Songs like How I'd Kill by Cowboy Malfoy
Based on a tempo of (+/- 10%) and a similar genre
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Kaz Moon
Regressa
89 bpm • C# Maj • 01:39 • -11.31db
52% Popularity • 65% Danceability • 43% Energy • 10% Liveness
2% Instrumentalness • 79% Positiveness
52% Popularity • 65% Danceability • 43% Energy • 10% Liveness
2% Instrumentalness • 79% Positiveness
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Cowboy Malfoy
How I'd Kill
89 bpm • F min • 02:23 • -10db
63% Popularity • 51% Danceability • 37% Energy • 20% Liveness
0% Instrumentalness • 44% Positiveness
63% Popularity • 51% Danceability • 37% Energy • 20% Liveness
0% Instrumentalness • 44% Positiveness
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August Greenwood
Taroko
90 bpm • D Maj • 03:04 • -13.83db
49% Popularity • 62% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
49% Popularity • 62% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
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leo.
soul of steam
88 bpm • G min • 03:39 • -8.35db
39% Popularity • 54% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
39% Popularity • 54% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Andrew Underberg
Loser, Baby
88 bpm • E Maj • 02:55 • -6.18db
83% Popularity • 48% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
83% Popularity • 48% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
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Rabbitology
CANDLEBURN - Dorm Demo
90 bpm • G Maj • 03:11 • -9.61db
51% Popularity • 86% Danceability • 54% Energy • 18% Liveness
0% Instrumentalness • 60% Positiveness
51% Popularity • 86% Danceability • 54% Energy • 18% Liveness
0% Instrumentalness • 60% Positiveness
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Over the Garden Wall
Send Me a Peach
90 bpm • G min • 02:02 • -12.03db
49% Popularity • 50% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
49% Popularity • 50% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Good Kid
Summer
90 bpm • F# min • 02:27 • -3.34db
64% Popularity • 49% Danceability • 94% Energy • 34% Liveness
0% Instrumentalness • 86% Positiveness
64% Popularity • 49% Danceability • 94% Energy • 34% Liveness
0% Instrumentalness • 86% Positiveness
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Ethan Bortnick
hide n seek
90 bpm • D min • 02:56 • -3.32db
63% Popularity • 62% Danceability • 90% Energy • 33% Liveness
0% Instrumentalness • 48% Positiveness
63% Popularity • 62% Danceability • 90% Energy • 33% Liveness
0% Instrumentalness • 48% Positiveness
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Leanna Firestone
Smitten
88 bpm • B Maj • 02:29 • -7.71db
49% Popularity • 70% Danceability • 85% Energy • 35% Liveness
0% Instrumentalness • 63% Positiveness
49% Popularity • 70% Danceability • 85% Energy • 35% Liveness
0% Instrumentalness • 63% Positiveness
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The Vanished People
QUEEN OF THE NIGHT
90 bpm • G min • 02:44 • -11.86db
57% Popularity • 61% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 97% Positiveness
57% Popularity • 61% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 97% Positiveness
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The Cardigans
Step On Me
90 bpm • D Maj • 03:50 • -5.63db
75% Popularity • 33% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 14% Positiveness
75% Popularity • 33% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 14% Positiveness
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Liana Flores
papercut
88 bpm • G# Maj • 02:13 • -16.42db
57% Popularity • 52% Danceability • 17% Energy • 11% Liveness
1% Instrumentalness • 36% Positiveness
57% Popularity • 52% Danceability • 17% Energy • 11% Liveness
1% Instrumentalness • 36% Positiveness
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The Crane Wives
The Well
87 bpm • F# min • 03:57 • -8.34db
51% Popularity • 51% Danceability • 50% Energy • 29% Liveness
0% Instrumentalness • 19% Positiveness
51% Popularity • 51% Danceability • 50% Energy • 29% Liveness
0% Instrumentalness • 19% Positiveness
