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House Burn Down
Songs like
House Burn Down
by
King Princess
Based on a tempo of (+/- 10%) and a similar genre
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King Princess
House Burn Down
124 bpm • G min • 03:10 • -2.76db
36% Popularity • 56% Danceability • 84% Energy • 27% Liveness
0% Instrumentalness • 40% Positiveness
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Gatlin
never been in love
124 bpm • F# min • 03:06 • -9db
48% Popularity • 64% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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Orla Gartland
Flatline
124 bpm • D Maj • 03:21 • -5.67db
34% Popularity • 76% Danceability • 85% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
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Matt and Kim
Everyone Sucks But You
124 bpm • G min • 02:25 • -5db
29% Popularity • 67% Danceability • 77% Energy • 30% Liveness
0% Instrumentalness • 57% Positiveness
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Lorde
The Louvre
123 bpm • C Maj • 04:31 • -9.98db
63% Popularity • 66% Danceability • 38% Energy • 9% Liveness
1% Instrumentalness • 13% Positiveness
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Halsey
The Lighthouse
123 bpm • A min • 04:33 • -6.22db
45% Popularity • 32% Danceability • 61% Energy • 30% Liveness
0% Instrumentalness • 30% Positiveness
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King Princess
Only Time Makes It Human - The Blessed M...
124 bpm • A min • 03:43 • -6.41db
26% Popularity • 72% Danceability • 72% Energy • 30% Liveness
22% Instrumentalness • 62% Positiveness
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Cailin Russo
Declaration
123 bpm • C# Maj • 03:38 • -6.33db
30% Popularity • 63% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Greta Stanley
New Feeling
125 bpm • F Maj • 03:16 • -6.51db
14% Popularity • 74% Danceability • 70% Energy • 18% Liveness
0% Instrumentalness • 87% Positiveness
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Jordana
Fuck You
123 bpm • D Maj • 03:24 • -7db
24% Popularity • 85% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
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Lorde
Fallen Fruit
125 bpm • F# min • 03:58 • -11db
50% Popularity • 49% Danceability • 31% Energy • 16% Liveness
2% Instrumentalness • 11% Positiveness
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L Devine
Die On The Dancefloor
123 bpm • D Maj • 03:21 • -5.08db
31% Popularity • 73% Danceability • 72% Energy • 4% Liveness
0% Instrumentalness • 50% Positiveness
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King Princess
Femme Fatale - RISE Recording
125 bpm • F Maj • 02:53 • -12db
35% Popularity • 40% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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The Japanese House
Something Has to Change
125 bpm • A Maj • 03:11 • -8.86db
52% Popularity • 70% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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BEGINNERS
Broke
125 bpm • F Maj • 03:12 • -5.08db
8% Popularity • 64% Danceability • 72% Energy • 17% Liveness
26% Instrumentalness • 44% Positiveness
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HYRA
Sad Lullaby
125 bpm • A Maj • 03:25 • -8.54db
24% Popularity • 91% Danceability • 36% Energy • 21% Liveness
2% Instrumentalness • 40% Positiveness
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Gia Woods
Enough of You
125 bpm • F# min • 02:30 • -5.03db
21% Popularity • 79% Danceability • 64% Energy • 23% Liveness
0% Instrumentalness • 19% Positiveness
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Holly Humberstone
The Walls Are Way Too Thin
123 bpm • F# Maj • 03:41 • -7db
53% Popularity • 76% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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King Princess
There She Goes Again
124 bpm • G Maj • 03:28 • -7.39db
26% Popularity • 47% Danceability • 88% Energy • 10% Liveness
1% Instrumentalness • 78% Positiveness
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Zuzu
Skin And Bone
125 bpm • C min • 03:28 • -7db
21% Popularity • 69% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Hollie Col
She Knows
126 bpm • C Maj • 03:10 • -3.35db
34% Popularity • 57% Danceability • 60% Energy • 32% Liveness
0% Instrumentalness • 63% Positiveness
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Adventure Time
Monster
125 bpm • G Maj • 02:50 • -17.8db
43% Popularity • 41% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Orla Gartland
Pretending
126 bpm • G Maj • 03:35 • -7.7db
34% Popularity • 74% Danceability • 48% Energy • 50% Liveness
1% Instrumentalness • 31% Positiveness
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Pixey
The Mersey Line
126 bpm • A# Maj • 02:14 • -6.54db
24% Popularity • 55% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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King Princess
Homegirl
125 bpm • C Maj • 03:01 • -7db
38% Popularity • 59% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 15% Positiveness
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Nina Nesbitt
Life's a Bitch
126 bpm • D Maj • 02:59 • -7.6db
21% Popularity • 66% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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REYNA
Lonely Girl
126 bpm • B min • 03:16 • -5.81db
24% Popularity • 77% Danceability • 82% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
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Ladyhawke
Mixed Emotions
126 bpm • B min • 03:34 • -6.11db
22% Popularity • 82% Danceability • 74% Energy • 33% Liveness
0% Instrumentalness • 96% Positiveness
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Orla Gartland
Codependency
122 bpm • E Maj • 03:11 • -6db
41% Popularity • 80% Danceability • 61% Energy • 37% Liveness
0% Instrumentalness • 43% Positiveness
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CLEWS
Overluck
126 bpm • A Maj • 03:30 • -5db
18% Popularity • 67% Danceability • 84% Energy • 15% Liveness
0% Instrumentalness • 43% Positiveness
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King Princess
Only Time Makes It Human - Kitty Ca$h Re...
