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Huldigungsmarsch (R. Wagner)
Songs like
Huldigungsmarsch (R. Wagner)
by
Northwestern University Symphonic Wind Ensemble
Based on a tempo of (+/- 10%) and a similar genre
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Northwestern University Symphonic Wind Ensemble
A Child's Garden of Dreams (D. Maslanka)...
139 bpm • A min • 12:01 • -29.7db
1% Popularity • 15% Danceability • 1% Energy • 9% Liveness
57% Instrumentalness • 3% Positiveness
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Richard Saucedo
Awakening Hills
139 bpm • D# Maj • 05:16 • -15.04db
8% Popularity • 21% Danceability • 14% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
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Henry Fillmore
His Honor
139 bpm • G# Maj • 03:02 • -14.95db
14% Popularity • 39% Danceability • 22% Energy • 3% Liveness
81% Instrumentalness • 25% Positiveness
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Bert Appermont
Colors: III. Blue
139 bpm • D# Maj • 05:24 • -26.76db
15% Popularity • 15% Danceability • 1% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
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Ralph Vaughan Williams
3 Preludes on Welsh Hymn Tunes: II. Rhos...
139 bpm • F Maj • 03:47 • -24.5db
13% Popularity • 15% Danceability • 5% Energy • 9% Liveness
86% Instrumentalness • 18% Positiveness
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Julie Giroux
Vigils Keep
140 bpm • D Maj • 10:17 • -18.01db
9% Popularity • 24% Danceability • 15% Energy • 21% Liveness
94% Instrumentalness • 10% Positiveness
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Northwestern University Symphonic Wind Ensemble
Huldigungsmarsch (R. Wagner)
139 bpm • D# Maj • 06:23 • -13.48db
4% Popularity • 27% Danceability • 37% Energy • 8% Liveness
91% Instrumentalness • 10% Positiveness
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Kevin Day
Dancing Fire
138 bpm • F min • 03:49 • -10.89db
15% Popularity • 37% Danceability • 39% Energy • 32% Liveness
64% Instrumentalness • 49% Positiveness
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Aaron Copland
The Tender Land Suite: III. Finale: The ...
138 bpm • F Maj • 05:35 • -22.05db
7% Popularity • 15% Danceability • 4% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
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Aaron Perrine
Only Light
138 bpm • A# Maj • 07:42 • -14db
9% Popularity • 16% Danceability • 17% Energy • 10% Liveness
81% Instrumentalness • 3% Positiveness
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Frank Ticheli
Cajun Folk Songs: I. La Belle et le Capi...
141 bpm • A min • 03:35 • -30db
15% Popularity • 14% Danceability • 1% Energy • 5% Liveness
90% Instrumentalness • 4% Positiveness
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Omar Thomas
Come Sunday: II. Shout! (Live)
141 bpm • F min • 06:38 • -10.59db
25% Popularity • 31% Danceability • 74% Energy • 89% Liveness
0% Instrumentalness • 20% Positiveness
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Northwestern University Symphonic Wind Ensemble
Whatsoever Things... (M. Camphouse)
138 bpm • G min • 13:53 • -17.21db
3% Popularity • 16% Danceability • 9% Energy • 10% Liveness
83% Instrumentalness • 4% Positiveness
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John Barnes Chance
Incantation and Dance
141 bpm • C min • 07:38 • -22.3db
24% Popularity • 32% Danceability • 16% Energy • 4% Liveness
57% Instrumentalness • 6% Positiveness
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United States Coast Guard Band
Inchon
141 bpm • A# min • 09:13 • -23.94db
5% Popularity • 17% Danceability • 10% Energy • 36% Liveness
75% Instrumentalness • 6% Positiveness
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Malcolm Arnold
English Dances, Set 2, Op. 33: No. 2. Co...
