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Howl
Songs like
Howl
by
JC Brooks & The Uptown Sound
Based on a tempo of (+/- 10%) and a similar genre
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Blitzen Trapper
Shine On
97 bpm • D Maj • 03:13 • -4.59db
15% Popularity • 72% Danceability • 95% Energy • 6% Liveness
1% Instrumentalness • 93% Positiveness
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Booker T. Jones
Progress
97 bpm • D Maj • 03:19 • -5.87db
36% Popularity • 74% Danceability • 70% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
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Breakestra
Need A Little Love
97 bpm • C Maj • 04:53 • -3.73db
27% Popularity • 67% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
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JC Brooks & The Uptown Sound
Howl
97 bpm • B min • 04:12 • -5.61db
21% Popularity • 60% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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T Bird and the Breaks
Space Dust
97 bpm • G Maj • 03:17 • -4.36db
22% Popularity • 75% Danceability • 83% Energy • 62% Liveness
0% Instrumentalness • 92% Positiveness
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Ruby Velle & The Soulphonics
Heartlite
97 bpm • G Maj • 02:58 • -3.63db
15% Popularity • 60% Danceability • 74% Energy • 67% Liveness
0% Instrumentalness • 68% Positiveness
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Spanish Gold
Don't Leave Me Dry
97 bpm • E min • 04:57 • -7.79db
7% Popularity • 58% Danceability • 88% Energy • 14% Liveness
1% Instrumentalness • 84% Positiveness
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Dan Auerbach
Mean Monsoon
97 bpm • A min • 03:45 • -8db
43% Popularity • 58% Danceability • 78% Energy • 23% Liveness
0% Instrumentalness • 61% Positiveness
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The Bees
(This Is For The) Better Days
97 bpm • C Maj • 04:37 • -6.16db
17% Popularity • 74% Danceability • 74% Energy • 6% Liveness
0% Instrumentalness • 91% Positiveness
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JC Brooks & The Uptown Sound
Rouse Yourself - Radio Mix
97 bpm • F Maj • 03:23 • -6.48db
1% Popularity • 66% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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T Bird and the Breaks
I Get's My Boogie On
97 bpm • A min • 04:10 • -5.67db
36% Popularity • 68% Danceability • 73% Energy • 82% Liveness
0% Instrumentalness • 72% Positiveness
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Valerie June
Shakedown
96 bpm • C# min • 02:46 • -6.22db
39% Popularity • 52% Danceability • 88% Energy • 20% Liveness
25% Instrumentalness • 69% Positiveness
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Leon Bridges
Pull Away
98 bpm • F Maj • 03:00 • -8.33db
46% Popularity • 64% Danceability • 47% Energy • 12% Liveness
1% Instrumentalness • 42% Positiveness
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Breakestra
Come On Over Afrodyete
98 bpm • F min • 04:26 • -4db
37% Popularity • 68% Danceability • 88% Energy • 4% Liveness
0% Instrumentalness • 86% Positiveness
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Monophonics
There's a Riot Going On
96 bpm • B min • 03:54 • -5.19db
25% Popularity • 58% Danceability • 94% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
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JC Brooks & The Uptown Sound
To Love Someone (That Don't Love You)
97 bpm • F Maj • 04:03 • -5.1db
7% Popularity • 60% Danceability • 60% Energy • 19% Liveness
0% Instrumentalness • 81% Positiveness
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T Bird and the Breaks
Two Tone Cadillac
97 bpm • G Maj • 04:35 • -4.9db
27% Popularity • 46% Danceability • 80% Energy • 28% Liveness
0% Instrumentalness • 81% Positiveness
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Black Joe Lewis & The Honeybears
Bitch, I Love You
98 bpm • E Maj • 02:44 • -3.73db
46% Popularity • 51% Danceability • 78% Energy • 27% Liveness
0% Instrumentalness • 77% Positiveness
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Pimps of Joytime
Janxta Funk!
