Songs like Hubris, Pt. 1 by Oren Ambarchi
Based on a tempo of (+/- 10%) and a similar genre
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Laurie Spiegel
Appalachian Grove III
108 bpm • C min • 03:14 • -17.84db
13% Popularity • 84% Danceability • 18% Energy • 10% Liveness
94% Instrumentalness • 15% Positiveness
13% Popularity • 84% Danceability • 18% Energy • 10% Liveness
94% Instrumentalness • 15% Positiveness
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Oren Ambarchi
Hubris, Pt. 1
108 bpm • G Maj • 21:49 • -13.25db
13% Popularity • 73% Danceability • 80% Energy • 16% Liveness
90% Instrumentalness • 26% Positiveness
13% Popularity • 73% Danceability • 80% Energy • 16% Liveness
90% Instrumentalness • 26% Positiveness
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Pan Sonic
Virta 1. / Current 1
108 bpm • B min • 05:39 • -14.96db
10% Popularity • 54% Danceability • 55% Energy • 16% Liveness
90% Instrumentalness • 3% Positiveness
10% Popularity • 54% Danceability • 55% Energy • 16% Liveness
90% Instrumentalness • 3% Positiveness
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Jon Hassell
Chemistry
108 bpm • E min • 06:54 • -29db
22% Popularity • 62% Danceability • 18% Energy • 13% Liveness
88% Instrumentalness • 29% Positiveness
22% Popularity • 62% Danceability • 18% Energy • 13% Liveness
88% Instrumentalness • 29% Positiveness
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Andrew Pekler
Simferopol
108 bpm • D# Maj • 02:54 • -18db
8% Popularity • 34% Danceability • 59% Energy • 34% Liveness
25% Instrumentalness • 13% Positiveness
8% Popularity • 34% Danceability • 59% Energy • 34% Liveness
25% Instrumentalness • 13% Positiveness
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Mark Fell
Multistability 1-A
108 bpm • G min • 01:36 • -25.01db
14% Popularity • 59% Danceability • 42% Energy • 12% Liveness
97% Instrumentalness • 7% Positiveness
14% Popularity • 59% Danceability • 42% Energy • 12% Liveness
97% Instrumentalness • 7% Positiveness
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James Rushford
Monocots
108 bpm • G min • 06:43 • -31.37db
0% Popularity • 30% Danceability • 6% Energy • 8% Liveness
81% Instrumentalness • 4% Positiveness
0% Popularity • 30% Danceability • 6% Energy • 8% Liveness
81% Instrumentalness • 4% Positiveness
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Oren Ambarchi
Wednesday
108 bpm • D Maj • 07:16 • -29.46db
2% Popularity • 28% Danceability • 8% Energy • 11% Liveness
70% Instrumentalness • 4% Positiveness
2% Popularity • 28% Danceability • 8% Energy • 11% Liveness
70% Instrumentalness • 4% Positiveness
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K. Leimer
From One To Ten
108 bpm • D Maj • 01:58 • -10.94db
24% Popularity • 72% Danceability • 40% Energy • 14% Liveness
82% Instrumentalness • 78% Positiveness
24% Popularity • 72% Danceability • 40% Energy • 14% Liveness
82% Instrumentalness • 78% Positiveness
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Jon Hassell
Dreaming
108 bpm • F min • 06:09 • -13.29db
26% Popularity • 28% Danceability • 48% Energy • 8% Liveness
94% Instrumentalness • 25% Positiveness
26% Popularity • 28% Danceability • 48% Energy • 8% Liveness
94% Instrumentalness • 25% Positiveness
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David Toop
Things Just Went Sour Gradually All at O...
