Songs like How Long by Epick
Based on a tempo of (+/- 10%) and a similar genre
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G. Love & Special Sauce
Missing My Baby
86 bpm • D Maj • 04:32 • -6.89db
24% Popularity • 70% Danceability • 67% Energy • 7% Liveness
25% Instrumentalness • 75% Positiveness
24% Popularity • 70% Danceability • 67% Energy • 7% Liveness
25% Instrumentalness • 75% Positiveness
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Grace Potter
Empty Heart
86 bpm • C Maj • 03:15 • -5.48db
40% Popularity • 69% Danceability • 82% Energy • 21% Liveness
0% Instrumentalness • 89% Positiveness
40% Popularity • 69% Danceability • 82% Energy • 21% Liveness
0% Instrumentalness • 89% Positiveness
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Chad Hatcher
Do It All Again
86 bpm • C Maj • 03:39 • -7.37db
10% Popularity • 65% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
10% Popularity • 65% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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Epick
How Long
86 bpm • F Maj • 03:12 • -5.8db
0% Popularity • 82% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
0% Popularity • 82% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Dean Martin
Ain't That A Kick In The Head - RJD2 Rem...
85 bpm • F# min • 02:47 • -8db
35% Popularity • 65% Danceability • 57% Energy • 33% Liveness
0% Instrumentalness • 57% Positiveness
35% Popularity • 65% Danceability • 57% Energy • 33% Liveness
0% Instrumentalness • 57% Positiveness
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Nuela Charles
Crumbling Down
87 bpm • G Maj • 03:44 • -6.86db
8% Popularity • 61% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
8% Popularity • 61% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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The Spencer Lee Band
Kissing Tree
85 bpm • C# Maj • 03:15 • -7.34db
36% Popularity • 84% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
36% Popularity • 84% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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STS
Don't Get Played
85 bpm • G# min • 03:38 • -5.62db
14% Popularity • 47% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
14% Popularity • 47% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Star & Micey
I Can't Wait
87 bpm • G Maj • 03:09 • -8.92db
26% Popularity • 67% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
26% Popularity • 67% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Epick
Boom
85 bpm • C# Maj • 02:39 • -6.77db
0% Popularity • 76% Danceability • 53% Energy • 27% Liveness
0% Instrumentalness • 86% Positiveness
0% Popularity • 76% Danceability • 53% Energy • 27% Liveness
0% Instrumentalness • 86% Positiveness
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Dessa
Dutch
87 bpm • F Maj • 03:20 • -4.57db
23% Popularity • 58% Danceability • 94% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
23% Popularity • 58% Danceability • 94% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Charlie Mars
How I Roll
88 bpm • F# min • 03:23 • -7.77db
30% Popularity • 67% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
30% Popularity • 67% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
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Fantastic Negrito
A New Beginning
85 bpm • F# min • 03:32 • -6.64db
22% Popularity • 67% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
22% Popularity • 67% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Cold Chilling Collective
Regulate
84 bpm • E min • 04:23 • -8.07db
17% Popularity • 55% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
17% Popularity • 55% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Carsie Blanton
Backbone
84 bpm • B Maj • 04:16 • -10.54db
14% Popularity • 67% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
14% Popularity • 67% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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Epick
Six Inches Of Skill
88 bpm • C Maj • 07:09 • -5.57db
0% Popularity • 49% Danceability • 2% Energy • 31% Liveness
0% Instrumentalness • 91% Positiveness
0% Popularity • 49% Danceability • 2% Energy • 31% Liveness
0% Instrumentalness • 91% Positiveness
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Nicole Atkins
Listen Up
84 bpm • C min • 03:10 • -7db
27% Popularity • 66% Danceability • 69% Energy • 27% Liveness
0% Instrumentalness • 60% Positiveness
27% Popularity • 66% Danceability • 69% Energy • 27% Liveness
0% Instrumentalness • 60% Positiveness
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Jenny Owen Youngs
Hot In Herre
88 bpm • G Maj • 04:16 • -7.44db
36% Popularity • 62% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
36% Popularity • 62% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
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LOLO
Not Gonna Let You Walk Away
84 bpm • F# min • 02:44 • -5db
33% Popularity • 64% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
33% Popularity • 64% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Blitzen Trapper
Valley of Death
88 bpm • G Maj • 03:27 • -6.09db
24% Popularity • 79% Danceability • 64% Energy • 49% Liveness
0% Instrumentalness • 63% Positiveness
24% Popularity • 79% Danceability • 64% Energy • 49% Liveness
0% Instrumentalness • 63% Positiveness
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Con Brio
All over Me
88 bpm • B min • 04:22 • -6.21db
8% Popularity • 60% Danceability • 64% Energy • 52% Liveness
0% Instrumentalness • 46% Positiveness
8% Popularity • 60% Danceability • 64% Energy • 52% Liveness
0% Instrumentalness • 46% Positiveness
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Benn Rymon
W.I.S.