142 bpm • C Maj • 01:29 • -19.42db
30% Popularity • 37% Danceability • 37% Energy • 4% Liveness
93% Instrumentalness • 55% Positiveness
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Brian Balmages
Rippling Watercolors
136 bpm • G# Maj • 04:36 • -25.42db
20% Popularity • 15% Danceability • 2% Energy • 67% Liveness
88% Instrumentalness • 3% Positiveness
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Julie Giroux
Italian Rhapsody
142 bpm • A# Maj • 06:12 • -16.98db
19% Popularity • 32% Danceability • 29% Energy • 66% Liveness
4% Instrumentalness • 24% Positiveness
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Samuel R. Hazo
Ascend
136 bpm • G# Maj • 03:05 • -6.18db
13% Popularity • 50% Danceability • 42% Energy • 17% Liveness
93% Instrumentalness • 33% Positiveness
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James Curnow
Symphonic Variants: I. Allegro con brio
136 bpm • C min • 05:18 • -17.49db
11% Popularity • 32% Danceability • 23% Energy • 23% Liveness
89% Instrumentalness • 16% Positiveness
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US Navy Band
Overture to "Colas Breugnon"
136 bpm • F Maj • 04:32 • -17.17db
9% Popularity • 34% Danceability • 34% Energy • 7% Liveness
85% Instrumentalness • 33% Positiveness
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Jan van der Roost
Puszta: Four Gipsy Dances: III. -
136 bpm • D min • 02:27 • -17.54db
9% Popularity • 48% Danceability • 18% Energy • 6% Liveness
25% Instrumentalness • 46% Positiveness
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Johan de Meij
Symphony No. 1, "The Lord of the Rings":...
142 bpm • E Maj • 05:59 • -22.66db
19% Popularity • 20% Danceability • 7% Energy • 10% Liveness
90% Instrumentalness • 5% Positiveness
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Leonard Bernstein
Candide, II. Westphalia Chorale and Batt...
136 bpm • F Maj • 01:50 • -15.33db
18% Popularity • 34% Danceability • 16% Energy • 8% Liveness
87% Instrumentalness • 7% Positiveness
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Samuel Barber
Commando March
142 bpm • G# Maj • 03:35 • -18.85db
16% Popularity • 40% Danceability • 38% Energy • 66% Liveness
90% Instrumentalness • 30% Positiveness
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Malcolm Arnold
4 Scottish Dances, Op. 59: No. 4, Con br...
136 bpm • D Maj • 01:44 • -17db
16% Popularity • 24% Danceability • 30% Energy • 9% Liveness
86% Instrumentalness • 47% Positiveness
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John Barnes Chance
Variations on a Korean Folk Song
136 bpm • F# Maj • 07:23 • -26.43db
13% Popularity • 20% Danceability • 5% Energy • 8% Liveness
55% Instrumentalness • 8% Positiveness
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United States Air Force Heritage of America Band
American Salute (America Medley)
142 bpm • G min • 04:22 • -16.38db
6% Popularity • 43% Danceability • 29% Energy • 7% Liveness
88% Instrumentalness • 29% Positiveness
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Claude T. Smith
Festival Variations
142 bpm • G min • 10:04 • -19.6db
14% Popularity • 30% Danceability • 30% Energy • 70% Liveness
61% Instrumentalness • 19% Positiveness
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Steven Reineke
Fate of the Gods
142 bpm • G# Maj • 09:01 • -17db
25% Popularity • 22% Danceability • 16% Energy • 74% Liveness
89% Instrumentalness • 8% Positiveness
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Eric Whitacre
October
135 bpm • C# Maj • 07:32 • -18.98db
30% Popularity • 15% Danceability • 9% Energy • 6% Liveness
71% Instrumentalness • 4% Positiveness
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Alfred Reed
A Jubilant Overture
143 bpm • D min • 05:57 • -18db
11% Popularity • 24% Danceability • 13% Energy • 29% Liveness
95% Instrumentalness • 7% Positiveness
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Glenn Osser
Beguine for Band
135 bpm • G min • 03:58 • -18.85db
8% Popularity • 26% Danceability • 11% Energy • 36% Liveness
93% Instrumentalness • 4% Positiveness
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Band Of The US Air Force Reserve
On a Hymnsong of Philip Bliss
135 bpm • C# Maj • 05:10 • -26.69db
9% Popularity • 15% Danceability • 0% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
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Gustav Holst
2nd Suite for Military Band in F Major, ...