109 bpm • F min • 01:11 • -25.44db
8% Popularity • 51% Danceability • 20% Energy • 46% Liveness
1% Instrumentalness • 9% Positiveness
8% Popularity • 51% Danceability • 20% Energy • 46% Liveness
1% Instrumentalness • 9% Positiveness
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Deux Filles
She Slides - Remastered
108 bpm • B Maj • 03:05 • -17.28db
16% Popularity • 72% Danceability • 56% Energy • 7% Liveness
94% Instrumentalness • 97% Positiveness
16% Popularity • 72% Danceability • 56% Energy • 7% Liveness
94% Instrumentalness • 97% Positiveness
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Alex Zhang Hungtai
Yaumatei
109 bpm • F min • 03:59 • -20.45db
7% Popularity • 17% Danceability • 21% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
7% Popularity • 17% Danceability • 21% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
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Valentina Magaletti
Rumours of Bread
107 bpm • D# Maj • 01:21 • -12db
31% Popularity • 64% Danceability • 72% Energy • 28% Liveness
88% Instrumentalness • 24% Positiveness
31% Popularity • 64% Danceability • 72% Energy • 28% Liveness
88% Instrumentalness • 24% Positiveness
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Laurie Spiegel
Appalachian Grove I
109 bpm • G min • 05:22 • -19.17db
15% Popularity • 69% Danceability • 7% Energy • 13% Liveness
98% Instrumentalness • 3% Positiveness
15% Popularity • 69% Danceability • 7% Energy • 13% Liveness
98% Instrumentalness • 3% Positiveness
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Tomaga
Mompfie Has to Pay
109 bpm • A# min • 04:23 • -7.54db
26% Popularity • 57% Danceability • 84% Energy • 7% Liveness
64% Instrumentalness • 11% Positiveness
26% Popularity • 57% Danceability • 84% Energy • 7% Liveness
64% Instrumentalness • 11% Positiveness
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To Rococo Rot
A Little Asphalt Here and There
106 bpm • A Maj • 03:11 • -11.75db
12% Popularity • 70% Danceability • 47% Energy • 71% Liveness
28% Instrumentalness • 58% Positiveness
12% Popularity • 70% Danceability • 47% Energy • 71% Liveness
28% Instrumentalness • 58% Positiveness
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Fennesz
Before I Leave
106 bpm • B Maj • 04:08 • -20.1db
30% Popularity • 23% Danceability • 63% Energy • 9% Liveness
98% Instrumentalness • 3% Positiveness
30% Popularity • 23% Danceability • 63% Energy • 9% Liveness
98% Instrumentalness • 3% Positiveness
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Chris Abrahams
Placelessness 2.1
110 bpm • A Maj • 04:33 • -17.43db
10% Popularity • 22% Danceability • 33% Energy • 24% Liveness
95% Instrumentalness • 4% Positiveness
10% Popularity • 22% Danceability • 33% Energy • 24% Liveness
95% Instrumentalness • 4% Positiveness
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Valentina Magaletti
Tutti Al Circo
107 bpm • F min • 02:11 • -10.46db
15% Popularity • 35% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 36% Positiveness
15% Popularity • 35% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 36% Positiveness
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Supersilent
6.2
110 bpm • C min • 09:57 • -17.47db
12% Popularity • 29% Danceability • 19% Energy • 11% Liveness
83% Instrumentalness • 13% Positiveness
12% Popularity • 29% Danceability • 19% Energy • 11% Liveness
83% Instrumentalness • 13% Positiveness
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Lucrecia Dalt
Analogue Mountains
110 bpm • C# Maj • 02:14 • -14db
10% Popularity • 71% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
10% Popularity • 71% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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CS + Kreme
Saint
110 bpm • C min • 06:30 • -20.61db
19% Popularity • 36% Danceability • 18% Energy • 8% Liveness
89% Instrumentalness • 9% Positiveness
19% Popularity • 36% Danceability • 18% Energy • 8% Liveness
89% Instrumentalness • 9% Positiveness
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Manuel Göttsching
E2-E4 Remis - Mixed
110 bpm • C# min • 03:22 • -19.59db
