Songs like Hounds of Love by The Futureheads
Based on a tempo of (+/- 10%) and a similar genre
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The Rakes
1989
168 bpm • F# min • 03:00 • -1.57db
31% Popularity • 49% Danceability • 94% Energy • 5% Liveness
11% Instrumentalness • 84% Positiveness
31% Popularity • 49% Danceability • 94% Energy • 5% Liveness
11% Instrumentalness • 84% Positiveness
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The Holloways
Dancefloor
168 bpm • E Maj • 03:57 • -2.65db
18% Popularity • 26% Danceability • 95% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
18% Popularity • 26% Danceability • 95% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Maximo Park
Signal And Sign
168 bpm • A Maj • 02:25 • -4.42db
27% Popularity • 46% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
27% Popularity • 46% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Good Shoes
Never Meant to Hurt You
168 bpm • G min • 03:31 • -7.35db
23% Popularity • 55% Danceability • 90% Energy • 41% Liveness
0% Instrumentalness • 96% Positiveness
23% Popularity • 55% Danceability • 90% Energy • 41% Liveness
0% Instrumentalness • 96% Positiveness
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The Paddingtons
What's The Point In Anything New
168 bpm • E Maj • 03:35 • -3.92db
12% Popularity • 43% Danceability • 96% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
12% Popularity • 43% Danceability • 96% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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The Libertines
What Became of the Likely Lads
168 bpm • A Maj • 03:23 • -3.97db
24% Popularity • 31% Danceability • 83% Energy • 22% Liveness
0% Instrumentalness • 74% Positiveness
24% Popularity • 31% Danceability • 83% Energy • 22% Liveness
0% Instrumentalness • 74% Positiveness
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The Maccabees
Latchmere
168 bpm • C Maj • 03:01 • -3.99db
36% Popularity • 19% Danceability • 91% Energy • 47% Liveness
0% Instrumentalness • 47% Positiveness
36% Popularity • 19% Danceability • 91% Energy • 47% Liveness
0% Instrumentalness • 47% Positiveness
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The Futureheads
Electric Shock
168 bpm • C Maj • 04:00 • -4.3db
4% Popularity • 27% Danceability • 98% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
4% Popularity • 27% Danceability • 98% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Maximo Park
Apply Some Pressure
168 bpm • A Maj • 03:20 • -4db
53% Popularity • 38% Danceability • 95% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
53% Popularity • 38% Danceability • 95% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Longpigs
She Said
168 bpm • F Maj • 04:24 • -6db
45% Popularity • 21% Danceability • 87% Energy • 19% Liveness
0% Instrumentalness • 52% Positiveness
45% Popularity • 21% Danceability • 87% Energy • 19% Liveness
0% Instrumentalness • 52% Positiveness
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The Walkmen
The Rat
168 bpm • F# min • 04:22 • -4.88db
54% Popularity • 17% Danceability • 92% Energy • 24% Liveness
7% Instrumentalness • 32% Positiveness
54% Popularity • 17% Danceability • 92% Energy • 24% Liveness
7% Instrumentalness • 32% Positiveness
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The Zutons
Valerie
169 bpm • F min • 03:56 • -3.15db
54% Popularity • 34% Danceability • 87% Energy • 16% Liveness
0% Instrumentalness • 85% Positiveness
54% Popularity • 34% Danceability • 87% Energy • 16% Liveness
0% Instrumentalness • 85% Positiveness
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Ash
Walking Barefoot
169 bpm • F# Maj • 04:14 • -3.63db
28% Popularity • 28% Danceability • 93% Energy • 12% Liveness
44% Instrumentalness • 56% Positiveness
28% Popularity • 28% Danceability • 93% Energy • 12% Liveness
44% Instrumentalness • 56% Positiveness
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The Futureheads
Hounds of Love
168 bpm • A Maj • 03:02 • -3.8db
49% Popularity • 36% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 42% Positiveness
49% Popularity • 36% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 42% Positiveness
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Razorlight
Rip It Up - Sawmills 04
167 bpm • D Maj • 02:25 • -3.94db
33% Popularity • 24% Danceability • 88% Energy • 5% Liveness
0% Instrumentalness • 72% Positiveness
33% Popularity • 24% Danceability • 88% Energy • 5% Liveness
0% Instrumentalness • 72% Positiveness
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The Libertines
What Became of the Likely Lads
169 bpm • B min • 05:54 • -6.54db
40% Popularity • 38% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 31% Positiveness
40% Popularity • 38% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 31% Positiveness
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The Maccabees
Precious Time
169 bpm • G Maj • 04:17 • -5.45db
39% Popularity • 34% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
39% Popularity • 34% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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The Rakes
The World Was a Mess but His Hair Was Pe...
