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Howling At Nothing
Songs like
Howling At Nothing
by
Nathaniel Rateliff & The Night Sweats
Based on a tempo of (+/- 10%) and a similar genre
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Josh Ritter
Where the Night Goes
100 bpm • A# Maj • 03:49 • -3.86db
13% Popularity • 67% Danceability • 93% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
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Fruit Bats
Humbug Mountain Song
100 bpm • F# min • 03:04 • -5.36db
60% Popularity • 59% Danceability • 93% Energy • 31% Liveness
6% Instrumentalness • 94% Positiveness
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The Harpoonist & the Axe Murderer
In and Out of Love
100 bpm • F min • 02:49 • -5.16db
17% Popularity • 75% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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Nathaniel Rateliff & The Night Sweats
You Worry Me
100 bpm • D Maj • 03:34 • -7.72db
63% Popularity • 67% Danceability • 65% Energy • 10% Liveness
29% Instrumentalness • 66% Positiveness
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Leftover Salmon
Lovin' In My Baby's Eyes
100 bpm • G Maj • 02:56 • -10.22db
47% Popularity • 66% Danceability • 73% Energy • 22% Liveness
0% Instrumentalness • 72% Positiveness
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Shovels & Rope
Fish Assassin
100 bpm • C min • 01:23 • -6.43db
35% Popularity • 61% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Marcus King
Too Much Whiskey
99 bpm • A Maj • 03:54 • -4.26db
49% Popularity • 55% Danceability • 74% Energy • 24% Liveness
0% Instrumentalness • 73% Positiveness
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Charlie Parr
Rocky Raccoon
101 bpm • D# Maj • 03:40 • -8.11db
46% Popularity • 64% Danceability • 71% Energy • 35% Liveness
0% Instrumentalness • 83% Positiveness
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The Revivalists
Wish I Knew You
101 bpm • C min • 04:34 • -6.59db
69% Popularity • 65% Danceability • 72% Energy • 12% Liveness
7% Instrumentalness • 72% Positiveness
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Nathaniel Rateliff & The Night Sweats
Howling At Nothing
100 bpm • A# Maj • 03:09 • -4.19db
53% Popularity • 58% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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St. Paul & The Broken Bones
Like a Mighty River
98 bpm • C min • 03:22 • -4.92db
47% Popularity • 57% Danceability • 90% Energy • 31% Liveness
11% Instrumentalness • 79% Positiveness
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Joseph LeMay
Crazy Woman
99 bpm • E Maj • 02:02 • -7.41db
38% Popularity • 65% Danceability • 71% Energy • 38% Liveness
0% Instrumentalness • 74% Positiveness
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Shakey Graves
If Not For You (Demo)
102 bpm • D Maj • 03:11 • -8.02db
47% Popularity • 63% Danceability • 43% Energy • 10% Liveness
1% Instrumentalness • 27% Positiveness
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Paul Cauthen
Holy Ghost Fire
98 bpm • A# Maj • 03:59 • -7.08db
51% Popularity • 63% Danceability • 56% Energy • 11% Liveness
17% Instrumentalness • 35% Positiveness
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Scoundrels
Sexy Weekend
98 bpm • F Maj • 04:11 • -7.77db
52% Popularity • 75% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Nathaniel Rateliff & The Night Sweats
Oh, I
101 bpm • F Maj • 03:28 • -5.26db
34% Popularity • 58% Danceability • 66% Energy • 20% Liveness
0% Instrumentalness • 86% Positiveness
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Cris Jacobs
Jack The Whistle And The Hammer
98 bpm • F min • 03:22 • -4.94db
35% Popularity • 72% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
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Shinyribs
East Tx Rust
98 bpm • G Maj • 03:24 • -5.94db
32% Popularity • 79% Danceability • 69% Energy • 20% Liveness
0% Instrumentalness • 90% Positiveness
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Shakey Graves
Tomorrow
98 bpm • G Maj • 04:00 • -10.85db
64% Popularity • 56% Danceability • 35% Energy • 21% Liveness
0% Instrumentalness • 42% Positiveness
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Robert Earl Keen
I Gotta Go
102 bpm • B min • 03:05 • -9.1db