18% Popularity • 69% Danceability • 49% Energy • 7% Liveness
96% Instrumentalness • 57% Positiveness
18% Popularity • 69% Danceability • 49% Energy • 7% Liveness
96% Instrumentalness • 57% Positiveness
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Pita
3
106 bpm • B min • 11:18 • -7.41db
14% Popularity • 23% Danceability • 62% Energy • 15% Liveness
93% Instrumentalness • 21% Positiveness
14% Popularity • 23% Danceability • 62% Energy • 15% Liveness
93% Instrumentalness • 21% Positiveness
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Oval
Panorama
110 bpm • F# Maj • 03:51 • -11.74db
20% Popularity • 43% Danceability • 4% Energy • 9% Liveness
94% Instrumentalness • 6% Positiveness
20% Popularity • 43% Danceability • 4% Energy • 9% Liveness
94% Instrumentalness • 6% Positiveness
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Woo
No More Telly
111 bpm • B Maj • 01:40 • -18.08db
20% Popularity • 63% Danceability • 49% Energy • 11% Liveness
40% Instrumentalness • 20% Positiveness
20% Popularity • 63% Danceability • 49% Energy • 11% Liveness
40% Instrumentalness • 20% Positiveness
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Cluster
Dem Wanderer
111 bpm • A Maj • 03:54 • -20.04db
17% Popularity • 54% Danceability • 36% Energy • 11% Liveness
96% Instrumentalness • 8% Positiveness
17% Popularity • 54% Danceability • 36% Energy • 11% Liveness
96% Instrumentalness • 8% Positiveness
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Pavel Milyakov
Untitled 2
111 bpm • A Maj • 03:10 • -10.75db
12% Popularity • 62% Danceability • 86% Energy • 12% Liveness
54% Instrumentalness • 76% Positiveness
12% Popularity • 62% Danceability • 86% Energy • 12% Liveness
54% Instrumentalness • 76% Positiveness
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Manuel Göttsching
E2-E4 Souveränität - Mixed
110 bpm • F# min • 02:40 • -14.37db
18% Popularity • 69% Danceability • 66% Energy • 14% Liveness
95% Instrumentalness • 87% Positiveness
18% Popularity • 69% Danceability • 66% Energy • 14% Liveness
95% Instrumentalness • 87% Positiveness
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Jan Jelinek
Vibraphonspulen
111 bpm • G Maj • 05:39 • -18.95db
12% Popularity • 29% Danceability • 16% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
12% Popularity • 29% Danceability • 16% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
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Eli Keszler
Fifty Four To Madrid
111 bpm • F min • 03:18 • -25.88db
10% Popularity • 47% Danceability • 22% Energy • 11% Liveness
87% Instrumentalness • 33% Positiveness
10% Popularity • 47% Danceability • 22% Energy • 11% Liveness
87% Instrumentalness • 33% Positiveness
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Tomaga
Idioma
111 bpm • G Maj • 04:13 • -11.04db
27% Popularity • 59% Danceability • 79% Energy • 11% Liveness
92% Instrumentalness • 18% Positiveness
27% Popularity • 59% Danceability • 79% Energy • 11% Liveness
92% Instrumentalness • 18% Positiveness
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Mika Vainio
Kunnes
111 bpm • G Maj • 01:17 • -35.79db
23% Popularity • 32% Danceability • 5% Energy • 48% Liveness
93% Instrumentalness • 14% Positiveness
23% Popularity • 32% Danceability • 5% Energy • 48% Liveness
93% Instrumentalness • 14% Positiveness
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Chris Abrahams
Placelessness 2.3
111 bpm • A min • 03:24 • -14.67db
8% Popularity • 16% Danceability • 43% Energy • 62% Liveness
97% Instrumentalness • 4% Positiveness
8% Popularity • 16% Danceability • 43% Energy • 62% Liveness
97% Instrumentalness • 4% Positiveness
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Cluster
Schöne Hände
105 bpm • B Maj • 03:05 • -24db
40% Popularity • 62% Danceability • 23% Energy • 7% Liveness
91% Instrumentalness • 5% Positiveness
40% Popularity • 62% Danceability • 23% Energy • 7% Liveness
91% Instrumentalness • 5% Positiveness
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Oren Ambarchi
Stormy Weather Part 2
111 bpm • A# min • 08:48 • -33.54db
