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How It Lies, How It Lies, How It Lies
Songs like
How It Lies, How It Lies, How It Lies
by
Kay Starr
Based on a tempo of (+/- 10%) and a similar genre
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Guy Lombardo & His Royal Canadians
Music! Music! Music!
178 bpm • G# min • 02:57 • -12db
23% Popularity • 65% Danceability • 23% Energy • 5% Liveness
46% Instrumentalness • 88% Positiveness
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Guy Lombardo
Boo Hoo
180 bpm • C Maj • 02:37 • -12.15db
19% Popularity • 59% Danceability • 20% Energy • 12% Liveness
1% Instrumentalness • 70% Positiveness
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Woody Herman & His Orchestra
Woodchopper's Ball
180 bpm • F min • 03:14 • -8.67db
35% Popularity • 61% Danceability • 44% Energy • 16% Liveness
48% Instrumentalness • 90% Positiveness
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Johnnie Ray
Please, Mr. Sun
176 bpm • E min • 02:57 • -16.1db
26% Popularity • 34% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Bob Crosby
Bye Bye Baby
175 bpm • G# Maj • 01:46 • -10db
33% Popularity • 52% Danceability • 31% Energy • 30% Liveness
4% Instrumentalness • 79% Positiveness
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Buddy Greco
I'm in Love
175 bpm • C Maj • 01:31 • -11.49db
34% Popularity • 30% Danceability • 54% Energy • 81% Liveness
0% Instrumentalness • 80% Positiveness
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Members Of The Glenn Miller Orchestra
American Patrol
181 bpm • G min • 02:35 • -20.57db
43% Popularity • 31% Danceability • 23% Energy • 7% Liveness
56% Instrumentalness • 65% Positiveness
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Guy Lombardo
Five Foot Two Eyes of Blue
178 bpm • D min • 02:39 • -10.11db
15% Popularity • 56% Danceability • 25% Energy • 36% Liveness
1% Instrumentalness • 81% Positiveness
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Guy Lombardo & His Royal Canadians
Sweet Georgia Brown
174 bpm • F Maj • 02:00 • -12.02db
31% Popularity • 68% Danceability • 21% Energy • 69% Liveness
82% Instrumentalness • 78% Positiveness
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The Merry Macs
Jingle Jangle Jingle (Alternate Take)
183 bpm • C# Maj • 02:53 • -14db
22% Popularity • 76% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
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Kay Starr
Comes A-Long A-Love
173 bpm • A# Maj • 02:13 • -11.17db
16% Popularity • 44% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
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Buddy Greco
Roses Of Picardy
183 bpm • G min • 02:25 • -11.27db
19% Popularity • 41% Danceability • 43% Energy • 24% Liveness
0% Instrumentalness • 70% Positiveness
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Jimmy Durante
Hi Lili, Hi Lo
173 bpm • F Maj • 03:00 • -13db
20% Popularity • 27% Danceability • 22% Energy • 19% Liveness
0% Instrumentalness • 40% Positiveness
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Members Of The Glenn Miller Orchestra
Habanera
175 bpm • C Maj • 01:58 • -13.7db
42% Popularity • 36% Danceability • 35% Energy • 12% Liveness
86% Instrumentalness • 56% Positiveness
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Guy Lombardo
It's Love-Love-Love
173 bpm • A# Maj • 02:28 • -11.96db
24% Popularity • 72% Danceability • 43% Energy • 10% Liveness
64% Instrumentalness • 97% Positiveness
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The Four Lads
Fly Me To The Moon (In Other Words)
172 bpm • G Maj • 02:56 • -11.64db
17% Popularity • 16% Danceability • 32% Energy • 37% Liveness
0% Instrumentalness • 31% Positiveness
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The Merry Macs
Jingle, Jangle, Jingle
183 bpm • C# Maj • 02:53 • -12db
25% Popularity • 75% Danceability • 30% Energy • 21% Liveness
0% Instrumentalness • 82% Positiveness
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Buddy Greco
Around the World
184 bpm • C Maj • 02:25 • -11db
34% Popularity • 42% Danceability • 59% Energy • 35% Liveness
0% Instrumentalness • 92% Positiveness
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Kay Starr
Oh, Babe!