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Penelope Scott
Feel Better
87 bpm • E min • 04:12 • -13.42db
65% Popularity • 59% Danceability • 34% Energy • 10% Liveness
1% Instrumentalness • 34% Positiveness
65% Popularity • 59% Danceability • 34% Energy • 10% Liveness
1% Instrumentalness • 34% Positiveness
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Will Paquin
Chandelier
87 bpm • D min • 02:07 • -9.12db
72% Popularity • 33% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
72% Popularity • 33% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Mega Mango
Boggle
87 bpm • E Maj • 03:06 • -9.72db
49% Popularity • 27% Danceability • 54% Energy • 37% Liveness
0% Instrumentalness • 30% Positiveness
49% Popularity • 27% Danceability • 54% Energy • 37% Liveness
0% Instrumentalness • 30% Positiveness
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Steven Universe
Here Comes a Thought
91 bpm • C Maj • 03:22 • -9.58db
64% Popularity • 75% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
64% Popularity • 75% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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Kholby Wardell
Noel's Lament
87 bpm • A min • 04:59 • -13.72db
65% Popularity • 38% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
65% Popularity • 38% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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Leith Ross
We'll Never Have Sex
87 bpm • D Maj • 01:40 • -16.37db
68% Popularity • 43% Danceability • 10% Energy • 12% Liveness
1% Instrumentalness • 28% Positiveness
68% Popularity • 43% Danceability • 10% Energy • 12% Liveness
1% Instrumentalness • 28% Positiveness
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Wasia Project
ur so pretty
91 bpm • E Maj • 02:12 • -13db
71% Popularity • 32% Danceability • 23% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
71% Popularity • 32% Danceability • 23% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
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Kaden MacKay
Passing Through (Can't the Future Just W...
86 bpm • F# min • 03:13 • -16.93db
66% Popularity • 54% Danceability • 15% Energy • 20% Liveness
0% Instrumentalness • 67% Positiveness
66% Popularity • 54% Danceability • 15% Energy • 20% Liveness
0% Instrumentalness • 67% Positiveness
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James Marriott
White Noise
87 bpm • C# Maj • 02:33 • -11.62db
53% Popularity • 56% Danceability • 28% Energy • 36% Liveness
0% Instrumentalness • 26% Positiveness
53% Popularity • 56% Danceability • 28% Energy • 36% Liveness
0% Instrumentalness • 26% Positiveness
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My Terrible Friend
Almost Gone
92 bpm • B min • 03:43 • -12.42db
41% Popularity • 76% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
41% Popularity • 76% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Lucy Dacus
Night Shift
86 bpm • A Maj • 06:31 • -7.89db
70% Popularity • 48% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
70% Popularity • 48% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Mother Mother
Ghosting
92 bpm • B Maj • 04:45 • -5.1db
63% Popularity • 61% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
63% Popularity • 61% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Olive Klug
Raining in June
92 bpm • D Maj • 02:46 • -13.84db
51% Popularity • 37% Danceability • 20% Energy • 35% Liveness
0% Instrumentalness • 14% Positiveness
51% Popularity • 37% Danceability • 20% Energy • 35% Liveness
0% Instrumentalness • 14% Positiveness
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The Happy Fits
Cold Turkey
86 bpm • E min • 02:35 • -7db
49% Popularity • 64% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
49% Popularity • 64% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
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tinyumbrellas
Tough to Be a Bug
86 bpm • D# Maj • 01:12 • -18.17db
42% Popularity • 54% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
42% Popularity • 54% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
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The Vanished People
MOKA!