98 bpm • G Maj • 04:16 • -6.26db
33% Popularity • 77% Danceability • 81% Energy • 57% Liveness
1% Instrumentalness • 71% Positiveness
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Bhi Bhiman
Moving to Brussels
96 bpm • F min • 03:25 • -4.7db
29% Popularity • 61% Danceability • 69% Energy • 34% Liveness
0% Instrumentalness • 85% Positiveness
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The Relatives
Things Are Changing
96 bpm • B Maj • 03:51 • -8.84db
30% Popularity • 73% Danceability • 49% Energy • 29% Liveness
0% Instrumentalness • 52% Positiveness
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JC Brooks & The Uptown Sound
Rouse Yourself
98 bpm • F Maj • 04:08 • -8.34db
36% Popularity • 69% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Son Little
Blue Magic (Waikiki)
96 bpm • C# min • 03:33 • -9.21db
39% Popularity • 74% Danceability • 66% Energy • 16% Liveness
0% Instrumentalness • 88% Positiveness
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Bosley
Baby's Wearin' Blue
96 bpm • C Maj • 06:12 • -7.12db
17% Popularity • 40% Danceability • 54% Energy • 23% Liveness
0% Instrumentalness • 71% Positiveness
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Paul Pena
I'm Gonna Make It Alright
98 bpm • D Maj • 04:11 • -11.15db
34% Popularity • 54% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Monophonics
Like Yesterday
98 bpm • A min • 04:12 • -13db
34% Popularity • 54% Danceability • 54% Energy • 19% Liveness
2% Instrumentalness • 49% Positiveness
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St. Paul & The Broken Bones
Like a Mighty River
98 bpm • C min • 03:22 • -4.92db
48% Popularity • 57% Danceability • 90% Energy • 31% Liveness
11% Instrumentalness • 79% Positiveness
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JC Brooks & The Uptown Sound
Don't Know Why (Live)
98 bpm • D# min • 02:32 • -13.57db
1% Popularity • 68% Danceability • 47% Energy • 64% Liveness
0% Instrumentalness • 67% Positiveness
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Saun & Starr
Hot Shot
96 bpm • F min • 03:31 • -5.25db
48% Popularity • 74% Danceability • 91% Energy • 62% Liveness
0% Instrumentalness • 90% Positiveness
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White Denim
(I'm The One) Big Big Fun
98 bpm • C# Maj • 04:16 • -15.26db
21% Popularity • 64% Danceability • 39% Energy • 15% Liveness
7% Instrumentalness • 70% Positiveness
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Breakestra
Recognize
95 bpm • D Maj • 05:02 • -4.43db
30% Popularity • 72% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
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Black Carl
Hussy
95 bpm • A Maj • 03:40 • -3.8db
23% Popularity • 48% Danceability • 90% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
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Ruby Velle & The Soulphonics
The Man Says
99 bpm • F min • 04:04 • -3.78db
21% Popularity • 64% Danceability • 74% Energy • 22% Liveness
0% Instrumentalness • 86% Positiveness
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T Bird and the Breaks
The Piano Joint
95 bpm • A# min • 04:04 • -4.92db
14% Popularity • 62% Danceability • 96% Energy • 35% Liveness
0% Instrumentalness • 25% Positiveness
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Smooth Hound Smith
Get Low
95 bpm • C# min • 05:14 • -7.21db
31% Popularity • 66% Danceability • 60% Energy • 11% Liveness
2% Instrumentalness • 37% Positiveness
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North Mississippi Allstars
Goat Meat
99 bpm • F Maj • 03:45 • -5.05db
18% Popularity • 81% Danceability • 72% Energy • 19% Liveness
0% Instrumentalness • 83% Positiveness
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St. Paul & The Broken Bones
All I Ever Wonder
95 bpm • G min • 03:29 • -8db
42% Popularity • 56% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 36% Positiveness
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Nathan Fox
I Can't Hang
94 bpm • C Maj • 03:07 • -4.77db
13% Popularity • 41% Danceability • 78% Energy • 38% Liveness
0% Instrumentalness • 74% Positiveness
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Ruby Velle & The Soulphonics
Lost Lady Usa
99 bpm • G# min • 04:17 • -6.29db
9% Popularity • 67% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 85% Positiveness
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Whitehorse
The Walls Have Drunken Ears
100 bpm • E min • 05:01 • -4.02db
10% Popularity • 24% Danceability • 89% Energy • 28% Liveness
0% Instrumentalness • 57% Positiveness
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Har Mar Superstar
Rhythm Bruises
100 bpm • E min • 03:14 • -5.65db
17% Popularity • 65% Danceability • 79% Energy • 12% Liveness
87% Instrumentalness • 83% Positiveness
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Glossary
Trouble Won't Last Always
94 bpm • C Maj • 04:03 • -7.54db
30% Popularity • 64% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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The Harpoonist & the Axe Murderer
In and Out of Love
100 bpm • F min • 02:49 • -5.16db
18% Popularity • 75% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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Black Joe Lewis & The Honeybears
I'm Broke
94 bpm • E min • 04:07 • -6.74db
39% Popularity • 78% Danceability • 56% Energy • 5% Liveness
50% Instrumentalness • 78% Positiveness
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Jon Cleary
Boneyard
100 bpm • D Maj • 03:56 • -6.45db
12% Popularity • 64% Danceability • 78% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
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Greyhounds