135 bpm • F Maj • 03:20 • -25.89db
13% Popularity • 27% Danceability • 3% Energy • 11% Liveness
82% Instrumentalness • 34% Positiveness
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Vincent Persichetti
Pageant
135 bpm • A# Maj • 07:30 • -19.37db
4% Popularity • 30% Danceability • 16% Energy • 5% Liveness
92% Instrumentalness • 5% Positiveness
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Percy Grainger
The Duke of Marlborough Fanfare
134 bpm • A# Maj • 02:26 • -18.36db
14% Popularity • 31% Danceability • 1% Energy • 10% Liveness
86% Instrumentalness • 11% Positiveness
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John Rutter
Suite: A-Roving
144 bpm • D Maj • 03:11 • -24.86db
15% Popularity • 27% Danceability • 9% Energy • 19% Liveness
66% Instrumentalness • 38% Positiveness
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The University of Illinois Symphonic Band
Candide Suite I. The Best Of All Possibl...
144 bpm • D# Maj • 01:47 • -18.53db
14% Popularity • 54% Danceability • 24% Energy • 18% Liveness
84% Instrumentalness • 60% Positiveness
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Aaron Copland
4 Dance Episodes from Rodeo: IV. Hoe Dow...
134 bpm • D Maj • 03:06 • -11.39db
27% Popularity • 37% Danceability • 50% Energy • 18% Liveness
93% Instrumentalness • 32% Positiveness
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Julie Giroux
Shine
134 bpm • A# Maj • 08:26 • -21.87db
11% Popularity • 25% Danceability • 16% Energy • 7% Liveness
59% Instrumentalness • 19% Positiveness
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Edward Gregson
Festivo
144 bpm • G min • 05:13 • -20db
3% Popularity • 30% Danceability • 18% Energy • 8% Liveness
80% Instrumentalness • 11% Positiveness
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Joseph Schwantner
.... And the Mountainds Rising Nowhere
134 bpm • G Maj • 12:48 • -29.9db
2% Popularity • 17% Danceability • 4% Energy • 11% Liveness
11% Instrumentalness • 4% Positiveness
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Alfred Concert Band
Metroplex: 3 Postcards from Manhattan, O...
145 bpm • C min • 05:01 • -13.28db
11% Popularity • 19% Danceability • 26% Energy • 7% Liveness
92% Instrumentalness • 10% Positiveness
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Gustav Holst
First Suite for Military Band, Op. 28 No...
145 bpm • C min • 02:47 • -25db
10% Popularity • 28% Danceability • 6% Energy • 11% Liveness
93% Instrumentalness • 40% Positiveness
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Camille Saint-Saëns
Romance for horn & piano, Op. 36
134 bpm • F Maj • 03:48 • -22.62db
17% Popularity • 28% Danceability • 0% Energy • 10% Liveness
97% Instrumentalness • 10% Positiveness
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Julie Giroux
KHAN
134 bpm • D# Maj • 06:26 • -16.92db
22% Popularity • 27% Danceability • 29% Energy • 9% Liveness
92% Instrumentalness • 24% Positiveness
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US Army Band
Barnum and Bailey's Favorite
145 bpm • C# Maj • 02:26 • -12db
19% Popularity • 46% Danceability • 46% Energy • 22% Liveness
4% Instrumentalness • 53% Positiveness
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Gérard Besse
Suite française : V. Provence
134 bpm • G Maj • 02:58 • -15.83db
10% Popularity • 51% Danceability • 20% Energy • 14% Liveness
69% Instrumentalness • 36% Positiveness
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Gioachino Rossini
La Danza
145 bpm • F min • 03:46 • -19.29db
11% Popularity • 53% Danceability • 16% Energy • 11% Liveness
91% Instrumentalness • 50% Positiveness
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Peter Warlock
Capriol Suite: 1. Basse-danse
133 bpm • D min • 01:36 • -19db
36% Popularity • 60% Danceability • 19% Energy • 11% Liveness
96% Instrumentalness • 60% Positiveness
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Gustav Holst
The Planets Suite, Op. 32: II. Venus
133 bpm • G# Maj • 06:51 • -28.79db
13% Popularity • 16% Danceability • 3% Energy • 9% Liveness
64% Instrumentalness • 3% Positiveness
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Frank Ticheli
Joy Revisited
145 bpm • D# Maj • 03:39 • -16db
17% Popularity • 35% Danceability • 16% Energy • 13% Liveness
89% Instrumentalness • 15% Positiveness
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Joseph Alessi
Blue Bells of Scotland
133 bpm • F Maj • 06:07 • -18.82db
24% Popularity • 46% Danceability • 14% Energy • 6% Liveness
91% Instrumentalness • 35% Positiveness
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John Krance
Carmina Burana Suite, "Cantiones profana...
