Songs like How Soon The Dawn by Jake Bugg
Based on a tempo of (+/- 10%) and a similar genre
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White Lies
Farewell To The Fairground
118 bpm • A Maj • 04:16 • -5.34db
55% Popularity • 52% Danceability • 78% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
55% Popularity • 52% Danceability • 78% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
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The Killers
All These Things That I've Done
118 bpm • F# Maj • 05:01 • -7.29db
73% Popularity • 54% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
73% Popularity • 54% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Snow Patrol
Chocolate
118 bpm • D Maj • 03:01 • -4.34db
54% Popularity • 57% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
54% Popularity • 57% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Jake Bugg
In The Event Of My Demise
119 bpm • C Maj • 02:54 • -7.23db
27% Popularity • 65% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
27% Popularity • 65% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Gerry Cinnamon
Fortune Favours the Bold
119 bpm • F# Maj • 02:46 • -12.15db
46% Popularity • 66% Danceability • 34% Energy • 33% Liveness
0% Instrumentalness • 59% Positiveness
46% Popularity • 66% Danceability • 34% Energy • 33% Liveness
0% Instrumentalness • 59% Positiveness
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Kasabian
Fire
117 bpm • A# Maj • 04:12 • -5.64db
66% Popularity • 52% Danceability • 74% Energy • 12% Liveness
15% Instrumentalness • 18% Positiveness
66% Popularity • 52% Danceability • 74% Energy • 12% Liveness
15% Instrumentalness • 18% Positiveness
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Peace
O You
119 bpm • A min • 03:47 • -4.81db
20% Popularity • 48% Danceability • 80% Energy • 61% Liveness
0% Instrumentalness • 65% Positiveness
20% Popularity • 48% Danceability • 80% Energy • 61% Liveness
0% Instrumentalness • 65% Positiveness
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Noah And The Whale
Heart Of Nowhere
117 bpm • A Maj • 04:05 • -6db
33% Popularity • 79% Danceability • 72% Energy • 12% Liveness
1% Instrumentalness • 58% Positiveness
33% Popularity • 79% Danceability • 72% Energy • 12% Liveness
1% Instrumentalness • 58% Positiveness
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Reverend And The Makers
Sex With the Ex
117 bpm • D Maj • 04:06 • -6.45db
23% Popularity • 42% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
23% Popularity • 42% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
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Jake Bugg
Bigger Lover
119 bpm • G Maj • 02:56 • -6.12db
29% Popularity • 56% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
29% Popularity • 56% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Ben Howard
The Wolves
119 bpm • C min • 05:09 • -9.9db
54% Popularity • 48% Danceability • 54% Energy • 13% Liveness
1% Instrumentalness • 49% Positiveness
54% Popularity • 48% Danceability • 54% Energy • 13% Liveness
1% Instrumentalness • 49% Positiveness
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Viola Beach
Cherry Vimto
120 bpm • C Maj • 03:38 • -6.62db
39% Popularity • 56% Danceability • 84% Energy • 12% Liveness
10% Instrumentalness • 54% Positiveness
39% Popularity • 56% Danceability • 84% Energy • 12% Liveness
10% Instrumentalness • 54% Positiveness
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Mystery Jets
Flash A Hungry Smile
119 bpm • A Maj • 03:46 • -6db
19% Popularity • 59% Danceability • 84% Energy • 33% Liveness
0% Instrumentalness • 64% Positiveness
19% Popularity • 59% Danceability • 84% Energy • 33% Liveness
0% Instrumentalness • 64% Positiveness
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The Coral
Put the Sun Back
116 bpm • E Maj • 03:02 • -6db
40% Popularity • 66% Danceability • 76% Energy • 32% Liveness
0% Instrumentalness • 89% Positiveness
40% Popularity • 66% Danceability • 76% Energy • 32% Liveness
0% Instrumentalness • 89% Positiveness
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Arctic Monkeys
Don't Sit Down 'Cause I've Moved Your Ch...