It's so Good to Be Alive
100 bpm • F# Maj • 03:31 • -6.56db
33% Popularity • 55% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
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Har Mar Superstar
Restless Leg
100 bpm • G Maj • 03:36 • -4.72db
30% Popularity • 65% Danceability • 96% Energy • 12% Liveness
1% Instrumentalness • 64% Positiveness
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The Meters
Out in the Country
94 bpm • G Maj • 03:38 • -11.21db
24% Popularity • 75% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
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White Denim
Let It Feel Good (My Eagles)
93 bpm • G Maj • 03:44 • -7.13db
16% Popularity • 43% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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The Old Ceremony
Papers in Order
101 bpm • F Maj • 05:02 • -5.13db
9% Popularity • 68% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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Booker T. Jones
Walking Papers
101 bpm • G# Maj • 03:14 • -5.47db
17% Popularity • 66% Danceability • 82% Energy • 10% Liveness
90% Instrumentalness • 94% Positiveness
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Greyhounds
Yeah Yeah Yeah
101 bpm • F Maj • 03:32 • -5.84db
16% Popularity • 68% Danceability • 96% Energy • 8% Liveness
66% Instrumentalness • 85% Positiveness
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The Bees
I Really Need Love
93 bpm • D Maj • 05:39 • -8.85db
21% Popularity • 42% Danceability • 65% Energy • 18% Liveness
0% Instrumentalness • 78% Positiveness
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Dan Auerbach
Undertow
93 bpm • G min • 03:23 • -5.48db
44% Popularity • 43% Danceability • 73% Energy • 48% Liveness
29% Instrumentalness • 70% Positiveness
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The Suffers
Peanuts
93 bpm • C Maj • 04:02 • -6.56db
27% Popularity • 71% Danceability • 59% Energy • 5% Liveness
0% Instrumentalness • 75% Positiveness
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Karl Denson
Shake It Out
93 bpm • E min • 04:04 • -7db
29% Popularity • 73% Danceability • 93% Energy • 18% Liveness
0% Instrumentalness • 42% Positiveness
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The Holmes Brothers
We Meet, We Part, We Remember
102 bpm • A Maj • 03:56 • -7.77db
20% Popularity • 82% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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JC Brooks & The Uptown Sound
Better Class of Thieves
102 bpm • F min • 05:58 • -6.28db
14% Popularity • 74% Danceability • 69% Energy • 72% Liveness
0% Instrumentalness • 96% Positiveness
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Greyhounds
Walls
102 bpm • C Maj • 03:30 • -8.16db
33% Popularity • 69% Danceability • 84% Energy • 15% Liveness
0% Instrumentalness • 83% Positiveness
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Anderson East
Find 'Em, Fool 'Em and Forget 'Em
92 bpm • A# min • 02:34 • -6db
28% Popularity • 57% Danceability • 89% Energy • 22% Liveness
0% Instrumentalness • 71% Positiveness
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The Suffers
Make Some Room
92 bpm • F min • 04:34 • -5.37db
35% Popularity • 75% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 83% Positiveness
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Nick Waterhouse
I Had Some Money (But I Spent It)
92 bpm • C# Maj • 03:11 • -9.86db
24% Popularity • 66% Danceability • 61% Energy • 6% Liveness
27% Instrumentalness • 88% Positiveness
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Allen Toussaint
Sweet Touch Of Love
92 bpm • C# Maj • 03:16 • -12.8db
34% Popularity • 73% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
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JC Brooks & The Uptown Sound
These Things
92 bpm • E min • 05:15 • -5.65db
3% Popularity • 57% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Breakestra
Hiding
103 bpm • D Maj • 04:31 • -4db
38% Popularity • 68% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
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Bahamas
Little Record Girl
92 bpm • G Maj • 03:02 • -7db
36% Popularity • 58% Danceability • 70% Energy • 12% Liveness
1% Instrumentalness • 91% Positiveness
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The Suffers
Good Day
92 bpm • C Maj • 04:12 • -5.55db
19% Popularity • 72% Danceability • 66% Energy • 17% Liveness
0% Instrumentalness • 80% Positiveness
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The Dip
Sure Don't Miss You
103 bpm • E min • 02:54 • -8db
61% Popularity • 67% Danceability • 59% Energy • 16% Liveness
0% Instrumentalness • 73% Positiveness
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Ruby Velle & The Soulphonics
Feet On The Ground
91 bpm • F# min • 03:49 • -4.44db
19% Popularity • 66% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
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Nick Waterhouse
Tracy
91 bpm • C min • 02:33 • -7.85db
27% Popularity • 62% Danceability • 70% Energy • 28% Liveness
0% Instrumentalness • 91% Positiveness
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Soda Machine
Want Ads
91 bpm • G Maj • 02:58 • -5.49db
10% Popularity • 70% Danceability • 92% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
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The James Hunter Six
One Way Love
104 bpm • G Maj • 03:06 • -7db
12% Popularity • 65% Danceability • 82% Energy • 44% Liveness
0% Instrumentalness • 96% Positiveness
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The Black Keys
Dearest
104 bpm • F# Maj • 02:04 • -13.94db
