulatu Astatke
Mètché Dershé (When Am I Going to Rea...
126 bpm • G Maj • 04:00 • -9db
39% Popularity • 63% Danceability • 51% Energy • 22% Liveness
48% Instrumentalness • 38% Positiveness
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Attarazat Addahabia
Aflana
126 bpm • F Maj • 04:17 • -9db
30% Popularity • 56% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
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Ziad Rahbani
Electro-Shock
126 bpm • F min • 01:55 • -16.71db
15% Popularity • 56% Danceability • 62% Energy • 15% Liveness
87% Instrumentalness • 91% Positiveness
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Ethnic Heritage Ensemble
Impressions Pt. 7
130 bpm • D Maj • 05:49 • -25.59db
15% Popularity • 32% Danceability • 2% Energy • 10% Liveness
68% Instrumentalness • 45% Positiveness
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The Free Music
Hawelt Nensa Ghalaak
126 bpm • D# Maj • 05:03 • -9.1db
29% Popularity • 56% Danceability • 75% Energy • 21% Liveness
12% Instrumentalness • 93% Positiveness
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Zeid Hamdan
Lost in Teheran
130 bpm • A min • 01:20 • -24db
31% Popularity • 67% Danceability • 17% Energy • 8% Liveness
56% Instrumentalness • 23% Positiveness
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Rima Khcheich
Bisat El-Reeh
130 bpm • D min • 05:15 • -11db
19% Popularity • 55% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Munir Bachir
Sanabel
126 bpm • C Maj • 02:43 • -15.69db
25% Popularity • 61% Danceability • 28% Energy • 17% Liveness
72% Instrumentalness • 34% Positiveness
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Ziad Rahbani
Intro Instrumental 1
126 bpm • G min • 03:43 • -13.18db
8% Popularity • 50% Danceability • 38% Energy • 28% Liveness
78% Instrumentalness • 82% Positiveness
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Elias Rahbani
The Escape
126 bpm • G# Maj • 02:17 • -12.98db
28% Popularity • 49% Danceability • 45% Energy • 9% Liveness
79% Instrumentalness • 61% Positiveness
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Piero Umiliani
Seyga seyga
131 bpm • A Maj • 02:12 • -11.44db
23% Popularity • 53% Danceability • 70% Energy • 11% Liveness
64% Instrumentalness • 71% Positiveness
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鈴木 宏昌トリオ
3000B.C.
131 bpm • C min • 04:49 • -10.35db
12% Popularity • 43% Danceability • 47% Energy • 9% Liveness
61% Instrumentalness • 59% Positiveness
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Omar Khorshid
Godfather
131 bpm • A min • 02:52 • -11.06db
18% Popularity • 76% Danceability • 68% Energy • 4% Liveness
70% Instrumentalness • 63% Positiveness
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Munir Bachir
Narine
126 bpm • A# Maj • 01:37 • -12.21db
33% Popularity • 56% Danceability • 51% Energy • 32% Liveness
85% Instrumentalness • 73% Positiveness
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Özdemir Erdoğan
Bir Adım Öte
125 bpm • D min • 04:13 • -11.08db
9% Popularity • 57% Danceability • 31% Energy • 8% Liveness
24% Instrumentalness • 22% Positiveness
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Cosmic Analog Ensemble
Abu Layla
131 bpm • C# Maj • 03:40 • -13.46db
13% Popularity • 40% Danceability • 35% Energy • 20% Liveness
77% Instrumentalness • 76% Positiveness
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Kibrom Birhane
Ethiopia
125 bpm • F Maj • 06:51 • -13.01db
16% Popularity • 51% Danceability • 27% Energy • 12% Liveness
88% Instrumentalness • 28% Positiveness
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Ziad Rahbani
For Sure
132 bpm • G Maj • 02:42 • -18.15db
21% Popularity • 59% Danceability • 40% Energy • 8% Liveness
90% Instrumentalness • 81% Positiveness
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Charif Megarbane
Souk el Ahad
125 bpm • F Maj • 02:51 • -6.9db
38% Popularity • 51% Danceability • 80% Energy • 62% Liveness
83% Instrumentalness • 97% Positiveness
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Azymuth
Estreito De Taruma
124 bpm • C min • 04:18 • -18.44db
31% Popularity • 71% Danceability • 35% Energy • 6% Liveness
90% Instrumentalness • 94% Positiveness
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Ahmed Abdul-Malik
Shoof Habebe
132 bpm • D Maj • 05:17 • -9.43db
8% Popularity • 54% Danceability • 54% Energy • 11% Liveness
88% Instrumentalness • 42% Positiveness
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Omar Khorshid
Apache
124 bpm • A min • 04:53 • -13.58db
20% Popularity • 65% Danceability • 54% Energy • 10% Liveness
85% Instrumentalness • 68% Positiveness
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Mulatu Astatke
Gubèlyé (My Gubel)
124 bpm • F min • 04:40 • -13.01db
39% Popularity • 46% Danceability • 28% Energy • 16% Liveness
41% Instrumentalness • 26% Positiveness