170 bpm • B min • 05:02 • -8.8db
26% Popularity • 36% Danceability • 86% Energy • 30% Liveness
76% Instrumentalness • 66% Positiveness
26% Popularity • 36% Danceability • 86% Energy • 30% Liveness
76% Instrumentalness • 66% Positiveness
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Maximo Park
Russian Literature
170 bpm • C min • 03:07 • -4.14db
30% Popularity • 38% Danceability • 84% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
30% Popularity • 38% Danceability • 84% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
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The Futureheads
A to B
170 bpm • E Maj • 02:27 • -4.48db
20% Popularity • 53% Danceability • 95% Energy • 16% Liveness
1% Instrumentalness • 89% Positiveness
20% Popularity • 53% Danceability • 95% Energy • 16% Liveness
1% Instrumentalness • 89% Positiveness
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Razorlight
Stumble And Fall
170 bpm • C Maj • 03:02 • -4.87db
39% Popularity • 41% Danceability • 96% Energy • 47% Liveness
1% Instrumentalness • 36% Positiveness
39% Popularity • 41% Danceability • 96% Energy • 47% Liveness
1% Instrumentalness • 36% Positiveness
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The Libertines
What Katie Did
169 bpm • A Maj • 03:49 • -6.4db
49% Popularity • 45% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
49% Popularity • 45% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Embrace
All You Good Good People
166 bpm • B Maj • 06:06 • -6.26db
44% Popularity • 23% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
44% Popularity • 23% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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The Paddingtons
Panic Attack
170 bpm • A Maj • 03:29 • -1.74db
21% Popularity • 13% Danceability • 92% Energy • 17% Liveness
0% Instrumentalness • 36% Positiveness
21% Popularity • 13% Danceability • 92% Energy • 17% Liveness
0% Instrumentalness • 36% Positiveness
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Maximo Park
Girls Who Play Guitar
166 bpm • A Maj • 03:12 • -3db
39% Popularity • 52% Danceability • 93% Energy • 23% Liveness
0% Instrumentalness • 68% Positiveness
39% Popularity • 52% Danceability • 93% Energy • 23% Liveness
0% Instrumentalness • 68% Positiveness
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Super Furry Animals
Something 4 the Weekend
166 bpm • G Maj • 02:50 • -5.32db
37% Popularity • 47% Danceability • 78% Energy • 17% Liveness
0% Instrumentalness • 56% Positiveness
37% Popularity • 47% Danceability • 78% Energy • 17% Liveness
0% Instrumentalness • 56% Positiveness
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The Futureheads
Animus
165 bpm • B Maj • 03:41 • -4.12db
6% Popularity • 37% Danceability • 98% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
6% Popularity • 37% Danceability • 98% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
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The Long Blondes
Lust in the Movies
165 bpm • C min • 03:05 • -6.81db
14% Popularity • 30% Danceability • 85% Energy • 56% Liveness
1% Instrumentalness • 50% Positiveness
14% Popularity • 30% Danceability • 85% Energy • 56% Liveness
1% Instrumentalness • 50% Positiveness
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The Vaccines
If You Wanna
165 bpm • D Maj • 02:54 • -3.27db
63% Popularity • 35% Danceability • 87% Energy • 30% Liveness
0% Instrumentalness • 54% Positiveness
63% Popularity • 35% Danceability • 87% Energy • 30% Liveness
0% Instrumentalness • 54% Positiveness
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The Zutons
Don't Ever Think (Too Much)
165 bpm • F Maj • 02:42 • -6.49db
26% Popularity • 56% Danceability • 79% Energy • 58% Liveness
0% Instrumentalness • 96% Positiveness
26% Popularity • 56% Danceability • 79% Energy • 58% Liveness
0% Instrumentalness • 96% Positiveness
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Maximo Park
By The Monument
165 bpm • A min • 02:59 • -3.36db
