Songs like Howlin' to the Moon by Topaz Jones
Based on a tempo of (+/- 10%) and a similar genre
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Duckwrth
RARE PANTHER
110 bpm • C# Maj • 03:06 • -5.6db
23% Popularity • 87% Danceability • 77% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
23% Popularity • 87% Danceability • 77% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
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Ric Wilson
Don't Rush
110 bpm • D min • 03:38 • -6db
31% Popularity • 90% Danceability • 74% Energy • 18% Liveness
0% Instrumentalness • 70% Positiveness
31% Popularity • 90% Danceability • 74% Energy • 18% Liveness
0% Instrumentalness • 70% Positiveness
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Mura Masa
Messy Love
110 bpm • D min • 03:45 • -8.48db
41% Popularity • 82% Danceability • 59% Energy • 55% Liveness
1% Instrumentalness • 47% Positiveness
41% Popularity • 82% Danceability • 59% Energy • 55% Liveness
1% Instrumentalness • 47% Positiveness
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Topaz Jones
Sportscar
110 bpm • C# min • 03:10 • -7.17db
11% Popularity • 78% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
11% Popularity • 78% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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Nao
I Need Your Lovin'
110 bpm • E min • 03:16 • -6.05db
19% Popularity • 70% Danceability • 83% Energy • 31% Liveness
0% Instrumentalness • 58% Positiveness
19% Popularity • 70% Danceability • 83% Energy • 31% Liveness
0% Instrumentalness • 58% Positiveness
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Tessellated
I Learnt Some Jazz Today
110 bpm • G Maj • 02:56 • -7.4db
36% Popularity • 89% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
36% Popularity • 89% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Duckwrth
RAREPANTHER+BEACHHOUSE
110 bpm • C# Maj • 05:07 • -5db
21% Popularity • 62% Danceability • 78% Energy • 25% Liveness
0% Instrumentalness • 72% Positiveness
21% Popularity • 62% Danceability • 78% Energy • 25% Liveness
0% Instrumentalness • 72% Positiveness
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Reva DeVito
THE MOVE - prod. KAYTRANADA
110 bpm • A min • 03:14 • -9.88db
33% Popularity • 83% Danceability • 37% Energy • 9% Liveness
34% Instrumentalness • 59% Positiveness
33% Popularity • 83% Danceability • 37% Energy • 9% Liveness
34% Instrumentalness • 59% Positiveness
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Phony Ppl
End of The niGht.
110 bpm • G# min • 03:14 • -7.4db
42% Popularity • 81% Danceability • 67% Energy • 47% Liveness
0% Instrumentalness • 65% Positiveness
42% Popularity • 81% Danceability • 67% Energy • 47% Liveness
0% Instrumentalness • 65% Positiveness
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NASAYA
Orange
110 bpm • F# min • 03:52 • -4.46db
13% Popularity • 73% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
13% Popularity • 73% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Biyo
Moments
110 bpm • C Maj • 03:29 • -8.24db
11% Popularity • 67% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
11% Popularity • 67% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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Topaz Jones
Howlin' to the Moon
110 bpm • F# Maj • 03:00 • -9db
28% Popularity • 86% Danceability • 57% Energy • 35% Liveness
0% Instrumentalness • 39% Positiveness
28% Popularity • 86% Danceability • 57% Energy • 35% Liveness
0% Instrumentalness • 39% Positiveness
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KAYTRANADA
ONE TOO MANY
110 bpm • C# Maj • 03:38 • -7.01db
45% Popularity • 81% Danceability • 66% Energy • 18% Liveness
0% Instrumentalness • 35% Positiveness
45% Popularity • 81% Danceability • 66% Energy • 18% Liveness
0% Instrumentalness • 35% Positiveness
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Ric Wilson
Hang Loose
111 bpm • G# min • 03:56 • -9db
18% Popularity • 56% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
18% Popularity • 56% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Matt Champion
Burn
110 bpm • F Maj • 08:56 • -11.71db
31% Popularity • 47% Danceability • 40% Energy • 24% Liveness
0% Instrumentalness • 28% Positiveness
31% Popularity • 47% Danceability • 40% Energy • 24% Liveness
0% Instrumentalness • 28% Positiveness
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Phony Ppl
Fkn Around
111 bpm • C# min • 04:04 • -5.3db
50% Popularity • 84% Danceability • 74% Energy • 6% Liveness
