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How Beautiful Life Can Be - Single Version
Songs like
How Beautiful Life Can Be - Single Version
by
The Lathums
Based on a tempo of (+/- 10%) and a similar genre
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The K's
TV
170 bpm • C# min • 03:17 • -4.5db
38% Popularity • 39% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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The Lathums
How Beautiful Life Can Be - Single Versi...
170 bpm • G Maj • 02:30 • -3.29db
44% Popularity • 44% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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The Royston Club
Mariana
170 bpm • D Maj • 03:08 • -4.1db
37% Popularity • 47% Danceability • 91% Energy • 34% Liveness
0% Instrumentalness • 56% Positiveness
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The Reytons
Broke Boys Cartel
170 bpm • B min • 02:49 • -4db
48% Popularity • 51% Danceability • 92% Energy • 82% Liveness
0% Instrumentalness • 77% Positiveness
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The Skinner Brothers
Your Only You
170 bpm • C Maj • 02:58 • -5.18db
15% Popularity • 34% Danceability • 77% Energy • 78% Liveness
0% Instrumentalness • 60% Positiveness
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Lock-In
Vandross
170 bpm • C min • 02:18 • -5.02db
13% Popularity • 39% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
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The K's
Heart On My Sleeve
170 bpm • E Maj • 02:58 • -4.01db
40% Popularity • 34% Danceability • 98% Energy • 44% Liveness
0% Instrumentalness • 54% Positiveness
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Jake Bugg
All I Need
170 bpm • F min • 03:36 • -4db
42% Popularity • 50% Danceability • 73% Energy • 8% Liveness
6% Instrumentalness • 64% Positiveness
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The Royston Club
Mariana
170 bpm • D Maj • 03:10 • -4.96db
44% Popularity • 50% Danceability • 82% Energy • 15% Liveness
0% Instrumentalness • 61% Positiveness
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The Lathums
How Beautiful Life Can Be
170 bpm • G Maj • 02:46 • -2.78db
40% Popularity • 43% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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Jamie T
St. George Wharf Tower
169 bpm • G# Maj • 03:10 • -6db
34% Popularity • 36% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 21% Positiveness
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Paolo Nutini
Desperation
169 bpm • C# Maj • 03:35 • -5.85db
38% Popularity • 42% Danceability • 73% Energy • 8% Liveness
9% Instrumentalness • 60% Positiveness
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The K's
No Place Like Home
170 bpm • E Maj • 02:54 • -4.25db
38% Popularity • 37% Danceability • 96% Energy • 30% Liveness
0% Instrumentalness • 70% Positiveness
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RATS
Dreams
172 bpm • A Maj • 03:28 • -7.62db
20% Popularity • 40% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Vistas
The Love You Give
172 bpm • E Maj • 03:00 • -4.79db
35% Popularity • 46% Danceability • 94% Energy • 37% Liveness
1% Instrumentalness • 76% Positiveness
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The Crooks
She Walks Alone
168 bpm • F# min • 05:08 • -7.88db
26% Popularity • 32% Danceability • 62% Energy • 24% Liveness
0% Instrumentalness • 34% Positiveness
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Tom A. Smith
Boltcutters
168 bpm • G Maj • 03:53 • -6.59db
17% Popularity • 47% Danceability • 41% Energy • 22% Liveness
0% Instrumentalness • 12% Positiveness
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The Lathums
This Place O' Yours
168 bpm • A Maj • 03:48 • -7.58db
36% Popularity • 56% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
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The K's
Picture
171 bpm • C Maj • 03:16 • -3.56db
39% Popularity • 42% Danceability • 96% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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The Reytons
Cash In Hand & Fake IDs
168 bpm • F# Maj • 03:18 • -4.47db
44% Popularity • 32% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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The Vaccines
Jump Off The Top
172 bpm • D# Maj • 02:45 • -3.98db
37% Popularity • 47% Danceability • 94% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
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Louis Berry
Molly Malone
173 bpm • G Maj • 03:03 • -4.76db
31% Popularity • 59% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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Circa Waves
100 Strangers
167 bpm • F# Maj • 02:20 • -4.7db
42% Popularity • 42% Danceability • 91% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
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The Lathums
This Place O' Yours - 2021 Master
168 bpm • A Maj • 03:46 • -5.7db
16% Popularity • 48% Danceability • 71% Energy • 16% Liveness
0% Instrumentalness • 14% Positiveness
