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How It Was
Songs like
How It Was
by
Andy Stott
Based on a tempo of (+/- 10%) and a similar genre
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Phoenecia
Grrl Trrbl
110 bpm • D Maj • 05:24 • -11.75db
16% Popularity • 79% Danceability • 49% Energy • 8% Liveness
88% Instrumentalness • 5% Positiveness
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Andy Stott
How It Was
110 bpm • A# min • 06:09 • -10.77db
22% Popularity • 77% Danceability • 40% Energy • 9% Liveness
3% Instrumentalness • 23% Positiveness
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Forest Swords
Friend, You Will Never Learn
110 bpm • A min • 08:12 • -12db
27% Popularity • 35% Danceability • 82% Energy • 10% Liveness
92% Instrumentalness • 34% Positiveness
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Amnesia Scanner
AS Daemon
109 bpm • D min • 03:09 • -11.29db
16% Popularity • 65% Danceability • 21% Energy • 10% Liveness
85% Instrumentalness • 8% Positiveness
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Second Woman
/
112 bpm • D Maj • 03:47 • -12db
11% Popularity • 52% Danceability • 49% Energy • 15% Liveness
83% Instrumentalness • 2% Positiveness
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Lanark Artefax
Flickering Debris
111 bpm • F# Maj • 02:17 • -7.78db
20% Popularity • 34% Danceability • 96% Energy • 7% Liveness
75% Instrumentalness • 11% Positiveness
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Powell
So We Went Electric
112 bpm • B min • 06:39 • -6.8db
8% Popularity • 77% Danceability • 86% Energy • 19% Liveness
81% Instrumentalness • 32% Positiveness
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µ-Ziq
Blainville
112 bpm • G# min • 03:41 • -7.77db
29% Popularity • 68% Danceability • 80% Energy • 11% Liveness
92% Instrumentalness • 32% Positiveness
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Porter Ricks
Port of Nuba
108 bpm • B min • 08:04 • -16.49db
10% Popularity • 70% Danceability • 44% Energy • 7% Liveness
90% Instrumentalness • 27% Positiveness
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Blawan
Close the Cycle
112 bpm • G Maj • 04:05 • -4.24db
17% Popularity • 81% Danceability • 90% Energy • 27% Liveness
83% Instrumentalness • 26% Positiveness
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Shed
Keep Time
112 bpm • D Maj • 03:01 • -11db
23% Popularity • 70% Danceability • 59% Energy • 26% Liveness
87% Instrumentalness • 12% Positiveness
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Aphex Twin
Bucephalus Bouncing Ball [Chosen by Warp...
112 bpm • C Maj • 05:45 • -5.86db
35% Popularity • 54% Danceability • 90% Energy • 9% Liveness
89% Instrumentalness • 20% Positiveness
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DJ Python
Todo Era Azul - Siempre Dub
112 bpm • F Maj • 04:34 • -10.92db
12% Popularity • 34% Danceability • 74% Energy • 9% Liveness
91% Instrumentalness • 60% Positiveness
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Two Lone Swordsmen
Ivy and Lead
112 bpm • A# min • 02:48 • -10.58db
21% Popularity • 74% Danceability • 76% Energy • 11% Liveness
27% Instrumentalness • 67% Positiveness
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Gramm
70gr
112 bpm • C# Maj • 06:19 • -16.94db
10% Popularity • 82% Danceability • 44% Energy • 9% Liveness
92% Instrumentalness • 50% Positiveness
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Tricky
Valentine - Andy Stott Remix
112 bpm • E min • 06:36 • -12.41db
8% Popularity • 46% Danceability • 68% Energy • 21% Liveness
36% Instrumentalness • 10% Positiveness
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Bochum Welt
Southern England in Summer
112 bpm • A min • 02:08 • -16db
32% Popularity • 65% Danceability • 46% Energy • 12% Liveness
93% Instrumentalness • 20% Positiveness
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Huerco S.