0% Instrumentalness • 72% Positiveness
50% Popularity • 84% Danceability • 74% Energy • 6% Liveness
0% Instrumentalness • 72% Positiveness
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MarcLo
Coogi Sweater Nostalgia
109 bpm • B min • 04:11 • -7db
12% Popularity • 86% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
12% Popularity • 86% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
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Denitia and Sene
Olive
111 bpm • C# Maj • 05:10 • -8db
14% Popularity • 78% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
14% Popularity • 78% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Daye Jack
Finish Line
109 bpm • A# min • 03:59 • -6db
36% Popularity • 95% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
36% Popularity • 95% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
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Floyd Fuji
BREADWINNER
109 bpm • F Maj • 03:18 • -4.4db
35% Popularity • 69% Danceability • 76% Energy • 32% Liveness
0% Instrumentalness • 48% Positiveness
35% Popularity • 69% Danceability • 76% Energy • 32% Liveness
0% Instrumentalness • 48% Positiveness
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Cosmo's Midnight
Mind Off
109 bpm • E min • 03:04 • -9db
30% Popularity • 70% Danceability • 63% Energy • 20% Liveness
0% Instrumentalness • 60% Positiveness
30% Popularity • 70% Danceability • 63% Energy • 20% Liveness
0% Instrumentalness • 60% Positiveness
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Jachary
Yellow Vision
109 bpm • F# min • 04:17 • -7db
8% Popularity • 88% Danceability • 64% Energy • 5% Liveness
0% Instrumentalness • 69% Positiveness
8% Popularity • 88% Danceability • 64% Energy • 5% Liveness
0% Instrumentalness • 69% Positiveness
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Caustic The MC
70s
111 bpm • D Maj • 02:44 • -12db
8% Popularity • 78% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
8% Popularity • 78% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Lou Phelps
Fun N Games
111 bpm • F min • 02:55 • -4.55db
19% Popularity • 69% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
19% Popularity • 69% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
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SG Lewis
Times We Had
109 bpm • F# min • 03:08 • -3.67db
30% Popularity • 59% Danceability • 61% Energy • 36% Liveness
0% Instrumentalness • 83% Positiveness
30% Popularity • 59% Danceability • 61% Energy • 36% Liveness
0% Instrumentalness • 83% Positiveness
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Urban Etiquette
Theme Song
109 bpm • G min • 04:21 • -10.95db
15% Popularity • 57% Danceability • 46% Energy • 38% Liveness
0% Instrumentalness • 69% Positiveness
15% Popularity • 57% Danceability • 46% Energy • 38% Liveness
0% Instrumentalness • 69% Positiveness
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MarcLo
Swngn
108 bpm • A# min • 03:58 • -6.36db
15% Popularity • 60% Danceability • 58% Energy • 57% Liveness
0% Instrumentalness • 53% Positiveness
15% Popularity • 60% Danceability • 58% Energy • 57% Liveness
0% Instrumentalness • 53% Positiveness
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Baylen
Hit This
108 bpm • A# min • 02:33 • -8.26db
17% Popularity • 70% Danceability • 72% Energy • 12% Liveness
17% Instrumentalness • 55% Positiveness
17% Popularity • 70% Danceability • 72% Energy • 12% Liveness
17% Instrumentalness • 55% Positiveness
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Hablot Brown
Tied Up
112 bpm • F Maj • 03:19 • -15.62db
20% Popularity • 73% Danceability • 48% Energy • 8% Liveness
1% Instrumentalness • 9% Positiveness
20% Popularity • 73% Danceability • 48% Energy • 8% Liveness
1% Instrumentalness • 9% Positiveness
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Trinidad James
T Jame$ Expre$$
112 bpm • F# Maj • 02:53 • -4.63db
16% Popularity • 90% Danceability • 80% Energy • 36% Liveness
0% Instrumentalness • 76% Positiveness
16% Popularity • 90% Danceability • 80% Energy • 36% Liveness
0% Instrumentalness • 76% Positiveness
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Roy Woods
Little Bit of Lovin
108 bpm • C# Maj • 02:52 • -6.02db
41% Popularity • 78% Danceability • 65% Energy • 32% Liveness
0% Instrumentalness • 35% Positiveness
41% Popularity • 78% Danceability • 65% Energy • 32% Liveness
0% Instrumentalness • 35% Positiveness
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Mura Masa
NOTHING ELSE!