35% Popularity • 39% Danceability • 95% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
35% Popularity • 39% Danceability • 95% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
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Miles Kane
Come Closer
165 bpm • F# min • 02:59 • -5.16db
52% Popularity • 51% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
52% Popularity • 51% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
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The Libertines
Can't Stand Me Now
164 bpm • E Maj • 03:23 • -3.21db
60% Popularity • 37% Danceability • 94% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
60% Popularity • 37% Danceability • 94% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Doves
Black And White Town
172 bpm • C# Maj • 04:15 • -6.23db
42% Popularity • 31% Danceability • 85% Energy • 11% Liveness
36% Instrumentalness • 23% Positiveness
42% Popularity • 31% Danceability • 85% Energy • 11% Liveness
36% Instrumentalness • 23% Positiveness
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Young Knives
She's Attracted To
164 bpm • D Maj • 03:06 • -5db
18% Popularity • 54% Danceability • 95% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
18% Popularity • 54% Danceability • 95% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
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Good Shoes
Blue Eyes
172 bpm • A Maj • 03:33 • -7.09db
28% Popularity • 49% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
28% Popularity • 49% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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The Futureheads
Decent Days and Nights
172 bpm • E Maj • 02:32 • -2.96db
34% Popularity • 53% Danceability • 92% Energy • 15% Liveness
0% Instrumentalness • 88% Positiveness
34% Popularity • 53% Danceability • 92% Energy • 15% Liveness
0% Instrumentalness • 88% Positiveness
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The Streets
Fit but You Know It
172 bpm • F# Maj • 04:14 • -1.73db
60% Popularity • 68% Danceability • 84% Energy • 3% Liveness
0% Instrumentalness • 90% Positiveness
60% Popularity • 68% Danceability • 84% Energy • 3% Liveness
0% Instrumentalness • 90% Positiveness
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Jamie T
Operation
173 bpm • F# min • 05:48 • -4.52db
30% Popularity • 58% Danceability • 82% Energy • 67% Liveness
0% Instrumentalness • 86% Positiveness
30% Popularity • 58% Danceability • 82% Energy • 67% Liveness
0% Instrumentalness • 86% Positiveness
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The Cribs
You're Gonna Lose Us
163 bpm • E Maj • 02:38 • -1.97db
28% Popularity • 40% Danceability • 96% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
28% Popularity • 40% Danceability • 96% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
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The Maccabees
About Your Dress
173 bpm • F Maj • 02:14 • -3.49db
35% Popularity • 40% Danceability • 88% Energy • 6% Liveness
0% Instrumentalness • 85% Positiveness
35% Popularity • 40% Danceability • 88% Energy • 6% Liveness
0% Instrumentalness • 85% Positiveness
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Good Shoes
Morden
173 bpm • F# min • 02:29 • -5.5db
33% Popularity • 38% Danceability • 92% Energy • 4% Liveness
0% Instrumentalness • 57% Positiveness
33% Popularity • 38% Danceability • 92% Energy • 4% Liveness
0% Instrumentalness • 57% Positiveness
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The Rakes
22 Grand Job
163 bpm • B min • 01:46 • -3.03db
34% Popularity • 49% Danceability • 95% Energy • 53% Liveness
0% Instrumentalness • 86% Positiveness
34% Popularity • 49% Danceability • 95% Energy • 53% Liveness
0% Instrumentalness • 86% Positiveness
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The Vaccines
Norgaard
174 bpm • B Maj • 01:38 • -4.72db
58% Popularity • 32% Danceability • 85% Energy • 25% Liveness
2% Instrumentalness • 86% Positiveness
58% Popularity • 32% Danceability • 85% Energy • 25% Liveness
2% Instrumentalness • 86% Positiveness
