Songs like How Can I Keep from Singing? by David Haas
Based on a tempo of (+/- 10%) and a similar genre
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Curtis Stephan
Tend the Ground
74 bpm • G# Maj • 04:13 • -14.14db
11% Popularity • 58% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
11% Popularity • 58% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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John Foley
For You Are My God
74 bpm • A Maj • 02:08 • -11.67db
21% Popularity • 35% Danceability • 27% Energy • 16% Liveness
84% Instrumentalness • 34% Positiveness
21% Popularity • 35% Danceability • 27% Energy • 16% Liveness
84% Instrumentalness • 34% Positiveness
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OCP Session Choir
May the Angels Be Your Guide
74 bpm • C# Maj • 03:47 • -12.95db
8% Popularity • 34% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
8% Popularity • 34% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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GIA Singers
Amazing Grace
74 bpm • G Maj • 03:14 • -22.45db
31% Popularity • 23% Danceability • 13% Energy • 11% Liveness
3% Instrumentalness • 7% Positiveness
31% Popularity • 23% Danceability • 13% Energy • 11% Liveness
3% Instrumentalness • 7% Positiveness
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David Haas
How Can I Keep from Singing?
74 bpm • D Maj • 04:49 • -10.64db
25% Popularity • 44% Danceability • 33% Energy • 58% Liveness
0% Instrumentalness • 25% Positiveness
25% Popularity • 44% Danceability • 33% Energy • 58% Liveness
0% Instrumentalness • 25% Positiveness
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Dan Schutte
You Are Near
75 bpm • G Maj • 04:54 • -9.78db
36% Popularity • 24% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
36% Popularity • 24% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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Ben Walther
Jesus, Meek and Humble
75 bpm • D Maj • 03:43 • -13.67db
13% Popularity • 49% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
13% Popularity • 49% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Marty Haugen
Watch, O Lord
75 bpm • F Maj • 04:01 • -14db
23% Popularity • 34% Danceability • 20% Energy • 10% Liveness
5% Instrumentalness • 29% Positiveness
23% Popularity • 34% Danceability • 20% Energy • 10% Liveness
5% Instrumentalness • 29% Positiveness
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The Joslin Grove Choral Society
We Gather Together
73 bpm • D Maj • 01:43 • -16.55db
16% Popularity • 40% Danceability • 18% Energy • 36% Liveness
0% Instrumentalness • 35% Positiveness
16% Popularity • 40% Danceability • 18% Energy • 36% Liveness
0% Instrumentalness • 35% Positiveness
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Michael Joncas
In the Arms of God
73 bpm • C# Maj • 04:46 • -14.32db
26% Popularity • 17% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
26% Popularity • 17% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Lito Magnaye
I Offer My Life
73 bpm • C Maj • 03:22 • -23.79db
2% Popularity • 45% Danceability • 1% Energy • 10% Liveness
93% Instrumentalness • 14% Positiveness
2% Popularity • 45% Danceability • 1% Energy • 10% Liveness
93% Instrumentalness • 14% Positiveness
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Brianna Parish
Hail Mary, Gentle Woman
75 bpm • D Maj • 04:46 • -7.4db
34% Popularity • 32% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
34% Popularity • 32% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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OCP Session Choir
Sing of the Lord's Goodness
75 bpm • E min • 01:18 • -10.52db
20% Popularity • 56% Danceability • 36% Energy • 23% Liveness
2% Instrumentalness • 96% Positiveness
20% Popularity • 56% Danceability • 36% Energy • 23% Liveness
2% Instrumentalness • 96% Positiveness
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David Haas
God Is Here
73 bpm • E Maj • 02:58 • -15.63db
3% Popularity • 38% Danceability • 5% Energy • 11% Liveness
95% Instrumentalness • 10% Positiveness
3% Popularity • 38% Danceability • 5% Energy • 11% Liveness
95% Instrumentalness • 10% Positiveness
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Donna Cori Gibson
On This Day / Oh Beautiful Mother
73 bpm • A Maj • 03:24 • -10.05db
20% Popularity • 14% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
20% Popularity • 14% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Laurence Rosania
The Supper of the Lord
75 bpm • G# Maj • 05:26 • -11.12db
18% Popularity • 23% Danceability • 29% Energy • 12% Liveness
45% Instrumentalness • 20% Positiveness
18% Popularity • 23% Danceability • 29% Energy • 12% Liveness
45% Instrumentalness • 20% Positiveness
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Nonoy Zuniga
Seek Ye First
73 bpm • C Maj • 02:20 • -14db
38% Popularity • 24% Danceability • 14% Energy • 68% Liveness