145 bpm • D Maj • 02:12 • -36db
17% Popularity • 13% Danceability • 1% Energy • 9% Liveness
97% Instrumentalness • 4% Positiveness
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James Curnow
Rhapsody for Euphonium
133 bpm • D min • 05:46 • -18db
17% Popularity • 27% Danceability • 11% Energy • 10% Liveness
90% Instrumentalness • 20% Positiveness
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Leonard Bernstein
Candide: V. Make Our Garden Grow
133 bpm • C min • 03:36 • -20db
23% Popularity • 16% Danceability • 5% Energy • 10% Liveness
83% Instrumentalness • 4% Positiveness
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Gustav Holst
The Planets, Op. 32: IV. Jupiter, the Br...
133 bpm • G min • 08:25 • -21.54db
32% Popularity • 29% Danceability • 13% Energy • 8% Liveness
91% Instrumentalness • 15% Positiveness
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Donald Grantham
Southern Harmony: IV. The Soldier's Retu...
133 bpm • G# min • 05:15 • -14.82db
8% Popularity • 34% Danceability • 25% Energy • 10% Liveness
85% Instrumentalness • 10% Positiveness
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Samuel R. Hazo
Fantasy on a Japanese Folk Song (Live)
133 bpm • F min • 06:45 • -22.31db
14% Popularity • 16% Danceability • 14% Energy • 68% Liveness
55% Instrumentalness • 7% Positiveness
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John Barnes Chance
Variations on a Korean Folk Song: IV. Al...
146 bpm • A# Maj • 02:58 • -20.12db
10% Popularity • 22% Danceability • 23% Energy • 9% Liveness
83% Instrumentalness • 12% Positiveness
► Preview
Northwestern University Symphonic Wind Ensemble
Winds Of Nagual - IV. The Gait Of Power
146 bpm • C Maj • 02:27 • -32db
1% Popularity • 54% Danceability • 2% Energy • 6% Liveness
41% Instrumentalness • 37% Positiveness
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Eric Whitacre
October
132 bpm • C# Maj • 07:28 • -16.17db
21% Popularity • 16% Danceability • 14% Energy • 6% Liveness
86% Instrumentalness • 4% Positiveness
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Michael Sweeney
Quad City Stomp
132 bpm • C min • 05:10 • -10.55db
19% Popularity • 34% Danceability • 35% Energy • 12% Liveness
84% Instrumentalness • 6% Positiveness
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Rossano Galante
Transcendent Journey
132 bpm • F Maj • 06:16 • -11.17db
17% Popularity • 26% Danceability • 35% Energy • 7% Liveness
87% Instrumentalness • 25% Positiveness
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US Air Force Air Mobility Command Band Of The Golden West
The Melody Shop
146 bpm • G# Maj • 02:08 • -20db
16% Popularity • 49% Danceability • 25% Energy • 7% Liveness
83% Instrumentalness • 23% Positiveness
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John Barnes Chance
Variations on a Korean Folk Song: II. Vi...
132 bpm • C# Maj • 01:00 • -21.95db
16% Popularity • 31% Danceability • 7% Energy • 8% Liveness
5% Instrumentalness • 54% Positiveness
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Leonard Bernstein
Slava!