47% Popularity • 75% Danceability • 78% Energy • 25% Liveness
2% Instrumentalness • 90% Positiveness
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Jamestown Revival
Crazy World (Judgement Day)
98 bpm • G Maj • 04:40 • -7.79db
37% Popularity • 63% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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Nathaniel Rateliff & The Night Sweats
Survivor
98 bpm • G# min • 04:01 • -5db
48% Popularity • 75% Danceability • 68% Energy • 9% Liveness
15% Instrumentalness • 71% Positiveness
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Luke Winslow-King
Swing That Thing
98 bpm • A Maj • 03:17 • -7.79db
35% Popularity • 58% Danceability • 78% Energy • 8% Liveness
1% Instrumentalness • 56% Positiveness
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Black Joe Lewis & The Honeybears
Bitch, I Love You
98 bpm • E Maj • 02:44 • -3.73db
45% Popularity • 51% Danceability • 78% Energy • 27% Liveness
0% Instrumentalness • 77% Positiveness
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Nathaniel Rateliff
Time Stands
102 bpm • E Maj • 03:52 • -9.32db
49% Popularity • 35% Danceability • 39% Energy • 13% Liveness
5% Instrumentalness • 27% Positiveness
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The Barr Brothers
Never Been a Captain
102 bpm • A# Maj • 04:41 • -9.22db
38% Popularity • 68% Danceability • 66% Energy • 12% Liveness
3% Instrumentalness • 80% Positiveness
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Lucinda Williams
Righteously
102 bpm • G Maj • 04:38 • -9.78db
39% Popularity • 68% Danceability • 48% Energy • 21% Liveness
0% Instrumentalness • 65% Positiveness
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JC Brooks & The Uptown Sound
Rouse Yourself
98 bpm • F Maj • 04:08 • -8.34db
35% Popularity • 69% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Roadkill Ghost Choir
Beggar's Guild
98 bpm • E min • 04:54 • -8.14db
40% Popularity • 47% Danceability • 78% Energy • 35% Liveness
0% Instrumentalness • 10% Positiveness
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Widespread Panic
Up All Night
97 bpm • C Maj • 03:46 • -4db
45% Popularity • 54% Danceability • 80% Energy • 34% Liveness
0% Instrumentalness • 66% Positiveness
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The Dip
Sure Don't Miss You
103 bpm • E min • 02:54 • -8db
60% Popularity • 67% Danceability • 59% Energy • 16% Liveness
0% Instrumentalness • 73% Positiveness
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Nathaniel Rateliff & The Night Sweats
I’d Be Waiting
97 bpm • E Maj • 03:40 • -12.71db
37% Popularity • 64% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Chris Stapleton
Second One To Know
97 bpm • C min • 02:56 • -6.1db
63% Popularity • 53% Danceability • 89% Energy • 34% Liveness
0% Instrumentalness • 88% Positiveness
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JJ Grey & Mofro
Brighter Days - Live
103 bpm • A# Maj • 08:00 • -7.84db
41% Popularity • 55% Danceability • 56% Energy • 96% Liveness
0% Instrumentalness • 38% Positiveness
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The Record Company
Baby I'm Broken
97 bpm • G Maj • 03:35 • -3.34db
34% Popularity • 46% Danceability • 83% Energy • 25% Liveness
1% Instrumentalness • 56% Positiveness
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Valerie June
Shakedown
96 bpm • C# min • 02:46 • -6.22db
38% Popularity • 52% Danceability • 88% Energy • 20% Liveness
25% Instrumentalness • 69% Positiveness
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The Revivalists
Not Turn Away
96 bpm • F# Maj • 03:27 • -3.76db
43% Popularity • 55% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 61% Positiveness
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Jason Isbell
The Life You Chose
104 bpm • D Maj • 04:03 • -11.99db
12% Popularity • 60% Danceability • 57% Energy • 24% Liveness
0% Instrumentalness • 29% Positiveness
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Justin Townes Earle
Graceland
104 bpm • B Maj • 03:14 • -13.72db
51% Popularity • 57% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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JJ Grey & Mofro
The Sweetest Thing
104 bpm • F Maj • 04:28 • -7.93db
50% Popularity • 61% Danceability • 57% Energy • 35% Liveness
0% Instrumentalness • 46% Positiveness
