Songs like How Many Times? - With Studio Chat At Start by Neville
Based on a tempo of (+/- 10%) and a similar genre
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James Hunter
Kick It Around
122 bpm • G min • 01:56 • -5.67db
26% Popularity • 78% Danceability • 50% Energy • 31% Liveness
0% Instrumentalness • 63% Positiveness
26% Popularity • 78% Danceability • 50% Energy • 31% Liveness
0% Instrumentalness • 63% Positiveness
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Jimmy Hughes
Neighbor, Neighbor
122 bpm • D Maj • 02:59 • -5.07db
20% Popularity • 91% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
20% Popularity • 91% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
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Barbara Lynn
Only You Know How to Love Me
122 bpm • C Maj • 02:15 • -10.98db
21% Popularity • 82% Danceability • 47% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
21% Popularity • 82% Danceability • 47% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
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Major Lance
Play a Song for Me
122 bpm • C# Maj • 02:02 • -9.22db
23% Popularity • 76% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
23% Popularity • 76% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
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Ann Peebles
My Man
121 bpm • C Maj • 02:19 • -8.31db
23% Popularity • 83% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
23% Popularity • 83% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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The Bobbettes
Mr. Johnny Q
121 bpm • A Maj • 02:17 • -7.28db
8% Popularity • 67% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
8% Popularity • 67% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Riaan Vosloo
Crying Tree
121 bpm • F min • 02:32 • -9.07db
19% Popularity • 82% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
19% Popularity • 82% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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Harvey
Any Way You Wanta
123 bpm • G# Maj • 02:44 • -7.88db
15% Popularity • 83% Danceability • 72% Energy • 19% Liveness
3% Instrumentalness • 97% Positiveness
15% Popularity • 83% Danceability • 72% Energy • 19% Liveness
3% Instrumentalness • 97% Positiveness
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Elsie Mae
Do You Really Want To Rescue Me - Pt. 1
121 bpm • F Maj • 02:33 • -13.12db
18% Popularity • 66% Danceability • 21% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
18% Popularity • 66% Danceability • 21% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
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Gene Vincent
I'm Goin' Home (To See My Baby)
121 bpm • B min • 02:39 • -14db
21% Popularity • 51% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
21% Popularity • 51% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Ruth Brown
Mama He Treats Your Daughter Mean
123 bpm • G# Maj • 02:56 • -15.55db
33% Popularity • 81% Danceability • 19% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
33% Popularity • 81% Danceability • 19% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
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Wanda Jackson
Whirlpool
121 bpm • G# min • 02:20 • -12.08db
36% Popularity • 71% Danceability • 38% Energy • 5% Liveness
0% Instrumentalness • 87% Positiveness
36% Popularity • 71% Danceability • 38% Energy • 5% Liveness
0% Instrumentalness • 87% Positiveness
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Lamont Dozier
Fortune Teller (Tell Me) - Mono Single
121 bpm • A# Maj • 02:04 • -4.77db
24% Popularity • 76% Danceability • 69% Energy • 16% Liveness
0% Instrumentalness • 97% Positiveness
24% Popularity • 76% Danceability • 69% Energy • 16% Liveness
0% Instrumentalness • 97% Positiveness
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Barrett Strong
I'm Gonna Cry (If You Quit Me) - Single ...