112 bpm • D Maj • 03:26 • -7.31db
33% Popularity • 80% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
33% Popularity • 80% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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Noah Slee
Told
112 bpm • E min • 03:52 • -5.24db
9% Popularity • 87% Danceability • 82% Energy • 18% Liveness
0% Instrumentalness • 93% Positiveness
9% Popularity • 87% Danceability • 82% Energy • 18% Liveness
0% Instrumentalness • 93% Positiveness
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Snakehips
Déjà Vu
108 bpm • A# min • 03:26 • -5.15db
21% Popularity • 77% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
21% Popularity • 77% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Joey Purp
Say You Do
108 bpm • G# Maj • 02:52 • -8.19db
25% Popularity • 81% Danceability • 69% Energy • 34% Liveness
0% Instrumentalness • 83% Positiveness
25% Popularity • 81% Danceability • 69% Energy • 34% Liveness
0% Instrumentalness • 83% Positiveness
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Duckwrth
Crush
108 bpm • F Maj • 02:15 • -6.68db
58% Popularity • 87% Danceability • 48% Energy • 19% Liveness
0% Instrumentalness • 94% Positiveness
58% Popularity • 87% Danceability • 48% Energy • 19% Liveness
0% Instrumentalness • 94% Positiveness
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Lou Phelps
Come Inside
108 bpm • G# Maj • 03:51 • -9.44db
33% Popularity • 71% Danceability • 62% Energy • 20% Liveness
0% Instrumentalness • 36% Positiveness
33% Popularity • 71% Danceability • 62% Energy • 20% Liveness
0% Instrumentalness • 36% Positiveness
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Topaz Jones
Herringbone
108 bpm • C# Maj • 02:44 • -5.42db
25% Popularity • 67% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
25% Popularity • 67% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Ace Cosgrove
Platinum Golddigger
112 bpm • E min • 03:13 • -7.26db
11% Popularity • 74% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
11% Popularity • 74% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
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Jamie Blake
Vegas Girl
112 bpm • F min • 02:41 • -9.28db
14% Popularity • 62% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
14% Popularity • 62% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
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Daz Rinko
Black Boy Joy
108 bpm • C# Maj • 02:11 • -11.62db
11% Popularity • 72% Danceability • 53% Energy • 34% Liveness
0% Instrumentalness • 35% Positiveness
11% Popularity • 72% Danceability • 53% Energy • 34% Liveness
0% Instrumentalness • 35% Positiveness
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tyler coolidge
Favourite Sound
112 bpm • A# Maj • 03:28 • -5.29db
16% Popularity • 54% Danceability • 75% Energy • 25% Liveness
0% Instrumentalness • 46% Positiveness
16% Popularity • 54% Danceability • 75% Energy • 25% Liveness
0% Instrumentalness • 46% Positiveness
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Lou Phelps
Come Inside (Kaytranada Edit)
108 bpm • F min • 04:26 • -7.16db
46% Popularity • 67% Danceability • 66% Energy • 19% Liveness
0% Instrumentalness • 37% Positiveness
46% Popularity • 67% Danceability • 66% Energy • 19% Liveness
0% Instrumentalness • 37% Positiveness
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Shad
The Fool Pt 3 (Frame Of Mind)
112 bpm • F min • 03:29 • -6.92db
24% Popularity • 64% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
24% Popularity • 64% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
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Masego,Medasin
Sego Hotline
113 bpm • A min • 03:44 • -11.39db
30% Popularity • 84% Danceability • 38% Energy • 32% Liveness
0% Instrumentalness • 32% Positiveness
30% Popularity • 84% Danceability • 38% Energy • 32% Liveness
0% Instrumentalness • 32% Positiveness
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Duckwrth
UNSTATUS QUO
113 bpm • D Maj • 02:57 • -5.98db
27% Popularity • 77% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
27% Popularity • 77% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
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IDK
SOMEBODY
113 bpm • F# Maj • 04:58 • -6.15db
19% Popularity • 73% Danceability • 90% Energy • 15% Liveness