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The Hoosiers
Worried About Ray
174 bpm • A min • 02:46 • -4db
47% Popularity • 49% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
47% Popularity • 49% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Young Knives
Up All Night
162 bpm • A Maj • 02:57 • -3.65db
15% Popularity • 46% Danceability • 94% Energy • 45% Liveness
0% Instrumentalness • 70% Positiveness
15% Popularity • 46% Danceability • 94% Energy • 45% Liveness
0% Instrumentalness • 70% Positiveness
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The Futureheads
Across the Border
162 bpm • D Maj • 02:55 • -5.41db
4% Popularity • 42% Danceability • 99% Energy • 5% Liveness
31% Instrumentalness • 26% Positiveness
4% Popularity • 42% Danceability • 99% Energy • 5% Liveness
31% Instrumentalness • 26% Positiveness
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We Are Scientists
Inaction
162 bpm • A min • 02:32 • -4.43db
38% Popularity • 41% Danceability • 98% Energy • 6% Liveness
0% Instrumentalness • 62% Positiveness
38% Popularity • 41% Danceability • 98% Energy • 6% Liveness
0% Instrumentalness • 62% Positiveness
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The Rakes
Retreat
162 bpm • F min • 02:58 • -4db
27% Popularity • 58% Danceability • 87% Energy • 6% Liveness
4% Instrumentalness • 96% Positiveness
27% Popularity • 58% Danceability • 87% Energy • 6% Liveness
4% Instrumentalness • 96% Positiveness
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Stereophonics
The Bartender And The Thief
162 bpm • C Maj • 02:54 • -2.85db
52% Popularity • 30% Danceability • 97% Energy • 42% Liveness
0% Instrumentalness • 35% Positiveness
52% Popularity • 30% Danceability • 97% Energy • 42% Liveness
0% Instrumentalness • 35% Positiveness
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Supergrass
Caught By the Fuzz
162 bpm • A Maj • 02:16 • -6.93db
45% Popularity • 32% Danceability • 95% Energy • 7% Liveness
22% Instrumentalness • 26% Positiveness
45% Popularity • 32% Danceability • 95% Energy • 7% Liveness
22% Instrumentalness • 26% Positiveness
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The Zutons
Pressure Point
175 bpm • B Maj • 03:15 • -5.31db
37% Popularity • 50% Danceability • 87% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
37% Popularity • 50% Danceability • 87% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
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The Futureheads
Robot
162 bpm • A Maj • 02:00 • -3db
18% Popularity • 44% Danceability • 96% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
18% Popularity • 44% Danceability • 96% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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Maximo Park
The Coast Is Always Changing
175 bpm • E Maj • 03:21 • -4.68db
31% Popularity • 54% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
31% Popularity • 54% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
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Morning Runner
Gone up in Flames
175 bpm • G Maj • 02:54 • -3.58db
38% Popularity • 29% Danceability • 92% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
38% Popularity • 29% Danceability • 92% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
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The Rakes
The Loneliness of the Outdoor Smoker
175 bpm • A# Maj • 02:07 • -2.69db
15% Popularity • 41% Danceability • 88% Energy • 21% Liveness
40% Instrumentalness • 55% Positiveness
15% Popularity • 41% Danceability • 88% Energy • 21% Liveness
40% Instrumentalness • 55% Positiveness
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Kasabian
Fast Fuse
175 bpm • F# min • 04:09 • -2.56db
45% Popularity • 36% Danceability • 99% Energy • 8% Liveness
3% Instrumentalness • 48% Positiveness
45% Popularity • 36% Danceability • 99% Energy • 8% Liveness
3% Instrumentalness • 48% Positiveness
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Pete And The Pirates
Come on Feet