121 bpm • G Maj • 02:53 • -6.32db
26% Popularity • 74% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
26% Popularity • 74% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
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Neville
These Times (Won’t Get Me Down)
123 bpm • F Maj • 03:03 • -7.78db
0% Popularity • 55% Danceability • 56% Energy • 18% Liveness
0% Instrumentalness • 36% Positiveness
0% Popularity • 55% Danceability • 56% Energy • 18% Liveness
0% Instrumentalness • 36% Positiveness
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Mose Allison
If You Live
121 bpm • F min • 02:29 • -14.61db
34% Popularity • 69% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
34% Popularity • 69% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Georgie Fame & The Blue Flames
Moody's Mood For Love
123 bpm • C Maj • 04:22 • -14.63db
14% Popularity • 52% Danceability • 29% Energy • 17% Liveness
0% Instrumentalness • 33% Positiveness
14% Popularity • 52% Danceability • 29% Energy • 17% Liveness
0% Instrumentalness • 33% Positiveness
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Percy Sledge
Love Me Like You Mean It
121 bpm • G Maj • 02:30 • -21.35db
15% Popularity • 82% Danceability • 24% Energy • 14% Liveness
18% Instrumentalness • 68% Positiveness
15% Popularity • 82% Danceability • 24% Energy • 14% Liveness
18% Instrumentalness • 68% Positiveness
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Ruth Brown
Mama He Treats Your Daughter Mean
120 bpm • G# Maj • 02:57 • -6.5db
20% Popularity • 83% Danceability • 40% Energy • 6% Liveness
0% Instrumentalness • 91% Positiveness
20% Popularity • 83% Danceability • 40% Energy • 6% Liveness
0% Instrumentalness • 91% Positiveness
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Titus Turner
Bla Bla Bla Cha Cha Cha
120 bpm • E min • 02:20 • -6db
18% Popularity • 80% Danceability • 83% Energy • 26% Liveness
0% Instrumentalness • 97% Positiveness
18% Popularity • 80% Danceability • 83% Energy • 26% Liveness
0% Instrumentalness • 97% Positiveness
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Mable John
Who Wouldn't Love A Man Like That - Firs...
120 bpm • D Maj • 02:44 • -8.23db
20% Popularity • 80% Danceability • 41% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
20% Popularity • 80% Danceability • 41% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
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Wynona Carr
Should I Ever Love Again?
120 bpm • G Maj • 02:37 • -11db
28% Popularity • 63% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
28% Popularity • 63% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
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Hector Rivera
Drown My Heart
124 bpm • F min • 03:03 • -10.8db
14% Popularity • 58% Danceability • 46% Energy • 70% Liveness
0% Instrumentalness • 71% Positiveness
14% Popularity • 58% Danceability • 46% Energy • 70% Liveness
0% Instrumentalness • 71% Positiveness
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Jimmy Ricks
Daddy Rolling Stone
124 bpm • E min • 02:21 • -7.89db
14% Popularity • 47% Danceability • 65% Energy • 46% Liveness
0% Instrumentalness • 47% Positiveness
14% Popularity • 47% Danceability • 65% Energy • 46% Liveness
0% Instrumentalness • 47% Positiveness
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Syl Johnson
That's Just My Luck
120 bpm • A# min • 03:13 • -11.52db
21% Popularity • 68% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
21% Popularity • 68% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
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Dolly Lyon
Palm of Your Hand
124 bpm • G min • 02:38 • -7.2db
20% Popularity • 65% Danceability • 52% Energy • 23% Liveness
0% Instrumentalness • 82% Positiveness
20% Popularity • 65% Danceability • 52% Energy • 23% Liveness
0% Instrumentalness • 82% Positiveness
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The Cavemen Club
Brother Caveman
120 bpm • F min • 03:31 • -9.29db
0% Popularity • 85% Danceability • 63% Energy • 18% Liveness
14% Instrumentalness • 87% Positiveness
0% Popularity • 85% Danceability • 63% Energy • 18% Liveness
14% Instrumentalness • 87% Positiveness
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Barbara George