125 bpm • G Maj • 03:08 • -5.76db
13% Popularity • 68% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Claud
Gold
122 bpm • C Maj • 03:19 • -8db
32% Popularity • 90% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
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Blu DeTiger
Vintage
122 bpm • A# min • 02:35 • -5.74db
39% Popularity • 90% Danceability • 67% Energy • 17% Liveness
0% Instrumentalness • 96% Positiveness
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Hayley Kiyoko
Pretty Girl
126 bpm • F# min • 03:36 • -6.52db
41% Popularity • 68% Danceability • 78% Energy • 14% Liveness
6% Instrumentalness • 41% Positiveness
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G Flip
GAY 4 ME
126 bpm • G# min • 02:54 • -4.62db
54% Popularity • 68% Danceability • 61% Energy • 46% Liveness
0% Instrumentalness • 34% Positiveness
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Olivia O'Brien
blip
122 bpm • A# Maj • 04:20 • -9.41db
20% Popularity • 52% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Boyish
Smithereens
122 bpm • D Maj • 02:20 • -9db
36% Popularity • 64% Danceability • 66% Energy • 28% Liveness
0% Instrumentalness • 55% Positiveness
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Claud
Guard Down
126 bpm • C Maj • 03:26 • -6.48db
29% Popularity • 82% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
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Haiva Ru
Oh, But Lover
126 bpm • B Maj • 04:04 • -10.09db
35% Popularity • 63% Danceability • 50% Energy • 33% Liveness
0% Instrumentalness • 38% Positiveness
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Sucre
Permission
126 bpm • F min • 03:44 • -8.29db
30% Popularity • 60% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
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Babygirl
Nevermind
127 bpm • G# Maj • 02:21 • -7.18db
23% Popularity • 66% Danceability • 63% Energy • 35% Liveness
9% Instrumentalness • 47% Positiveness
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Charlotte Day Wilson
Take Care of You - Remix
127 bpm • E min • 03:34 • -12.5db
34% Popularity • 72% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Halo Kitsch
I Am in an Emotional Coma
127 bpm • G Maj • 03:01 • -5.61db
14% Popularity • 66% Danceability • 80% Energy • 5% Liveness
1% Instrumentalness • 74% Positiveness
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MARINA
New America
127 bpm • C Maj • 03:52 • -5.88db
44% Popularity • 56% Danceability • 75% Energy • 20% Liveness
0% Instrumentalness • 42% Positiveness
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Sophie Cates
ghosts!
121 bpm • G# Maj • 02:50 • -4.13db
36% Popularity • 77% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Gatlin
Talking to Myself
121 bpm • G# Maj • 03:51 • -6.29db
47% Popularity • 76% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Tessa Violet
I Like (the idea of) You
121 bpm • F min • 02:48 • -5.36db
45% Popularity • 83% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
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Lucia & The Best Boys
Perfectly Untrue - Girli & July Jones Re...