161 bpm • A Maj • 02:38 • -4db
21% Popularity • 28% Danceability • 87% Energy • 3% Liveness
70% Instrumentalness • 47% Positiveness
21% Popularity • 28% Danceability • 87% Energy • 3% Liveness
70% Instrumentalness • 47% Positiveness
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The Futureheads
Man Ray
175 bpm • A# Maj • 02:18 • -4.11db
18% Popularity • 42% Danceability • 81% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
18% Popularity • 42% Danceability • 81% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
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The Paddingtons
Sorry
175 bpm • D Maj • 04:56 • -2.05db
10% Popularity • 25% Danceability • 96% Energy • 34% Liveness
0% Instrumentalness • 25% Positiveness
10% Popularity • 25% Danceability • 96% Energy • 34% Liveness
0% Instrumentalness • 25% Positiveness
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Blur
Country House - 2012 Remaster
175 bpm • A Maj • 03:56 • -6.61db
59% Popularity • 33% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
59% Popularity • 33% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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The Rakes
Suspicious Eyes
161 bpm • C Maj • 03:48 • -8db
16% Popularity • 51% Danceability • 92% Energy • 17% Liveness
0% Instrumentalness • 60% Positiveness
16% Popularity • 51% Danceability • 92% Energy • 17% Liveness
0% Instrumentalness • 60% Positiveness
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Kings of Leon
Red Morning Light
161 bpm • A Maj • 02:59 • -5.39db
56% Popularity • 53% Danceability • 80% Energy • 33% Liveness
0% Instrumentalness • 88% Positiveness
56% Popularity • 53% Danceability • 80% Energy • 33% Liveness
0% Instrumentalness • 88% Positiveness
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Good Shoes
The Photos on My Wall
176 bpm • D Maj • 01:52 • -5.7db
34% Popularity • 50% Danceability • 92% Energy • 29% Liveness
0% Instrumentalness • 68% Positiveness
34% Popularity • 50% Danceability • 92% Energy • 29% Liveness
0% Instrumentalness • 68% Positiveness
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Cajun Dance Party
Amylase
161 bpm • F Maj • 03:41 • -2db
30% Popularity • 10% Danceability • 95% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
30% Popularity • 10% Danceability • 95% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Buzzcocks
Ever Fallen in Love (With Someone You Sh...
176 bpm • E Maj • 02:43 • -9.07db
64% Popularity • 27% Danceability • 83% Energy • 6% Liveness
0% Instrumentalness • 78% Positiveness
64% Popularity • 27% Danceability • 83% Energy • 6% Liveness
0% Instrumentalness • 78% Positiveness
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The Cribs
Mirror Kissers
160 bpm • E Maj • 03:38 • -3.38db
38% Popularity • 31% Danceability • 96% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
38% Popularity • 31% Danceability • 96% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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The Futureheads
Trying Not to Think About Time
176 bpm • E Maj • 02:24 • -3.44db
15% Popularity • 40% Danceability • 99% Energy • 27% Liveness
40% Instrumentalness • 82% Positiveness
15% Popularity • 40% Danceability • 99% Energy • 27% Liveness
40% Instrumentalness • 82% Positiveness
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The Libertines
Don't Look Back into the Sun
176 bpm • C min • 03:00 • -3.99db
62% Popularity • 21% Danceability • 85% Energy • 26% Liveness
0% Instrumentalness • 59% Positiveness
62% Popularity • 21% Danceability • 85% Energy • 26% Liveness
0% Instrumentalness • 59% Positiveness
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The Big Pink
Dominos
176 bpm • D Maj • 03:46 • -4.92db
36% Popularity • 44% Danceability • 90% Energy • 21% Liveness
0% Instrumentalness • 51% Positiveness
36% Popularity • 44% Danceability • 90% Energy • 21% Liveness
0% Instrumentalness • 51% Positiveness
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Roger Daltrey
Ever Fallen in Love (With Someone You Sh...