0% Instrumentalness • 20% Positiveness
38% Popularity • 24% Danceability • 14% Energy • 68% Liveness
0% Instrumentalness • 20% Positiveness
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Bob Hurd
Shelter Me, O God
75 bpm • G Maj • 03:07 • -17.12db
29% Popularity • 38% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
29% Popularity • 38% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Michael Joncas
Take and Eat
76 bpm • A# Maj • 04:08 • -17.62db
38% Popularity • 15% Danceability • 12% Energy • 13% Liveness
43% Instrumentalness • 18% Positiveness
38% Popularity • 15% Danceability • 12% Energy • 13% Liveness
43% Instrumentalness • 18% Positiveness
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David Haas
I Will Live On
75 bpm • G Maj • 04:36 • -9.48db
4% Popularity • 12% Danceability • 34% Energy • 11% Liveness
10% Instrumentalness • 18% Positiveness
4% Popularity • 12% Danceability • 34% Energy • 11% Liveness
10% Instrumentalness • 18% Positiveness
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Bob Dufford
Be Not Afraid
76 bpm • G# Maj • 03:10 • -10.46db
13% Popularity • 28% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
13% Popularity • 28% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Donna Cori Gibson
Sing of Mary
76 bpm • A Maj • 03:56 • -6.98db
15% Popularity • 53% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
15% Popularity • 53% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
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John Foley
The Cry of the Poor
76 bpm • F# min • 01:47 • -12.61db
28% Popularity • 20% Danceability • 25% Energy • 15% Liveness
0% Instrumentalness • 10% Positiveness
28% Popularity • 20% Danceability • 25% Energy • 15% Liveness
0% Instrumentalness • 10% Positiveness
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Walkers to Heaven
On Eagle´s Wings
72 bpm • D Maj • 04:09 • -9db
40% Popularity • 51% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
40% Popularity • 51% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Lito Magnaye
Make Me a Channel of Your Peace
72 bpm • D# Maj • 03:33 • -9.51db
30% Popularity • 36% Danceability • 31% Energy • 13% Liveness
2% Instrumentalness • 26% Positiveness
30% Popularity • 36% Danceability • 31% Energy • 13% Liveness
2% Instrumentalness • 26% Positiveness
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David Haas
Bound Together in Christ
76 bpm • G# Maj • 01:30 • -8.37db
19% Popularity • 31% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
19% Popularity • 31% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Gary Granada
Your Grace Is Enough
72 bpm • A Maj • 04:09 • -24.3db
3% Popularity • 28% Danceability • 3% Energy • 11% Liveness
96% Instrumentalness • 26% Positiveness
3% Popularity • 28% Danceability • 3% Energy • 11% Liveness
96% Instrumentalness • 26% Positiveness
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The St. Louis Jesuits
Blest Be the Lord
76 bpm • A# Maj • 03:25 • -15.47db
12% Popularity • 41% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
12% Popularity • 41% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
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John Foley
One Bread, One Body
72 bpm • G# Maj • 06:12 • -10.02db
22% Popularity • 47% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
22% Popularity • 47% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Easter Hymns Band
He Lives!
76 bpm • F Maj • 02:09 • -13db
28% Popularity • 22% Danceability • 29% Energy • 33% Liveness
0% Instrumentalness • 38% Positiveness
28% Popularity • 22% Danceability • 29% Energy • 33% Liveness
0% Instrumentalness • 38% Positiveness
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Carey Landry
Only a Shadow
72 bpm • A# Maj • 04:11 • -19.1db
16% Popularity • 18% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
16% Popularity • 18% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Bernadette Farrell
Praise to You, O Christ Our Savior
77 bpm • E min • 02:01 • -12.78db
29% Popularity • 27% Danceability • 27% Energy • 10% Liveness
72% Instrumentalness • 46% Positiveness
29% Popularity • 27% Danceability • 27% Energy • 10% Liveness
72% Instrumentalness • 46% Positiveness
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Bob Hurd
Pan De Vida
77 bpm • D Maj • 03:07 • -10.93db
14% Popularity • 42% Danceability • 42% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
14% Popularity • 42% Danceability • 42% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
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Delores Dufner OSB
Sing a New Church
71 bpm • D Maj • 03:12 • -11.47db
10% Popularity • 11% Danceability • 29% Energy • 15% Liveness
3% Instrumentalness • 30% Positiveness
10% Popularity • 11% Danceability • 29% Energy • 15% Liveness
3% Instrumentalness • 30% Positiveness
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Donna Cori Gibson
Hail, Most Merciful Heart of Jesus (St. ...