172 bpm • G Maj • 02:27 • -5.88db
9% Popularity • 48% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
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Alma Cogan
Dreamboat
172 bpm • F Maj • 01:47 • -12db
37% Popularity • 65% Danceability • 30% Energy • 34% Liveness
0% Instrumentalness • 86% Positiveness
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The Fontane Sisters
Hearts of Stone
172 bpm • F Maj • 02:07 • -8.74db
21% Popularity • 66% Danceability • 56% Energy • 39% Liveness
0% Instrumentalness • 97% Positiveness
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Malcolm Vaughan
Ev'ry Day of My Life
172 bpm • F Maj • 02:33 • -10.02db
18% Popularity • 21% Danceability • 20% Energy • 19% Liveness
0% Instrumentalness • 31% Positiveness
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Billy Eckstine
I Apologize
170 bpm • C# Maj • 02:51 • -10.07db
27% Popularity • 18% Danceability • 37% Energy • 6% Liveness
5% Instrumentalness • 20% Positiveness
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Morgana King
If You Could See Me Now
170 bpm • G# Maj • 03:24 • -17.71db
35% Popularity • 25% Danceability • 14% Energy • 17% Liveness
0% Instrumentalness • 20% Positiveness
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Jimmy Dorsey & His Orchestra
Don't Be That Way
170 bpm • C min • 03:00 • -10.24db
23% Popularity • 62% Danceability • 48% Energy • 53% Liveness
73% Instrumentalness • 57% Positiveness
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Jane Morgan
Fascination
169 bpm • F Maj • 02:24 • -16.62db
27% Popularity • 12% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Buddy Greco
Wild Is Love
169 bpm • D min • 01:59 • -13.58db
11% Popularity • 35% Danceability • 43% Energy • 32% Liveness
0% Instrumentalness • 76% Positiveness
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Craig Douglas
Five Foot Two, Eyes of Blue
169 bpm • A Maj • 01:45 • -9.72db
30% Popularity • 39% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 90% Positiveness
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Billy Eckstine
My Foolish Heart
171 bpm • A Maj • 03:03 • -13.34db
31% Popularity • 22% Danceability • 19% Energy • 38% Liveness
14% Instrumentalness • 11% Positiveness
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Guy Lombardo
The Band Played On
168 bpm • G# Maj • 02:31 • -11.99db
31% Popularity • 59% Danceability • 15% Energy • 17% Liveness
1% Instrumentalness • 74% Positiveness
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Lee Wiley
Down with Love
168 bpm • G min • 02:46 • -16.31db
23% Popularity • 53% Danceability • 16% Energy • 11% Liveness
61% Instrumentalness • 71% Positiveness
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Kay Kyser
On a Slow Boat to China
168 bpm • G Maj • 03:20 • -9.35db
10% Popularity • 48% Danceability • 19% Energy • 28% Liveness
0% Instrumentalness • 57% Positiveness
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Harry Babbitt
On A Slow Boat To China
168 bpm • G Maj • 03:17 • -9.45db
28% Popularity • 48% Danceability • 22% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
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Ernestine Anderson
That Old Feeling
189 bpm • D min • 02:28 • -10.1db
33% Popularity • 42% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Joni James
You're My Everything
190 bpm • G Maj • 02:28 • -15.65db
15% Popularity • 29% Danceability • 6% Energy • 17% Liveness
0% Instrumentalness • 25% Positiveness
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Bob Crosby & The Bob Cats
Down Argentina Way - Remastered
166 bpm • G Maj • 02:35 • -4.71db
25% Popularity • 60% Danceability • 68% Energy • 7% Liveness
1% Instrumentalness • 88% Positiveness
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Lee Wiley
Here's Love In Your Eyes
167 bpm • A min • 01:41 • -17.75db
44% Popularity • 50% Danceability • 14% Energy • 51% Liveness
1% Instrumentalness • 59% Positiveness
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Bobby Troup
Snootie Little Curtie
166 bpm • G# Maj • 02:12 • -11.28db
24% Popularity • 51% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
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Jimmy Dorsey
Amapola
166 bpm • G min • 03:26 • -9.73db
21% Popularity • 39% Danceability • 23% Energy • 17% Liveness
0% Instrumentalness • 52% Positiveness
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Guy Lombardo
Get out Those Old Records
164 bpm • F Maj • 02:19 • -11.89db
20% Popularity • 74% Danceability • 21% Energy • 21% Liveness
0% Instrumentalness • 79% Positiveness
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Doris Day
Blue Skies
164 bpm • C Maj • 01:47 • -16.11db
43% Popularity • 52% Danceability • 17% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
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Joni James
Why Don't You Believe Me
163 bpm • D# Maj • 02:56 • -7.22db
15% Popularity • 17% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Carroll Gibbons
Isn't It Romantic
162 bpm • F min • 02:58 • -17.69db
41% Popularity • 30% Danceability • 24% Energy • 12% Liveness
70% Instrumentalness • 47% Positiveness
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Kay Starr
Around the World - 2002 - Remastered
163 bpm • A min • 01:55 • -12.66db
10% Popularity • 64% Danceability • 23% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
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Jimmie Lunceford
Tain't What You Do (It's The Way That Yo...