176 bpm • E Maj • 03:00 • -5db
35% Popularity • 31% Danceability • 94% Energy • 15% Liveness
0% Instrumentalness • 69% Positiveness
35% Popularity • 31% Danceability • 94% Energy • 15% Liveness
0% Instrumentalness • 69% Positiveness
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Ash
Kung Fu
176 bpm • A Maj • 02:17 • -4.53db
36% Popularity • 25% Danceability • 96% Energy • 34% Liveness
0% Instrumentalness • 49% Positiveness
36% Popularity • 25% Danceability • 96% Energy • 34% Liveness
0% Instrumentalness • 49% Positiveness
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Jamie T
Rabbit Hole
160 bpm • G min • 03:39 • -3.43db
42% Popularity • 49% Danceability • 90% Energy • 19% Liveness
0% Instrumentalness • 63% Positiveness
42% Popularity • 49% Danceability • 90% Energy • 19% Liveness
0% Instrumentalness • 63% Positiveness
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The Futureheads
He Knows
176 bpm • D Maj • 03:14 • -2.76db
11% Popularity • 42% Danceability • 95% Energy • 51% Liveness
0% Instrumentalness • 58% Positiveness
11% Popularity • 42% Danceability • 95% Energy • 51% Liveness
0% Instrumentalness • 58% Positiveness
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Kaiser Chiefs
Everyday I Love You Less And Less
160 bpm • C# min • 03:37 • -4.56db
58% Popularity • 49% Danceability • 96% Energy • 24% Liveness
0% Instrumentalness • 58% Positiveness
58% Popularity • 49% Danceability • 96% Energy • 24% Liveness
0% Instrumentalness • 58% Positiveness
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We Are Scientists
After Hours
160 bpm • C# min • 03:52 • -4.56db
41% Popularity • 39% Danceability • 98% Energy • 17% Liveness
4% Instrumentalness • 34% Positiveness
41% Popularity • 39% Danceability • 98% Energy • 17% Liveness
4% Instrumentalness • 34% Positiveness
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Courteeners
Are You in Love With a Notion?
160 bpm • G Maj • 04:14 • -6.77db
51% Popularity • 40% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
51% Popularity • 40% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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The Zutons
Dirty Dancehall
177 bpm • G Maj • 04:07 • -4.65db
23% Popularity • 36% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
23% Popularity • 36% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Cajun Dance Party
Colourful Life
177 bpm • E Maj • 03:30 • -3.05db
24% Popularity • 21% Danceability • 91% Energy • 34% Liveness
0% Instrumentalness • 72% Positiveness
24% Popularity • 21% Danceability • 91% Energy • 34% Liveness
0% Instrumentalness • 72% Positiveness
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Elbow
One Day Like This
159 bpm • A# Maj • 06:34 • -6.13db
61% Popularity • 42% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
61% Popularity • 42% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
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The Enemy
No Time for Tears
177 bpm • B min • 05:13 • -6.4db
24% Popularity • 43% Danceability • 73% Energy • 29% Liveness
0% Instrumentalness • 16% Positiveness
24% Popularity • 43% Danceability • 73% Energy • 29% Liveness
0% Instrumentalness • 16% Positiveness
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We Are Scientists
It's A Hit
160 bpm • C# min • 03:26 • -4db
31% Popularity • 38% Danceability • 94% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
31% Popularity • 38% Danceability • 94% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
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Biffy Clyro
Who's Got a Match?
