Songs like Hum Allah Hum Allah Hum Allah by Pharoah Sanders
Based on a tempo of (+/- 10%) and a similar genre
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Art Ensemble Of Chicago
Prayer For Jimbo Kwesi
105 bpm • D Maj • 09:47 • -21.07db
9% Popularity • 22% Danceability • 12% Energy • 12% Liveness
72% Instrumentalness • 5% Positiveness
9% Popularity • 22% Danceability • 12% Energy • 12% Liveness
72% Instrumentalness • 5% Positiveness
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Pharoah Sanders
Hum Allah Hum Allah Hum Allah
105 bpm • F# min • 15:10 • -10.73db
22% Popularity • 44% Danceability • 56% Energy • 5% Liveness
2% Instrumentalness • 58% Positiveness
22% Popularity • 44% Danceability • 56% Energy • 5% Liveness
2% Instrumentalness • 58% Positiveness
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Don Cherry
Brown Rice
105 bpm • G# min • 05:14 • -10.96db
33% Popularity • 60% Danceability • 78% Energy • 12% Liveness
62% Instrumentalness • 53% Positiveness
33% Popularity • 60% Danceability • 78% Energy • 12% Liveness
62% Instrumentalness • 53% Positiveness
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Dr. Lonnie Smith
Psychedelic Pi - Remastered
104 bpm • F min • 06:32 • -9.36db
8% Popularity • 55% Danceability • 70% Energy • 7% Liveness
77% Instrumentalness • 64% Positiveness
8% Popularity • 55% Danceability • 70% Energy • 7% Liveness
77% Instrumentalness • 64% Positiveness
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Duke Ellington
Money Jungle - Remastered
106 bpm • F Maj • 05:29 • -9.02db
27% Popularity • 52% Danceability • 70% Energy • 11% Liveness
2% Instrumentalness • 63% Positiveness
27% Popularity • 52% Danceability • 70% Energy • 11% Liveness
2% Instrumentalness • 63% Positiveness
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Cecil Taylor
Azure
106 bpm • A# Maj • 07:28 • -11.21db
19% Popularity • 59% Danceability • 38% Energy • 32% Liveness
2% Instrumentalness • 31% Positiveness
19% Popularity • 59% Danceability • 38% Energy • 32% Liveness
2% Instrumentalness • 31% Positiveness
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Alice Coltrane
A Love Supreme
104 bpm • B Maj • 10:04 • -16.28db
18% Popularity • 29% Danceability • 41% Energy • 13% Liveness
70% Instrumentalness • 22% Positiveness
18% Popularity • 29% Danceability • 41% Energy • 13% Liveness
70% Instrumentalness • 22% Positiveness
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Eric Dolphy Quintet
G.W.
106 bpm • G# Maj • 07:57 • -11.22db
12% Popularity • 54% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
12% Popularity • 54% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Pharoah Sanders
Save Our Children
106 bpm • F# Maj • 07:52 • -8.59db
15% Popularity • 56% Danceability • 63% Energy • 11% Liveness
30% Instrumentalness • 56% Positiveness
15% Popularity • 56% Danceability • 63% Energy • 11% Liveness
30% Instrumentalness • 56% Positiveness
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Oliver Nelson
Butch And Butch
104 bpm • C Maj • 04:34 • -9.84db
32% Popularity • 55% Danceability • 48% Energy • 22% Liveness
91% Instrumentalness • 88% Positiveness
32% Popularity • 55% Danceability • 48% Energy • 22% Liveness
91% Instrumentalness • 88% Positiveness
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Max Roach
Driva'man - Remastered
104 bpm • C Maj • 05:14 • -13.83db
20% Popularity • 62% Danceability • 10% Energy • 30% Liveness
0% Instrumentalness • 46% Positiveness
20% Popularity • 62% Danceability • 10% Energy • 30% Liveness
0% Instrumentalness • 46% Positiveness
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Chico Hamilton
Thoughts
107 bpm • B min • 09:20 • -14.5db
10% Popularity • 37% Danceability • 25% Energy • 10% Liveness
33% Instrumentalness • 7% Positiveness
10% Popularity • 37% Danceability • 25% Energy • 10% Liveness
33% Instrumentalness • 7% Positiveness
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Kenny Dorham
El Matador
107 bpm • G min • 06:32 • -14.58db
11% Popularity • 52% Danceability • 38% Energy • 7% Liveness
66% Instrumentalness • 53% Positiveness
11% Popularity • 52% Danceability • 38% Energy • 7% Liveness
66% Instrumentalness • 53% Positiveness
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Bennie Maupin
The Jewel In The Lotus
103 bpm • D Maj • 10:02 • -14.09db
15% Popularity • 27% Danceability • 31% Energy • 21% Liveness
9% Instrumentalness • 4% Positiveness
15% Popularity • 27% Danceability • 31% Energy • 21% Liveness
9% Instrumentalness • 4% Positiveness
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Pharoah Sanders
Duo
103 bpm • C# Maj • 04:32 • -15.9db
11% Popularity • 45% Danceability • 47% Energy • 22% Liveness