88 bpm • D Maj • 03:03 • -5.72db
0% Popularity • 64% Danceability • 77% Energy • 28% Liveness
0% Instrumentalness • 68% Positiveness
0% Popularity • 64% Danceability • 77% Energy • 28% Liveness
0% Instrumentalness • 68% Positiveness
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The Congress
Killing Me Softly
84 bpm • G Maj • 05:25 • -7.63db
7% Popularity • 54% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
7% Popularity • 54% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Beans & Fatback
Ready
89 bpm • G Maj • 03:27 • -6.36db
18% Popularity • 67% Danceability • 69% Energy • 22% Liveness
0% Instrumentalness • 79% Positiveness
18% Popularity • 67% Danceability • 69% Energy • 22% Liveness
0% Instrumentalness • 79% Positiveness
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Epick
Didn't I
89 bpm • G min • 02:11 • -7.55db
0% Popularity • 55% Danceability • 68% Energy • 31% Liveness
0% Instrumentalness • 86% Positiveness
0% Popularity • 55% Danceability • 68% Energy • 31% Liveness
0% Instrumentalness • 86% Positiveness
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Mavis Staples
High Note
83 bpm • A Maj • 03:31 • -7.34db
15% Popularity • 61% Danceability • 57% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
15% Popularity • 61% Danceability • 57% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
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LOLO
Heard It from a Friend
83 bpm • A# min • 03:59 • -2.7db
17% Popularity • 59% Danceability • 85% Energy • 38% Liveness
0% Instrumentalness • 53% Positiveness
17% Popularity • 59% Danceability • 85% Energy • 38% Liveness
0% Instrumentalness • 53% Positiveness
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Carolina Chocolate Drops
Knockin'
83 bpm • G Maj • 05:27 • -8.17db
20% Popularity • 61% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
20% Popularity • 61% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
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Grace Potter & The Nocturnals
Low Road
83 bpm • A# Maj • 04:38 • -6.28db
31% Popularity • 67% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
31% Popularity • 67% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Ethel and the Chordtones
Serious Craving
83 bpm • C min • 04:04 • -4db
16% Popularity • 62% Danceability • 62% Energy • 20% Liveness
0% Instrumentalness • 56% Positiveness
16% Popularity • 62% Danceability • 62% Energy • 20% Liveness
0% Instrumentalness • 56% Positiveness
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Obadiah Parker
Royals
83 bpm • C# min • 04:27 • -6.96db
21% Popularity • 65% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
21% Popularity • 65% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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JOSEPH
Wind
90 bpm • G# min • 04:10 • -5.7db
23% Popularity • 65% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 39% Positiveness
23% Popularity • 65% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 39% Positiveness
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Royal Jelly Jive
Bad
89 bpm • E min • 04:19 • -7.01db
8% Popularity • 46% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
8% Popularity • 46% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Jimi Charles Moody
Death Row
82 bpm • D Maj • 03:45 • -10.17db
27% Popularity • 41% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
27% Popularity • 41% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Lost Wagez Underground
My Life
90 bpm • F# min • 04:08 • -10.7db
0% Popularity • 78% Danceability • 52% Energy • 28% Liveness
0% Instrumentalness • 66% Positiveness
0% Popularity • 78% Danceability • 52% Energy • 28% Liveness
0% Instrumentalness • 66% Positiveness
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Michael Franti & Spearhead
Crazy For You - SF Funk Mix
90 bpm • D# Maj • 03:36 • -3.16db
17% Popularity • 65% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
17% Popularity • 65% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
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Alysha Brilla
No More Violence
90 bpm • F Maj • 04:09 • -4db
11% Popularity • 70% Danceability • 81% Energy • 18% Liveness
32% Instrumentalness • 76% Positiveness
11% Popularity • 70% Danceability • 81% Energy • 18% Liveness
32% Instrumentalness • 76% Positiveness
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Amy Stroup
Magic
90 bpm • D Maj • 03:52 • -4.74db
15% Popularity • 71% Danceability • 96% Energy • 10% Liveness
13% Instrumentalness • 80% Positiveness
15% Popularity • 71% Danceability • 96% Energy • 10% Liveness
13% Instrumentalness • 80% Positiveness
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Caleb Hawley
Bada Boom, Bada Bling
90 bpm • A# min • 03:31 • -4.95db
22% Popularity • 70% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 91% Positiveness
22% Popularity • 70% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 91% Positiveness
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Charlie Mars
Meet Me by the Backdoor
90 bpm • C# min • 04:05 • -8.39db
17% Popularity • 82% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
17% Popularity • 82% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
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Muddy Magnolias
Brother, What Happened?