161 bpm • G# Maj • 03:03 • -14.71db
38% Popularity • 65% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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The Clovers
Blue Velvet
197 bpm • A# min • 02:37 • -20.4db
26% Popularity • 34% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Jimmy Dorsey & His Orchestra
Stompin' At The Savoy
160 bpm • C# Maj • 03:10 • -12db
28% Popularity • 67% Danceability • 45% Energy • 7% Liveness
86% Instrumentalness • 70% Positiveness
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Lester Lanin
This Could Be The Start Of Something - S...
199 bpm • D# Maj • 02:12 • -14.13db
30% Popularity • 64% Danceability • 34% Energy • 6% Liveness
83% Instrumentalness • 96% Positiveness
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Al Bowlly
Love Is the Sweetest Thing
200 bpm • C# Maj • 03:21 • -19db
32% Popularity • 27% Danceability • 9% Energy • 20% Liveness
1% Instrumentalness • 35% Positiveness
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Kay Starr
Just In Time - Remastered
160 bpm • A min • 02:02 • -11.92db
13% Popularity • 74% Danceability • 33% Energy • 5% Liveness
0% Instrumentalness • 87% Positiveness
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Guy Lombardo
For Me and My Gal
159 bpm • G Maj • 02:43 • -14.04db
16% Popularity • 70% Danceability • 13% Energy • 8% Liveness
65% Instrumentalness • 70% Positiveness
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Harry Connick, Jr.
We Are In Love
200 bpm • G Maj • 02:40 • -15db
47% Popularity • 37% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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The Ames Brothers
Rag Mop
201 bpm • G Maj • 02:40 • -9.69db
15% Popularity • 59% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 98% Positiveness
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Larry Clinton & His Orchestra
I Double Dare You
201 bpm • E min • 02:48 • -21.2db
29% Popularity • 54% Danceability • 18% Energy • 19% Liveness
1% Instrumentalness • 84% Positiveness
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Al Bowlly
Did You Ever See a Dream Walking
159 bpm • G# Maj • 03:05 • -9.54db
22% Popularity • 61% Danceability • 30% Energy • 6% Liveness
62% Instrumentalness • 79% Positiveness
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Gene Krupa
Massachusetts
157 bpm • A# Maj • 03:15 • -9.85db
30% Popularity • 64% Danceability • 44% Energy • 23% Liveness
28% Instrumentalness • 82% Positiveness
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The Merry Macs
Breezin' Along with the Breeze
157 bpm • F min • 03:01 • -14.54db
22% Popularity • 55% Danceability • 20% Energy • 4% Liveness
2% Instrumentalness • 34% Positiveness
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Jimmy Dorsey & His Orchestra
Tangerine
155 bpm • B min • 03:12 • -11.09db
39% Popularity • 48% Danceability • 20% Energy • 26% Liveness
0% Instrumentalness • 40% Positiveness
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The Ames Brothers
Rag Mop
204 bpm • G Maj • 02:46 • -8.73db
25% Popularity • 55% Danceability • 64% Energy • 29% Liveness
0% Instrumentalness • 94% Positiveness
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Louis Jordan
Keep a Knockin' (But You Can't Come In)
155 bpm • C# Maj • 02:32 • -10.52db
44% Popularity • 76% Danceability • 29% Energy • 5% Liveness
38% Instrumentalness • 83% Positiveness
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Kay Starr
C'est Magnifique - Remastered
155 bpm • F# min • 02:19 • -10.03db
46% Popularity • 68% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Johnnie Ray
Such a Night
207 bpm • G min • 02:53 • -10.16db
20% Popularity • 43% Danceability • 72% Energy • 92% Liveness
0% Instrumentalness • 78% Positiveness
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Carroll Gibbons
Too Marvellous for Words
153 bpm • C# Maj • 03:04 • -20.66db
41% Popularity • 38% Danceability • 6% Energy • 10% Liveness
64% Instrumentalness • 28% Positiveness
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Gene Krupa and His Orchestra
Opus NO. 1
153 bpm • A min • 02:56 • -7.2db
19% Popularity • 60% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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Nat King Cole Trio
Hit That Jive, Jack
206 bpm • F min • 02:54 • -12db
37% Popularity • 61% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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Kay Starr
I Love Paris - Remastered
152 bpm • G Maj • 02:47 • -12db
20% Popularity • 75% Danceability • 34% Energy • 29% Liveness
0% Instrumentalness • 63% Positiveness
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Kay Starr
It's a Good Day
151 bpm • C Maj • 01:59 • -8db
29% Popularity • 65% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
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How It Lies, How It Lies, How It Lies