0% Instrumentalness • 68% Positiveness
11% Popularity • 45% Danceability • 47% Energy • 22% Liveness
0% Instrumentalness • 68% Positiveness
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Oliver Nelson
Baja Bossa
107 bpm • D min • 07:22 • -11db
23% Popularity • 39% Danceability • 59% Energy • 12% Liveness
72% Instrumentalness • 55% Positiveness
23% Popularity • 39% Danceability • 59% Energy • 12% Liveness
72% Instrumentalness • 55% Positiveness
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Sun Ra & His Arkestra
Sleeping Beauty - a.k.a. Black Beauty
107 bpm • C# Maj • 11:49 • -10.32db
23% Popularity • 40% Danceability • 50% Energy • 7% Liveness
14% Instrumentalness • 31% Positiveness
23% Popularity • 40% Danceability • 50% Energy • 7% Liveness
14% Instrumentalness • 31% Positiveness
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Andrew Hill
Dedication - Rudy Van Gelder Edition/199...
103 bpm • C# Maj • 06:45 • -14.56db
13% Popularity • 40% Danceability • 19% Energy • 12% Liveness
85% Instrumentalness • 27% Positiveness
13% Popularity • 40% Danceability • 19% Energy • 12% Liveness
85% Instrumentalness • 27% Positiveness
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David Murray
O' léonso
107 bpm • F min • 07:57 • -5.17db
2% Popularity • 54% Danceability • 89% Energy • 17% Liveness
9% Instrumentalness • 35% Positiveness
2% Popularity • 54% Danceability • 89% Energy • 17% Liveness
9% Instrumentalness • 35% Positiveness
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Byard Lancaster
It's Not up to Us
107 bpm • D min • 04:53 • -13.45db
14% Popularity • 38% Danceability • 36% Energy • 30% Liveness
38% Instrumentalness • 58% Positiveness
14% Popularity • 38% Danceability • 36% Energy • 30% Liveness
38% Instrumentalness • 58% Positiveness
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Pharoah Sanders
The Creator Has A Master Plan - Edit
108 bpm • A# Maj • 09:08 • -12.74db
9% Popularity • 30% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
9% Popularity • 30% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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Oliver Nelson
Yearnin'
107 bpm • F Maj • 06:23 • -12db
33% Popularity • 60% Danceability • 27% Energy • 14% Liveness
90% Instrumentalness • 44% Positiveness
33% Popularity • 60% Danceability • 27% Energy • 14% Liveness
90% Instrumentalness • 44% Positiveness
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![The Wizard cover art]()
Albert Ayler
The Wizard
108 bpm • D min • 07:22 • -14.06db
21% Popularity • 33% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
21% Popularity • 33% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Alice Coltrane
Sita Ram
108 bpm • F Maj • 04:45 • -12.72db
17% Popularity • 21% Danceability • 36% Energy • 23% Liveness
71% Instrumentalness • 4% Positiveness
17% Popularity • 21% Danceability • 36% Energy • 23% Liveness
71% Instrumentalness • 4% Positiveness
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Mulatu Astatke
Mascaram Setaba
102 bpm • G Maj • 01:50 • -13.76db
43% Popularity • 53% Danceability • 30% Energy • 24% Liveness
0% Instrumentalness • 26% Positiveness
43% Popularity • 53% Danceability • 30% Energy • 24% Liveness
0% Instrumentalness • 26% Positiveness
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Charles Mingus
Open Letter To Duke
108 bpm • A# min • 05:49 • -13.11db
32% Popularity • 48% Danceability • 47% Energy • 34% Liveness
8% Instrumentalness • 19% Positiveness
32% Popularity • 48% Danceability • 47% Energy • 34% Liveness
8% Instrumentalness • 19% Positiveness
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Andrew Hill
Passing Ships
102 bpm • C Maj • 07:08 • -15db
10% Popularity • 48% Danceability • 26% Energy • 6% Liveness
4% Instrumentalness • 18% Positiveness
10% Popularity • 48% Danceability • 26% Energy • 6% Liveness
4% Instrumentalness • 18% Positiveness
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Oliver Nelson
Stolen Moments
107 bpm • C min • 08:45 • -13.08db
52% Popularity • 57% Danceability • 19% Energy • 17% Liveness
88% Instrumentalness • 34% Positiveness
52% Popularity • 57% Danceability • 19% Energy • 17% Liveness
88% Instrumentalness • 34% Positiveness
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Pharoah Sanders
Heart to Heart
102 bpm • D Maj • 07:22 • -15.9db
11% Popularity • 43% Danceability • 26% Energy • 17% Liveness
82% Instrumentalness • 26% Positiveness
11% Popularity • 43% Danceability • 26% Energy • 17% Liveness
82% Instrumentalness • 26% Positiveness
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Kenny Dorham
Afrodisia - Remastered/Rudy Van Gelder E...