121 bpm • C# Maj • 03:14 • -8.52db
11% Popularity • 57% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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Maude Latour
Lovesick
128 bpm • C# Maj • 02:50 • -7.68db
32% Popularity • 53% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Orla Gartland
More Like You
128 bpm • D Maj • 03:40 • -10.13db
46% Popularity • 88% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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Raffaella
Bardot
128 bpm • C Maj • 03:18 • -8.74db
31% Popularity • 77% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
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Ali Barter
You Get in My Way
128 bpm • D Maj • 02:59 • -2.91db
14% Popularity • 73% Danceability • 77% Energy • 16% Liveness
0% Instrumentalness • 56% Positiveness
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Grace VanderWaal
Repeat
120 bpm • B min • 02:20 • -7.07db
35% Popularity • 76% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Miel
Must Be Fine
120 bpm • G# Maj • 02:30 • -9.86db
26% Popularity • 76% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Maude Latour
Cyclone
128 bpm • G# Maj • 03:36 • -5.46db
47% Popularity • 65% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
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Raissa
SHADES ON
120 bpm • C# Maj • 02:20 • -7.02db
13% Popularity • 67% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 8% Positiveness
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Revenge Wife
Earthquake
120 bpm • C Maj • 03:35 • -8.64db
25% Popularity • 70% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
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girl in red
Stay - Spotify Singles
120 bpm • A# min • 02:55 • -12db
50% Popularity • 53% Danceability • 50% Energy • 13% Liveness
1% Instrumentalness • 26% Positiveness
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Liz Lawrence
Where the Bodies are Buried
120 bpm • E Maj • 03:06 • -6db
21% Popularity • 71% Danceability • 60% Energy • 51% Liveness
0% Instrumentalness • 94% Positiveness
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Hollie Col
Forgot to Love You
120 bpm • C Maj • 03:25 • -7.11db
17% Popularity • 72% Danceability • 51% Energy • 21% Liveness
0% Instrumentalness • 49% Positiveness
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Maude Latour
Clean
128 bpm • C# Maj • 03:08 • -6.85db
33% Popularity • 70% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Natalie Burdick
Backseat Driver
120 bpm • F# min • 03:26 • -12db
16% Popularity • 56% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Georgia Twinn
Moth
120 bpm • C# min • 02:48 • -5db
24% Popularity • 63% Danceability • 66% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
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Wallice
Hey Michael
120 bpm • E Maj • 02:59 • -6.39db
36% Popularity • 76% Danceability • 63% Energy • 64% Liveness
0% Instrumentalness • 92% Positiveness
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LAYNE
Dumb Girl
120 bpm • D# Maj • 03:01 • -6.07db
18% Popularity • 62% Danceability • 72% Energy • 13% Liveness
12% Instrumentalness • 80% Positiveness
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Nasty Cherry
What’s The Deal
120 bpm • C Maj • 02:35 • -3.71db
21% Popularity • 84% Danceability • 75% Energy • 24% Liveness
0% Instrumentalness • 83% Positiveness
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Litany
Starsign
120 bpm • F Maj • 03:28 • -9db
32% Popularity • 79% Danceability • 53% Energy • 21% Liveness
0% Instrumentalness • 71% Positiveness
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Holly Humberstone
Please Don't Leave Just Yet
128 bpm • C Maj • 03:49 • -9db
40% Popularity • 78% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Maude Latour
Superfruit
120 bpm • D Maj • 02:18 • -3db
37% Popularity • 73% Danceability • 74% Energy • 19% Liveness
0% Instrumentalness • 66% Positiveness
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TRACE
Cool Woman
120 bpm • D min • 03:44 • -8.63db
16% Popularity • 77% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
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SPIDER
Water Sign
120 bpm • C Maj • 03:38 • -10db
31% Popularity • 53% Danceability • 53% Energy • 12% Liveness
79% Instrumentalness • 7% Positiveness
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Nasty Cherry
Music With Your Dad
120 bpm • A min • 03:05 • -5.99db
33% Popularity • 80% Danceability • 63% Energy • 33% Liveness
0% Instrumentalness • 88% Positiveness
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chloe moriondo
I Want To Be With You
120 bpm • E Maj • 02:59 • -6.97db
58% Popularity • 74% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Rachel Maria Cox
Prosecco
120 bpm • G# Maj • 02:46 • -5db
17% Popularity • 70% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
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The Regrettes
Barely on My Mind
120 bpm • D min • 03:17 • -3db
53% Popularity • 75% Danceability • 68% Energy • 41% Liveness
0% Instrumentalness • 67% Positiveness
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The Greeting Committee
Can I Leave Me Too?