Ragtime U.S.A. (Warning)
113 bpm • G# Maj • 06:14 • -14.28db
10% Popularity • 62% Danceability • 55% Energy • 9% Liveness
30% Instrumentalness • 48% Positiveness
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Shed
Extreme Sat
112 bpm • C Maj • 03:19 • -15.61db
26% Popularity • 55% Danceability • 44% Energy • 14% Liveness
21% Instrumentalness • 69% Positiveness
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Seefeel
Time to Find Me - AFX Fast Mix
107 bpm • B min • 07:37 • -14.09db
35% Popularity • 71% Danceability • 48% Energy • 20% Liveness
91% Instrumentalness • 22% Positiveness
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Sd Laika
Great God Pan
107 bpm • A# min • 04:52 • -6.84db
23% Popularity • 45% Danceability • 91% Energy • 18% Liveness
86% Instrumentalness • 17% Positiveness
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Sky H1
Elysian Heights
113 bpm • F min • 04:06 • -11db
25% Popularity • 34% Danceability • 78% Energy • 10% Liveness
87% Instrumentalness • 53% Positiveness
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Boards of Canada
Orange Romeda
106 bpm • G Maj • 04:51 • -9.26db
25% Popularity • 64% Danceability • 100% Energy • 4% Liveness
90% Instrumentalness • 77% Positiveness
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Andy Stott
Posers
106 bpm • E min • 05:07 • -15db
21% Popularity • 69% Danceability • 48% Energy • 11% Liveness
85% Instrumentalness • 8% Positiveness
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Gescom
Key nell 1
106 bpm • D Maj • 07:59 • -13.84db
20% Popularity • 84% Danceability • 50% Energy • 46% Liveness
84% Instrumentalness • 51% Positiveness
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Shed
The Praetorian
115 bpm • G Maj • 02:22 • -20.34db
35% Popularity • 34% Danceability • 40% Energy • 9% Liveness
87% Instrumentalness • 25% Positiveness
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Tim Hecker
The Piano Drop
114 bpm • C# min • 02:53 • -12db
37% Popularity • 58% Danceability • 85% Energy • 14% Liveness
96% Instrumentalness • 3% Positiveness
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Patricia
Liminal States
115 bpm • F Maj • 05:03 • -12.15db
22% Popularity • 66% Danceability • 76% Energy • 9% Liveness
88% Instrumentalness • 38% Positiveness
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Aphex Twin
MARCHROMT30a Edit 2b 96
105 bpm • G# Maj • 07:13 • -11.94db
21% Popularity • 85% Danceability • 69% Energy • 10% Liveness
45% Instrumentalness • 15% Positiveness
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Andy Stott
Sleepless
106 bpm • E min • 05:49 • -10.49db
25% Popularity • 63% Danceability • 81% Energy • 36% Liveness
4% Instrumentalness • 14% Positiveness
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Varg²™
Red Line (114 Östermalmstorg - 127 Vår...
115 bpm • G Maj • 07:17 • -13.91db
13% Popularity • 52% Danceability • 62% Energy • 13% Liveness
85% Instrumentalness • 4% Positiveness
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Sky H1
Darklite
105 bpm • G# min • 05:21 • -13db
25% Popularity • 54% Danceability • 64% Energy • 34% Liveness
55% Instrumentalness • 60% Positiveness
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Huerco S.
Plucked from the Ground, Towards the Sun
116 bpm • C# Maj • 06:49 • -16.53db
12% Popularity • 56% Danceability • 41% Energy • 10% Liveness
81% Instrumentalness • 9% Positiveness
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Roly Porter
Mass
104 bpm • F# min • 05:47 • -12.47db
10% Popularity • 18% Danceability • 55% Energy • 17% Liveness
92% Instrumentalness • 13% Positiveness
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Against All Logic
Flash in the Pan
116 bpm • E min • 07:27 • -8.47db
28% Popularity • 80% Danceability • 60% Energy • 11% Liveness
81% Instrumentalness • 14% Positiveness
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Andy Stott
0L9
114 bpm • C# Maj • 06:56 • -14db
18% Popularity • 85% Danceability • 56% Energy • 15% Liveness
82% Instrumentalness • 26% Positiveness
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Aphex Twin
2X202-ST5
117 bpm • C# Maj • 04:39 • -11db
21% Popularity • 80% Danceability • 48% Energy • 9% Liveness
91% Instrumentalness • 14% Positiveness
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upsammy
Wild Chamber
117 bpm • F# Maj • 04:21 • -8.65db
17% Popularity • 68% Danceability • 48% Energy • 10% Liveness
81% Instrumentalness • 95% Positiveness
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Huerco S.