1% Popularity • 16% Danceability • 2% Energy • 26% Liveness
93% Instrumentalness • 4% Positiveness
1% Popularity • 16% Danceability • 2% Energy • 26% Liveness
93% Instrumentalness • 4% Positiveness
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Visible Cloaks
Mask
111 bpm • D# min • 05:37 • -15.36db
15% Popularity • 46% Danceability • 20% Energy • 11% Liveness
38% Instrumentalness • 8% Positiveness
15% Popularity • 46% Danceability • 20% Energy • 11% Liveness
38% Instrumentalness • 8% Positiveness
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Keiji Haino
Only Wanting To Melt.. Part 2 (excerpt)
111 bpm • A# min • 06:26 • -16.34db
0% Popularity • 40% Danceability • 25% Energy • 16% Liveness
0% Instrumentalness • 4% Positiveness
0% Popularity • 40% Danceability • 25% Energy • 16% Liveness
0% Instrumentalness • 4% Positiveness
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Conrad Schnitzler
16 - Bonus Track
112 bpm • C# Maj • 01:32 • -9.66db
19% Popularity • 59% Danceability • 97% Energy • 12% Liveness
91% Instrumentalness • 64% Positiveness
19% Popularity • 59% Danceability • 97% Energy • 12% Liveness
91% Instrumentalness • 64% Positiveness
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Chris Abrahams
Placelessness 2.5
112 bpm • D Maj • 02:39 • -21.22db
14% Popularity • 43% Danceability • 20% Energy • 12% Liveness
88% Instrumentalness • 6% Positiveness
14% Popularity • 43% Danceability • 20% Energy • 12% Liveness
88% Instrumentalness • 6% Positiveness
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Bernard Parmegiani
Témoignages - 1972
104 bpm • C# Maj • 01:22 • -16.05db
16% Popularity • 34% Danceability • 41% Energy • 11% Liveness
80% Instrumentalness • 3% Positiveness
16% Popularity • 34% Danceability • 41% Energy • 11% Liveness
80% Instrumentalness • 3% Positiveness
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K. Leimer
Ceylon
104 bpm • C Maj • 02:51 • -14.75db
35% Popularity • 34% Danceability • 10% Energy • 13% Liveness
91% Instrumentalness • 13% Positiveness
35% Popularity • 34% Danceability • 10% Energy • 13% Liveness
91% Instrumentalness • 13% Positiveness
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Harmonia & Eno '76
Weird Dream
104 bpm • G# Maj • 06:41 • -25.32db
11% Popularity • 27% Danceability • 21% Energy • 16% Liveness
94% Instrumentalness • 4% Positiveness
11% Popularity • 27% Danceability • 21% Energy • 16% Liveness
94% Instrumentalness • 4% Positiveness
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Oren Ambarchi
Quixotism Part 3
112 bpm • G Maj • 06:58 • -24.62db
3% Popularity • 70% Danceability • 18% Energy • 11% Liveness
86% Instrumentalness • 10% Positiveness
3% Popularity • 70% Danceability • 18% Energy • 11% Liveness
86% Instrumentalness • 10% Positiveness
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Jan Jelinek
Universal Band Silhouette
112 bpm • A# Maj • 07:06 • -12.68db
16% Popularity • 31% Danceability • 49% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
16% Popularity • 31% Danceability • 49% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
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Demdike Stare
Bardo Thodol
112 bpm • E min • 05:35 • -12.18db
14% Popularity • 60% Danceability • 56% Energy • 19% Liveness
87% Instrumentalness • 9% Positiveness
14% Popularity • 60% Danceability • 56% Energy • 19% Liveness
87% Instrumentalness • 9% Positiveness
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Bitchin Bajas
Amorpha
104 bpm • D min • 09:42 • -12db
31% Popularity • 60% Danceability • 56% Energy • 10% Liveness
79% Instrumentalness • 72% Positiveness
31% Popularity • 60% Danceability • 56% Energy • 10% Liveness
79% Instrumentalness • 72% Positiveness
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Jon Hassell
Blues Nile
104 bpm • G min • 09:54 • -12.86db
27% Popularity • 16% Danceability • 34% Energy • 16% Liveness
89% Instrumentalness • 3% Positiveness
27% Popularity • 16% Danceability • 34% Energy • 16% Liveness
89% Instrumentalness • 3% Positiveness
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Kali Malone