I Know (You Don't Love Me No More)
124 bpm • F Maj • 02:25 • -10.15db
32% Popularity • 86% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
32% Popularity • 86% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
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Booker T. & the M.G.'s
Children, Don't Get Weary - Instrumental
124 bpm • A min • 03:34 • -14.25db
27% Popularity • 57% Danceability • 28% Energy • 50% Liveness
0% Instrumentalness • 72% Positiveness
27% Popularity • 57% Danceability • 28% Energy • 50% Liveness
0% Instrumentalness • 72% Positiveness
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Matt Monro
Honey On The Vine
120 bpm • C min • 02:15 • -12.33db
15% Popularity • 66% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
15% Popularity • 66% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Chris Montez
The More I See You
124 bpm • D# Maj • 02:43 • -12db
43% Popularity • 72% Danceability • 41% Energy • 6% Liveness
0% Instrumentalness • 51% Positiveness
43% Popularity • 72% Danceability • 41% Energy • 6% Liveness
0% Instrumentalness • 51% Positiveness
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The Como Mamas
He's Calling Me
124 bpm • A min • 03:12 • -7.62db
9% Popularity • 55% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
9% Popularity • 55% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
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Juanita Nixon
Stop Knockin'
125 bpm • B Maj • 02:35 • -5db
8% Popularity • 60% Danceability • 88% Energy • 19% Liveness
0% Instrumentalness • 53% Positiveness
8% Popularity • 60% Danceability • 88% Energy • 19% Liveness
0% Instrumentalness • 53% Positiveness
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Ketty Lester
Love Letters (Alternate Take)
125 bpm • G min • 02:42 • -10.13db
35% Popularity • 58% Danceability • 42% Energy • 16% Liveness
6% Instrumentalness • 33% Positiveness
35% Popularity • 58% Danceability • 42% Energy • 16% Liveness
6% Instrumentalness • 33% Positiveness
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Slim Harpo
I'm Your Bread Maker Baby - Single Versi...
125 bpm • B Maj • 02:33 • -13db
35% Popularity • 84% Danceability • 75% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
35% Popularity • 84% Danceability • 75% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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Prince Conley
I'm Going Home
125 bpm • G min • 02:48 • -10db
18% Popularity • 69% Danceability • 41% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
18% Popularity • 69% Danceability • 41% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
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Chris Montez
Nothing to Hide
125 bpm • A min • 02:42 • -11.98db
11% Popularity • 64% Danceability • 49% Energy • 22% Liveness
0% Instrumentalness • 80% Positiveness
11% Popularity • 64% Danceability • 49% Energy • 22% Liveness
0% Instrumentalness • 80% Positiveness
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James Hunter
Hand It Over
125 bpm • E min • 03:27 • -10.17db
26% Popularity • 74% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
26% Popularity • 74% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
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Lee Moses
Bad Girl (Pt. 2)
125 bpm • D min • 02:15 • -7.45db
32% Popularity • 54% Danceability • 81% Energy • 53% Liveness
0% Instrumentalness • 94% Positiveness
32% Popularity • 54% Danceability • 81% Energy • 53% Liveness
0% Instrumentalness • 94% Positiveness
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Barbara Dane
I'm On My Way - 45 Single Version
125 bpm • G Maj • 03:23 • -8.35db
9% Popularity • 78% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
9% Popularity • 78% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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David Porter
Hang On Sloopy
119 bpm • C min • 11:10 • -14.4db
17% Popularity • 56% Danceability • 38% Energy • 46% Liveness
0% Instrumentalness • 52% Positiveness
17% Popularity • 56% Danceability • 38% Energy • 46% Liveness
0% Instrumentalness • 52% Positiveness
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Lil' Bob & the Lollipops
Nobody but You
119 bpm • D min • 02:43 • -10.59db