92 bpm • F Maj • 02:31 • -16.26db
52% Popularity • 57% Danceability • 60% Energy • 25% Liveness
0% Instrumentalness • 76% Positiveness
52% Popularity • 57% Danceability • 60% Energy • 25% Liveness
0% Instrumentalness • 76% Positiveness
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Good Kid
From the Start
93 bpm • C# Maj • 02:30 • -4.14db
76% Popularity • 57% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
76% Popularity • 57% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Frank Sinatra
The World We Knew (Over And Over)
93 bpm • A# min • 02:47 • -12.21db
72% Popularity • 34% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
72% Popularity • 34% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
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Adventure Time
Everything Stays
85 bpm • G Maj • 01:35 • -17.59db
69% Popularity • 48% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
69% Popularity • 48% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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nelward
Never Wanna Fall in Love With U
93 bpm • C# Maj • 03:01 • -6.9db
49% Popularity • 92% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 97% Positiveness
49% Popularity • 92% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 97% Positiveness
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The Stupendium
Vending Machine of Love
93 bpm • A# min • 04:23 • -2.82db
61% Popularity • 71% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
61% Popularity • 71% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
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Rio Romeo
Inarticulation
93 bpm • B Maj • 02:43 • -8.04db
63% Popularity • 44% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
63% Popularity • 44% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
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Matt Maltese
Intolewd
85 bpm • G min • 01:19 • -16.99db
77% Popularity • 76% Danceability • 20% Energy • 10% Liveness
19% Instrumentalness • 64% Positiveness
77% Popularity • 76% Danceability • 20% Energy • 10% Liveness
19% Instrumentalness • 64% Positiveness
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Mitski
A Pearl
85 bpm • G# Maj • 02:36 • -4.04db
74% Popularity • 30% Danceability • 64% Energy • 11% Liveness
2% Instrumentalness • 22% Positiveness
74% Popularity • 30% Danceability • 64% Energy • 11% Liveness
2% Instrumentalness • 22% Positiveness
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Wic Whitney
Matcha
85 bpm • D Maj • 03:03 • -8.06db
44% Popularity • 73% Danceability • 49% Energy • 23% Liveness
0% Instrumentalness • 51% Positiveness
44% Popularity • 73% Danceability • 49% Energy • 23% Liveness
0% Instrumentalness • 51% Positiveness
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Moon Walker
Regular People
84 bpm • A Maj • 03:41 • -8.85db
52% Popularity • 57% Danceability • 55% Energy • 18% Liveness
0% Instrumentalness • 44% Positiveness
52% Popularity • 57% Danceability • 55% Energy • 18% Liveness
0% Instrumentalness • 44% Positiveness
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Paris Paloma
It's Called: Freefall
94 bpm • F# Maj • 02:38 • -15.01db
67% Popularity • 68% Danceability • 13% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
67% Popularity • 68% Danceability • 13% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
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Lovejoy
Consequences
94 bpm • C# Maj • 03:10 • -4.65db
53% Popularity • 54% Danceability • 83% Energy • 4% Liveness
0% Instrumentalness • 70% Positiveness
53% Popularity • 54% Danceability • 83% Energy • 4% Liveness
0% Instrumentalness • 70% Positiveness
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Sparkbird
Sparkbird
94 bpm • B Maj • 02:52 • -10.3db
42% Popularity • 64% Danceability • 44% Energy • 26% Liveness
0% Instrumentalness • 62% Positiveness
42% Popularity • 64% Danceability • 44% Energy • 26% Liveness
0% Instrumentalness • 62% Positiveness
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TEMPOREX
Numbers
94 bpm • F# Maj • 02:07 • -10.76db
70% Popularity • 42% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
70% Popularity • 42% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Madilyn Mei
At The Cemetery
84 bpm • B Maj • 03:32 • -12.68db
45% Popularity • 58% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
45% Popularity • 58% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Ted Fresco
Kiss Me, I'm a Prince
95 bpm • C Maj • 03:30 • -5.16db
34% Popularity • 78% Danceability • 61% Energy • 29% Liveness
0% Instrumentalness • 74% Positiveness
34% Popularity • 78% Danceability • 61% Energy • 29% Liveness