120 bpm • A Maj • 03:03 • -5.15db
61% Popularity • 43% Danceability • 91% Energy • 33% Liveness
28% Instrumentalness • 32% Positiveness
61% Popularity • 43% Danceability • 91% Energy • 33% Liveness
28% Instrumentalness • 32% Positiveness
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Jake Bugg
Rabbit Hole
117 bpm • G Maj • 03:03 • -3.51db
33% Popularity • 61% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
33% Popularity • 61% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
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The Pigeon Detectives
Romantic Type
120 bpm • E Maj • 02:37 • -1.73db
34% Popularity • 36% Danceability • 93% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
34% Popularity • 36% Danceability • 93% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Glasvegas
Geraldine
120 bpm • C Maj • 03:45 • -3.75db
45% Popularity • 47% Danceability • 84% Energy • 41% Liveness
0% Instrumentalness • 16% Positiveness
45% Popularity • 47% Danceability • 84% Energy • 41% Liveness
0% Instrumentalness • 16% Positiveness
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Vampire Weekend
Oxford Comma
120 bpm • C Maj • 03:15 • -4.23db
57% Popularity • 69% Danceability • 72% Energy • 4% Liveness
0% Instrumentalness • 97% Positiveness
57% Popularity • 69% Danceability • 72% Energy • 4% Liveness
0% Instrumentalness • 97% Positiveness
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The Shins
Simple Song
120 bpm • G Maj • 04:15 • -5.14db
59% Popularity • 55% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
59% Popularity • 55% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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Viola Beach
Swings And Waterslides
120 bpm • C# min • 03:39 • -5.18db
48% Popularity • 64% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
48% Popularity • 64% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Jake Bugg
Gimme The Love
117 bpm • G Maj • 03:02 • -5.32db
32% Popularity • 57% Danceability • 93% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
32% Popularity • 57% Danceability • 93% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Noah And The Whale
Lifetime
120 bpm • D# Maj • 03:54 • -6db
31% Popularity • 75% Danceability • 58% Energy • 14% Liveness
2% Instrumentalness • 49% Positiveness
31% Popularity • 75% Danceability • 58% Energy • 14% Liveness
2% Instrumentalness • 49% Positiveness
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Gerry Cinnamon
Lullaby
120 bpm • B Maj • 04:47 • -7.4db
52% Popularity • 73% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
52% Popularity • 73% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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Django Django
Default
116 bpm • C# Maj • 03:05 • -6db
51% Popularity • 75% Danceability • 88% Energy • 18% Liveness
0% Instrumentalness • 91% Positiveness
51% Popularity • 75% Danceability • 88% Energy • 18% Liveness
0% Instrumentalness • 91% Positiveness
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Mystery Jets
Serotonin
116 bpm • G# Maj • 03:25 • -8db
30% Popularity • 66% Danceability • 62% Energy • 27% Liveness
0% Instrumentalness • 56% Positiveness
30% Popularity • 66% Danceability • 62% Energy • 27% Liveness
0% Instrumentalness • 56% Positiveness
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Plan B
Prayin'
120 bpm • B min • 03:46 • -4db
45% Popularity • 57% Danceability • 93% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
45% Popularity • 57% Danceability • 93% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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Jake Bugg
There’s A Beast And We All Feed It
119 bpm • A Maj • 01:42 • -4.47db
29% Popularity • 66% Danceability • 84% Energy • 35% Liveness
0% Instrumentalness • 75% Positiveness
29% Popularity • 66% Danceability • 84% Energy • 35% Liveness
0% Instrumentalness • 75% Positiveness
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The Fratellis
She's Not Gone Yet but She's Leaving
120 bpm • B min • 03:50 • -6.14db
59% Popularity • 65% Danceability • 84% Energy • 39% Liveness
0% Instrumentalness • 85% Positiveness
59% Popularity • 65% Danceability • 84% Energy • 39% Liveness
0% Instrumentalness • 85% Positiveness
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Gerry Cinnamon
What Have You Done
120 bpm • A# Maj • 02:31 • -8.3db
53% Popularity • 68% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
53% Popularity • 68% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Viola Beach
Really Wanna Call
116 bpm • B Maj • 03:43 • -5.99db
38% Popularity • 62% Danceability • 94% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
38% Popularity • 62% Danceability • 94% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
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Badly Drawn Boy