On The Embankment
117 bpm • C# Maj • 05:56 • -22.35db
20% Popularity • 82% Danceability • 38% Energy • 11% Liveness
93% Instrumentalness • 70% Positiveness
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James Holden
The Inheritors
117 bpm • G Maj • 04:54 • -10.04db
12% Popularity • 39% Danceability • 87% Energy • 9% Liveness
74% Instrumentalness • 22% Positiveness
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Shed
Leave Things
117 bpm • D min • 03:51 • -11.32db
10% Popularity • 40% Danceability • 72% Energy • 16% Liveness
87% Instrumentalness • 22% Positiveness
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Andy Stott
On Oath
115 bpm • F min • 08:08 • -11.39db
23% Popularity • 60% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Patricia
Josephine
118 bpm • C Maj • 06:30 • -12db
19% Popularity • 77% Danceability • 66% Energy • 10% Liveness
92% Instrumentalness • 47% Positiveness
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Hiro Kone
A Desire, Nameless
118 bpm • F# Maj • 04:07 • -9.12db
19% Popularity • 44% Danceability • 89% Energy • 32% Liveness
73% Instrumentalness • 4% Positiveness
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Huerco S.
Quivira
118 bpm • C# Maj • 05:01 • -10db
10% Popularity • 59% Danceability • 79% Energy • 16% Liveness
70% Instrumentalness • 4% Positiveness
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Aphex Twin
CIRKLON 1
118 bpm • F# min • 07:17 • -10.66db
23% Popularity • 81% Danceability • 47% Energy • 12% Liveness
95% Instrumentalness • 22% Positiveness
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Object Blue
ECSTASY OF ST. TERESA
118 bpm • A# min • 06:40 • -12db
15% Popularity • 69% Danceability • 50% Energy • 10% Liveness
15% Instrumentalness • 7% Positiveness
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Andy Stott
Choke
116 bpm • A# min • 05:19 • -10.74db
9% Popularity • 82% Danceability • 38% Energy • 11% Liveness
93% Instrumentalness • 6% Positiveness
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Susumu Yokota
Kodomotachi
118 bpm • C# min • 04:06 • -9.65db
37% Popularity • 69% Danceability • 59% Energy • 11% Liveness
91% Instrumentalness • 39% Positiveness
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Emptyset
Beyond
118 bpm • A# min • 05:57 • -13.03db
9% Popularity • 81% Danceability • 59% Energy • 10% Liveness
90% Instrumentalness • 7% Positiveness
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Huerco S.
Anagramme of My Love
102 bpm • C# Maj • 03:33 • -20.08db
8% Popularity • 39% Danceability • 27% Energy • 10% Liveness
64% Instrumentalness • 8% Positiveness
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00110100 01010100
0181 000 0015
118 bpm • F# Maj • 01:13 • -13.48db
27% Popularity • 69% Danceability • 74% Energy • 13% Liveness
59% Instrumentalness • 24% Positiveness
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Oneohtrix Point Never
Russian Mind
118 bpm • C min • 05:03 • -9.12db
20% Popularity • 80% Danceability • 95% Energy • 10% Liveness
95% Instrumentalness • 94% Positiveness
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Andy Stott
Butterflies
104 bpm • C Maj • 04:23 • -12.66db
24% Popularity • 65% Danceability • 36% Energy • 9% Liveness
72% Instrumentalness • 24% Positiveness
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Matmos
California Rhinoplasty
102 bpm • A# min • 10:01 • -13.35db
18% Popularity • 80% Danceability • 61% Energy • 8% Liveness
50% Instrumentalness • 38% Positiveness
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Wagon Christ
Sci-Fi Staircase
118 bpm • G# Maj • 07:00 • -4db
25% Popularity • 42% Danceability • 80% Energy • 19% Liveness
89% Instrumentalness • 20% Positiveness
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Plaid
Seph
119 bpm • D# min • 01:36 • -12db
31% Popularity • 74% Danceability • 55% Energy • 22% Liveness
84% Instrumentalness • 40% Positiveness
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upsammy
Melt in My Heated Hands
119 bpm • D# Maj • 03:43 • -14.5db
11% Popularity • 30% Danceability • 52% Energy • 36% Liveness
93% Instrumentalness • 22% Positiveness
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Sd Laika
You Were Wrong
102 bpm • C# Maj • 03:15 • -9.2db
15% Popularity • 67% Danceability • 28% Energy • 11% Liveness
29% Instrumentalness • 22% Positiveness
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Andy Stott
Luxury Problems
104 bpm • G Maj • 05:03 • -13db
33% Popularity • 77% Danceability • 53% Energy • 12% Liveness
88% Instrumentalness • 35% Positiveness
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Helena Hauff
Dreams in Colour
101 bpm • D# Maj • 01:41 • -12.31db
33% Popularity • 36% Danceability • 43% Energy • 11% Liveness
86% Instrumentalness • 7% Positiveness
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GAS
Pop 4
119 bpm • G# Maj • 09:51 • -15db
36% Popularity • 48% Danceability • 74% Energy • 16% Liveness
84% Instrumentalness • 71% Positiveness
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Severed Heads
Always Randy - Mixed
120 bpm • C Maj • 02:16 • -7db
29% Popularity • 85% Danceability • 90% Energy • 11% Liveness
58% Instrumentalness • 28% Positiveness
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Björk
All Is Full Of Love - Funkstörung Exclu...