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Bahamas
Stronger Than That
96 bpm • C Maj • 02:37 • -4db
59% Popularity • 74% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
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Charley Crockett
In the Night
96 bpm • D# min • 03:56 • -5db
47% Popularity • 69% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
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The Revivalists
Keep Going
96 bpm • F Maj • 04:14 • -5.42db
52% Popularity • 62% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Anderson East
Satisfy Me
105 bpm • B Maj • 02:35 • -6.17db
45% Popularity • 66% Danceability • 72% Energy • 24% Liveness
0% Instrumentalness • 88% Positiveness
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The Record Company
Feels So Good
105 bpm • D min • 03:56 • -3.74db
29% Popularity • 53% Danceability • 74% Energy • 39% Liveness
13% Instrumentalness • 64% Positiveness
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Nathaniel Rateliff & The Night Sweats
I’m On Your Side
105 bpm • F# Maj • 03:18 • -5db
48% Popularity • 58% Danceability • 74% Energy • 11% Liveness
8% Instrumentalness • 43% Positiveness
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Jason Isbell
24 Frames
105 bpm • E min • 03:13 • -10.21db
26% Popularity • 57% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
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The Ghost of Paul Revere
Little Bird
95 bpm • C# Maj • 03:26 • -8db
36% Popularity • 71% Danceability • 84% Energy • 5% Liveness
0% Instrumentalness • 72% Positiveness
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Lukas Nelson and Promise of the Real
Carolina
105 bpm • G Maj • 03:15 • -5db
42% Popularity • 83% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
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Trampled by Turtles
Wildflowers
105 bpm • F Maj • 02:48 • -8.62db
52% Popularity • 50% Danceability • 44% Energy • 27% Liveness
0% Instrumentalness • 65% Positiveness
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Marcus King
One Day She’s Here
95 bpm • B min • 03:47 • -6.55db
48% Popularity • 54% Danceability • 79% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
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Nathaniel Rateliff & The Night Sweats
Be There
105 bpm • C# min • 03:39 • -5.95db
34% Popularity • 67% Danceability • 66% Energy • 18% Liveness
0% Instrumentalness • 60% Positiveness
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Shakey Graves
Hard Wired
106 bpm • C Maj • 04:07 • -8.8db
42% Popularity • 57% Danceability • 44% Energy • 25% Liveness
0% Instrumentalness • 44% Positiveness
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St. Paul & The Broken Bones
All I Ever Wonder
95 bpm • G min • 03:29 • -8db
41% Popularity • 56% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 36% Positiveness
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Smooth Hound Smith
Get Low
95 bpm • C# min • 05:14 • -7.21db
30% Popularity • 66% Danceability • 60% Energy • 11% Liveness
2% Instrumentalness • 37% Positiveness
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Dan Auerbach
Malibu Man
106 bpm • A Maj • 03:36 • -4.68db
45% Popularity • 62% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
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Lucinda Williams
Can't Let Go
94 bpm • G Maj • 03:28 • -8.61db
48% Popularity • 62% Danceability • 82% Energy • 7% Liveness
3% Instrumentalness • 92% Positiveness
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Nathaniel Rateliff & The Night Sweats
Coolin' Out
106 bpm • F# min • 04:01 • -8.21db
38% Popularity • 59% Danceability • 80% Energy • 67% Liveness
0% Instrumentalness • 81% Positiveness
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Jamestown Revival
Midnight Rider
94 bpm • G Maj • 03:20 • -6.55db
28% Popularity • 52% Danceability • 76% Energy • 17% Liveness
0% Instrumentalness • 30% Positiveness
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Glossary
Trouble Won't Last Always
94 bpm • C Maj • 04:03 • -7.54db
28% Popularity • 64% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Lake Street Dive
Use Me Up
94 bpm • B Maj • 03:57 • -7.78db
50% Popularity • 75% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Gary Clark Jr.