33% Popularity • 70% Danceability • 25% Energy • 12% Liveness
1% Instrumentalness • 44% Positiveness
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The Dip
Ain't Necessary (The Prince)
103 bpm • D Maj • 03:27 • -8.2db
45% Popularity • 62% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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Monophonics
Sound of Sinning
104 bpm • A min • 03:45 • -5.31db
28% Popularity • 60% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
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Floating Action
Don't Stop Loving Me Now
91 bpm • A# Maj • 03:03 • -8.09db
28% Popularity • 76% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
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Clarence Carter
Snatching It Back
104 bpm • F# Maj • 02:52 • -11.07db
40% Popularity • 73% Danceability • 64% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
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The James Hunter Six
Minute By Minute
104 bpm • G# min • 03:39 • -7db
28% Popularity • 85% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
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Maktub
You Can't Hide
104 bpm • E Maj • 03:29 • -6db
40% Popularity • 64% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 84% Positiveness
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The Dip
Working Man
90 bpm • A Maj • 04:09 • -7.57db
50% Popularity • 44% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
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Scoundrels
Bon Temps Rouler
104 bpm • E Maj • 03:43 • -3.98db
24% Popularity • 57% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
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St. Paul & The Broken Bones
Flow with It (You Got Me Feeling Like)
90 bpm • A# min • 03:16 • -5db
56% Popularity • 61% Danceability • 75% Energy • 12% Liveness
8% Instrumentalness • 83% Positiveness
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JC Brooks & The Uptown Sound
Uncomfortable
90 bpm • E min • 04:41 • -7.67db
2% Popularity • 72% Danceability • 63% Energy • 36% Liveness
0% Instrumentalness • 47% Positiveness
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The Record Company
Feels So Good
105 bpm • D min • 03:56 • -3.74db
31% Popularity • 53% Danceability • 74% Energy • 39% Liveness
13% Instrumentalness • 64% Positiveness
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Ray LaMontagne
Repo Man
105 bpm • D Maj • 06:07 • -7.65db
31% Popularity • 70% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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Durand Jones & The Indications
Smile
105 bpm • B min • 03:49 • -8db
49% Popularity • 68% Danceability • 77% Energy • 45% Liveness
0% Instrumentalness • 78% Positiveness
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Black Joe Lewis & The Honeybears
Black Snake
105 bpm • C Maj • 03:02 • -4.56db
41% Popularity • 78% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 97% Positiveness
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The Wood Brothers
Happiness Jones
90 bpm • D Maj • 04:06 • -7.28db
33% Popularity • 65% Danceability • 77% Energy • 4% Liveness
1% Instrumentalness • 70% Positiveness
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Anderson East
Satisfy Me
105 bpm • B Maj • 02:35 • -6.17db
46% Popularity • 66% Danceability • 72% Energy • 24% Liveness
0% Instrumentalness • 88% Positiveness
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Scoundrels
Arrogance Blues
105 bpm • A Maj • 04:05 • -6.62db
27% Popularity • 51% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Ural Thomas and the Pain
Slow Down
90 bpm • G min • 03:21 • -7.29db
16% Popularity • 62% Danceability • 75% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
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Har Mar Superstar
Late Night Morning Light
105 bpm • G Maj • 02:05 • -6.11db
43% Popularity • 65% Danceability • 74% Energy • 59% Liveness
7% Instrumentalness • 81% Positiveness
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Honey Island Swamp Band
Chocolate Cake
105 bpm • G Maj • 05:30 • -4.74db
21% Popularity • 62% Danceability • 81% Energy • 6% Liveness
2% Instrumentalness • 86% Positiveness
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Greyhounds
I Remember
105 bpm • C Maj • 03:37 • -4.81db
21% Popularity • 54% Danceability • 72% Energy • 25% Liveness
3% Instrumentalness • 50% Positiveness
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T Bird and the Breaks
Esmerelda
105 bpm • G Maj • 03:15 • -6.73db
24% Popularity • 67% Danceability • 74% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
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Bhi Bhiman
Bread and Butter
106 bpm • E Maj • 04:00 • -5db
26% Popularity • 31% Danceability • 90% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
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Blitzen Trapper
Thirsty Man
89 bpm • C Maj • 03:41 • -6db
37% Popularity • 72% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 95% Positiveness
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Dan Auerbach
Malibu Man
106 bpm • A Maj • 03:36 • -4.68db
46% Popularity • 62% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
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Brownout
Things You Say
106 bpm • A min • 03:27 • -4.98db
13% Popularity • 60% Danceability • 89% Energy • 12% Liveness
1% Instrumentalness • 70% Positiveness
► Preview
Har Mar Superstar
Prisoner
106 bpm • A min • 03:23 • -5.58db
38% Popularity • 60% Danceability • 87% Energy • 18% Liveness
37% Instrumentalness • 60% Positiveness
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Howl