108 bpm • F Maj • 05:06 • -7.13db
31% Popularity • 64% Danceability • 66% Energy • 13% Liveness
46% Instrumentalness • 93% Positiveness
31% Popularity • 64% Danceability • 66% Energy • 13% Liveness
46% Instrumentalness • 93% Positiveness
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The Gil Evans Orchestra
Sunken Treasure
102 bpm • C# Maj • 04:17 • -16.03db
16% Popularity • 46% Danceability • 15% Energy • 10% Liveness
85% Instrumentalness • 15% Positiveness
16% Popularity • 46% Danceability • 15% Energy • 10% Liveness
85% Instrumentalness • 15% Positiveness
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David Axelrod
The Warnings Part III
102 bpm • D# Maj • 05:06 • -14.2db
8% Popularity • 53% Danceability • 27% Energy • 18% Liveness
11% Instrumentalness • 29% Positiveness
8% Popularity • 53% Danceability • 27% Energy • 18% Liveness
11% Instrumentalness • 29% Positiveness
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Ahmad Jamal Trio
I Just Can't See For Lookin
108 bpm • F Maj • 02:04 • -16.59db
36% Popularity • 64% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
36% Popularity • 64% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Grant Green
Joshua Fit De Battle Of Jericho
108 bpm • A min • 08:04 • -11.2db
32% Popularity • 67% Danceability • 48% Energy • 10% Liveness
14% Instrumentalness • 60% Positiveness
32% Popularity • 67% Danceability • 48% Energy • 10% Liveness
14% Instrumentalness • 60% Positiveness
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Pharoah Sanders
Red, Black & Green
108 bpm • D# min • 08:56 • -10.45db
19% Popularity • 20% Danceability • 87% Energy • 44% Liveness
88% Instrumentalness • 31% Positiveness
19% Popularity • 20% Danceability • 87% Energy • 44% Liveness
88% Instrumentalness • 31% Positiveness
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Bennie Maupin
It Remains To Be Seen
108 bpm • C# Maj • 08:03 • -13.35db
13% Popularity • 66% Danceability • 39% Energy • 10% Liveness
35% Instrumentalness • 66% Positiveness
13% Popularity • 66% Danceability • 39% Energy • 10% Liveness
35% Instrumentalness • 66% Positiveness
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Franklin Kiermyer
Esra Alawi
108 bpm • D min • 06:47 • -8.21db
1% Popularity • 24% Danceability • 70% Energy • 32% Liveness
14% Instrumentalness • 26% Positiveness
1% Popularity • 24% Danceability • 70% Energy • 32% Liveness
14% Instrumentalness • 26% Positiveness
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Marion Brown
Bismillahi 'Rrahmani 'Rrahim
109 bpm • F# Maj • 06:02 • -18.32db
20% Popularity • 24% Danceability • 17% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
20% Popularity • 24% Danceability • 17% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Weather Report
Mysterious Traveler
102 bpm • C# min • 07:19 • -12db
24% Popularity • 50% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
24% Popularity • 50% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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David Axelrod
Mucho Chupar
101 bpm • G Maj • 03:13 • -11.31db
29% Popularity • 52% Danceability • 72% Energy • 8% Liveness
89% Instrumentalness • 65% Positiveness
29% Popularity • 52% Danceability • 72% Energy • 8% Liveness
89% Instrumentalness • 65% Positiveness
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Pharoah Sanders
Africa
108 bpm • D# Maj • 08:25 • -16.87db
16% Popularity • 46% Danceability • 31% Energy • 10% Liveness
5% Instrumentalness • 60% Positiveness
16% Popularity • 46% Danceability • 31% Energy • 10% Liveness
5% Instrumentalness • 60% Positiveness
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Gábor Szabó
Space - Live At The Jazz Workshop, Bosto...