120 bpm • A# min • 04:38 • -8.57db
21% Popularity • 78% Danceability • 91% Energy • 11% Liveness
87% Instrumentalness • 77% Positiveness
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Caterina Barbieri
Scratches on the Readable Surface
120 bpm • C# min • 05:56 • -10.26db
22% Popularity • 49% Danceability • 99% Energy • 11% Liveness
80% Instrumentalness • 81% Positiveness
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Andy Stott
New Ground
102 bpm • G# Maj • 06:21 • -13.99db
17% Popularity • 63% Danceability • 44% Energy • 15% Liveness
90% Instrumentalness • 12% Positiveness
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Helena Hauff
Barrow Boot Boys
101 bpm • D# min • 06:04 • -8.56db
11% Popularity • 66% Danceability • 74% Energy • 11% Liveness
85% Instrumentalness • 5% Positiveness
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Against All Logic
Faith
120 bpm • C min • 06:59 • -8db
23% Popularity • 62% Danceability • 59% Energy • 14% Liveness
90% Instrumentalness • 9% Positiveness
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Aphex Twin
XMAS_EVET10 [120][thanaton3 mix]
120 bpm • C Maj • 10:31 • -9.05db
42% Popularity • 74% Danceability • 84% Energy • 8% Liveness
93% Instrumentalness • 63% Positiveness
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Seefeel
Fracture
120 bpm • B min • 05:54 • -11db
18% Popularity • 58% Danceability • 95% Energy • 11% Liveness
91% Instrumentalness • 55% Positiveness
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Varg²™
Yamanote Line (原宿)
120 bpm • G Maj • 05:29 • -17.44db
16% Popularity • 59% Danceability • 50% Energy • 17% Liveness
82% Instrumentalness • 8% Positiveness
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Andy Stott
Intermittent
102 bpm • C# min • 03:26 • -12.07db
15% Popularity • 70% Danceability • 45% Energy • 9% Liveness
94% Instrumentalness • 5% Positiveness
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00110100 01010100
0181 000 0002
120 bpm • D Maj • 02:19 • -8.24db
22% Popularity • 80% Danceability • 74% Energy • 12% Liveness
94% Instrumentalness • 23% Positiveness
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Moon Diagrams
Nightmoves
120 bpm • B Maj • 06:38 • -14.56db
22% Popularity • 65% Danceability • 28% Energy • 65% Liveness
94% Instrumentalness • 8% Positiveness
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Toxe
Honey Island
120 bpm • F min • 02:10 • -5.94db
23% Popularity • 81% Danceability • 42% Energy • 14% Liveness
12% Instrumentalness • 75% Positiveness
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Jan Jelinek
Rock In The Video Age
120 bpm • F# min • 08:03 • -13db
31% Popularity • 67% Danceability • 40% Energy • 11% Liveness
92% Instrumentalness • 38% Positiveness
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Sd Laika
Don't Know
120 bpm • E Maj • 04:40 • -10.13db
14% Popularity • 83% Danceability • 58% Energy • 34% Liveness
80% Instrumentalness • 70% Positiveness
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Andy Stott
North to South
101 bpm • G# Maj • 04:50 • -14.74db
16% Popularity • 74% Danceability • 34% Energy • 11% Liveness
93% Instrumentalness • 16% Positiveness
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Tzusing
Torque Pulsations
120 bpm • G Maj • 04:47 • -10.54db
16% Popularity • 75% Danceability • 53% Energy • 12% Liveness
91% Instrumentalness • 21% Positiveness
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De Leon
B1 - Mixed
120 bpm • C# Maj • 03:08 • -12db
26% Popularity • 70% Danceability • 84% Energy • 12% Liveness
83% Instrumentalness • 62% Positiveness
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Sky H1
Hybrid
120 bpm • G Maj • 03:18 • -10.44db
13% Popularity • 36% Danceability • 57% Energy • 23% Liveness
72% Instrumentalness • 36% Positiveness
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Against All Logic
Deeeeeeefers
120 bpm • G Maj • 05:49 • -5db
24% Popularity • 63% Danceability • 70% Energy • 28% Liveness
63% Instrumentalness • 30% Positiveness