When I'm Gone
106 bpm • A# Maj • 03:48 • -1.75db
47% Popularity • 81% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
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Josh Ritter
Getting Ready to Get Down
107 bpm • F Maj • 03:16 • -4.92db
27% Popularity • 84% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
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Nathaniel Rateliff & The Night Sweats
Trying So Hard Not To Know
106 bpm • A# min • 02:50 • -4.15db
40% Popularity • 72% Danceability • 95% Energy • 40% Liveness
1% Instrumentalness • 60% Positiveness
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Ian Noe
Letter to Madeline
107 bpm • F min • 04:29 • -8.64db
52% Popularity • 62% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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The Marcus King Band
Welcome ’Round Here
93 bpm • C Maj • 04:21 • -7db
43% Popularity • 30% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Tedeschi Trucks Band
Anyhow
93 bpm • A Maj • 06:35 • -9.29db
48% Popularity • 45% Danceability • 68% Energy • 10% Liveness
38% Instrumentalness • 52% Positiveness
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JJ Grey & Mofro
Every Minute
107 bpm • C Maj • 04:41 • -7.11db
46% Popularity • 66% Danceability • 43% Energy • 12% Liveness
4% Instrumentalness • 81% Positiveness
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Nikki Lane
Right Time
108 bpm • G# Maj • 03:21 • -8db
41% Popularity • 56% Danceability • 64% Energy • 35% Liveness
0% Instrumentalness • 51% Positiveness
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Nathaniel Rateliff & The Night Sweats
Love Me Till I’m Gone
106 bpm • C Maj • 03:48 • -4.64db
35% Popularity • 51% Danceability • 79% Energy • 7% Liveness
5% Instrumentalness • 39% Positiveness
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T Bird and the Breaks
Blackberry Brandy
108 bpm • C Maj • 04:20 • -4.49db
38% Popularity • 60% Danceability • 68% Energy • 21% Liveness
0% Instrumentalness • 76% Positiveness
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Ryan Adams
To Be Young (Is to Be Sad, Is to Be High...
93 bpm • G Maj • 03:04 • -6db
52% Popularity • 49% Danceability • 73% Energy • 36% Liveness
0% Instrumentalness • 42% Positiveness
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Nathaniel Rateliff
What A Drag
108 bpm • G Maj • 03:34 • -10db
44% Popularity • 64% Danceability • 42% Energy • 9% Liveness
1% Instrumentalness • 42% Positiveness
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Lukas Nelson and Promise of the Real
Just Outside Of Austin
93 bpm • C Maj • 04:44 • -12.87db
43% Popularity • 60% Danceability • 41% Energy • 10% Liveness
1% Instrumentalness • 42% Positiveness
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The Band
Ophelia - Remastered 2000
92 bpm • C Maj • 03:32 • -7.4db
53% Popularity • 83% Danceability • 68% Energy • 33% Liveness
0% Instrumentalness • 95% Positiveness
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Nathaniel Rateliff & The Night Sweats
Just To Talk To You
93 bpm • A Maj • 04:48 • -12.4db
26% Popularity • 55% Danceability • 20% Energy • 18% Liveness
0% Instrumentalness • 45% Positiveness
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Blitzen Trapper
Furr
92 bpm • D Maj • 04:07 • -10.66db
59% Popularity • 57% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Justin Townes Earle
Ain’t Got No Money
108 bpm • D min • 03:05 • -7.4db
48% Popularity • 44% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
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Anderson East
Find 'Em, Fool 'Em and Forget 'Em
92 bpm • A# min • 02:34 • -6db
27% Popularity • 57% Danceability • 89% Energy • 22% Liveness
0% Instrumentalness • 71% Positiveness
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Tedeschi Trucks Band
Don't Know What It Means
92 bpm • B min • 06:00 • -9.2db
45% Popularity • 65% Danceability • 62% Energy • 33% Liveness
1% Instrumentalness • 81% Positiveness
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The Record Company
Off The Ground
92 bpm • G Maj • 04:13 • -4.57db