90 bpm • F# Maj • 04:34 • -7.32db
18% Popularity • 63% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
18% Popularity • 63% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Michael Franti & Spearhead
Crazy For You
90 bpm • G# Maj • 03:39 • -4.18db
33% Popularity • 62% Danceability • 93% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
33% Popularity • 62% Danceability • 93% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Epick
Take Time
90 bpm • A min • 03:30 • -6.88db
0% Popularity • 80% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
0% Popularity • 80% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
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Garbage
Action
82 bpm • B min • 04:07 • -9.37db
2% Popularity • 61% Danceability • 80% Energy • 51% Liveness
0% Instrumentalness • 80% Positiveness
2% Popularity • 61% Danceability • 80% Energy • 51% Liveness
0% Instrumentalness • 80% Positiveness
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The O'My's
My House
82 bpm • D Maj • 04:27 • -9.15db
18% Popularity • 70% Danceability • 48% Energy • 11% Liveness
2% Instrumentalness • 53% Positiveness
18% Popularity • 70% Danceability • 48% Energy • 11% Liveness
2% Instrumentalness • 53% Positiveness
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The Midnight Pine
Vice
90 bpm • C# Maj • 03:44 • -5.6db
8% Popularity • 71% Danceability • 67% Energy • 16% Liveness
0% Instrumentalness • 51% Positiveness
8% Popularity • 71% Danceability • 67% Energy • 16% Liveness
0% Instrumentalness • 51% Positiveness
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Kendra Morris
I’m Gonna Be (500 Miles)
82 bpm • E min • 04:52 • -8.56db
19% Popularity • 58% Danceability • 74% Energy • 18% Liveness
0% Instrumentalness • 61% Positiveness
19% Popularity • 58% Danceability • 74% Energy • 18% Liveness
0% Instrumentalness • 61% Positiveness
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Ben Sollee
How to See the Sun Rise
82 bpm • G Maj • 03:25 • -9.86db
19% Popularity • 88% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
19% Popularity • 88% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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Epick
My One and Only
82 bpm • D Maj • 03:20 • -6.88db
0% Popularity • 70% Danceability • 76% Energy • 9% Liveness
1% Instrumentalness • 34% Positiveness
0% Popularity • 70% Danceability • 76% Energy • 9% Liveness
1% Instrumentalness • 34% Positiveness
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Johnny Remorse
We Chillin'
90 bpm • D min • 02:42 • -4.82db
0% Popularity • 83% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
0% Popularity • 83% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
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Barrett Baber
Regulators
82 bpm • E min • 05:20 • -8.01db
20% Popularity • 65% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
20% Popularity • 65% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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Benn Rymon
12" Steel
81 bpm • A# min • 03:10 • -6.92db
3% Popularity • 48% Danceability • 75% Energy • 11% Liveness
5% Instrumentalness • 68% Positiveness
3% Popularity • 48% Danceability • 75% Energy • 11% Liveness
5% Instrumentalness • 68% Positiveness
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Lindsay Perry
L.O.V.E.