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Ziad Rahbani
Slow
132 bpm • E Maj • 01:06 • -27.34db
3% Popularity • 42% Danceability • 8% Energy • 11% Liveness
80% Instrumentalness • 17% Positiveness
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Ferkat Al Ard
Oghneya (Habibi Funk 019)
132 bpm • A min • 06:33 • -11.2db
25% Popularity • 41% Danceability • 44% Energy • 23% Liveness
1% Instrumentalness • 56% Positiveness
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Azymuth
Juntos Mais uma Vez
132 bpm • F Maj • 04:53 • -11.55db
29% Popularity • 52% Danceability • 48% Energy • 10% Liveness
88% Instrumentalness • 36% Positiveness
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Raja Zahr
Drum Sequence
132 bpm • C Maj • 03:00 • -13.2db
15% Popularity • 72% Danceability • 67% Energy • 16% Liveness
81% Instrumentalness • 75% Positiveness
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Elias Rahbani
Summer Is Coming
124 bpm • C min • 02:31 • -12.61db
13% Popularity • 48% Danceability • 47% Energy • 9% Liveness
94% Instrumentalness • 92% Positiveness
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Mulatu Astatke
Yefikir Tizita
132 bpm • C# Maj • 04:07 • -14.95db
35% Popularity • 75% Danceability • 27% Energy • 10% Liveness
91% Instrumentalness • 60% Positiveness
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Ziad Rahbani
La Teatab Aleyi
124 bpm • F min • 02:25 • -11.86db
4% Popularity • 68% Danceability • 46% Energy • 15% Liveness
48% Instrumentalness • 49% Positiveness
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Ahmed Abdul-Malik
Sa-Ra-Ga' Ya-Hindi
124 bpm • G min • 09:49 • -8.83db
9% Popularity • 62% Danceability • 46% Energy • 8% Liveness
83% Instrumentalness • 26% Positiveness
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Larry Nozero
Tune For L.N.
133 bpm • G min • 05:48 • -14.05db
11% Popularity • 57% Danceability • 48% Energy • 15% Liveness
91% Instrumentalness • 76% Positiveness
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Gábor Szabó
Fire Dance
123 bpm • C min • 05:47 • -22.7db
18% Popularity • 50% Danceability • 19% Energy • 8% Liveness
77% Instrumentalness • 52% Positiveness
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Amancio D'Silva
Raag Bhairagi
133 bpm • F# Maj • 11:21 • -15.8db
21% Popularity • 37% Danceability • 30% Energy • 5% Liveness
58% Instrumentalness • 19% Positiveness
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Omar Khorshed
Rakset El Fadaa
123 bpm • A min • 07:43 • -9.48db
15% Popularity • 47% Danceability • 63% Energy • 37% Liveness
85% Instrumentalness • 40% Positiveness
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Charif Megarbane
Pale Baleine
133 bpm • C# min • 02:45 • -8.47db
24% Popularity • 41% Danceability • 72% Energy • 14% Liveness
96% Instrumentalness • 93% Positiveness
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Amanda Whiting
Facing the Sun
133 bpm • E min • 07:04 • -15.59db
31% Popularity • 53% Danceability • 32% Energy • 10% Liveness
88% Instrumentalness • 25% Positiveness
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Ziad Rahbani
Oghneyat Al Bostah
123 bpm • B min • 07:30 • -13.17db
10% Popularity • 47% Danceability • 68% Energy • 8% Liveness
1% Instrumentalness • 70% Positiveness
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Ahmed Abdul-Malik
Magrebi
123 bpm • G Maj • 05:19 • -12.47db
8% Popularity • 68% Danceability • 26% Energy • 11% Liveness
90% Instrumentalness • 41% Positiveness
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Hamid Al Shaeri
Ayonha
123 bpm • A Maj • 03:39 • -8.65db
57% Popularity • 68% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
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Yusef Lateef
Woodward Avenue
123 bpm • E min • 02:14 • -16db
42% Popularity • 59% Danceability • 48% Energy • 17% Liveness
87% Instrumentalness • 64% Positiveness
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Elias Rahbani and His Orchestra
Liza...Liza
134 bpm • C Maj • 05:21 • -8.94db
13% Popularity • 79% Danceability • 85% Energy • 10% Liveness
92% Instrumentalness • 64% Positiveness
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Salah Ragab
Kleopatra
134 bpm • G Maj • 05:05 • -10.81db
12% Popularity • 52% Danceability • 30% Energy • 20% Liveness
48% Instrumentalness • 47% Positiveness
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The Natural Yogurt Band
Flowers in the Rain
122 bpm • G min • 02:15 • -13.37db
47% Popularity • 57% Danceability • 38% Energy • 8% Liveness
93% Instrumentalness • 42% Positiveness
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Malika Zarra
Tamazight
134 bpm • G Maj • 04:04 • -9.99db
15% Popularity • 62% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
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Ziad Rahbani
Nataruna (Arr. for Trumpet & String Quin...