0% Instrumentalness • 74% Positiveness
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Paris Paloma
labour
84 bpm • B min • 03:57 • -10.3db
78% Popularity • 65% Danceability • 57% Energy • 35% Liveness
0% Instrumentalness • 44% Positiveness
78% Popularity • 65% Danceability • 57% Energy • 35% Liveness
0% Instrumentalness • 44% Positiveness
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Mother Mother
To My Heart
95 bpm • E Maj • 03:05 • -8.12db
50% Popularity • 34% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
50% Popularity • 34% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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The Blake Robinson Synthetic Orchestra
An Unhealthy Obsession
95 bpm • C# min • 02:58 • -9.46db
62% Popularity • 76% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
62% Popularity • 76% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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Grand Commander
Unreal
95 bpm • F min • 02:14 • -11.32db
38% Popularity • 63% Danceability • 40% Energy • 10% Liveness
74% Instrumentalness • 48% Positiveness
38% Popularity • 63% Danceability • 40% Energy • 10% Liveness
74% Instrumentalness • 48% Positiveness
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Tally Hall
A Lady
83 bpm • A Maj • 01:04 • -15.27db
62% Popularity • 50% Danceability • 18% Energy • 11% Liveness
10% Instrumentalness • 10% Positiveness
62% Popularity • 50% Danceability • 18% Energy • 11% Liveness
10% Instrumentalness • 10% Positiveness
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Spence Hood
Father Finlee
95 bpm • A min • 04:08 • -8db
45% Popularity • 66% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
45% Popularity • 66% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Wasia Project
Misfit Biscuit
83 bpm • F min • 03:17 • -12.52db
45% Popularity • 33% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
45% Popularity • 33% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
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Sir Chloe
Animal
83 bpm • G Maj • 02:40 • -6.07db
70% Popularity • 50% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
70% Popularity • 50% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Jack Stauber's Micropop
Cupid
83 bpm • D# Maj • 03:40 • -6.61db
67% Popularity • 57% Danceability • 51% Energy • 42% Liveness
81% Instrumentalness • 44% Positiveness
67% Popularity • 57% Danceability • 51% Energy • 42% Liveness
81% Instrumentalness • 44% Positiveness
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Rio Romeo
Over & Over
96 bpm • A# Maj • 01:40 • -9db
57% Popularity • 53% Danceability • 56% Energy • 32% Liveness
0% Instrumentalness • 39% Positiveness
57% Popularity • 53% Danceability • 56% Energy • 32% Liveness
0% Instrumentalness • 39% Positiveness
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Tally Hall
&
96 bpm • B Maj • 03:14 • -5.12db
63% Popularity • 53% Danceability • 88% Energy • 35% Liveness
0% Instrumentalness • 73% Positiveness
63% Popularity • 53% Danceability • 88% Energy • 35% Liveness
0% Instrumentalness • 73% Positiveness
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Lyn Lapid
ok with it
96 bpm • G# Maj • 02:45 • -8.9db
52% Popularity • 63% Danceability • 52% Energy • 22% Liveness
0% Instrumentalness • 24% Positiveness
52% Popularity • 63% Danceability • 52% Energy • 22% Liveness
0% Instrumentalness • 24% Positiveness
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Dazey and the Scouts
Wet
96 bpm • A min • 02:51 • -5.6db
70% Popularity • 51% Danceability • 92% Energy • 71% Liveness
0% Instrumentalness • 65% Positiveness
70% Popularity • 51% Danceability • 92% Energy • 71% Liveness
0% Instrumentalness • 65% Positiveness
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Noah Floersch
Love You By Myself
83 bpm • D# Maj • 03:01 • -8.92db
48% Popularity • 49% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
48% Popularity • 49% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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dacelynn
80's makeout session
96 bpm • C Maj • 01:42 • -11db
56% Popularity • 76% Danceability • 40% Energy • 27% Liveness
0% Instrumentalness • 29% Positiveness
56% Popularity • 76% Danceability • 40% Energy • 27% Liveness
0% Instrumentalness • 29% Positiveness
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Melanie Martinez
EVIL
96 bpm • G# Maj • 04:06 • -4.91db
72% Popularity • 71% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
72% Popularity • 71% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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Junie & TheHutFriends
Drown Me!