91 bpm • C# min • 04:03 • -9db
8% Popularity • 79% Danceability • 73% Energy • 35% Liveness
3% Instrumentalness • 76% Positiveness
8% Popularity • 79% Danceability • 73% Energy • 35% Liveness
3% Instrumentalness • 76% Positiveness
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Bob Schneider
Peaches
91 bpm • F Maj • 02:34 • -8.74db
40% Popularity • 72% Danceability • 43% Energy • 6% Liveness
1% Instrumentalness • 70% Positiveness
40% Popularity • 72% Danceability • 43% Energy • 6% Liveness
1% Instrumentalness • 70% Positiveness
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Epick
This What
82 bpm • A# min • 03:23 • -6.15db
0% Popularity • 76% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
0% Popularity • 76% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Lost Wagez Underground
The Countdown
91 bpm • G min • 03:43 • -7.9db
0% Popularity • 86% Danceability • 71% Energy • 6% Liveness
0% Instrumentalness • 51% Positiveness
0% Popularity • 86% Danceability • 71% Energy • 6% Liveness
0% Instrumentalness • 51% Positiveness
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Bushwalla
Gangsta
91 bpm • E min • 03:24 • -5.31db
12% Popularity • 91% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
12% Popularity • 91% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
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LOLO
Dandelion
81 bpm • G Maj • 03:04 • -5.06db
10% Popularity • 53% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
10% Popularity • 53% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Grace Potter
The Miner
81 bpm • D min • 04:01 • -6.48db
17% Popularity • 61% Danceability • 69% Energy • 35% Liveness
0% Instrumentalness • 46% Positiveness
17% Popularity • 61% Danceability • 69% Energy • 35% Liveness
0% Instrumentalness • 46% Positiveness
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Handsome Boy Modeling School
Breakdown
81 bpm • C Maj • 04:07 • -5.84db
46% Popularity • 75% Danceability • 64% Energy • 13% Liveness
2% Instrumentalness • 50% Positiveness
46% Popularity • 75% Danceability • 64% Energy • 13% Liveness
2% Instrumentalness • 50% Positiveness
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Epick
Get Off
81 bpm • C# Maj • 02:24 • -6.08db
0% Popularity • 63% Danceability • 79% Energy • 21% Liveness
0% Instrumentalness • 45% Positiveness
0% Popularity • 63% Danceability • 79% Energy • 21% Liveness
0% Instrumentalness • 45% Positiveness
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The Wood Brothers
American Heartache
92 bpm • E min • 03:42 • -5.8db
15% Popularity • 32% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
15% Popularity • 32% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Ryan Montbleau
Head Above Water
92 bpm • F Maj • 04:40 • -7.64db
11% Popularity • 82% Danceability • 43% Energy • 22% Liveness
2% Instrumentalness • 73% Positiveness
11% Popularity • 82% Danceability • 43% Energy • 22% Liveness
2% Instrumentalness • 73% Positiveness
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Lost Wagez Underground
Untitled
92 bpm • C# Maj • 04:10 • -11.69db
0% Popularity • 80% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
0% Popularity • 80% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Elle King
Little Bit Of Lovin'
92 bpm • A# Maj • 06:33 • -7.17db
28% Popularity • 51% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
28% Popularity • 51% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Charlie Mars
The Money
92 bpm • C Maj • 02:41 • -10db
34% Popularity • 81% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
34% Popularity • 81% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Epick
Top to Bottom
81 bpm • C Maj • 03:33 • -8.8db
0% Popularity • 69% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
0% Popularity • 69% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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Kendra Morris
Karma Police
80 bpm • G Maj • 03:13 • -8.34db
8% Popularity • 61% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
8% Popularity • 61% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Daphne and the Mystery Machines
Learn to Fall
80 bpm • C min • 03:20 • -8.13db
14% Popularity • 25% Danceability • 57% Energy • 8% Liveness
1% Instrumentalness • 32% Positiveness
14% Popularity • 25% Danceability • 57% Energy • 8% Liveness
1% Instrumentalness • 32% Positiveness
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Michael Franti & Spearhead
Good To Be Alive Today
80 bpm • F Maj • 04:14 • -7db
30% Popularity • 66% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
30% Popularity • 66% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Caroline Smith
All That I Know Is (I’m Your Baby)
80 bpm • A# Maj • 03:54 • -8.5db
14% Popularity • 71% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
14% Popularity • 71% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Hopetoun Brown
Hate I Don't Love You
80 bpm • D# min • 03:38 • -7.83db
13% Popularity • 50% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
13% Popularity • 50% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
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Epick
Move Slow
81 bpm • G# Maj • 03:12 • -10.87db
4% Popularity • 70% Danceability • 49% Energy • 30% Liveness
0% Instrumentalness • 48% Positiveness
4% Popularity • 70% Danceability • 49% Energy • 30% Liveness
0% Instrumentalness • 48% Positiveness
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Alice Smith
Woodstock
93 bpm • C Maj • 03:32 • -7.81db
20% Popularity • 70% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
20% Popularity • 70% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Parker Millsap
Pining
93 bpm • A# min • 02:44 • -7.1db
41% Popularity • 74% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
41% Popularity • 74% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
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Michael Franti & Spearhead
Good To Be Alive Today - Acoustic Remix
80 bpm • F Maj • 04:15 • -5.55db