0% Instrumentalness • 87% Positiveness
19% Popularity • 73% Danceability • 90% Energy • 15% Liveness
0% Instrumentalness • 87% Positiveness
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Lido
Highly Overdue
113 bpm • A min • 02:55 • -6.06db
6% Popularity • 95% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
6% Popularity • 95% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
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Megan Gage
Backseat Girl
107 bpm • F Maj • 04:10 • -10db
21% Popularity • 77% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
21% Popularity • 77% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Kultur
White Door
107 bpm • C Maj • 03:08 • -10db
12% Popularity • 80% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
12% Popularity • 80% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Jarami
Know No Better
107 bpm • F# Maj • 03:58 • -6.06db
17% Popularity • 68% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
17% Popularity • 68% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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Max Frost
$Dreams
107 bpm • G Maj • 03:34 • -6db
31% Popularity • 80% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
31% Popularity • 80% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Drew Howard
Benny & Lil' Ze
114 bpm • F# min • 03:47 • -9.07db
25% Popularity • 52% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
25% Popularity • 52% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
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Cailin Russo
Pink Sand
114 bpm • D# min • 03:07 • -7.68db
37% Popularity • 65% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
37% Popularity • 65% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Bipolar Sunshine
Pedestal
114 bpm • G min • 03:53 • -8.11db
21% Popularity • 70% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
21% Popularity • 70% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Daye Jack
Kick - Door
114 bpm • F# Maj • 04:20 • -6db
18% Popularity • 85% Danceability • 77% Energy • 11% Liveness
37% Instrumentalness • 82% Positiveness
18% Popularity • 85% Danceability • 77% Energy • 11% Liveness
37% Instrumentalness • 82% Positiveness
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Nylo
I Keep On
114 bpm • B min • 03:22 • -6.02db
14% Popularity • 74% Danceability • 64% Energy • 27% Liveness
0% Instrumentalness • 60% Positiveness
14% Popularity • 74% Danceability • 64% Energy • 27% Liveness
0% Instrumentalness • 60% Positiveness
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Luke Christopher
Jameson
114 bpm • G Maj • 04:05 • -6db
33% Popularity • 84% Danceability • 63% Energy • 29% Liveness
0% Instrumentalness • 70% Positiveness
33% Popularity • 84% Danceability • 63% Energy • 29% Liveness
0% Instrumentalness • 70% Positiveness
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TiDUS
See You There
114 bpm • A# min • 04:32 • -9.79db
26% Popularity • 84% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
26% Popularity • 84% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Spree Wilson
Counterfeit
114 bpm • F# min • 03:36 • -13.35db
28% Popularity • 92% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
28% Popularity • 92% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
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Abhi The Nomad
Download God
106 bpm • B min • 04:28 • -6.22db
15% Popularity • 59% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
15% Popularity • 59% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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Daye Jack
Heart Shaped Culdesac
106 bpm • G Maj • 03:06 • -5.89db
13% Popularity • 89% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
13% Popularity • 89% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
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ProbCause
Distractions
106 bpm • B Maj • 03:41 • -7db
18% Popularity • 64% Danceability • 81% Energy • 18% Liveness
0% Instrumentalness • 62% Positiveness
18% Popularity • 64% Danceability • 81% Energy • 18% Liveness
0% Instrumentalness • 62% Positiveness
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Berhana
Lucky Strike
106 bpm • A# min • 03:24 • -10.83db