71 bpm • E Maj • 01:30 • -18.23db
24% Popularity • 36% Danceability • 6% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
24% Popularity • 36% Danceability • 6% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
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Walkers to Heaven
You Are Mine
77 bpm • G Maj • 04:53 • -18.71db
30% Popularity • 26% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
30% Popularity • 26% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Bobby Fisher
Bread of Life
77 bpm • A# Maj • 03:28 • -16db
21% Popularity • 47% Danceability • 18% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
21% Popularity • 47% Danceability • 18% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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Anne Quigley
There is a Longing
77 bpm • D min • 02:29 • -15.47db
20% Popularity • 27% Danceability • 18% Energy • 22% Liveness
0% Instrumentalness • 33% Positiveness
20% Popularity • 27% Danceability • 18% Energy • 22% Liveness
0% Instrumentalness • 33% Positiveness
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Rory Cooney
Jerusalem, My Destiny
77 bpm • A# Maj • 05:09 • -11.37db
22% Popularity • 16% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
22% Popularity • 16% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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David Haas
You Are Mine
77 bpm • A# Maj • 04:25 • -11.06db
49% Popularity • 30% Danceability • 34% Energy • 10% Liveness
1% Instrumentalness • 19% Positiveness
49% Popularity • 30% Danceability • 34% Energy • 10% Liveness
1% Instrumentalness • 19% Positiveness
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St. Louis Jesuits
These Alone Are Enough
77 bpm • C Maj • 04:13 • -8.28db
24% Popularity • 12% Danceability • 32% Energy • 12% Liveness
2% Instrumentalness • 11% Positiveness
24% Popularity • 12% Danceability • 32% Energy • 12% Liveness
2% Instrumentalness • 11% Positiveness
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Michael Joncas
I Have Loved You
78 bpm • D Maj • 03:03 • -23.56db
34% Popularity • 18% Danceability • 10% Energy • 13% Liveness
3% Instrumentalness • 24% Positiveness
34% Popularity • 18% Danceability • 10% Energy • 13% Liveness
3% Instrumentalness • 24% Positiveness
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Bernadette Farrell
Your Words Are Spirit and Life
78 bpm • D# Maj • 03:56 • -18.57db
17% Popularity • 12% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
17% Popularity • 12% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Gary Granada
Blessed Be Your Name
78 bpm • D min • 03:02 • -21.65db
0% Popularity • 38% Danceability • 2% Energy • 11% Liveness
95% Instrumentalness • 11% Positiveness
0% Popularity • 38% Danceability • 2% Energy • 11% Liveness
95% Instrumentalness • 11% Positiveness
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Ricky Manalo, CSP
With One Voice
78 bpm • D# Maj • 04:46 • -7.62db
7% Popularity • 48% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
7% Popularity • 48% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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David Haas
Will You Come and See the Light?