Arched In Hysteria
112 bpm • F# min • 06:22 • -16.13db
13% Popularity • 36% Danceability • 1% Energy • 10% Liveness
83% Instrumentalness • 3% Positiveness
13% Popularity • 36% Danceability • 1% Energy • 10% Liveness
83% Instrumentalness • 3% Positiveness
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Oren Ambarchi
Quixotism Part 2
112 bpm • D Maj • 04:09 • -38.56db
2% Popularity • 58% Danceability • 16% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
2% Popularity • 58% Danceability • 16% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Oval
Aero Deck
112 bpm • A# min • 04:33 • -22db
22% Popularity • 50% Danceability • 25% Energy • 8% Liveness
96% Instrumentalness • 10% Positiveness
22% Popularity • 50% Danceability • 25% Energy • 8% Liveness
96% Instrumentalness • 10% Positiveness
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Nikolaienko
Muzak For Mesozoic Showreel
104 bpm • B min • 02:49 • -9db
12% Popularity • 70% Danceability • 58% Energy • 12% Liveness
83% Instrumentalness • 83% Positiveness
12% Popularity • 70% Danceability • 58% Energy • 12% Liveness
83% Instrumentalness • 83% Positiveness
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Tomoko Sauvage
Pt. 1
112 bpm • G Maj • 07:04 • -22.89db
6% Popularity • 26% Danceability • 26% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
6% Popularity • 26% Danceability • 26% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
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Valentina Magaletti
Words I First Saw
113 bpm • C Maj • 02:51 • -21db
24% Popularity • 43% Danceability • 23% Energy • 28% Liveness
94% Instrumentalness • 11% Positiveness
24% Popularity • 43% Danceability • 23% Energy • 28% Liveness
94% Instrumentalness • 11% Positiveness
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Laurie Spiegel
Three Sonic Spaces II
104 bpm • A# Maj • 03:22 • -15.95db
17% Popularity • 16% Danceability • 34% Energy • 13% Liveness
96% Instrumentalness • 4% Positiveness
17% Popularity • 16% Danceability • 34% Energy • 13% Liveness
96% Instrumentalness • 4% Positiveness
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Oren Ambarchi
Quixotism Part 4
112 bpm • C# Maj • 02:59 • -19.64db
2% Popularity • 68% Danceability • 28% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
2% Popularity • 68% Danceability • 28% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
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Vladislav Delay
Ranta
104 bpm • A min • 04:31 • -17.19db
13% Popularity • 37% Danceability • 55% Energy • 11% Liveness
90% Instrumentalness • 40% Positiveness
13% Popularity • 37% Danceability • 55% Energy • 11% Liveness
90% Instrumentalness • 40% Positiveness
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Felicia Atkinson
Shirley to Shirley
113 bpm • A min • 04:14 • -19.17db
16% Popularity • 30% Danceability • 26% Energy • 9% Liveness
83% Instrumentalness • 12% Positiveness
16% Popularity • 30% Danceability • 26% Energy • 9% Liveness
83% Instrumentalness • 12% Positiveness
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Jon Hassell
Al Kongo Udu
113 bpm • G min • 05:12 • -11.26db
15% Popularity • 55% Danceability • 86% Energy • 8% Liveness
92% Instrumentalness • 19% Positiveness
15% Popularity • 55% Danceability • 86% Energy • 8% Liveness
92% Instrumentalness • 19% Positiveness
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Mira Calix
Nostalgia
113 bpm • G# Maj • 01:45 • -24.51db
11% Popularity • 34% Danceability • 7% Energy • 10% Liveness
70% Instrumentalness • 28% Positiveness
11% Popularity • 34% Danceability • 7% Energy • 10% Liveness
70% Instrumentalness • 28% Positiveness
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Harald Grosskopf
1847 - Earth
113 bpm • A# min • 06:49 • -12.61db
18% Popularity • 44% Danceability • 99% Energy • 31% Liveness
70% Instrumentalness • 54% Positiveness
18% Popularity • 44% Danceability • 99% Energy • 31% Liveness
70% Instrumentalness • 54% Positiveness
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crys cole
You're Not The Only One With Horseradish...