37% Popularity • 84% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
37% Popularity • 84% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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Amos Milburn
Once Scotch, One Bourbon, One Beer
119 bpm • D Maj • 02:55 • -12.1db
33% Popularity • 90% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
33% Popularity • 90% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Billy & The King Bees
Bango
125 bpm • D min • 02:15 • -10.59db
14% Popularity • 81% Danceability • 49% Energy • 34% Liveness
63% Instrumentalness • 97% Positiveness
14% Popularity • 81% Danceability • 49% Energy • 34% Liveness
63% Instrumentalness • 97% Positiveness
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Betty O'Brien
She'll Be Gone - Single Version
125 bpm • A min • 01:59 • -5db
16% Popularity • 70% Danceability • 82% Energy • 16% Liveness
0% Instrumentalness • 95% Positiveness
16% Popularity • 70% Danceability • 82% Energy • 16% Liveness
0% Instrumentalness • 95% Positiveness
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Gloria Lynne
Tower Of Strength
125 bpm • G# Maj • 02:17 • -7.74db
14% Popularity • 47% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 86% Positiveness
14% Popularity • 47% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 86% Positiveness
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Spooner's Crowd
Two In The Morning
119 bpm • C Maj • 02:29 • -6.39db
11% Popularity • 51% Danceability • 73% Energy • 90% Liveness
46% Instrumentalness • 62% Positiveness
11% Popularity • 51% Danceability • 73% Energy • 90% Liveness
46% Instrumentalness • 62% Positiveness
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Nappy Brown
Coal Miner
119 bpm • A# min • 02:38 • -9.31db
25% Popularity • 77% Danceability • 51% Energy • 26% Liveness
0% Instrumentalness • 89% Positiveness
25% Popularity • 77% Danceability • 51% Energy • 26% Liveness
0% Instrumentalness • 89% Positiveness
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Ike & Tina Turner
I Idolize You
119 bpm • D min • 02:50 • -8.33db
20% Popularity • 74% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
20% Popularity • 74% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
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Howard Tate
Keep Cool
119 bpm • G Maj • 02:36 • -7db
19% Popularity • 60% Danceability • 67% Energy • 19% Liveness
0% Instrumentalness • 72% Positiveness
19% Popularity • 60% Danceability • 67% Energy • 19% Liveness
0% Instrumentalness • 72% Positiveness
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Sugar Pie DeSanto
Maybe You'll Be There
118 bpm • A# Maj • 03:48 • -7.21db
12% Popularity • 52% Danceability • 27% Energy • 19% Liveness
0% Instrumentalness • 24% Positiveness
12% Popularity • 52% Danceability • 27% Energy • 19% Liveness
0% Instrumentalness • 24% Positiveness
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Caterina Valente
Un P'tit Beguin
119 bpm • C# Maj • 02:20 • -8.59db
10% Popularity • 69% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
10% Popularity • 69% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Lee Moses
Bad Girl (Pt. 1)
126 bpm • D min • 02:23 • -7.13db
42% Popularity • 51% Danceability • 74% Energy • 65% Liveness
1% Instrumentalness • 86% Positiveness
42% Popularity • 51% Danceability • 74% Energy • 65% Liveness
1% Instrumentalness • 86% Positiveness
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Allen Toussaint
Greatest Love - Remastered
118 bpm • C Maj • 02:22 • -8.05db
32% Popularity • 53% Danceability • 35% Energy • 15% Liveness
0% Instrumentalness • 59% Positiveness
32% Popularity • 53% Danceability • 35% Energy • 15% Liveness
0% Instrumentalness • 59% Positiveness
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Ike & Tina Turner
Poor Fool
118 bpm • G# min • 02:35 • -8.97db
9% Popularity • 86% Danceability • 45% Energy • 5% Liveness
15% Instrumentalness • 96% Positiveness
9% Popularity • 86% Danceability • 45% Energy • 5% Liveness
15% Instrumentalness • 96% Positiveness
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Willie Mitchell
Buster Browne
118 bpm • G Maj • 02:12 • -9.18db
3% Popularity • 74% Danceability • 55% Energy • 16% Liveness
83% Instrumentalness • 73% Positiveness