53% Popularity • 54% Danceability • 70% Energy • 38% Liveness
22% Instrumentalness • 85% Positiveness
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Nathaniel Rateliff & The Night Sweats
Still Out There Running
108 bpm • E Maj • 04:53 • -11.57db
49% Popularity • 73% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
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Bahamas
Whole Wide World
109 bpm • F Maj • 02:35 • -9.04db
58% Popularity • 73% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Justin Townes Earle
Mama's Eyes
92 bpm • F Maj • 02:18 • -10.09db
45% Popularity • 63% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Caamp
Officer of Love
109 bpm • E Maj • 03:59 • -8.7db
58% Popularity • 66% Danceability • 57% Energy • 12% Liveness
1% Instrumentalness • 95% Positiveness
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Dan Auerbach
King of a One Horse Town
92 bpm • A min • 03:46 • -5.06db
48% Popularity • 57% Danceability • 70% Energy • 28% Liveness
0% Instrumentalness • 61% Positiveness
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The Avett Brothers
I Wish I Was
109 bpm • B Maj • 05:16 • -8.86db
53% Popularity • 49% Danceability • 30% Energy • 19% Liveness
0% Instrumentalness • 26% Positiveness
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Nathaniel Rateliff & The Night Sweats
I've Been Failing - Live
109 bpm • A# Maj • 04:41 • -3.61db
26% Popularity • 54% Danceability • 88% Energy • 30% Liveness
11% Instrumentalness • 47% Positiveness
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Bahamas
Little Record Girl
92 bpm • G Maj • 03:02 • -7db
35% Popularity • 58% Danceability • 70% Energy • 12% Liveness
1% Instrumentalness • 91% Positiveness
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Margo Price
Hurtin' (On the Bottle)
91 bpm • G Maj • 04:12 • -5db
45% Popularity • 66% Danceability • 73% Energy • 38% Liveness
0% Instrumentalness • 81% Positiveness
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Brent Cobb
Solving Problems
91 bpm • D Maj • 02:34 • -11db
42% Popularity • 61% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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Yola
Love All Night (Work All Day)
110 bpm • C Maj • 03:33 • -6db
41% Popularity • 54% Danceability • 68% Energy • 36% Liveness
0% Instrumentalness • 56% Positiveness
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The Reverend Peyton's Big Damn Band
Pot Roast and Kisses
110 bpm • G Maj • 05:01 • -4.47db
32% Popularity • 69% Danceability • 82% Energy • 12% Liveness
3% Instrumentalness • 93% Positiveness
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The Record Company
On The Move
91 bpm • F min • 04:08 • -3.83db
38% Popularity • 56% Danceability • 81% Energy • 10% Liveness
1% Instrumentalness • 68% Positiveness
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Shinyribs
Sweeter Than the Scars
91 bpm • F Maj • 05:05 • -7.83db
26% Popularity • 69% Danceability • 60% Energy • 75% Liveness
0% Instrumentalness • 74% Positiveness
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Nathaniel Rateliff & The Night Sweats
S.O.B.
110 bpm • C# Maj • 04:07 • -6.5db
65% Popularity • 70% Danceability • 58% Energy • 45% Liveness
1% Instrumentalness • 13% Positiveness
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St. Paul & The Broken Bones
Call Me
110 bpm • G Maj • 02:51 • -4db
62% Popularity • 57% Danceability • 79% Energy • 12% Liveness
21% Instrumentalness • 61% Positiveness
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Lake Street Dive
I Don't Care About You
110 bpm • E min • 03:37 • -7.82db
39% Popularity • 40% Danceability • 44% Energy • 35% Liveness
0% Instrumentalness • 36% Positiveness
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The Avett Brothers
Ain't No Man
91 bpm • B Maj • 03:32 • -5.62db
56% Popularity • 79% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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The Record Company
Rita Mae Young
110 bpm • D Maj • 04:21 • -5.21db
47% Popularity • 63% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Howling At Nothing