113 bpm • G Maj • 02:08 • -18.19db
0% Popularity • 25% Danceability • 34% Energy • 29% Liveness
0% Instrumentalness • 36% Positiveness
0% Popularity • 25% Danceability • 34% Energy • 29% Liveness
0% Instrumentalness • 36% Positiveness
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Belbury Poly
The Willows
113 bpm • C# Maj • 04:43 • -11.11db
19% Popularity • 45% Danceability • 41% Energy • 10% Liveness
66% Instrumentalness • 59% Positiveness
19% Popularity • 45% Danceability • 41% Energy • 10% Liveness
66% Instrumentalness • 59% Positiveness
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Oren Ambarchi
Fractured Mirror
114 bpm • A Maj • 08:20 • -10.15db
2% Popularity • 59% Danceability • 61% Energy • 15% Liveness
94% Instrumentalness • 7% Positiveness
2% Popularity • 59% Danceability • 61% Energy • 15% Liveness
94% Instrumentalness • 7% Positiveness
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CS + Kreme
Faun House
114 bpm • D Maj • 06:04 • -14.6db
14% Popularity • 73% Danceability • 31% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
14% Popularity • 73% Danceability • 31% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Tomaga
British Wildlife
114 bpm • C Maj • 04:21 • -6.89db
9% Popularity • 69% Danceability • 70% Energy • 9% Liveness
69% Instrumentalness • 44% Positiveness
9% Popularity • 69% Danceability • 70% Energy • 9% Liveness
69% Instrumentalness • 44% Positiveness
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To Rococo Rot
I Am in the World with You
103 bpm • B Maj • 03:21 • -9.04db
13% Popularity • 70% Danceability • 54% Energy • 29% Liveness
95% Instrumentalness • 82% Positiveness
13% Popularity • 70% Danceability • 54% Energy • 29% Liveness
95% Instrumentalness • 82% Positiveness
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Pauline Anna Strom
Virgin Ice
114 bpm • E Maj • 04:38 • -16db
21% Popularity • 46% Danceability • 28% Energy • 19% Liveness
96% Instrumentalness • 15% Positiveness
21% Popularity • 46% Danceability • 28% Energy • 19% Liveness
96% Instrumentalness • 15% Positiveness
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Matmos
California Rhinoplasty
102 bpm • A# min • 10:01 • -13.35db
17% Popularity • 80% Danceability • 61% Energy • 8% Liveness
50% Instrumentalness • 38% Positiveness
17% Popularity • 80% Danceability • 61% Energy • 8% Liveness
50% Instrumentalness • 38% Positiveness
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Susumu Yokota
The Colour of Pomegranates
114 bpm • C# Maj • 05:13 • -17.39db
10% Popularity • 31% Danceability • 26% Energy • 16% Liveness
92% Instrumentalness • 4% Positiveness
10% Popularity • 31% Danceability • 26% Energy • 16% Liveness
92% Instrumentalness • 4% Positiveness
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Roberto Musci
The advent of rose + Croix
115 bpm • B Maj • 06:02 • -22.59db
14% Popularity • 32% Danceability • 19% Energy • 20% Liveness
93% Instrumentalness • 9% Positiveness
14% Popularity • 32% Danceability • 19% Energy • 20% Liveness
93% Instrumentalness • 9% Positiveness
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Jan Jelinek
Lithiummelodie 1
102 bpm • D# Maj • 06:57 • -14.77db
12% Popularity • 28% Danceability • 66% Energy • 10% Liveness
93% Instrumentalness • 26% Positiveness
12% Popularity • 28% Danceability • 66% Energy • 10% Liveness
93% Instrumentalness • 26% Positiveness
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Oren Ambarchi
I
115 bpm • F Maj • 08:00 • -14.54db
17% Popularity • 54% Danceability • 58% Energy • 28% Liveness
86% Instrumentalness • 76% Positiveness
17% Popularity • 54% Danceability • 58% Energy • 28% Liveness
86% Instrumentalness • 76% Positiveness