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The Crooks
Frankie
167 bpm • C min • 05:04 • -7.42db
24% Popularity • 11% Danceability • 83% Energy • 28% Liveness
0% Instrumentalness • 29% Positiveness
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The Sway
Sunshine Seeker
167 bpm • G# min • 03:04 • -4.83db
19% Popularity • 53% Danceability • 96% Energy • 18% Liveness
1% Instrumentalness • 87% Positiveness
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The Vaccines
Norgaard
174 bpm • B Maj • 01:38 • -4.72db
58% Popularity • 32% Danceability • 85% Energy • 25% Liveness
2% Instrumentalness • 86% Positiveness
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Jake Bugg
Seen It All
167 bpm • D Maj • 02:51 • -5.86db
58% Popularity • 38% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
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Vistas
Stranger
174 bpm • G# Maj • 03:23 • -5.32db
49% Popularity • 51% Danceability • 91% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
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The Royston Club
Cherophobe
174 bpm • D Maj • 04:16 • -5.14db
35% Popularity • 38% Danceability • 76% Energy • 19% Liveness
0% Instrumentalness • 31% Positiveness
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The Bracknall
Going Nowhere Fast
174 bpm • B Maj • 05:00 • -5.96db
26% Popularity • 42% Danceability • 64% Energy • 23% Liveness
0% Instrumentalness • 60% Positiveness
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KAWALA
Never Really Here For Long
166 bpm • G# Maj • 03:26 • -5.53db
30% Popularity • 56% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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Rianne Downey
Devil's Gonna Get You
166 bpm • C Maj • 03:03 • -4.68db
15% Popularity • 54% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Corella
Come Around
175 bpm • F# min • 03:14 • -2db
53% Popularity • 37% Danceability • 95% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
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The Vaccines
If You Wanna
165 bpm • D Maj • 02:54 • -3.27db
64% Popularity • 35% Danceability • 87% Energy • 30% Liveness
0% Instrumentalness • 54% Positiveness
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Sam Fender
Spice
175 bpm • C# Maj • 02:21 • -3db
58% Popularity • 49% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 58% Positiveness
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The Royston Club
Missed The Boat (Jumped in the Sea)
175 bpm • D Maj • 03:28 • -4.11db
40% Popularity • 35% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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The Sway
Changing
165 bpm • A Maj • 03:02 • -7.26db
29% Popularity • 54% Danceability • 79% Energy • 12% Liveness
26% Instrumentalness • 39% Positiveness
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The Reytons
One More Reason
165 bpm • B min • 03:20 • -4.32db
39% Popularity • 48% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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STONE
Fuse
165 bpm • B min • 03:05 • -4.81db
20% Popularity • 24% Danceability • 94% Energy • 38% Liveness
0% Instrumentalness • 36% Positiveness
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overpass
Changes
165 bpm • C# min • 02:54 • -6.81db
26% Popularity • 41% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
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The K's
Hometown
165 bpm • B Maj • 04:53 • -7.12db
39% Popularity • 34% Danceability • 91% Energy • 39% Liveness
0% Instrumentalness • 52% Positiveness
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The Royston Club
Shallow Tragedy
165 bpm • E Maj • 03:42 • -4.44db
40% Popularity • 44% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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The Libertines
Don't Look Back into the Sun
176 bpm • C min • 03:00 • -3.99db
63% Popularity • 21% Danceability • 85% Energy • 26% Liveness
0% Instrumentalness • 59% Positiveness
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The Reytons
Harrison Lesser
165 bpm • E Maj • 03:14 • -3.99db
49% Popularity • 53% Danceability • 84% Energy • 28% Liveness
0% Instrumentalness • 95% Positiveness
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Sam Fender
Saturday
176 bpm • C# Maj • 03:01 • -3.08db
60% Popularity • 45% Danceability • 81% Energy • 16% Liveness
1% Instrumentalness • 68% Positiveness
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The Lathums
Pagans Delight
164 bpm • D min • 02:27 • -3.67db
30% Popularity • 50% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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The K's
Sarajevo
176 bpm • F# min • 03:25 • -3.55db
40% Popularity • 46% Danceability • 94% Energy • 22% Liveness
0% Instrumentalness • 84% Positiveness
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The Crooks
I Wonder
164 bpm • E Maj • 03:14 • -5.75db
36% Popularity • 37% Danceability • 85% Energy • 16% Liveness
0% Instrumentalness • 69% Positiveness
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Dylan John Thomas