109 bpm • E min • 06:39 • -13.21db
10% Popularity • 40% Danceability • 64% Energy • 93% Liveness
51% Instrumentalness • 16% Positiveness
10% Popularity • 40% Danceability • 64% Energy • 93% Liveness
51% Instrumentalness • 16% Positiveness
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The Lyman Woodard Organization
Belle Isle Daze
109 bpm • C min • 07:27 • -13.32db
14% Popularity • 62% Danceability • 54% Energy • 10% Liveness
90% Instrumentalness • 42% Positiveness
14% Popularity • 62% Danceability • 54% Energy • 10% Liveness
90% Instrumentalness • 42% Positiveness
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Matana Roberts
Amma Jerusalem School
109 bpm • A# Maj • 04:10 • -12.05db
12% Popularity • 45% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
12% Popularity • 45% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Clifford Brown
I Don't Stand A Ghost Of A Chance With Y...
109 bpm • C Maj • 07:22 • -13.9db
34% Popularity • 56% Danceability • 18% Energy • 11% Liveness
86% Instrumentalness • 25% Positiveness
34% Popularity • 56% Danceability • 18% Energy • 11% Liveness
86% Instrumentalness • 25% Positiveness
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Charles Mingus
Canon
101 bpm • A# Maj • 05:29 • -19.27db
17% Popularity • 36% Danceability • 15% Energy • 11% Liveness
61% Instrumentalness • 15% Positiveness
17% Popularity • 36% Danceability • 15% Energy • 11% Liveness
61% Instrumentalness • 15% Positiveness
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Pharoah Sanders
Upper Egypt And Lower Egypt - Edit
109 bpm • G Maj • 06:03 • -15.45db
7% Popularity • 46% Danceability • 44% Energy • 8% Liveness
41% Instrumentalness • 69% Positiveness
7% Popularity • 46% Danceability • 44% Energy • 8% Liveness
41% Instrumentalness • 69% Positiveness
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Bobbi Humphrey
It's Too Late
109 bpm • F Maj • 03:08 • -12.64db
26% Popularity • 72% Danceability • 50% Energy • 7% Liveness
82% Instrumentalness • 75% Positiveness
26% Popularity • 72% Danceability • 50% Energy • 7% Liveness
82% Instrumentalness • 75% Positiveness
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Steve Lacy
Evidence
109 bpm • G# Maj • 04:59 • -18.74db
15% Popularity • 57% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
15% Popularity • 57% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Don Cherry
Art Deco
109 bpm • F Maj • 02:52 • -16.95db
22% Popularity • 48% Danceability • 19% Energy • 5% Liveness
36% Instrumentalness • 23% Positiveness
22% Popularity • 48% Danceability • 19% Energy • 5% Liveness
36% Instrumentalness • 23% Positiveness
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Anthony Braxton
You Stepped Out of a Dream
101 bpm • C Maj • 07:11 • -13.94db
11% Popularity • 64% Danceability • 31% Energy • 12% Liveness
89% Instrumentalness • 62% Positiveness
11% Popularity • 64% Danceability • 31% Energy • 12% Liveness
89% Instrumentalness • 62% Positiveness
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Art Ensemble Of Chicago
Funky AECO
101 bpm • C# Maj • 07:39 • -15db
16% Popularity • 65% Danceability • 44% Energy • 7% Liveness
7% Instrumentalness • 66% Positiveness
16% Popularity • 65% Danceability • 44% Energy • 7% Liveness
7% Instrumentalness • 66% Positiveness
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Pharoah Sanders
Myth
109 bpm • G Maj • 01:43 • -27.96db
12% Popularity • 17% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
12% Popularity • 17% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Leon Thomas
It's My Life I'm Fighting For
110 bpm • G min • 10:08 • -15.13db
9% Popularity • 50% Danceability • 59% Energy • 16% Liveness
0% Instrumentalness • 76% Positiveness
9% Popularity • 50% Danceability • 59% Energy • 16% Liveness
0% Instrumentalness • 76% Positiveness
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Sun Ra Arkestra
The World Of Africa - mixed
100 bpm • C Maj • 02:53 • -12.51db
18% Popularity • 72% Danceability • 47% Energy • 29% Liveness
1% Instrumentalness • 96% Positiveness
18% Popularity • 72% Danceability • 47% Energy • 29% Liveness
1% Instrumentalness • 96% Positiveness
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Don Cherry
Karmapa Chenno
101 bpm • G# min • 07:12 • -7.23db
14% Popularity • 49% Danceability • 83% Energy • 10% Liveness
39% Instrumentalness • 96% Positiveness
14% Popularity • 49% Danceability • 83% Energy • 10% Liveness
39% Instrumentalness • 96% Positiveness
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Andrew Hill
Siete Ocho - Remastered 2003 / Rudy Van ...