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Peter Zummo
Deep Slide With Trio (Cafe, A Plan)
115 bpm • C# min • 01:24 • -16.46db
22% Popularity • 35% Danceability • 31% Energy • 11% Liveness
90% Instrumentalness • 3% Positiveness
22% Popularity • 35% Danceability • 31% Energy • 11% Liveness
90% Instrumentalness • 3% Positiveness
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Fridge
Sample & Clicks - Remastered
115 bpm • C# Maj • 02:56 • -18.34db
10% Popularity • 83% Danceability • 23% Energy • 11% Liveness
55% Instrumentalness • 4% Positiveness
10% Popularity • 83% Danceability • 23% Energy • 11% Liveness
55% Instrumentalness • 4% Positiveness
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Fennesz
Rivers of Sand
115 bpm • D Maj • 04:42 • -14.34db
28% Popularity • 19% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
28% Popularity • 19% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Masayoshi Fujita
Stripped To RM
115 bpm • D Maj • 05:59 • -15.91db
8% Popularity • 17% Danceability • 21% Energy • 11% Liveness
94% Instrumentalness • 5% Positiveness
8% Popularity • 17% Danceability • 21% Energy • 11% Liveness
94% Instrumentalness • 5% Positiveness
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Michele Mercure
Dreamplay 2
116 bpm • A min • 02:47 • -9.58db
8% Popularity • 71% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
8% Popularity • 71% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Oren Ambarchi
IV
115 bpm • A# min • 10:10 • -12.24db
12% Popularity • 41% Danceability • 84% Energy • 10% Liveness
89% Instrumentalness • 42% Positiveness
12% Popularity • 41% Danceability • 84% Energy • 10% Liveness
89% Instrumentalness • 42% Positiveness
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Tomaga
Very Never (My Mind Extends)
101 bpm • F Maj • 04:55 • -9.15db
20% Popularity • 51% Danceability • 86% Energy • 9% Liveness
95% Instrumentalness • 27% Positiveness
20% Popularity • 51% Danceability • 86% Energy • 9% Liveness
95% Instrumentalness • 27% Positiveness
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Rupert Clervaux
II
116 bpm • A# Maj • 02:30 • -14.74db
12% Popularity • 80% Danceability • 45% Energy • 10% Liveness
97% Instrumentalness • 60% Positiveness
12% Popularity • 80% Danceability • 45% Energy • 10% Liveness
97% Instrumentalness • 60% Positiveness
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Maggi Payne
Gamelan
101 bpm • G Maj • 03:03 • -16.64db
9% Popularity • 80% Danceability • 40% Energy • 7% Liveness
95% Instrumentalness • 80% Positiveness
9% Popularity • 80% Danceability • 40% Energy • 7% Liveness
95% Instrumentalness • 80% Positiveness
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Chris Abrahams
Placelessness 1.2
100 bpm • D Maj • 06:01 • -28.64db
10% Popularity • 20% Danceability • 14% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
10% Popularity • 20% Danceability • 14% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
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Ø
Scene 1
116 bpm • G Maj • 06:52 • -20.92db
9% Popularity • 71% Danceability • 23% Energy • 6% Liveness
55% Instrumentalness • 70% Positiveness
9% Popularity • 71% Danceability • 23% Energy • 6% Liveness
55% Instrumentalness • 70% Positiveness
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Oren Ambarchi
IV
116 bpm • F# Maj • 04:44 • -22db
19% Popularity • 44% Danceability • 12% Energy • 11% Liveness
90% Instrumentalness • 13% Positiveness
19% Popularity • 44% Danceability • 12% Energy • 11% Liveness
90% Instrumentalness • 13% Positiveness
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Tomaga
A Perspective with No End