96 bpm • C# Maj • 02:52 • -6.77db
57% Popularity • 78% Danceability • 46% Energy • 26% Liveness
0% Instrumentalness • 66% Positiveness
57% Popularity • 78% Danceability • 46% Energy • 26% Liveness
0% Instrumentalness • 66% Positiveness
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Cowboy Malfoy
Head Start
82 bpm • G# Maj • 03:04 • -9.61db
42% Popularity • 62% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
42% Popularity • 62% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
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Miniature Tigers
Like or Like Like
96 bpm • D Maj • 02:38 • -5db
67% Popularity • 75% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
67% Popularity • 75% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
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Rio Romeo
Nothing's New
96 bpm • B Maj • 03:31 • -8.31db
83% Popularity • 42% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
83% Popularity • 42% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Vundabar
Alien Blues
82 bpm • D# Maj • 02:35 • -5.09db
81% Popularity • 47% Danceability • 76% Energy • 9% Liveness
91% Instrumentalness • 43% Positiveness
81% Popularity • 47% Danceability • 76% Energy • 9% Liveness
91% Instrumentalness • 43% Positiveness
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Roan Martin
Prime
82 bpm • F min • 05:29 • -10.95db
36% Popularity • 32% Danceability • 34% Energy • 39% Liveness
0% Instrumentalness • 30% Positiveness
36% Popularity • 32% Danceability • 34% Energy • 39% Liveness
0% Instrumentalness • 30% Positiveness
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Mitski
I Bet on Losing Dogs
82 bpm • A Maj • 02:50 • -9.56db
81% Popularity • 40% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
81% Popularity • 40% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Rebecca Sugar
i didn't mean to
82 bpm • D# Maj • 01:41 • -11.56db
42% Popularity • 55% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
42% Popularity • 55% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Mother Mother
Wrecking Ball
97 bpm • G Maj • 03:14 • -4.47db
68% Popularity • 66% Danceability • 80% Energy • 34% Liveness
0% Instrumentalness • 28% Positiveness
68% Popularity • 66% Danceability • 80% Energy • 34% Liveness
0% Instrumentalness • 28% Positiveness
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Naethan Apollo
Person in the Mirror
81 bpm • G# Maj • 01:11 • -10.36db
59% Popularity • 87% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
59% Popularity • 87% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
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Jhariah
Flight of the Crows
98 bpm • C# Maj • 02:38 • -4.97db
59% Popularity • 52% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
59% Popularity • 52% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Tally Hall
The Whole World and You
98 bpm • F Maj • 01:44 • -9.12db
59% Popularity • 78% Danceability • 47% Energy • 39% Liveness
0% Instrumentalness • 79% Positiveness
59% Popularity • 78% Danceability • 47% Energy • 39% Liveness
0% Instrumentalness • 79% Positiveness
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Teddy Hyde
Vanilla Curls
98 bpm • C Maj • 04:50 • -17db
45% Popularity • 40% Danceability • 22% Energy • 14% Liveness
1% Instrumentalness • 23% Positiveness
45% Popularity • 40% Danceability • 22% Energy • 14% Liveness
1% Instrumentalness • 23% Positiveness
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Leith Ross
(You) On My Arm
98 bpm • D# Maj • 04:04 • -6.97db
56% Popularity • 59% Danceability • 62% Energy • 33% Liveness
0% Instrumentalness • 39% Positiveness
56% Popularity • 59% Danceability • 62% Energy • 33% Liveness
0% Instrumentalness • 39% Positiveness
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dodie
Got Weird
98 bpm • F# min • 03:22 • -15.93db
47% Popularity • 85% Danceability • 30% Energy • 11% Liveness
20% Instrumentalness • 69% Positiveness
47% Popularity • 85% Danceability • 30% Energy • 11% Liveness
20% Instrumentalness • 69% Positiveness
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Roe Kapara
Daisies
98 bpm • C Maj • 03:18 • -7db
43% Popularity • 59% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
43% Popularity • 59% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Jhariah
BAD LUCK!