Something to Talk About
120 bpm • C Maj • 03:40 • -10db
47% Popularity • 60% Danceability • 61% Energy • 12% Liveness
16% Instrumentalness • 53% Positiveness
47% Popularity • 60% Danceability • 61% Energy • 12% Liveness
16% Instrumentalness • 53% Positiveness
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The Enemy
Sing When You're in Love
120 bpm • E Maj • 03:37 • -6db
25% Popularity • 67% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
25% Popularity • 67% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Jake Bugg
Broken
120 bpm • G# Maj • 04:07 • -8.87db
52% Popularity • 44% Danceability • 44% Energy • 11% Liveness
1% Instrumentalness • 19% Positiveness
52% Popularity • 44% Danceability • 44% Energy • 11% Liveness
1% Instrumentalness • 19% Positiveness
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Liam Gallagher
Once
121 bpm • F# Maj • 03:33 • -3.96db
56% Popularity • 39% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
56% Popularity • 39% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Oasis
Lyla
121 bpm • B Maj • 05:10 • -2.42db
46% Popularity • 40% Danceability • 95% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
46% Popularity • 40% Danceability • 95% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
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Stereophonics
Have A Nice Day
121 bpm • C# min • 03:25 • -4.09db
65% Popularity • 51% Danceability • 83% Energy • 28% Liveness
0% Instrumentalness • 40% Positiveness
65% Popularity • 51% Danceability • 83% Energy • 28% Liveness
0% Instrumentalness • 40% Positiveness
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The Lumineers
Stubborn Love
115 bpm • C Maj • 04:39 • -11.68db
74% Popularity • 60% Danceability • 56% Energy • 20% Liveness
4% Instrumentalness • 22% Positiveness
74% Popularity • 60% Danceability • 56% Energy • 20% Liveness
4% Instrumentalness • 22% Positiveness
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Kodaline
Brand New Day
121 bpm • D# Maj • 03:25 • -3.81db
48% Popularity • 57% Danceability • 89% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
48% Popularity • 57% Danceability • 89% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Jake Bugg
Lightning Bolt
116 bpm • A Maj • 02:24 • -4.56db
64% Popularity • 55% Danceability • 84% Energy • 15% Liveness
0% Instrumentalness • 68% Positiveness
64% Popularity • 55% Danceability • 84% Energy • 15% Liveness
0% Instrumentalness • 68% Positiveness
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George Ezra
Listen to the Man
121 bpm • A Maj • 03:03 • -5.94db
59% Popularity • 60% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
59% Popularity • 60% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Peace
Wraith
115 bpm • A min • 03:16 • -7db
29% Popularity • 55% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
29% Popularity • 55% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Bombay Bicycle Club
Always Like This
121 bpm • C# Maj • 04:05 • -6.71db
61% Popularity • 66% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
61% Popularity • 66% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
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Oasis
Cigarettes & Alcohol - Remastered
115 bpm • D Maj • 04:49 • -2.33db
57% Popularity • 29% Danceability • 74% Energy • 15% Liveness
3% Instrumentalness • 44% Positiveness
57% Popularity • 29% Danceability • 74% Energy • 15% Liveness
3% Instrumentalness • 44% Positiveness
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Mumford & Sons
Believe
115 bpm • D Maj • 03:40 • -5.99db
48% Popularity • 33% Danceability • 67% Energy • 22% Liveness
4% Instrumentalness • 38% Positiveness
48% Popularity • 33% Danceability • 67% Energy • 22% Liveness
4% Instrumentalness • 38% Positiveness
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Jake Bugg
Two Fingers
121 bpm • F Maj • 03:15 • -5.23db
60% Popularity • 49% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
60% Popularity • 49% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
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The Killers
Runaways
122 bpm • C# Maj • 04:03 • -4.04db
58% Popularity • 41% Danceability • 84% Energy • 9% Liveness
1% Instrumentalness • 20% Positiveness
58% Popularity • 41% Danceability • 84% Energy • 9% Liveness
1% Instrumentalness • 20% Positiveness
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Peace
Lost on Me
122 bpm • A Maj • 03:44 • -5.04db
29% Popularity • 61% Danceability • 93% Energy • 59% Liveness
0% Instrumentalness • 90% Positiveness
29% Popularity • 61% Danceability • 93% Energy • 59% Liveness
0% Instrumentalness • 90% Positiveness
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Bombay Bicycle Club
Luna
122 bpm • F Maj • 03:10 • -5db