120 bpm • D# Maj • 03:43 • -4.74db
36% Popularity • 44% Danceability • 77% Energy • 62% Liveness
0% Instrumentalness • 27% Positiveness
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King Princess
Hold on Baby Interlude
120 bpm • C Maj • 01:45 • -12.04db
26% Popularity • 65% Danceability • 54% Energy • 14% Liveness
89% Instrumentalness • 18% Positiveness
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Hollie Col
Reruns
120 bpm • D# Maj • 03:34 • -5.43db
21% Popularity • 70% Danceability • 70% Energy • 30% Liveness
0% Instrumentalness • 64% Positiveness
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girl in red
I'll Call You Mine
120 bpm • E Maj • 03:21 • -5.14db
65% Popularity • 61% Danceability • 73% Energy • 27% Liveness
0% Instrumentalness • 68% Positiveness
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Phoebe Green
So Grown Up
129 bpm • C Maj • 03:35 • -5.4db
14% Popularity • 60% Danceability • 85% Energy • 28% Liveness
87% Instrumentalness • 62% Positiveness
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Halo Kitsch
All (Your) Fault
129 bpm • G Maj • 03:15 • -7.86db
31% Popularity • 59% Danceability • 66% Energy • 30% Liveness
0% Instrumentalness • 38% Positiveness
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MEG MYERS
The Underground
119 bpm • A min • 03:32 • -4.68db
35% Popularity • 56% Danceability • 89% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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King Princess
Watching My Phone
119 bpm • B min • 03:00 • -6.86db
30% Popularity • 60% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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BENEE
Kool
119 bpm • B Maj • 02:48 • -3.64db
46% Popularity • 91% Danceability • 81% Energy • 21% Liveness
0% Instrumentalness • 97% Positiveness
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Telenova
Blue Valentine
119 bpm • A min • 04:35 • -4.74db
26% Popularity • 64% Danceability • 84% Energy • 27% Liveness
0% Instrumentalness • 50% Positiveness
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Chappell Roan
California
130 bpm • C# Maj • 03:18 • -10.07db
64% Popularity • 56% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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chloe moriondo
Dizzy
130 bpm • C# Maj • 02:38 • -5.24db
48% Popularity • 71% Danceability • 74% Energy • 4% Liveness
0% Instrumentalness • 76% Positiveness
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Caroline Polachek
Breathless
130 bpm • E Maj • 03:02 • -7.74db
46% Popularity • 63% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
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King Princess
Do You Wanna See Me Crying?
130 bpm • C# min • 01:45 • -8.17db
28% Popularity • 59% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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daena
Close Isn't Enough
130 bpm • A# Maj • 04:21 • -10db
23% Popularity • 57% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Jordana
Push Me Away
130 bpm • E Maj • 02:44 • -3db
31% Popularity • 72% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Maude Latour
Furniture
130 bpm • C min • 02:36 • -2.87db
38% Popularity • 72% Danceability • 82% Energy • 26% Liveness
0% Instrumentalness • 78% Positiveness
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Jaguar Jonze
CURLED IN
130 bpm • C min • 03:15 • -7.3db
10% Popularity • 62% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
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Bantug
High Worry
130 bpm • C Maj • 02:42 • -6.47db
16% Popularity • 65% Danceability • 63% Energy • 25% Liveness
0% Instrumentalness • 36% Positiveness
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King Princess
Sex Shop
130 bpm • C# min • 03:34 • -8.72db
28% Popularity • 47% Danceability • 67% Energy • 22% Liveness
0% Instrumentalness • 46% Positiveness
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FLETCHER
Cherry
118 bpm • D Maj • 02:32 • -4.64db
56% Popularity • 81% Danceability • 58% Energy • 24% Liveness
0% Instrumentalness • 61% Positiveness
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Lauren Aquilina
The Knife
118 bpm • C Maj • 02:56 • -6.35db
18% Popularity • 68% Danceability • 78% Energy • 23% Liveness
0% Instrumentalness • 64% Positiveness
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Lucia & The Best Boys
Perfectly Untrue
118 bpm • D# min • 03:11 • -3.46db
38% Popularity • 63% Danceability • 86% Energy • 32% Liveness
0% Instrumentalness • 87% Positiveness
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Hey Violet
Bitter Pill
118 bpm • C Maj • 03:03 • -7.15db
22% Popularity • 81% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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Empress Of
You've Got To Feel
118 bpm • C min • 02:45 • -5.68db
24% Popularity • 76% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
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House Burn Down