78 bpm • G min • 03:32 • -11.58db
22% Popularity • 28% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
22% Popularity • 28% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
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Tony Alonso
All Souls' Day
78 bpm • D Maj • 03:25 • -16.11db
3% Popularity • 38% Danceability • 16% Energy • 12% Liveness
1% Instrumentalness • 37% Positiveness
3% Popularity • 38% Danceability • 16% Energy • 12% Liveness
1% Instrumentalness • 37% Positiveness
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Marty Haugen
Return to God
78 bpm • E min • 04:14 • -15.55db
27% Popularity • 24% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
27% Popularity • 24% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Bernadette Farrell
Christ, Be Our Light (Easter Vigil Text)
70 bpm • G Maj • 04:12 • -12.49db
22% Popularity • 19% Danceability • 29% Energy • 9% Liveness
7% Instrumentalness • 15% Positiveness
22% Popularity • 19% Danceability • 29% Energy • 9% Liveness
7% Instrumentalness • 15% Positiveness
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Gary Granada
Shout To The Lord
70 bpm • D min • 05:05 • -21.84db
1% Popularity • 32% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 16% Positiveness
1% Popularity • 32% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 16% Positiveness
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Easter Hymns Band
Thine Be the Glory
78 bpm • A# Maj • 03:11 • -10.45db
34% Popularity • 19% Danceability • 34% Energy • 14% Liveness
13% Instrumentalness • 39% Positiveness
34% Popularity • 19% Danceability • 34% Energy • 14% Liveness
13% Instrumentalness • 39% Positiveness
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Scott Soper
I Know That My Redeemer Lives
78 bpm • A Maj • 02:43 • -13.59db
25% Popularity • 21% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
25% Popularity • 21% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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OCP Choir
O Breathe on Me, O Breath of God
78 bpm • D Maj • 02:18 • -12.87db
25% Popularity • 13% Danceability • 14% Energy • 9% Liveness
3% Instrumentalness • 17% Positiveness
25% Popularity • 13% Danceability • 14% Energy • 9% Liveness
3% Instrumentalness • 17% Positiveness
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GIA Singers
Peace Is Flowing Like a River
78 bpm • G Maj • 03:39 • -26.92db
30% Popularity • 13% Danceability • 6% Energy • 10% Liveness
68% Instrumentalness • 14% Positiveness
30% Popularity • 13% Danceability • 6% Energy • 10% Liveness
68% Instrumentalness • 14% Positiveness
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Bob Hurd
Psalm 42/43: As the Deer Longs
79 bpm • D min • 02:17 • -20.71db
24% Popularity • 44% Danceability • 12% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
24% Popularity • 44% Danceability • 12% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
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Gary Granada
How He Loves Us
70 bpm • G Maj • 03:49 • -19.64db
3% Popularity • 36% Danceability • 4% Energy • 11% Liveness
93% Instrumentalness • 16% Positiveness
3% Popularity • 36% Danceability • 4% Energy • 11% Liveness
93% Instrumentalness • 16% Positiveness
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John Foley
One Bread, One Body
70 bpm • A Maj • 02:55 • -10.61db
25% Popularity • 22% Danceability • 29% Energy • 10% Liveness
56% Instrumentalness • 10% Positiveness
25% Popularity • 22% Danceability • 29% Energy • 10% Liveness
56% Instrumentalness • 10% Positiveness
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Mary E. Byrne
Be Thou My Vision
79 bpm • D# Maj • 02:16 • -15.66db
20% Popularity • 11% Danceability • 21% Energy • 11% Liveness
1% Instrumentalness • 18% Positiveness
20% Popularity • 11% Danceability • 21% Energy • 11% Liveness
1% Instrumentalness • 18% Positiveness
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OCP Choir
I Know That My Redeemer Lives
70 bpm • D Maj • 01:50 • -9.38db
19% Popularity • 21% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
19% Popularity • 21% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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The St. Louis Jesuits
Glory and Praise to Our God
79 bpm • G Maj • 02:46 • -14.76db
26% Popularity • 50% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
26% Popularity • 50% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Tony Alonso
3rd Sunday of Easter
70 bpm • F Maj • 02:13 • -10.97db
2% Popularity • 21% Danceability • 31% Energy • 10% Liveness
1% Instrumentalness • 46% Positiveness
2% Popularity • 21% Danceability • 31% Energy • 10% Liveness
1% Instrumentalness • 46% Positiveness
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Michael Joncas
Sign Us with Ashes
79 bpm • G# Maj • 04:20 • -14.04db
8% Popularity • 21% Danceability • 23% Energy • 8% Liveness
5% Instrumentalness • 20% Positiveness
8% Popularity • 21% Danceability • 23% Energy • 8% Liveness
5% Instrumentalness • 20% Positiveness
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John Foley