3% Popularity • 74% Danceability • 55% Energy • 16% Liveness
83% Instrumentalness • 73% Positiveness
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Warped
Memories - P-Ben Remix
126 bpm • F# Maj • 07:54 • -7.07db
0% Popularity • 62% Danceability • 98% Energy • 25% Liveness
91% Instrumentalness • 37% Positiveness
0% Popularity • 62% Danceability • 98% Energy • 25% Liveness
91% Instrumentalness • 37% Positiveness
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Mable John
I'm A Big Girl Now
118 bpm • F Maj • 02:28 • -14.22db
17% Popularity • 64% Danceability • 20% Energy • 11% Liveness
3% Instrumentalness • 33% Positiveness
17% Popularity • 64% Danceability • 20% Energy • 11% Liveness
3% Instrumentalness • 33% Positiveness
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Rose Mitchell
Baby Please Don't Go
126 bpm • C min • 02:22 • -9.98db
37% Popularity • 76% Danceability • 20% Energy • 43% Liveness
0% Instrumentalness • 47% Positiveness
37% Popularity • 76% Danceability • 20% Energy • 43% Liveness
0% Instrumentalness • 47% Positiveness
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Little Jimmy Ray
You Need to Fall in Love
118 bpm • A Maj • 02:29 • -6.28db
12% Popularity • 63% Danceability • 74% Energy • 20% Liveness
0% Instrumentalness • 74% Positiveness
12% Popularity • 63% Danceability • 74% Energy • 20% Liveness
0% Instrumentalness • 74% Positiveness
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Little Ann
What Should I Do
126 bpm • F Maj • 02:09 • -8db
20% Popularity • 55% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
20% Popularity • 55% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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Sugar Pie DeSanto
I Want To Know
126 bpm • C Maj • 03:00 • -6.38db
29% Popularity • 64% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 80% Positiveness
29% Popularity • 64% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 80% Positiveness
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Mitty Collier
Pain
118 bpm • A# min • 02:31 • -7.47db
23% Popularity • 74% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 95% Positiveness
23% Popularity • 74% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 95% Positiveness
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Dion
No One's Waiting For Me
118 bpm • E min • 02:09 • -13.67db
12% Popularity • 54% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
12% Popularity • 54% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Barrett Strong
Make up My Mind
118 bpm • A# Maj • 02:24 • -5.02db
15% Popularity • 61% Danceability • 67% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
15% Popularity • 61% Danceability • 67% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
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Ernie K-Doe
Tain't It The Truth
127 bpm • D# Maj • 02:33 • -11.87db
29% Popularity • 52% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
29% Popularity • 52% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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The Mar-Keys
Last Night
127 bpm • C Maj • 02:39 • -4db
41% Popularity • 72% Danceability • 56% Energy • 7% Liveness
87% Instrumentalness • 86% Positiveness
41% Popularity • 72% Danceability • 56% Energy • 7% Liveness
87% Instrumentalness • 86% Positiveness
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Neville
Simple Call
118 bpm • C Maj • 03:01 • -7.64db
0% Popularity • 59% Danceability • 59% Energy • 26% Liveness
36% Instrumentalness • 42% Positiveness
0% Popularity • 59% Danceability • 59% Energy • 26% Liveness
36% Instrumentalness • 42% Positiveness
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Doris Day
Keep Smilin', Keep Laughin', Be Happy
127 bpm • C min • 02:57 • -16.93db
26% Popularity • 57% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
26% Popularity • 57% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Major Lance
Crying in the Rain
117 bpm • A min • 02:27 • -10.11db
11% Popularity • 65% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
11% Popularity • 65% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
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Sugar Pie DeSanto
Can't Let You Go
127 bpm • A# Maj • 02:45 • -8.26db