146 bpm • C min • 03:28 • -16.5db
25% Popularity • 55% Danceability • 29% Energy • 26% Liveness
4% Instrumentalness • 22% Positiveness
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Clifton Williams
Symphonic Dance No. 3, "Fiesta"
146 bpm • A# Maj • 07:17 • -21.35db
26% Popularity • 32% Danceability • 9% Energy • 8% Liveness
84% Instrumentalness • 3% Positiveness
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Johan de Meij
Gandalf, the Wizard
147 bpm • D min • 06:09 • -20db
25% Popularity • 16% Danceability • 12% Energy • 17% Liveness
89% Instrumentalness • 6% Positiveness
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Steven Bryant
Radiant Joy
131 bpm • D# Maj • 05:00 • -17.5db
10% Popularity • 35% Danceability • 17% Energy • 11% Liveness
38% Instrumentalness • 4% Positiveness
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United States Marine Band
Overture To Candide
147 bpm • A# Maj • 04:22 • -21db
22% Popularity • 36% Danceability • 18% Energy • 18% Liveness
40% Instrumentalness • 40% Positiveness
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Julie Giroux
One Life Beautiful
131 bpm • C# Maj • 05:40 • -22db
25% Popularity • 16% Danceability • 9% Energy • 8% Liveness
82% Instrumentalness • 4% Positiveness
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Air Combat Command Heritage Of America Band
III. Dance (Divertimento for Band)
131 bpm • F Maj • 00:59 • -24.25db
12% Popularity • 46% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
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Aaron Copland
Rodeo: No. 1, Buckaroo Holiday
131 bpm • F Maj • 07:11 • -18.87db
15% Popularity • 44% Danceability • 18% Energy • 7% Liveness
89% Instrumentalness • 22% Positiveness
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Northwestern University Symphonic Wind Ensemble
Emblems
131 bpm • G Maj • 11:30 • -25.96db
1% Popularity • 32% Danceability • 1% Energy • 4% Liveness
56% Instrumentalness • 4% Positiveness
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Eric Whitacre
October
130 bpm • C# Maj • 07:03 • -18.28db
8% Popularity • 16% Danceability • 10% Energy • 10% Liveness
85% Instrumentalness • 4% Positiveness
► Preview
Gustav Holst
2nd Suite for Military Band in F Major, ...
130 bpm • F Maj • 04:14 • -23.17db
14% Popularity • 52% Danceability • 10% Energy • 5% Liveness
89% Instrumentalness • 60% Positiveness
► Preview
John Corigliano
Symphony No. 3, "Circus Maximus": I. Int...
130 bpm • D Maj • 03:26 • -15.95db
9% Popularity • 22% Danceability • 56% Energy • 23% Liveness
83% Instrumentalness • 6% Positiveness
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Adam Schoenberg
Picture Studies: X. Pigeons in Flight
130 bpm • G Maj • 04:19 • -24.99db
9% Popularity • 31% Danceability • 12% Energy • 9% Liveness
11% Instrumentalness • 18% Positiveness
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Julie Giroux
Bookmarks from Japan: VI. Hakone
149 bpm • D min • 03:40 • -14db
16% Popularity • 39% Danceability • 48% Energy • 9% Liveness
89% Instrumentalness • 37% Positiveness
► Preview
Satoshi Yagisawa
Machu Picchu, "City in the Sky"
149 bpm • G Maj • 11:03 • -16.59db
20% Popularity • 21% Danceability • 35% Energy • 79% Liveness
67% Instrumentalness • 8% Positiveness
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Northwestern University Symphonic Wind Ensemble
Short Ride In A Fast Machine
149 bpm • E min • 04:12 • -17.4db
14% Popularity • 45% Danceability • 39% Energy • 15% Liveness
53% Instrumentalness • 15% Positiveness
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John Barnes Chance
Variations on a Korean Folk Song: III. L...