98 bpm • D Maj • 03:33 • -7.44db
51% Popularity • 29% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
51% Popularity • 29% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Reinaeiry
When The Sun Loves The Moon
81 bpm • A min • 01:49 • -15.64db
50% Popularity • 23% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
50% Popularity • 23% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Noah Floersch
Long Gone
81 bpm • F Maj • 03:36 • -9.53db
34% Popularity • 32% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
34% Popularity • 32% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
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Lovejoy
It's Golden Hour Somewhere
99 bpm • G# min • 03:24 • -7.53db
54% Popularity • 44% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
54% Popularity • 44% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Teddy Hyde
Sex with a Ghost
80 bpm • B min • 04:00 • -12.49db
66% Popularity • 48% Danceability • 33% Energy • 24% Liveness
0% Instrumentalness • 38% Positiveness
66% Popularity • 48% Danceability • 33% Energy • 24% Liveness
0% Instrumentalness • 38% Positiveness
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Steven Universe
Escapism
80 bpm • C Maj • 02:01 • -17db
66% Popularity • 48% Danceability • 8% Energy • 10% Liveness
1% Instrumentalness • 31% Positiveness
66% Popularity • 48% Danceability • 8% Energy • 10% Liveness
1% Instrumentalness • 31% Positiveness
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Jacob Maul
1984
99 bpm • A Maj • 03:24 • -12.29db
33% Popularity • 46% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
33% Popularity • 46% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
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Sparkbird
November
80 bpm • C# Maj • 04:02 • -7.61db
56% Popularity • 63% Danceability • 54% Energy • 40% Liveness
0% Instrumentalness • 73% Positiveness
56% Popularity • 63% Danceability • 54% Energy • 40% Liveness
0% Instrumentalness • 73% Positiveness
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Flamingos in the Tree
Sarah Tonin
99 bpm • E Maj • 03:11 • -10.35db
38% Popularity • 52% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
38% Popularity • 52% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Nep
Cottontail
99 bpm • G Maj • 02:41 • -7.08db
50% Popularity • 62% Danceability • 41% Energy • 23% Liveness
0% Instrumentalness • 84% Positiveness
50% Popularity • 62% Danceability • 41% Energy • 23% Liveness
0% Instrumentalness • 84% Positiveness
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Haley Heynderickx
The Bug Collector
100 bpm • A# Maj • 03:48 • -9.71db
70% Popularity • 54% Danceability • 42% Energy • 10% Liveness
33% Instrumentalness • 53% Positiveness
70% Popularity • 54% Danceability • 42% Energy • 10% Liveness
33% Instrumentalness • 53% Positiveness
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Cavetown
Fool
80 bpm • C# Maj • 03:53 • -9.28db
63% Popularity • 68% Danceability • 46% Energy • 7% Liveness
7% Instrumentalness • 13% Positiveness
63% Popularity • 68% Danceability • 46% Energy • 7% Liveness
7% Instrumentalness • 13% Positiveness
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Ryan McCartan
Meant to Be Yours
100 bpm • F# Maj • 03:25 • -6.92db
68% Popularity • 50% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 58% Positiveness
68% Popularity • 50% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 58% Positiveness
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Mitski
First Love/Late Spring
100 bpm • C Maj • 04:38 • -8.2db
79% Popularity • 44% Danceability • 54% Energy • 20% Liveness
1% Instrumentalness • 10% Positiveness
79% Popularity • 44% Danceability • 54% Energy • 20% Liveness
1% Instrumentalness • 10% Positiveness
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Maya Hawke
To Love a Boy
100 bpm • D# min • 02:17 • -13.56db
52% Popularity • 68% Danceability • 20% Energy • 9% Liveness
2% Instrumentalness • 34% Positiveness
52% Popularity • 68% Danceability • 20% Energy • 9% Liveness
2% Instrumentalness • 34% Positiveness
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EASHA
Manic Pixie Dream Girl
100 bpm • E min • 02:40 • -4.9db
50% Popularity • 69% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
50% Popularity • 69% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Fish in a Birdcage
Rule #18 - Lion
100 bpm • E min • 02:57 • -13.22db
46% Popularity • 86% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
46% Popularity • 86% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Cavetown
Devil Town
100 bpm • D# Maj • 02:59 • -8.17db
75% Popularity • 58% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
75% Popularity • 58% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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chloe moriondo
Bugbear
100 bpm • A# Maj • 02:53 • -10.12db
55% Popularity • 63% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
55% Popularity • 63% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Moon Walker
The TV Made Me Do It
100 bpm • A# min • 03:34 • -4.56db
44% Popularity • 64% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
44% Popularity • 64% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