122 bpm • D min • 03:46 • -17.51db
1% Popularity • 35% Danceability • 15% Energy • 5% Liveness
66% Instrumentalness • 43% Positiveness
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Lloyd Miller
Gol-E-Gandom
122 bpm • D min • 04:11 • -9.44db
14% Popularity • 29% Danceability • 72% Energy • 34% Liveness
0% Instrumentalness • 51% Positiveness
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Ferkat Al Ard
Juma'a 6 Hziran
135 bpm • G min • 04:48 • -7.4db
21% Popularity • 47% Danceability • 79% Energy • 11% Liveness
11% Instrumentalness • 76% Positiveness
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Omar Khorshid
Rakset El Fadaa
122 bpm • B min • 07:47 • -8.31db
13% Popularity • 40% Danceability • 66% Energy • 52% Liveness
82% Instrumentalness • 36% Positiveness
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Munir Bachir
Bent El Chalabiya
135 bpm • D Maj • 02:51 • -21db
45% Popularity • 64% Danceability • 20% Energy • 13% Liveness
76% Instrumentalness • 80% Positiveness
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Ronald Langestraat
Then and forever
121 bpm • D min • 03:31 • -10db
29% Popularity • 59% Danceability • 42% Energy • 29% Liveness
1% Instrumentalness • 55% Positiveness
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Ziad Rahbani
Mash-had Hesab Al Qanany
135 bpm • C min • 01:23 • -14.2db
10% Popularity • 48% Danceability • 40% Energy • 10% Liveness
96% Instrumentalness • 90% Positiveness
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Georgette Sayegh
Yay Yay Ya Nassini
135 bpm • D min • 02:19 • -9.18db
42% Popularity • 66% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 75% Positiveness
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Hamid Al Shaeri
Yekfini Nesma' Sotak
121 bpm • A min • 04:10 • -7.12db
34% Popularity • 59% Danceability • 92% Energy • 19% Liveness
0% Instrumentalness • 88% Positiveness
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Joseph Saker
Doukhoul
135 bpm • G min • 01:12 • -22.19db
31% Popularity • 40% Danceability • 3% Energy • 7% Liveness
26% Instrumentalness • 33% Positiveness
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Ahmed Malek
Halla
136 bpm • G min • 02:50 • -11.8db
32% Popularity • 47% Danceability • 12% Energy • 13% Liveness
38% Instrumentalness • 37% Positiveness
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Yazz Ahmed
Al Emadi
121 bpm • G min • 06:15 • -9.73db
14% Popularity • 57% Danceability • 37% Energy • 8% Liveness
94% Instrumentalness • 20% Positiveness
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Ziad Rahbani
Hello
135 bpm • B min • 02:10 • -8.02db
3% Popularity • 68% Danceability • 72% Energy • 11% Liveness
44% Instrumentalness • 42% Positiveness
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Alan Tew
Surveillance
136 bpm • G Maj • 01:33 • -20.5db
44% Popularity • 69% Danceability • 20% Energy • 10% Liveness
68% Instrumentalness • 67% Positiveness
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Sun Ra
The Lady with the Golden Stockings - a.k...