55% Popularity • 58% Danceability • 92% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
55% Popularity • 58% Danceability • 92% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
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The Cribs
Men's Needs
122 bpm • C# min • 03:15 • -2.26db
45% Popularity • 55% Danceability • 94% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
45% Popularity • 55% Danceability • 94% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
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The Twang
Either Way
114 bpm • D Maj • 04:03 • -2.61db
42% Popularity • 48% Danceability • 93% Energy • 39% Liveness
0% Instrumentalness • 56% Positiveness
42% Popularity • 48% Danceability • 93% Energy • 39% Liveness
0% Instrumentalness • 56% Positiveness
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The Fratellis
Creepin Up The Backstairs
122 bpm • B min • 03:07 • -4.07db
46% Popularity • 58% Danceability • 97% Energy • 21% Liveness
0% Instrumentalness • 24% Positiveness
46% Popularity • 58% Danceability • 97% Energy • 21% Liveness
0% Instrumentalness • 24% Positiveness
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Jake Bugg
Fire
122 bpm • G Maj • 01:45 • -11.23db
33% Popularity • 63% Danceability • 17% Energy • 49% Liveness
0% Instrumentalness • 39% Positiveness
33% Popularity • 63% Danceability • 17% Energy • 49% Liveness
0% Instrumentalness • 39% Positiveness
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Glasvegas
Daddy's Gone
114 bpm • A Maj • 04:22 • -7.17db
39% Popularity • 30% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
39% Popularity • 30% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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The La's
There She Goes
123 bpm • G Maj • 02:42 • -10.63db
76% Popularity • 53% Danceability • 76% Energy • 21% Liveness
83% Instrumentalness • 92% Positiveness
76% Popularity • 53% Danceability • 76% Energy • 21% Liveness
83% Instrumentalness • 92% Positiveness
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The Black Keys
Gotta Get Away
123 bpm • E Maj • 03:00 • -5db
53% Popularity • 48% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
53% Popularity • 48% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Babyshambles
Fuck Forever
113 bpm • B min • 04:37 • -3db
48% Popularity • 33% Danceability • 90% Energy • 29% Liveness
0% Instrumentalness • 44% Positiveness
48% Popularity • 33% Danceability • 90% Energy • 29% Liveness
0% Instrumentalness • 44% Positiveness
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The Fratellis
Henrietta
122 bpm • F# min • 03:32 • -3.14db
56% Popularity • 60% Danceability • 95% Energy • 22% Liveness
0% Instrumentalness • 84% Positiveness
56% Popularity • 60% Danceability • 95% Energy • 22% Liveness
0% Instrumentalness • 84% Positiveness
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Jake Bugg
Lightning Bolt - Live From Spotify Londo...
123 bpm • B min • 02:18 • -8.71db
29% Popularity • 55% Danceability • 68% Energy • 70% Liveness
0% Instrumentalness • 82% Positiveness
29% Popularity • 55% Danceability • 68% Energy • 70% Liveness
0% Instrumentalness • 82% Positiveness
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The Zutons
Oh Stacey (Look What You've Done!)
123 bpm • C Maj • 03:29 • -3.38db
27% Popularity • 58% Danceability • 83% Energy • 25% Liveness
0% Instrumentalness • 65% Positiveness
27% Popularity • 58% Danceability • 83% Energy • 25% Liveness
0% Instrumentalness • 65% Positiveness
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The Last Shadow Puppets
Miracle Aligner
113 bpm • F# min • 04:05 • -9db
61% Popularity • 56% Danceability • 72% Energy • 22% Liveness
0% Instrumentalness • 86% Positiveness
61% Popularity • 56% Danceability • 72% Energy • 22% Liveness
0% Instrumentalness • 86% Positiveness
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The Stone Roses
I Wanna Be Adored - Remastered 2009
113 bpm • E min • 04:52 • -9.16db
67% Popularity • 49% Danceability • 86% Energy • 23% Liveness
21% Instrumentalness • 59% Positiveness
67% Popularity • 49% Danceability • 86% Energy • 23% Liveness
21% Instrumentalness • 59% Positiveness
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DMA'S
Step Up The Morphine
112 bpm • A Maj • 02:55 • -3.62db
48% Popularity • 44% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
48% Popularity • 44% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Mystery Jets
Two Doors Down
124 bpm • C# min • 03:39 • -3.17db
45% Popularity • 56% Danceability • 96% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
45% Popularity • 56% Danceability • 96% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
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Jake Bugg
Kitchen Table
113 bpm • F min • 04:55 • -5.26db