Up in the Air
163 bpm • F min • 02:40 • -6.92db
34% Popularity • 46% Danceability • 55% Energy • 21% Liveness
0% Instrumentalness • 68% Positiveness
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Afflecks Palace
Ripley Jean
163 bpm • G Maj • 04:07 • -5.21db
11% Popularity • 40% Danceability • 84% Energy • 9% Liveness
8% Instrumentalness • 68% Positiveness
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Sam Fender
Seventeen Going Under - Edit
162 bpm • C# Maj • 03:57 • -4.64db
48% Popularity • 50% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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The Lathums
Oh My Love
178 bpm • F# min • 02:22 • -4db
45% Popularity • 40% Danceability • 81% Energy • 26% Liveness
0% Instrumentalness • 66% Positiveness
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STONE
Keep Running
162 bpm • B min • 03:54 • -4.14db
24% Popularity • 36% Danceability • 89% Energy • 27% Liveness
0% Instrumentalness • 40% Positiveness
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The Rosadocs
Run Away Instead
162 bpm • E Maj • 02:46 • -5.91db
27% Popularity • 30% Danceability • 94% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
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Dylan John Thomas
Jenna
163 bpm • F# min • 02:25 • -6.97db
42% Popularity • 54% Danceability • 93% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
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The K's
Aurora
179 bpm • A Maj • 04:00 • -5.99db
39% Popularity • 25% Danceability • 87% Energy • 34% Liveness
0% Instrumentalness • 38% Positiveness
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Corella
Puppets
161 bpm • C# min • 02:29 • -5.12db
48% Popularity • 45% Danceability • 84% Energy • 8% Liveness
3% Instrumentalness • 64% Positiveness
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The Lathums
Facets
162 bpm • A min • 02:32 • -2.53db
37% Popularity • 30% Danceability • 93% Energy • 31% Liveness
0% Instrumentalness • 47% Positiveness
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The Reytons
Antibiotics
161 bpm • B min • 03:04 • -5.03db
44% Popularity • 50% Danceability • 85% Energy • 24% Liveness
0% Instrumentalness • 71% Positiveness
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Sam Fender
The Borders
161 bpm • G# Maj • 05:32 • -3.79db
59% Popularity • 48% Danceability • 92% Energy • 30% Liveness
0% Instrumentalness • 58% Positiveness
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Gerry Cinnamon
Ghost
161 bpm • A Maj • 03:27 • -6db
55% Popularity • 48% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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Spector
Catch You On The Way Back In
180 bpm • C Maj • 03:16 • -3.99db
23% Popularity • 23% Danceability • 90% Energy • 12% Liveness
44% Instrumentalness • 31% Positiveness
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The Howl & The Hum
A Hotel Song
180 bpm • C# min • 03:43 • -6.89db
21% Popularity • 47% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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The K's
Got a Feeling
180 bpm • A Maj • 03:08 • -1.92db
37% Popularity • 37% Danceability • 98% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
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The Reytons
Headache
180 bpm • B Maj • 03:52 • -2.82db
40% Popularity • 34% Danceability • 94% Energy • 31% Liveness
0% Instrumentalness • 51% Positiveness
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The Skinner Brothers
Told You So
160 bpm • B Maj • 02:43 • -6.57db
9% Popularity • 55% Danceability • 90% Energy • 34% Liveness
0% Instrumentalness • 89% Positiveness
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Sam Fender
Getting Started
161 bpm • B Maj • 03:09 • -4.49db
61% Popularity • 47% Danceability • 90% Energy • 21% Liveness
0% Instrumentalness • 54% Positiveness
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Circa Waves
T-Shirt Weather
160 bpm • E Maj • 03:12 • -5db
62% Popularity • 42% Danceability • 95% Energy • 24% Liveness
0% Instrumentalness • 47% Positiveness
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Inhaler
My Honest Face
160 bpm • F Maj • 04:32 • -4.17db
59% Popularity • 42% Danceability • 97% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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The K's
Chancer
160 bpm • A Maj • 03:15 • -6.33db
41% Popularity • 37% Danceability • 88% Energy • 34% Liveness
0% Instrumentalness • 55% Positiveness
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The Reytons
Kids Off The Estate (2017)
181 bpm • B min • 03:32 • -4.36db
47% Popularity • 37% Danceability • 80% Energy • 33% Liveness
0% Instrumentalness • 74% Positiveness
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The Skinner Brothers
1000 Reasons Why
160 bpm • C Maj • 02:52 • -5.55db
17% Popularity • 51% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
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The Cheap Thrills
Reborn
160 bpm • E Maj • 02:46 • -5.13db
30% Popularity • 42% Danceability • 89% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