110 bpm • F min • 08:58 • -10.43db
17% Popularity • 36% Danceability • 64% Energy • 10% Liveness
4% Instrumentalness • 49% Positiveness
17% Popularity • 36% Danceability • 64% Energy • 10% Liveness
4% Instrumentalness • 49% Positiveness
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Art Ensemble Of Chicago
Walking In The Moonlight
100 bpm • F Maj • 04:07 • -18.88db
11% Popularity • 51% Danceability • 6% Energy • 15% Liveness
27% Instrumentalness • 22% Positiveness
11% Popularity • 51% Danceability • 6% Energy • 15% Liveness
27% Instrumentalness • 22% Positiveness
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Bobbi Humphrey
Harlem River Drive
100 bpm • F min • 07:50 • -11.43db
39% Popularity • 42% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
39% Popularity • 42% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
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Pharoah Sanders
Prince of Peace
109 bpm • B Maj • 08:52 • -10.93db
10% Popularity • 39% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
10% Popularity • 39% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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Leon Thomas
The Creator Has a Master Plan
100 bpm • D# Maj • 04:25 • -17.58db
27% Popularity • 55% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
27% Popularity • 55% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Don Cherry
Mahakali
100 bpm • E min • 09:48 • -8.28db
14% Popularity • 36% Danceability • 74% Energy • 11% Liveness
60% Instrumentalness • 16% Positiveness
14% Popularity • 36% Danceability • 74% Energy • 11% Liveness
60% Instrumentalness • 16% Positiveness
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Sun Ra Arkestra
Rocket No. 9
110 bpm • C# Maj • 04:59 • -7.52db
9% Popularity • 62% Danceability • 48% Energy • 10% Liveness
73% Instrumentalness • 49% Positiveness
9% Popularity • 62% Danceability • 48% Energy • 10% Liveness
73% Instrumentalness • 49% Positiveness
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Charles Mingus
Better Get Hit In Yo' Soul - Long Versio...