31% Popularity • 69% Danceability • 55% Energy • 17% Liveness
0% Instrumentalness • 91% Positiveness
31% Popularity • 69% Danceability • 55% Energy • 17% Liveness
0% Instrumentalness • 91% Positiveness
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King Coleman
Crazy Feelin'
117 bpm • D# min • 02:47 • -7.74db
11% Popularity • 79% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
11% Popularity • 79% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
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The Mar-Keys
Pop-Eye Stroll
117 bpm • C Maj • 02:43 • -7.46db
25% Popularity • 79% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 98% Positiveness
25% Popularity • 79% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 98% Positiveness
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Warped
Tropical Techno
127 bpm • G Maj • 06:16 • -6.88db
1% Popularity • 69% Danceability • 76% Energy • 69% Liveness
93% Instrumentalness • 12% Positiveness
1% Popularity • 69% Danceability • 76% Energy • 69% Liveness
93% Instrumentalness • 12% Positiveness
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David Harsany
Out Of Control - David Harsany Remix
127 bpm • E min • 06:21 • -9.68db
0% Popularity • 65% Danceability • 87% Energy • 23% Liveness
90% Instrumentalness • 17% Positiveness
0% Popularity • 65% Danceability • 87% Energy • 23% Liveness
90% Instrumentalness • 17% Positiveness
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Lorraine Ellison
Stay with Me
127 bpm • C Maj • 03:29 • -4.7db
36% Popularity • 30% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
36% Popularity • 30% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
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Titus Turner
Hungry Man
127 bpm • F min • 02:26 • -3db
31% Popularity • 51% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
31% Popularity • 51% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
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Helene Smith
You Got to Do Your Share
127 bpm • A Maj • 02:26 • -5.3db
17% Popularity • 49% Danceability • 84% Energy • 5% Liveness
1% Instrumentalness • 78% Positiveness
17% Popularity • 49% Danceability • 84% Energy • 5% Liveness
1% Instrumentalness • 78% Positiveness
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The Sevilles
Treat You Right
128 bpm • B min • 02:05 • -10.04db
16% Popularity • 88% Danceability • 45% Energy • 10% Liveness
2% Instrumentalness • 96% Positiveness
16% Popularity • 88% Danceability • 45% Energy • 10% Liveness
2% Instrumentalness • 96% Positiveness
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Warped
Berlin - Israel Toledo Repaint
127 bpm • D Maj • 06:53 • -10.77db
0% Popularity • 68% Danceability • 71% Energy • 11% Liveness
82% Instrumentalness • 3% Positiveness
0% Popularity • 68% Danceability • 71% Energy • 11% Liveness
82% Instrumentalness • 3% Positiveness
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The Chips
You Make Me Feel So Good
128 bpm • F# Maj • 02:11 • -11.92db
14% Popularity • 63% Danceability • 62% Energy • 34% Liveness
0% Instrumentalness • 91% Positiveness
14% Popularity • 63% Danceability • 62% Energy • 34% Liveness
0% Instrumentalness • 91% Positiveness
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Sugar Pie DeSanto
I Don't Wanna Fuss
117 bpm • A Maj • 03:20 • -8.3db
26% Popularity • 80% Danceability • 43% Energy • 27% Liveness
0% Instrumentalness • 88% Positiveness
26% Popularity • 80% Danceability • 43% Energy • 27% Liveness
0% Instrumentalness • 88% Positiveness
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Eddie Floyd
Don't Tell Your Mama
117 bpm • G Maj • 03:57 • -10.61db
10% Popularity • 76% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
10% Popularity • 76% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
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Gladys Knight & The Pips
Yesterday
128 bpm • F Maj • 03:29 • -14.93db
13% Popularity • 51% Danceability • 19% Energy • 29% Liveness
0% Instrumentalness • 26% Positiveness
13% Popularity • 51% Danceability • 19% Energy • 29% Liveness
0% Instrumentalness • 26% Positiveness
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Barrett Strong
Misery - Single Version
116 bpm • B Maj • 02:27 • -6.89db