24% Popularity • 80% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
24% Popularity • 80% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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The Fratellis
Baby Fratelli
124 bpm • G Maj • 03:56 • -3.42db
42% Popularity • 47% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
42% Popularity • 47% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Arctic Monkeys
Mardy Bum
112 bpm • D Maj • 02:55 • -5.45db
75% Popularity • 63% Danceability • 60% Energy • 20% Liveness
0% Instrumentalness • 31% Positiveness
75% Popularity • 63% Danceability • 60% Energy • 20% Liveness
0% Instrumentalness • 31% Positiveness
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Gerry Cinnamon
Dark Days
124 bpm • D# Maj • 02:55 • -9db
49% Popularity • 66% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
49% Popularity • 66% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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Ocean Colour Scene
Hundred Mile High City
112 bpm • B min • 03:58 • -3.91db
45% Popularity • 42% Danceability • 94% Energy • 67% Liveness
0% Instrumentalness • 70% Positiveness
45% Popularity • 42% Danceability • 94% Energy • 67% Liveness
0% Instrumentalness • 70% Positiveness
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Kaiser Chiefs
Good Days Bad Days
112 bpm • E Maj • 02:51 • -5db
37% Popularity • 62% Danceability • 87% Energy • 15% Liveness
0% Instrumentalness • 81% Positiveness
37% Popularity • 62% Danceability • 87% Energy • 15% Liveness
0% Instrumentalness • 81% Positiveness
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Jake Bugg
Taste It
112 bpm • A Maj • 02:24 • -4db
45% Popularity • 55% Danceability • 94% Energy • 31% Liveness
0% Instrumentalness • 70% Positiveness
45% Popularity • 55% Danceability • 94% Energy • 31% Liveness
0% Instrumentalness • 70% Positiveness
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Primal Scream
Country Girl
124 bpm • F min • 04:31 • -3.17db
47% Popularity • 47% Danceability • 96% Energy • 27% Liveness
0% Instrumentalness • 33% Positiveness
47% Popularity • 47% Danceability • 96% Energy • 27% Liveness
0% Instrumentalness • 33% Positiveness
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Milburn
Lucy Lovemenot
112 bpm • A min • 02:11 • -4.54db
20% Popularity • 53% Danceability • 90% Energy • 24% Liveness
0% Instrumentalness • 68% Positiveness
20% Popularity • 53% Danceability • 90% Energy • 24% Liveness
0% Instrumentalness • 68% Positiveness
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Gerry Cinnamon
Diamonds in the Mud
112 bpm • B Maj • 04:40 • -7db
50% Popularity • 74% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
50% Popularity • 74% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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The Lathums
I'll Get By
112 bpm • A Maj • 02:30 • -5.09db
42% Popularity • 50% Danceability • 83% Energy • 27% Liveness
0% Instrumentalness • 76% Positiveness
42% Popularity • 50% Danceability • 83% Energy • 27% Liveness
0% Instrumentalness • 76% Positiveness
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Kaiser Chiefs
The Angry Mob
124 bpm • F# Maj • 04:46 • -2.92db
30% Popularity • 30% Danceability • 95% Energy • 34% Liveness
0% Instrumentalness • 47% Positiveness
30% Popularity • 30% Danceability • 95% Energy • 34% Liveness
0% Instrumentalness • 47% Positiveness
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Of Monsters and Men
Dirty Paws
112 bpm • D# Maj • 04:38 • -7.06db
69% Popularity • 36% Danceability • 65% Energy • 6% Liveness
1% Instrumentalness • 13% Positiveness
69% Popularity • 36% Danceability • 65% Energy • 6% Liveness
1% Instrumentalness • 13% Positiveness
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Viola Beach
Get To Dancing - BBC Session
125 bpm • C# min • 03:55 • -6.49db
34% Popularity • 60% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
34% Popularity • 60% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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Jake Bugg
Bitter Salt
125 bpm • F Maj • 03:07 • -4.89db
30% Popularity • 63% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
30% Popularity • 63% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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DMA'S
Delete
125 bpm • B Maj • 04:26 • -5.94db
29% Popularity • 49% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
29% Popularity • 49% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Hard-FI
Hard to Beat
125 bpm • A# Maj • 04:13 • -5db
53% Popularity • 56% Danceability • 83% Energy • 16% Liveness
0% Instrumentalness • 82% Positiveness
53% Popularity • 56% Danceability • 83% Energy • 16% Liveness
0% Instrumentalness • 82% Positiveness
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The Libertines