100 bpm • C min • 06:30 • -8.9db
26% Popularity • 37% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
26% Popularity • 37% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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Ornette Coleman
Beauty Is a Rare Thing
110 bpm • F min • 07:14 • -24.8db
12% Popularity • 46% Danceability • 3% Energy • 13% Liveness
36% Instrumentalness • 14% Positiveness
12% Popularity • 46% Danceability • 3% Energy • 13% Liveness
36% Instrumentalness • 14% Positiveness
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Anthony Braxton
BOR----H (Opus 23E)
111 bpm • G# Maj • 03:23 • -10.76db
12% Popularity • 49% Danceability • 65% Energy • 9% Liveness
61% Instrumentalness • 76% Positiveness
12% Popularity • 49% Danceability • 65% Energy • 9% Liveness
61% Instrumentalness • 76% Positiveness
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Noël McGhie & Space Spies
Trapeze
111 bpm • F# min • 07:40 • -13.04db
14% Popularity • 47% Danceability • 43% Energy • 12% Liveness
94% Instrumentalness • 40% Positiveness
14% Popularity • 47% Danceability • 43% Energy • 12% Liveness
94% Instrumentalness • 40% Positiveness
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Ndikho Xaba
Nomusa
111 bpm • B min • 08:47 • -13.05db
11% Popularity • 68% Danceability • 40% Energy • 15% Liveness
43% Instrumentalness • 52% Positiveness
11% Popularity • 68% Danceability • 40% Energy • 15% Liveness
43% Instrumentalness • 52% Positiveness
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Chico Hamilton Quintet
El Toro
100 bpm • G# Maj • 04:38 • -13.54db
23% Popularity • 54% Danceability • 38% Energy • 7% Liveness
1% Instrumentalness • 37% Positiveness
23% Popularity • 54% Danceability • 38% Energy • 7% Liveness
1% Instrumentalness • 37% Positiveness
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Pharoah Sanders
Village Of The Pharoahs, Part One
111 bpm • G min • 07:13 • -13db
12% Popularity • 30% Danceability • 62% Energy • 45% Liveness
1% Instrumentalness • 50% Positiveness
12% Popularity • 30% Danceability • 62% Energy • 45% Liveness
1% Instrumentalness • 50% Positiveness
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Albert Ayler
Bells
111 bpm • C Maj • 03:09 • -9.13db
11% Popularity • 42% Danceability • 67% Energy • 21% Liveness
88% Instrumentalness • 80% Positiveness
11% Popularity • 42% Danceability • 67% Energy • 21% Liveness
88% Instrumentalness • 80% Positiveness
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Charles Mingus
Hobo Ho
99 bpm • F min • 10:07 • -9.57db
19% Popularity • 37% Danceability • 63% Energy • 7% Liveness
86% Instrumentalness • 64% Positiveness
19% Popularity • 37% Danceability • 63% Energy • 7% Liveness
86% Instrumentalness • 64% Positiveness
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Ornette Coleman
Ramblin'
99 bpm • D Maj • 06:36 • -16db
22% Popularity • 52% Danceability • 19% Energy • 26% Liveness
80% Instrumentalness • 26% Positiveness
22% Popularity • 52% Danceability • 19% Energy • 26% Liveness
80% Instrumentalness • 26% Positiveness
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Marion Brown
Vista
111 bpm • C Maj • 07:44 • -13.58db
10% Popularity • 48% Danceability • 43% Energy • 11% Liveness
40% Instrumentalness • 23% Positiveness
10% Popularity • 48% Danceability • 43% Energy • 11% Liveness
40% Instrumentalness • 23% Positiveness
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Kenny Garrett
Intro To Africa
111 bpm • G# Maj • 09:21 • -9db
5% Popularity • 47% Danceability • 49% Energy • 54% Liveness
61% Instrumentalness • 25% Positiveness
5% Popularity • 47% Danceability • 49% Energy • 54% Liveness
61% Instrumentalness • 25% Positiveness
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Sun Ra & His Arkestra
It Ain't Necessarily So
111 bpm • D min • 04:42 • -13.08db
10% Popularity • 62% Danceability • 50% Energy • 86% Liveness
66% Instrumentalness • 50% Positiveness
10% Popularity • 62% Danceability • 50% Energy • 86% Liveness
66% Instrumentalness • 50% Positiveness
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Max Roach
Living Room
99 bpm • F Maj • 07:31 • -13.34db
9% Popularity • 38% Danceability • 49% Energy • 32% Liveness
0% Instrumentalness • 29% Positiveness
9% Popularity • 38% Danceability • 49% Energy • 32% Liveness
0% Instrumentalness • 29% Positiveness
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Albert Ayler
Holy Family
99 bpm • F Maj • 02:12 • -18.42db
26% Popularity • 32% Danceability • 31% Energy • 29% Liveness
1% Instrumentalness • 63% Positiveness
26% Popularity • 32% Danceability • 31% Energy • 29% Liveness
1% Instrumentalness • 63% Positiveness
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Don Cherry
Initiation (Demo)
112 bpm • B min • 02:54 • -20.75db
18% Popularity • 70% Danceability • 23% Energy • 18% Liveness
62% Instrumentalness • 71% Positiveness
18% Popularity • 70% Danceability • 23% Energy • 18% Liveness
62% Instrumentalness • 71% Positiveness
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Takeo Moriyama
East Plants
112 bpm • G min • 10:22 • -12.91db
14% Popularity • 61% Danceability • 65% Energy • 31% Liveness
90% Instrumentalness • 50% Positiveness
14% Popularity • 61% Danceability • 65% Energy • 31% Liveness
90% Instrumentalness • 50% Positiveness
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Pharoah Sanders
Origin
112 bpm • G# min • 06:54 • -14db
16% Popularity • 57% Danceability • 40% Energy • 10% Liveness
48% Instrumentalness • 56% Positiveness
16% Popularity • 57% Danceability • 40% Energy • 10% Liveness
48% Instrumentalness • 56% Positiveness
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Alice Coltrane
Journey In Satchidananda
98 bpm • B min • 06:36 • -14db
50% Popularity • 18% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
50% Popularity • 18% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Herbie Hancock
Mimosa - Remastered
98 bpm • F min • 08:38 • -17db
19% Popularity • 70% Danceability • 31% Energy • 10% Liveness
92% Instrumentalness • 38% Positiveness
19% Popularity • 70% Danceability • 31% Energy • 10% Liveness
92% Instrumentalness • 38% Positiveness
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Grant Green
Jean De Fleur - Rudy Van Gelder Edition ...