36% Popularity • 77% Danceability • 54% Energy • 7% Liveness
5% Instrumentalness • 79% Positiveness
36% Popularity • 77% Danceability • 54% Energy • 7% Liveness
5% Instrumentalness • 79% Positiveness
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Trapo
Chicago
106 bpm • A# min • 03:22 • -6.81db
17% Popularity • 65% Danceability • 75% Energy • 33% Liveness
0% Instrumentalness • 42% Positiveness
17% Popularity • 65% Danceability • 75% Energy • 33% Liveness
0% Instrumentalness • 42% Positiveness
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Atwood
Hush (Like That)
106 bpm • G# Maj • 02:43 • -10db
17% Popularity • 85% Danceability • 53% Energy • 31% Liveness
0% Instrumentalness • 87% Positiveness
17% Popularity • 85% Danceability • 53% Energy • 31% Liveness
0% Instrumentalness • 87% Positiveness
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Brayton Bowman
WORRY TOO MUCH - EDIT
106 bpm • G min • 03:14 • -5.53db
19% Popularity • 68% Danceability • 75% Energy • 68% Liveness
0% Instrumentalness • 62% Positiveness
19% Popularity • 68% Danceability • 75% Energy • 68% Liveness
0% Instrumentalness • 62% Positiveness
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Duckwrth
I'M DEAD
115 bpm • E min • 03:50 • -9db
45% Popularity • 59% Danceability • 75% Energy • 36% Liveness
0% Instrumentalness • 48% Positiveness
45% Popularity • 59% Danceability • 75% Energy • 36% Liveness
0% Instrumentalness • 48% Positiveness
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Hoodboi
Glide
115 bpm • G# min • 03:53 • -8.58db
33% Popularity • 73% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 26% Positiveness
33% Popularity • 73% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 26% Positiveness
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AUGUST 08
Blood on My Hands
115 bpm • C# min • 04:11 • -8.52db
24% Popularity • 89% Danceability • 88% Energy • 10% Liveness
3% Instrumentalness • 24% Positiveness
24% Popularity • 89% Danceability • 88% Energy • 10% Liveness
3% Instrumentalness • 24% Positiveness
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WILLS
Weeps
115 bpm • B Maj • 03:58 • -8.92db
11% Popularity • 69% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
11% Popularity • 69% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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dwilly
Birds and the Bees
115 bpm • C# min • 03:13 • -8.03db
25% Popularity • 82% Danceability • 57% Energy • 59% Liveness
0% Instrumentalness • 85% Positiveness
25% Popularity • 82% Danceability • 57% Energy • 59% Liveness
0% Instrumentalness • 85% Positiveness
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Jarami
Cold Blooded
115 bpm • F min • 02:49 • -6db
28% Popularity • 77% Danceability • 69% Energy • 10% Liveness
3% Instrumentalness • 51% Positiveness
28% Popularity • 77% Danceability • 69% Energy • 10% Liveness
3% Instrumentalness • 51% Positiveness
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Duckwrth
I'm Dead - Pretty Edit
115 bpm • G Maj • 02:51 • -5.85db
24% Popularity • 71% Danceability • 88% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
24% Popularity • 71% Danceability • 88% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
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Olivia Nelson
Cleopatra
115 bpm • E min • 03:21 • -6db
10% Popularity • 76% Danceability • 70% Energy • 18% Liveness
0% Instrumentalness • 57% Positiveness
10% Popularity • 76% Danceability • 70% Energy • 18% Liveness
0% Instrumentalness • 57% Positiveness
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Saba
Where Ideas Sing
115 bpm • G Maj • 03:39 • -10.11db
31% Popularity • 84% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
31% Popularity • 84% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Knox Fortune
24 Hours
105 bpm • A Maj • 03:21 • -5.02db
15% Popularity • 80% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
15% Popularity • 80% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
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Majid Jordan
Every Step Every Way
105 bpm • C Maj • 03:34 • -9.39db
42% Popularity • 71% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
42% Popularity • 71% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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HA
O.P.E.N.