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DMA'S
Viol
160 bpm • E Maj • 03:49 • -4.69db
19% Popularity • 38% Danceability • 96% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
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Shambolics
Sharp as a Razor
160 bpm • G# min • 02:23 • -5.63db
39% Popularity • 35% Danceability • 89% Energy • 30% Liveness
0% Instrumentalness • 52% Positiveness
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The Lilacs
Red Flags & Warning Signs
160 bpm • A Maj • 02:38 • -7.35db
28% Popularity • 53% Danceability • 93% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
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The Reytons
Landslide
160 bpm • C Maj • 03:14 • -3.3db
36% Popularity • 46% Danceability • 89% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
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The Clause
Time of Our Lives
159 bpm • G# Maj • 03:09 • -4.19db
36% Popularity • 46% Danceability • 97% Energy • 6% Liveness
8% Instrumentalness • 57% Positiveness
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Vistas
Everything Changes in the End
159 bpm • B Maj • 03:17 • -4.82db
35% Popularity • 44% Danceability • 91% Energy • 61% Liveness
0% Instrumentalness • 46% Positiveness
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KAWALA
Angry Man
158 bpm • E Maj • 03:31 • -5.64db
29% Popularity • 58% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
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The Enemy
Away from Here - US Version
158 bpm • C# Maj • 03:00 • -5db
43% Popularity • 50% Danceability • 87% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
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STONE
Let's Dance To The Real Thing
158 bpm • A Maj • 02:47 • -4db
36% Popularity • 37% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
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Maximo Park
Versions Of You
158 bpm • A Maj • 04:37 • -6db
34% Popularity • 43% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Gerry Cinnamon
Where We're Going
158 bpm • A Maj • 04:00 • -7db
60% Popularity • 52% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Vistas
What Were You Hoping to Find?
158 bpm • E Maj • 03:45 • -4.48db
34% Popularity • 50% Danceability • 95% Energy • 7% Liveness
7% Instrumentalness • 40% Positiveness
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The Royston Club
Tangled Up
158 bpm • A Maj • 03:18 • -6.3db
33% Popularity • 29% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Sam Fender
Get You Down
158 bpm • D Maj • 04:23 • -4.91db
51% Popularity • 39% Danceability • 97% Energy • 30% Liveness
9% Instrumentalness • 39% Positiveness
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Gazelle
Finger on the Trigger
158 bpm • D Maj • 03:27 • -7.18db
23% Popularity • 31% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
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Andrew Cushin
Catch Me If You Can
157 bpm • G# Maj • 02:37 • -5.07db
33% Popularity • 44% Danceability • 88% Energy • 24% Liveness
0% Instrumentalness • 60% Positiveness
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The Reytons
Slice of Lime
157 bpm • B Maj • 03:44 • -3.74db
37% Popularity • 45% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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The K's
Glass Towns
184 bpm • D Maj • 02:54 • -2.93db
38% Popularity • 35% Danceability • 97% Energy • 40% Liveness
0% Instrumentalness • 49% Positiveness
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The Clause
Sixteen
157 bpm • G min • 03:13 • -8.66db
38% Popularity • 41% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Vistas
Calm
156 bpm • C Maj • 03:28 • -4.14db
46% Popularity • 52% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
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M60
Honey
156 bpm • A Maj • 04:20 • -9.93db
32% Popularity • 31% Danceability • 75% Energy • 32% Liveness
0% Instrumentalness • 31% Positiveness
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The Rosadocs
Where You're Supposed to Be
156 bpm • F# Maj • 03:51 • -6.43db
19% Popularity • 31% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
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Razorlight
Somewhere Else
156 bpm • F# min • 03:16 • -3db
49% Popularity • 36% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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The Academic
Different - Remastered
156 bpm • D Maj • 03:12 • -3.42db
41% Popularity • 51% Danceability • 96% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
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The Reytons
Market Street
156 bpm • D Maj • 03:17 • -5.58db
47% Popularity • 48% Danceability • 90% Energy • 15% Liveness
0% Instrumentalness • 83% Positiveness
► Preview
Corella
Bloom
156 bpm • F min • 02:33 • -5db
57% Popularity • 49% Danceability • 89% Energy • 83% Liveness
0% Instrumentalness • 66% Positiveness
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How Beautiful Life Can Be - Single Version