130 bpm • F# Maj • 01:36 • -36db
21% Popularity • 16% Danceability • 1% Energy • 12% Liveness
96% Instrumentalness • 3% Positiveness
► Preview
Mikhail Glinka
Russlan and Ludmilla Overture
149 bpm • F Maj • 05:39 • -19.39db
9% Popularity • 44% Danceability • 10% Energy • 10% Liveness
88% Instrumentalness • 45% Positiveness
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Robert Jager
Third Suite, III: Rondo - Robert E. Jage...
130 bpm • G min • 02:55 • -19db
14% Popularity • 48% Danceability • 36% Energy • 6% Liveness
75% Instrumentalness • 60% Positiveness
► Preview
Jacques Press
Wedding Dance
149 bpm • F min • 03:10 • -11db
14% Popularity • 31% Danceability • 56% Energy • 7% Liveness
89% Instrumentalness • 52% Positiveness
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Robert Sheldon
Choreography
149 bpm • D# Maj • 05:47 • -21db
15% Popularity • 23% Danceability • 23% Energy • 68% Liveness
84% Instrumentalness • 17% Positiveness
► Preview
David Holsinger
A Childhood Hymn
129 bpm • D# Maj • 03:17 • -26.43db
9% Popularity • 17% Danceability • 4% Energy • 9% Liveness
84% Instrumentalness • 4% Positiveness
► Preview
John Barnes Chance
Blue Lake Overture
129 bpm • A# min • 05:38 • -18.51db
7% Popularity • 28% Danceability • 21% Energy • 14% Liveness
87% Instrumentalness • 4% Positiveness
► Preview
Norman Dello Joio
Satiric Dances: III. Allegro spumante
150 bpm • C min • 02:07 • -16db
13% Popularity • 50% Danceability • 42% Energy • 9% Liveness
92% Instrumentalness • 51% Positiveness
► Preview
Alfred Reed
Armenian Dances: Part I
129 bpm • G min • 11:24 • -22.34db
12% Popularity • 25% Danceability • 10% Energy • 30% Liveness
54% Instrumentalness • 14% Positiveness
► Preview
Rossano Galante
Lexicon of the Gods: III. Zeus God of sk...
129 bpm • F min • 02:45 • -8.92db
18% Popularity • 23% Danceability • 41% Energy • 14% Liveness
80% Instrumentalness • 9% Positiveness
► Preview
Northwestern University Symphonic Wind Ensemble
Winds Of Nagual - VI. Don Juan Clowns Fo...
150 bpm • A Maj • 06:50 • -22.33db
1% Popularity • 46% Danceability • 11% Energy • 8% Liveness
33% Instrumentalness • 20% Positiveness
► Preview
Donald Grantham
Southern Harmony: I. The Midnight Cry
129 bpm • G# Maj • 02:21 • -12db
18% Popularity • 48% Danceability • 19% Energy • 10% Liveness
91% Instrumentalness • 30% Positiveness
► Preview
John Mackey
Redline Tango
128 bpm • C# Maj • 09:27 • -18db
16% Popularity • 37% Danceability • 17% Energy • 7% Liveness
77% Instrumentalness • 4% Positiveness
► Preview
Gérard Besse
Suite française : I. Normandie
128 bpm • A# Maj • 01:48 • -14db
18% Popularity • 60% Danceability • 27% Energy • 18% Liveness
95% Instrumentalness • 71% Positiveness
► Preview
Frank Ticheli
Loch Lomond
128 bpm • A# Maj • 05:56 • -19db
23% Popularity • 17% Danceability • 11% Energy • 9% Liveness
80% Instrumentalness • 4% Positiveness
► Preview
Air Combat Command Heritage Of America Band
I. March; Allegro (Second Suite in F for...
128 bpm • F Maj • 04:25 • -22.16db
7% Popularity • 46% Danceability • 9% Energy • 14% Liveness
80% Instrumentalness • 56% Positiveness
► Preview
David Holsinger
Havendance
151 bpm • A# Maj • 05:47 • -17db
20% Popularity • 43% Danceability • 19% Energy • 23% Liveness
23% Instrumentalness • 37% Positiveness
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Huldigungsmarsch (R. Wagner)