14% Popularity • 69% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
14% Popularity • 69% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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Sara Watkins
Move Me
80 bpm • C min • 05:46 • -8db
26% Popularity • 49% Danceability • 54% Energy • 10% Liveness
1% Instrumentalness • 47% Positiveness
26% Popularity • 49% Danceability • 54% Energy • 10% Liveness
1% Instrumentalness • 47% Positiveness
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Ernie Halter
Shoop
93 bpm • E Maj • 04:20 • -9.94db
14% Popularity • 74% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
14% Popularity • 74% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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Epick
Love It Or Leave It
91 bpm • G# Maj • 02:50 • -5.03db
1% Popularity • 82% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
1% Popularity • 82% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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Obadiah Parker
Red Handed
93 bpm • B min • 04:15 • -6.15db
14% Popularity • 72% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 87% Positiveness
14% Popularity • 72% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 87% Positiveness
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Flearoy
Down Home Magic
93 bpm • A Maj • 04:30 • -7.3db
18% Popularity • 83% Danceability • 43% Energy • 8% Liveness
1% Instrumentalness • 73% Positiveness
18% Popularity • 83% Danceability • 43% Energy • 8% Liveness
1% Instrumentalness • 73% Positiveness
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Lost Wagez Underground
I Don't Need You
93 bpm • G# Maj • 03:44 • -9.31db
0% Popularity • 78% Danceability • 77% Energy • 29% Liveness
0% Instrumentalness • 72% Positiveness
0% Popularity • 78% Danceability • 77% Energy • 29% Liveness
0% Instrumentalness • 72% Positiveness
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Kat Wright
Marvelous
93 bpm • C Maj • 03:24 • -6.87db
29% Popularity • 65% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
29% Popularity • 65% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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The Maytags
Rita
93 bpm • A Maj • 04:40 • -5.31db
14% Popularity • 62% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
14% Popularity • 62% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Epick
Goodbye
92 bpm • E Maj • 03:07 • -5.57db
0% Popularity • 79% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
0% Popularity • 79% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Hugo
Bread & Butter
93 bpm • D Maj • 02:59 • -6.72db
40% Popularity • 73% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
40% Popularity • 73% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
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Sean Hayes
Paper Rock Domino
79 bpm • G# min • 03:18 • -9.72db
10% Popularity • 70% Danceability • 51% Energy • 49% Liveness
5% Instrumentalness • 80% Positiveness
10% Popularity • 70% Danceability • 51% Energy • 49% Liveness
5% Instrumentalness • 80% Positiveness
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Lost Wagez Underground
My Chit
93 bpm • D Maj • 03:36 • -8.47db
0% Popularity • 69% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
0% Popularity • 69% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
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Griffin House
The Guy That Says Goodbye to You Is out ...
94 bpm • C Maj • 03:19 • -12.2db
23% Popularity • 67% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
23% Popularity • 67% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
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The O'My's
Feeling Like a King
79 bpm • C Maj • 02:56 • -9.49db
23% Popularity • 71% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
23% Popularity • 71% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Epick
Symbolism
80 bpm • G# Maj • 04:15 • -5.26db
0% Popularity • 53% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
0% Popularity • 53% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Caroline Smith
Walking Off Strong
79 bpm • C Maj • 04:00 • -8.24db
14% Popularity • 77% Danceability • 50% Energy • 14% Liveness
1% Instrumentalness • 40% Positiveness
14% Popularity • 77% Danceability • 50% Energy • 14% Liveness
1% Instrumentalness • 40% Positiveness
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Lake Street Dive
Use Me Up
94 bpm • B Maj • 03:57 • -7.78db
50% Popularity • 75% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
50% Popularity • 75% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Audra Mae
Little Red Wagon
94 bpm • G Maj • 03:11 • -6.89db
20% Popularity • 64% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
20% Popularity • 64% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Alexandria Maillot
Lonely Soul
79 bpm • B min • 03:29 • -6.53db
17% Popularity • 56% Danceability • 67% Energy • 10% Liveness
21% Instrumentalness • 61% Positiveness
17% Popularity • 56% Danceability • 67% Energy • 10% Liveness
21% Instrumentalness • 61% Positiveness
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St. Paul & The Broken Bones
All I Ever Wonder
95 bpm • G min • 03:29 • -8db
41% Popularity • 56% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 36% Positiveness
41% Popularity • 56% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 36% Positiveness
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Epick
Power
93 bpm • F min • 02:56 • -2.65db
0% Popularity • 67% Danceability • 96% Energy • 5% Liveness
0% Instrumentalness • 70% Positiveness
0% Popularity • 67% Danceability • 96% Energy • 5% Liveness
0% Instrumentalness • 70% Positiveness
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Caroline Smith
Bloodstyle
79 bpm • G# Maj • 03:25 • -10db
27% Popularity • 75% Danceability • 49% Energy • 11% Liveness
22% Instrumentalness • 49% Positiveness
27% Popularity • 75% Danceability • 49% Energy • 11% Liveness
22% Instrumentalness • 49% Positiveness