Dwelling Place
70 bpm • D Maj • 03:37 • -20.91db
14% Popularity • 16% Danceability • 7% Energy • 20% Liveness
0% Instrumentalness • 22% Positiveness
14% Popularity • 16% Danceability • 7% Energy • 20% Liveness
0% Instrumentalness • 22% Positiveness
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Ken Canedo
Alleluia! Give the Glory - Mass of Glory
79 bpm • A# Maj • 02:26 • -10.87db
10% Popularity • 25% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
10% Popularity • 25% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Kim Orabona
Servant Song
79 bpm • C Maj • 03:58 • -16.17db
18% Popularity • 31% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
18% Popularity • 31% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Roc O'Connor, SJ
Jesus the Lord
69 bpm • G Maj • 03:01 • -13.95db
12% Popularity • 14% Danceability • 15% Energy • 27% Liveness
1% Instrumentalness • 7% Positiveness
12% Popularity • 14% Danceability • 15% Energy • 27% Liveness
1% Instrumentalness • 7% Positiveness
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Bob Hurd
Our Blessing Cup
79 bpm • C Maj • 02:47 • -17db
21% Popularity • 26% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
21% Popularity • 26% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
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Jacopone da Todi
At the Cross Her Station Keeping
79 bpm • F Maj • 01:33 • -15.39db
21% Popularity • 22% Danceability • 19% Energy • 10% Liveness
2% Instrumentalness • 19% Positiveness
21% Popularity • 22% Danceability • 19% Energy • 10% Liveness
2% Instrumentalness • 19% Positiveness
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Janèt Sullivan Whitaker
In Every Age
79 bpm • A# Maj • 04:14 • -18.66db
13% Popularity • 27% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
13% Popularity • 27% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Marty Haugen
Mass of Creation: We Walk by Faith
69 bpm • A Maj • 02:37 • -11.08db
37% Popularity • 22% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
37% Popularity • 22% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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David Haas
You Have Been Enlightened
79 bpm • D# Maj • 02:45 • -12.01db
2% Popularity • 49% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
2% Popularity • 49% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Scott Soper
Psalm 25: To You, O Lord
79 bpm • G Maj • 02:55 • -19db
13% Popularity • 22% Danceability • 15% Energy • 33% Liveness
0% Instrumentalness • 39% Positiveness
13% Popularity • 22% Danceability • 15% Energy • 33% Liveness
0% Instrumentalness • 39% Positiveness
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Christopher Walker
Like a Child Rests
80 bpm • C Maj • 02:34 • -20db
22% Popularity • 17% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
22% Popularity • 17% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Jesse Manibusan
Holy Spirit, Come Now
80 bpm • A Maj • 03:37 • -8.01db
11% Popularity • 39% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
11% Popularity • 39% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
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Spiritual Singing Band
As the Deer
80 bpm • D Maj • 03:27 • -14db
15% Popularity • 11% Danceability • 22% Energy • 26% Liveness
0% Instrumentalness • 14% Positiveness
15% Popularity • 11% Danceability • 22% Energy • 26% Liveness
0% Instrumentalness • 14% Positiveness
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Theresa Donohoo
The Deer's Cry: I Arise
80 bpm • A Maj • 04:33 • -14db
14% Popularity • 22% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
14% Popularity • 22% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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David Haas
We Need a Miracle
69 bpm • G Maj • 03:30 • -13.28db
4% Popularity • 36% Danceability • 8% Energy • 12% Liveness
96% Instrumentalness • 19% Positiveness
4% Popularity • 36% Danceability • 8% Energy • 12% Liveness
96% Instrumentalness • 19% Positiveness
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Jeanne Cotter
The Lord Is Kind and Merciful
80 bpm • C# Maj • 03:37 • -11db
26% Popularity • 20% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
26% Popularity • 20% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Christopher Walker
Be Still and Know That I Am God
80 bpm • F Maj • 02:24 • -12db
27% Popularity • 26% Danceability • 19% Energy • 11% Liveness
1% Instrumentalness • 14% Positiveness
27% Popularity • 26% Danceability • 19% Energy • 11% Liveness
1% Instrumentalness • 14% Positiveness
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John Foley
The Cry of the Poor
80 bpm • F# min • 03:20 • -23db
27% Popularity • 13% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
27% Popularity • 13% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
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Hymns You Love to Sing Performers
Take My Life And Let It Be
80 bpm • A Maj • 02:50 • -10db
35% Popularity • 53% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