105 bpm • G# Maj • 02:48 • -9.38db
22% Popularity • 59% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
22% Popularity • 59% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Duckwrth
GET UUGLY
115 bpm • C# Maj • 03:35 • -5db
22% Popularity • 86% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
22% Popularity • 86% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
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Ricky Reed
Joan of Arc
105 bpm • C min • 03:55 • -3.37db
16% Popularity • 64% Danceability • 83% Energy • 44% Liveness
0% Instrumentalness • 70% Positiveness
16% Popularity • 64% Danceability • 83% Energy • 44% Liveness
0% Instrumentalness • 70% Positiveness
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Trapo
Stop Me
105 bpm • C Maj • 02:51 • -7.9db
14% Popularity • 77% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
14% Popularity • 77% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Nao
We Don't Give A
105 bpm • C# Maj • 03:20 • -5.48db
31% Popularity • 59% Danceability • 76% Energy • 5% Liveness
0% Instrumentalness • 55% Positiveness
31% Popularity • 59% Danceability • 76% Energy • 5% Liveness
0% Instrumentalness • 55% Positiveness
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Leven Kali
Smile
105 bpm • C Maj • 03:38 • -8.67db
46% Popularity • 77% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
46% Popularity • 77% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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James Lindsey
Rainbows
116 bpm • D Maj • 03:23 • -8.01db
16% Popularity • 87% Danceability • 66% Energy • 26% Liveness
0% Instrumentalness • 83% Positiveness
16% Popularity • 87% Danceability • 66% Energy • 26% Liveness
0% Instrumentalness • 83% Positiveness
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Duckwrth
THROWYOASSOUT
105 bpm • C# Maj • 03:50 • -6.84db
36% Popularity • 81% Danceability • 69% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
36% Popularity • 81% Danceability • 69% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
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Mars Today
Juicy Fruit
104 bpm • B min • 03:10 • -8.7db
13% Popularity • 70% Danceability • 68% Energy • 32% Liveness
0% Instrumentalness • 53% Positiveness
13% Popularity • 70% Danceability • 68% Energy • 32% Liveness
0% Instrumentalness • 53% Positiveness
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Penthouse Penthouse
Upload
116 bpm • A min • 03:27 • -10.05db
13% Popularity • 78% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
13% Popularity • 78% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Nao
Nostalgia
105 bpm • B min • 03:31 • -5.99db
29% Popularity • 73% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
29% Popularity • 73% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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HIGH HØØPS
Burn It Up
116 bpm • E min • 04:20 • -8db
8% Popularity • 58% Danceability • 62% Energy • 6% Liveness
14% Instrumentalness • 64% Positiveness
8% Popularity • 58% Danceability • 62% Energy • 6% Liveness
14% Instrumentalness • 64% Positiveness
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Calvin Priice
Downtown Love
104 bpm • A min • 03:16 • -6.18db
31% Popularity • 75% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
31% Popularity • 75% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
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Nico Segal
Familiar
104 bpm • B Maj • 03:53 • -9.56db
37% Popularity • 80% Danceability • 39% Energy • 5% Liveness
0% Instrumentalness • 58% Positiveness
37% Popularity • 80% Danceability • 39% Energy • 5% Liveness
0% Instrumentalness • 58% Positiveness
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SHAED
Just Wanna See
117 bpm • A min • 03:43 • -5.16db
22% Popularity • 71% Danceability • 48% Energy • 39% Liveness
0% Instrumentalness • 38% Positiveness
22% Popularity • 71% Danceability • 48% Energy • 39% Liveness
0% Instrumentalness • 38% Positiveness
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KAMI
Behind the Scenes
117 bpm • D min • 03:49 • -7.07db
9% Popularity • 73% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
9% Popularity • 73% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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B00TY
Modern Romance
117 bpm • D min • 04:13 • -11.74db
27% Popularity • 73% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
27% Popularity • 73% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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KWAYE
Cool Kids
117 bpm • D min • 03:44 • -6.2db
26% Popularity • 74% Danceability • 71% Energy • 19% Liveness
0% Instrumentalness • 52% Positiveness
26% Popularity • 74% Danceability • 71% Energy • 19% Liveness
0% Instrumentalness • 52% Positiveness
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Topaz Jones
Amphetamines
117 bpm • A# min • 02:46 • -5.69db
25% Popularity • 68% Danceability • 76% Energy • 60% Liveness
0% Instrumentalness • 88% Positiveness
25% Popularity • 68% Danceability • 76% Energy • 60% Liveness
0% Instrumentalness • 88% Positiveness
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Houdinne
Discodinne
117 bpm • A# min • 02:13 • -10db
20% Popularity • 84% Danceability • 54% Energy • 29% Liveness
5% Instrumentalness • 88% Positiveness
20% Popularity • 84% Danceability • 54% Energy • 29% Liveness
5% Instrumentalness • 88% Positiveness