116 bpm • G min • 04:09 • -10.91db
29% Popularity • 70% Danceability • 42% Energy • 10% Liveness
88% Instrumentalness • 34% Positiveness
29% Popularity • 70% Danceability • 42% Energy • 10% Liveness
88% Instrumentalness • 34% Positiveness
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Andrew Pekler
Approximate Bermeja
116 bpm • D Maj • 03:09 • -17db
17% Popularity • 48% Danceability • 42% Energy • 43% Liveness
96% Instrumentalness • 82% Positiveness
17% Popularity • 48% Danceability • 42% Energy • 43% Liveness
96% Instrumentalness • 82% Positiveness
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Robin Fox
Game of Two
100 bpm • A min • 08:07 • -15.06db
0% Popularity • 26% Danceability • 33% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
0% Popularity • 26% Danceability • 33% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
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Jake Muir
High Tide
100 bpm • F# min • 04:34 • -13db
14% Popularity • 14% Danceability • 44% Energy • 13% Liveness
94% Instrumentalness • 5% Positiveness
14% Popularity • 14% Danceability • 44% Energy • 13% Liveness
94% Instrumentalness • 5% Positiveness
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Ø
Otava
116 bpm • F min • 07:51 • -30.02db
8% Popularity • 30% Danceability • 16% Energy • 20% Liveness
93% Instrumentalness • 4% Positiveness
8% Popularity • 30% Danceability • 16% Energy • 20% Liveness
93% Instrumentalness • 4% Positiveness
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Asa Tone
In Everyone Repeating
100 bpm • D# min • 04:24 • -8.27db
9% Popularity • 74% Danceability • 66% Energy • 11% Liveness
92% Instrumentalness • 76% Positiveness
9% Popularity • 74% Danceability • 66% Energy • 11% Liveness
92% Instrumentalness • 76% Positiveness
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Laurel Halo
Nahbarkeit
117 bpm • A min • 10:07 • -15.21db
14% Popularity • 17% Danceability • 48% Energy • 12% Liveness
91% Instrumentalness • 9% Positiveness
14% Popularity • 17% Danceability • 48% Energy • 12% Liveness
91% Instrumentalness • 9% Positiveness
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Oren Ambarchi
Girl With the Silver Eyes
100 bpm • G Maj • 09:40 • -24.82db
12% Popularity • 30% Danceability • 5% Energy • 9% Liveness
90% Instrumentalness • 6% Positiveness
12% Popularity • 30% Danceability • 5% Energy • 9% Liveness
90% Instrumentalness • 6% Positiveness
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Cluster
Halwa
117 bpm • G# Maj • 02:51 • -17.81db
25% Popularity • 44% Danceability • 28% Energy • 32% Liveness
92% Instrumentalness • 4% Positiveness
25% Popularity • 44% Danceability • 28% Energy • 32% Liveness
92% Instrumentalness • 4% Positiveness
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Valentina Magaletti
Pt. 8
100 bpm • A Maj • 07:06 • -12.54db
1% Popularity • 37% Danceability • 58% Energy • 11% Liveness
66% Instrumentalness • 12% Positiveness
1% Popularity • 37% Danceability • 58% Energy • 11% Liveness
66% Instrumentalness • 12% Positiveness
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Roy Montgomery
Downtown to Vesuvio
99 bpm • E Maj • 01:45 • -19.44db
29% Popularity • 27% Danceability • 32% Energy • 12% Liveness
89% Instrumentalness • 33% Positiveness
29% Popularity • 27% Danceability • 32% Energy • 12% Liveness
89% Instrumentalness • 33% Positiveness
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Deux Filles
Her New Master
117 bpm • C# Maj • 02:50 • -16.51db
8% Popularity • 38% Danceability • 16% Energy • 11% Liveness
90% Instrumentalness • 6% Positiveness
8% Popularity • 38% Danceability • 16% Energy • 11% Liveness
90% Instrumentalness • 6% Positiveness