159 bpm • D Maj • 02:23 • -5.2db
38% Popularity • 75% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 93% Positiveness
38% Popularity • 75% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 93% Positiveness
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Kaiser Chiefs
Na Na Na Na Naa
159 bpm • E Maj • 03:00 • -4db
39% Popularity • 25% Danceability • 95% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
39% Popularity • 25% Danceability • 95% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
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Courteeners
Cavorting - Remastered 2022
159 bpm • G Maj • 03:03 • -3.25db
40% Popularity • 22% Danceability • 96% Energy • 32% Liveness
0% Instrumentalness • 36% Positiveness
40% Popularity • 22% Danceability • 96% Energy • 32% Liveness
0% Instrumentalness • 36% Positiveness
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Young Knives
Counters
178 bpm • B min • 04:10 • -2.73db
9% Popularity • 53% Danceability • 96% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
9% Popularity • 53% Danceability • 96% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
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Feeder
Just the Way I'm Feeling
178 bpm • B min • 04:23 • -4.43db
48% Popularity • 30% Danceability • 90% Energy • 6% Liveness
12% Instrumentalness • 34% Positiveness
48% Popularity • 30% Danceability • 90% Energy • 6% Liveness
12% Instrumentalness • 34% Positiveness
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The Zutons
Zuton Fever
158 bpm • B Maj • 03:06 • -4db
37% Popularity • 39% Danceability • 83% Energy • 31% Liveness
0% Instrumentalness • 75% Positiveness
37% Popularity • 39% Danceability • 83% Energy • 31% Liveness
0% Instrumentalness • 75% Positiveness
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The Enemy
Away from Here - US Version
158 bpm • C# Maj • 03:00 • -5db
43% Popularity • 50% Danceability • 87% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
43% Popularity • 50% Danceability • 87% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
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Kaiser Chiefs
I Predict A Riot
159 bpm • G# Maj • 03:53 • -3.24db
65% Popularity • 40% Danceability • 98% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
65% Popularity • 40% Danceability • 98% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Maximo Park
Parisian Skies
158 bpm • C Maj • 03:56 • -5.41db
28% Popularity • 47% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
28% Popularity • 47% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Graham Coxon
Freakin' Out
158 bpm • B min • 03:41 • -5.64db
34% Popularity • 42% Danceability • 91% Energy • 37% Liveness
0% Instrumentalness • 50% Positiveness
34% Popularity • 42% Danceability • 91% Energy • 37% Liveness
0% Instrumentalness • 50% Positiveness
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The Ordinary Boys
Talk Talk Talk
158 bpm • C Maj • 03:12 • -4.31db
23% Popularity • 55% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
23% Popularity • 55% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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Fontaines D.C.
Liberty Belle
179 bpm • B Maj • 02:31 • -4.56db
51% Popularity • 44% Danceability • 77% Energy • 28% Liveness
0% Instrumentalness • 88% Positiveness
51% Popularity • 44% Danceability • 77% Energy • 28% Liveness
0% Instrumentalness • 88% Positiveness
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The Coral
Pass It On
179 bpm • G Maj • 02:19 • -6.02db
52% Popularity • 40% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 87% Positiveness
52% Popularity • 40% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 87% Positiveness
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Kaiser Chiefs
Oh My God
178 bpm • G Maj • 03:34 • -5db
49% Popularity • 37% Danceability • 94% Energy • 43% Liveness
0% Instrumentalness • 56% Positiveness
49% Popularity • 37% Danceability • 94% Energy • 43% Liveness
0% Instrumentalness • 56% Positiveness
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Ash
Oh Yeah
179 bpm • A Maj • 04:45 • -4.68db
35% Popularity • 12% Danceability • 69% Energy • 24% Liveness
5% Instrumentalness • 15% Positiveness
35% Popularity • 12% Danceability • 69% Energy • 24% Liveness
5% Instrumentalness • 15% Positiveness
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The Futureheads
Stupid and Shallow
180 bpm • E Maj • 01:35 • -3db
20% Popularity • 40% Danceability • 98% Energy • 27% Liveness
1% Instrumentalness • 81% Positiveness
20% Popularity • 40% Danceability • 98% Energy • 27% Liveness
1% Instrumentalness • 81% Positiveness