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Varg²™
Gore-Tex シティ
120 bpm • F min • 06:27 • -10.58db
14% Popularity • 60% Danceability • 68% Energy • 9% Liveness
88% Instrumentalness • 14% Positiveness
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Andy Stott
Don't know how
120 bpm • A min • 04:59 • -13.06db
24% Popularity • 73% Danceability • 54% Energy • 35% Liveness
12% Instrumentalness • 41% Positiveness
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Genesis P-Orridge
Sex & the Married Frog - Mixed
120 bpm • A# min • 03:04 • -11.48db
21% Popularity • 58% Danceability • 47% Energy • 50% Liveness
94% Instrumentalness • 5% Positiveness
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Casino Versus Japan
Late for School
101 bpm • C Maj • 06:16 • -11db
24% Popularity • 65% Danceability • 54% Energy • 15% Liveness
86% Instrumentalness • 38% Positiveness
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Patricia
Waiting For Alexis
120 bpm • E min • 08:12 • -9.13db
8% Popularity • 74% Danceability • 73% Energy • 21% Liveness
56% Instrumentalness • 22% Positiveness
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Against All Logic
Alarm
120 bpm • D Maj • 01:51 • -5db
24% Popularity • 67% Danceability • 92% Energy • 52% Liveness
63% Instrumentalness • 10% Positiveness
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AL-90
Zavualirovanniy Signal
120 bpm • A Maj • 05:06 • -19.31db
22% Popularity • 74% Danceability • 16% Energy • 12% Liveness
95% Instrumentalness • 63% Positiveness
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Jan Jelinek
My Favorite Shop
120 bpm • A Maj • 04:54 • -11.9db
18% Popularity • 69% Danceability • 57% Energy • 11% Liveness
85% Instrumentalness • 20% Positiveness
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Plaid
Maru
120 bpm • E min • 04:49 • -8.36db
15% Popularity • 57% Danceability • 86% Energy • 13% Liveness
91% Instrumentalness • 43% Positiveness
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00110100 01010100
0181 000 0016
120 bpm • D# Maj • 06:08 • -18.32db
15% Popularity • 67% Danceability • 19% Energy • 43% Liveness
40% Instrumentalness • 14% Positiveness
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Andy Stott
Never the right time
120 bpm • G# Maj • 04:56 • -12.38db
23% Popularity • 66% Danceability • 71% Energy • 10% Liveness
86% Instrumentalness • 47% Positiveness
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Huerco S.
'Iiå„zhiid
120 bpm • C# Maj • 03:48 • -12.16db
14% Popularity • 82% Danceability • 50% Energy • 14% Liveness
81% Instrumentalness • 9% Positiveness
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oqbqbo
The Way of Tea
120 bpm • C# min • 02:18 • -20.97db
20% Popularity • 24% Danceability • 31% Energy • 10% Liveness
85% Instrumentalness • 3% Positiveness
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Second Woman
100407jd7
101 bpm • A# min • 04:06 • -7.76db
10% Popularity • 58% Danceability • 88% Energy • 10% Liveness
88% Instrumentalness • 9% Positiveness
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Jan Jelinek
Do Dekor
120 bpm • G Maj • 05:34 • -18.68db
28% Popularity • 41% Danceability • 54% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
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Oneohtrix Point Never
Zones Without People
120 bpm • C# min • 03:59 • -7.07db
26% Popularity • 78% Danceability • 96% Energy • 86% Liveness
92% Instrumentalness • 98% Positiveness
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Oliver Coates
Timelapse (Walrus) - Mixed
120 bpm • G Maj • 02:03 • -5.75db
28% Popularity • 74% Danceability • 100% Energy • 9% Liveness
90% Instrumentalness • 73% Positiveness
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Caterina Barbieri
Information Needed to Create an Entire B...
121 bpm • C min • 06:36 • -10.84db
19% Popularity • 33% Danceability • 97% Energy • 11% Liveness
86% Instrumentalness • 92% Positiveness
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How It Was