121 bpm • B min • 07:45 • -17.26db
21% Popularity • 75% Danceability • 33% Energy • 17% Liveness
79% Instrumentalness • 54% Positiveness
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Cochemea
Chito's Song
136 bpm • C# Maj • 05:05 • -14.5db
34% Popularity • 72% Danceability • 36% Energy • 8% Liveness
1% Instrumentalness • 84% Positiveness
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Carthago
Alech
136 bpm • C min • 03:26 • -9.47db
40% Popularity • 72% Danceability • 80% Energy • 21% Liveness
24% Instrumentalness • 94% Positiveness
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The Scorpions
Farrah Galbi Aljadeed
120 bpm • A min • 05:01 • -6.09db
23% Popularity • 53% Danceability • 77% Energy • 3% Liveness
0% Instrumentalness • 67% Positiveness
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Zeid Hamdan
Selamnesh
136 bpm • G min • 02:05 • -20.81db
26% Popularity • 36% Danceability • 8% Energy • 11% Liveness
90% Instrumentalness • 6% Positiveness
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Alan Tew
The Fence (B)
121 bpm • C Maj • 02:13 • -25db
38% Popularity • 62% Danceability • 10% Energy • 10% Liveness
87% Instrumentalness • 82% Positiveness
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Ziad Rahbani
Abu Ali - Live
120 bpm • F min • 04:56 • -8.33db
13% Popularity • 40% Danceability • 66% Energy • 96% Liveness
47% Instrumentalness • 51% Positiveness
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Sven Wunder
Blanket Fog Descends
120 bpm • F min • 03:02 • -13.23db
25% Popularity • 55% Danceability • 45% Energy • 13% Liveness
69% Instrumentalness • 54% Positiveness
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Carthago
Hanen
137 bpm • A Maj • 04:56 • -9.58db
43% Popularity • 69% Danceability • 81% Energy • 54% Liveness
19% Instrumentalness • 96% Positiveness
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TootArd
Ken Yama Disco
120 bpm • E Maj • 04:02 • -8.64db
20% Popularity • 74% Danceability • 55% Energy • 9% Liveness
23% Instrumentalness • 96% Positiveness
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Ahmed Malek
La ville
137 bpm • A Maj • 02:01 • -8.97db
38% Popularity • 53% Danceability • 74% Energy • 33% Liveness
24% Instrumentalness • 48% Positiveness
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Hailu Mergia
Endegena
137 bpm • F# min • 05:00 • -12.01db
34% Popularity • 55% Danceability • 41% Energy • 12% Liveness
29% Instrumentalness • 70% Positiveness
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Ziad Rahbani
Final - Instrumental
137 bpm • G min • 05:00 • -22.44db
6% Popularity • 57% Danceability • 24% Energy • 11% Liveness
94% Instrumentalness • 62% Positiveness
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Tarek Yamani
Lamma Bada Yatathanna
137 bpm • D# Maj • 05:05 • -13.55db
19% Popularity • 41% Danceability • 43% Energy • 11% Liveness
93% Instrumentalness • 44% Positiveness
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Omar Khorshid
Pop Corn
137 bpm • E min • 04:12 • -9.81db
24% Popularity • 71% Danceability • 82% Energy • 8% Liveness
86% Instrumentalness • 90% Positiveness
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The Sorcerers
In Pursuit Of Shai Hulud
119 bpm • D# Maj • 03:41 • -8db
30% Popularity • 80% Danceability • 67% Energy • 16% Liveness
85% Instrumentalness • 96% Positiveness
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Gábor Szabó
Ferris Wheel
119 bpm • G Maj • 05:33 • -24.48db
18% Popularity • 42% Danceability • 10% Energy • 10% Liveness
86% Instrumentalness • 54% Positiveness
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Johnny "Hammond" Smith
Lost On 23rd Street
138 bpm • D# min • 05:51 • -9.33db
37% Popularity • 48% Danceability • 62% Energy • 12% Liveness
4% Instrumentalness • 56% Positiveness
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Ziad Rahbani
Bil Nisbi La Boukra
137 bpm • G min • 05:00 • -22.46db
24% Popularity • 57% Danceability • 23% Energy • 11% Liveness
95% Instrumentalness • 58% Positiveness
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Gyedu-Blay Ambolley
Simigwa
119 bpm • D min • 02:02 • -14.35db
33% Popularity • 80% Danceability • 88% Energy • 13% Liveness
89% Instrumentalness • 92% Positiveness
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Joseph Saker
El Jaw Halliyan
119 bpm • A# min • 04:08 • -13.76db
8% Popularity • 63% Danceability • 86% Energy • 7% Liveness
80% Instrumentalness • 72% Positiveness
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Tadaaki Misago
Sakura Sakura
138 bpm • G Maj • 07:35 • -7.7db
20% Popularity • 40% Danceability • 88% Energy • 31% Liveness
60% Instrumentalness • 76% Positiveness
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Hamlet Minassian
On The Day's
138 bpm • C min • 06:55 • -13.35db
25% Popularity • 76% Danceability • 64% Energy • 17% Liveness
18% Instrumentalness • 94% Positiveness
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Al Massrieen
Sah
119 bpm • G# Maj • 03:44 • -10.09db
44% Popularity • 68% Danceability • 52% Energy • 6% Liveness
43% Instrumentalness • 96% Positiveness
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Ziad Rahbani
Khalas
137 bpm • E min • 03:55 • -17.92db
37% Popularity • 60% Danceability • 32% Energy • 10% Liveness
70% Instrumentalness • 32% Positiveness
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Admas
Tez Alegn Yetintu
138 bpm • A min • 07:52 • -11db
30% Popularity • 72% Danceability • 35% Energy • 10% Liveness
26% Instrumentalness • 36% Positiveness
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Houdou Nisbi