35% Popularity • 53% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Bob Dufford
Be Not Afraid
80 bpm • F Maj • 05:10 • -9.69db
23% Popularity • 49% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
23% Popularity • 49% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
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Dan Schutte
Here I Am, Lord - Anniversary Recording
80 bpm • G Maj • 06:42 • -11.41db
31% Popularity • 21% Danceability • 28% Energy • 10% Liveness
1% Instrumentalness • 19% Positiveness
31% Popularity • 21% Danceability • 28% Energy • 10% Liveness
1% Instrumentalness • 19% Positiveness
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Benedictines of Mary, Queen of Apostles
Holy God, We Praise Thy Name
80 bpm • F Maj • 03:17 • -21.13db
42% Popularity • 28% Danceability • 8% Energy • 11% Liveness
27% Instrumentalness • 12% Positiveness
42% Popularity • 28% Danceability • 8% Energy • 11% Liveness
27% Instrumentalness • 12% Positiveness
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Lito Magnaye
God With Us Medley
68 bpm • G Maj • 03:00 • -20.1db
5% Popularity • 40% Danceability • 3% Energy • 11% Liveness
95% Instrumentalness • 24% Positiveness
5% Popularity • 40% Danceability • 3% Energy • 11% Liveness
95% Instrumentalness • 24% Positiveness
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Peter Scholtes
They'll Know We Are Christians
80 bpm • F min • 01:18 • -13db
35% Popularity • 59% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
35% Popularity • 59% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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Bernadette Farrell
Bread For The World
80 bpm • A Maj • 04:21 • -20.14db
22% Popularity • 16% Danceability • 9% Energy • 11% Liveness
3% Instrumentalness • 22% Positiveness
22% Popularity • 16% Danceability • 9% Energy • 11% Liveness
3% Instrumentalness • 22% Positiveness
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David Haas
More Love, More Power
68 bpm • G Maj • 03:32 • -14.49db
4% Popularity • 43% Danceability • 7% Energy • 12% Liveness
93% Instrumentalness • 20% Positiveness
4% Popularity • 43% Danceability • 7% Energy • 12% Liveness
93% Instrumentalness • 20% Positiveness
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John D Becker
Lead Me, Lord
68 bpm • G# Maj • 04:04 • -9db
35% Popularity • 54% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
35% Popularity • 54% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Gary Granada
Hossana
68 bpm • G Maj • 03:32 • -20.41db
1% Popularity • 44% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 27% Positiveness
1% Popularity • 44% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 27% Positiveness
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Curtis Stephan
Holy
81 bpm • F Maj • 00:50 • -7db
22% Popularity • 39% Danceability • 40% Energy • 17% Liveness
0% Instrumentalness • 53% Positiveness
22% Popularity • 39% Danceability • 40% Energy • 17% Liveness
0% Instrumentalness • 53% Positiveness
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Julie Hoy
Holy Spirit, Come to Me
81 bpm • G Maj • 02:58 • -12.32db
14% Popularity • 49% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
14% Popularity • 49% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Bernadette Farrell
Love Goes On
80 bpm • D Maj • 02:31 • -10.35db
26% Popularity • 35% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
26% Popularity • 35% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
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Paulines Choir
Mother of Christ - Marian Song
81 bpm • C# Maj • 02:30 • -21.62db
32% Popularity • 23% Danceability • 8% Energy • 14% Liveness
5% Instrumentalness • 16% Positiveness
32% Popularity • 23% Danceability • 8% Energy • 14% Liveness
5% Instrumentalness • 16% Positiveness
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Lito Magnaye
I Will Sing
68 bpm • G Maj • 03:30 • -19.3db
4% Popularity • 43% Danceability • 3% Energy • 12% Liveness
94% Instrumentalness • 23% Positiveness
4% Popularity • 43% Danceability • 3% Energy • 12% Liveness
94% Instrumentalness • 23% Positiveness
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Gary Granada
Before The Throne of God Above
68 bpm • A Maj • 04:16 • -25.62db
4% Popularity • 53% Danceability • 0% Energy • 10% Liveness
96% Instrumentalness • 25% Positiveness
4% Popularity • 53% Danceability • 0% Energy • 10% Liveness
96% Instrumentalness • 25% Positiveness
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Ricky Manalo
By the Waking of Our Hearts
81 bpm • D# Maj • 05:43 • -15db
9% Popularity • 25% Danceability • 27% Energy • 11% Liveness
7% Instrumentalness • 19% Positiveness
9% Popularity • 25% Danceability • 27% Energy • 11% Liveness
7% Instrumentalness • 19% Positiveness
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The London Fox Taize Choir
Eat This Bread
81 bpm • G Maj • 04:28 • -13.46db
30% Popularity • 13% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
30% Popularity • 13% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