33% Popularity • 62% Danceability • 56% Energy • 27% Liveness
0% Instrumentalness • 83% Positiveness
33% Popularity • 62% Danceability • 56% Energy • 27% Liveness
0% Instrumentalness • 83% Positiveness
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Warped
Tropical Techno - DavidChristoph Remix
127 bpm • A# min • 06:41 • -8.98db
0% Popularity • 65% Danceability • 91% Energy • 50% Liveness
89% Instrumentalness • 7% Positiveness
0% Popularity • 65% Danceability • 91% Energy • 50% Liveness
89% Instrumentalness • 7% Positiveness
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Chris Montez
Hey Baby
128 bpm • F Maj • 02:33 • -8.66db
13% Popularity • 83% Danceability • 55% Energy • 4% Liveness
0% Instrumentalness • 93% Positiveness
13% Popularity • 83% Danceability • 55% Energy • 4% Liveness
0% Instrumentalness • 93% Positiveness
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Benny Latimore
Girl I Got News For You
116 bpm • A# min • 02:29 • -6.71db
16% Popularity • 48% Danceability • 78% Energy • 4% Liveness
0% Instrumentalness • 16% Positiveness
16% Popularity • 48% Danceability • 78% Energy • 4% Liveness
0% Instrumentalness • 16% Positiveness
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Neville
Out Of Control - Original Mix
128 bpm • A# min • 08:52 • -7.69db
0% Popularity • 57% Danceability • 89% Energy • 24% Liveness
91% Instrumentalness • 8% Positiveness
0% Popularity • 57% Danceability • 89% Energy • 24% Liveness
91% Instrumentalness • 8% Positiveness
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Solomon Burke & Orchestra
Baby I Wanna Be Loved
128 bpm • E Maj • 02:00 • -11.3db
16% Popularity • 64% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
16% Popularity • 64% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
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Monoseptic
Innerworks - Warped & Neville Remix
128 bpm • D Maj • 06:18 • -7.32db
0% Popularity • 70% Danceability • 80% Energy • 13% Liveness
88% Instrumentalness • 4% Positiveness
0% Popularity • 70% Danceability • 80% Energy • 13% Liveness
88% Instrumentalness • 4% Positiveness
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Warped
Space - Frau Anke Remix
128 bpm • D Maj • 07:58 • -9.26db
0% Popularity • 60% Danceability • 83% Energy • 14% Liveness
87% Instrumentalness • 9% Positiveness
0% Popularity • 60% Danceability • 83% Energy • 14% Liveness
87% Instrumentalness • 9% Positiveness
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Ketty Lester
Love Letters
128 bpm • F# Maj • 02:36 • -18.06db
42% Popularity • 56% Danceability • 22% Energy • 16% Liveness
70% Instrumentalness • 29% Positiveness
42% Popularity • 56% Danceability • 22% Energy • 16% Liveness
70% Instrumentalness • 29% Positiveness
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Johnny Nash
Love Ain't Nothing (But A Monkey On Your...
128 bpm • A# Maj • 02:16 • -9db
36% Popularity • 59% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
36% Popularity • 59% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
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Neville
Fallin - Stephan F Remix Edit
128 bpm • A min • 03:45 • -4.04db
0% Popularity • 69% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
0% Popularity • 69% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
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Ben Harper
I Can't Takit No Longer
128 bpm • F# Maj • 02:17 • -8.92db
12% Popularity • 68% Danceability • 37% Energy • 35% Liveness
0% Instrumentalness • 65% Positiveness
12% Popularity • 68% Danceability • 37% Energy • 35% Liveness
0% Instrumentalness • 65% Positiveness
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Barbara Lynn
I'm a Good Woman
128 bpm • D min • 02:26 • -9.61db
39% Popularity • 54% Danceability • 27% Energy • 5% Liveness
0% Instrumentalness • 38% Positiveness
39% Popularity • 54% Danceability • 27% Energy • 5% Liveness
0% Instrumentalness • 38% Positiveness
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Warped
Tropical Techno - Sutter Cane Remix
128 bpm • F# min • 07:37 • -7.93db
0% Popularity • 72% Danceability • 94% Energy • 11% Liveness
87% Instrumentalness • 26% Positiveness
0% Popularity • 72% Danceability • 94% Energy • 11% Liveness
87% Instrumentalness • 26% Positiveness