Music When The Lights Go Out
111 bpm • C Maj • 03:02 • -6db
53% Popularity • 42% Danceability • 69% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
53% Popularity • 42% Danceability • 69% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
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The Pigeon Detectives
Everybody Wants Me
125 bpm • D Maj • 05:13 • -2.77db
24% Popularity • 44% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
24% Popularity • 44% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Catfish and the Bottlemen
Oxygen
125 bpm • C# min • 02:49 • -4.65db
55% Popularity • 47% Danceability • 84% Energy • 18% Liveness
0% Instrumentalness • 28% Positiveness
55% Popularity • 47% Danceability • 84% Energy • 18% Liveness
0% Instrumentalness • 28% Positiveness
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Jake Bugg
Trouble Town
111 bpm • B min • 02:50 • -5.16db
43% Popularity • 63% Danceability • 93% Energy • 38% Liveness
4% Instrumentalness • 80% Positiveness
43% Popularity • 63% Danceability • 93% Energy • 38% Liveness
4% Instrumentalness • 80% Positiveness
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DMA'S
Your Low
125 bpm • C Maj • 03:57 • -6db
21% Popularity • 64% Danceability • 73% Energy • 31% Liveness
12% Instrumentalness • 80% Positiveness
21% Popularity • 64% Danceability • 73% Energy • 31% Liveness
12% Instrumentalness • 80% Positiveness
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Little Man Tate
This Must Be Love
125 bpm • G Maj • 03:20 • -6.64db
31% Popularity • 42% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
31% Popularity • 42% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Stereophonics
I Wouldn't Believe Your Radio
126 bpm • D Maj • 03:50 • -5.62db
47% Popularity • 62% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 30% Positiveness
47% Popularity • 62% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 30% Positiveness
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The Snuts
Always
111 bpm • G Maj • 03:23 • -3db
52% Popularity • 62% Danceability • 90% Energy • 34% Liveness
0% Instrumentalness • 61% Positiveness
52% Popularity • 62% Danceability • 90% Energy • 34% Liveness
0% Instrumentalness • 61% Positiveness
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Ben Howard
The Fear
126 bpm • B Maj • 04:20 • -9.65db
52% Popularity • 60% Danceability • 55% Energy • 11% Liveness
1% Instrumentalness • 44% Positiveness
52% Popularity • 60% Danceability • 55% Energy • 11% Liveness
1% Instrumentalness • 44% Positiveness
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Jake Bugg
Hold On You
111 bpm • C Maj • 03:02 • -8.07db
21% Popularity • 76% Danceability • 61% Energy • 8% Liveness
3% Instrumentalness • 64% Positiveness
21% Popularity • 76% Danceability • 61% Energy • 8% Liveness
3% Instrumentalness • 64% Positiveness
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The Lathums
All My Life
126 bpm • C Maj • 03:47 • -4.73db
40% Popularity • 50% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
40% Popularity • 50% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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The Coral
In the Morning
126 bpm • F# min • 02:32 • -6.17db
57% Popularity • 64% Danceability • 78% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
57% Popularity • 64% Danceability • 78% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
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Stereophonics
I Wanna Get Lost With You
126 bpm • G min • 03:49 • -3.55db
27% Popularity • 50% Danceability • 88% Energy • 15% Liveness
0% Instrumentalness • 63% Positiveness
27% Popularity • 50% Danceability • 88% Energy • 15% Liveness
0% Instrumentalness • 63% Positiveness
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Cornershop
Brimful of Asha
110 bpm • A Maj • 04:07 • -6.15db
44% Popularity • 83% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
44% Popularity • 83% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
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Doves
There Goes The Fear
110 bpm • F Maj • 06:54 • -4.5db
48% Popularity • 50% Danceability • 98% Energy • 3% Liveness
7% Instrumentalness • 51% Positiveness
48% Popularity • 50% Danceability • 98% Energy • 3% Liveness
7% Instrumentalness • 51% Positiveness
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Jake Bugg
The Love We’re Hoping For
126 bpm • C# min • 03:08 • -7.81db
34% Popularity • 52% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
34% Popularity • 52% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Babyshambles
Beg, Steal or Borrow
110 bpm • G Maj • 03:09 • -3.6db
28% Popularity • 42% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
28% Popularity • 42% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