112 bpm • C# min • 06:49 • -10db
33% Popularity • 65% Danceability • 55% Energy • 19% Liveness
0% Instrumentalness • 65% Positiveness
33% Popularity • 65% Danceability • 55% Energy • 19% Liveness
0% Instrumentalness • 65% Positiveness
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Weldon Irvine
Music Is the Key
112 bpm • G Maj • 07:35 • -13db
22% Popularity • 54% Danceability • 33% Energy • 12% Liveness
1% Instrumentalness • 53% Positiveness
22% Popularity • 54% Danceability • 33% Energy • 12% Liveness
1% Instrumentalness • 53% Positiveness
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Tom Scott
The Honeysuckle Breeze
98 bpm • G min • 04:16 • -9db
6% Popularity • 53% Danceability • 54% Energy • 8% Liveness
23% Instrumentalness • 58% Positiveness
6% Popularity • 53% Danceability • 54% Energy • 8% Liveness
23% Instrumentalness • 58% Positiveness
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Pharoah Sanders
Ore-Se-Rere (Nigerian Juju HiLife) - Liv...
98 bpm • F Maj • 05:38 • -10.19db
12% Popularity • 33% Danceability • 86% Energy • 11% Liveness
1% Instrumentalness • 71% Positiveness
12% Popularity • 33% Danceability • 86% Energy • 11% Liveness
1% Instrumentalness • 71% Positiveness
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Weather Report
American Tango
98 bpm • A Maj • 03:39 • -11.57db
27% Popularity • 56% Danceability • 47% Energy • 9% Liveness
54% Instrumentalness • 13% Positiveness
27% Popularity • 56% Danceability • 47% Energy • 9% Liveness
54% Instrumentalness • 13% Positiveness
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Alice Coltrane
Blue Nile
112 bpm • B min • 07:01 • -13db
38% Popularity • 37% Danceability • 53% Energy • 10% Liveness
60% Instrumentalness • 25% Positiveness
38% Popularity • 37% Danceability • 53% Energy • 10% Liveness
60% Instrumentalness • 25% Positiveness
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Keith Jarrett
Common Mama
98 bpm • D Maj • 08:11 • -9.82db
13% Popularity • 56% Danceability • 72% Energy • 10% Liveness
18% Instrumentalness • 82% Positiveness
13% Popularity • 56% Danceability • 72% Energy • 10% Liveness
18% Instrumentalness • 82% Positiveness
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Horace Silver
Won't You Open Up Your Senses
113 bpm • A# min • 03:57 • -6.72db
22% Popularity • 54% Danceability • 47% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
22% Popularity • 54% Danceability • 47% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
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Max Roach
All Africa - Remastered
113 bpm • B Maj • 08:03 • -18db
14% Popularity • 55% Danceability • 41% Energy • 12% Liveness
7% Instrumentalness • 75% Positiveness
14% Popularity • 55% Danceability • 41% Energy • 12% Liveness
7% Instrumentalness • 75% Positiveness
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Pharoah Sanders
Village Of The Pharoahs, Part Two
113 bpm • D Maj • 04:59 • -14.23db
9% Popularity • 26% Danceability • 51% Energy • 34% Liveness
26% Instrumentalness • 50% Positiveness
9% Popularity • 26% Danceability • 51% Energy • 34% Liveness
26% Instrumentalness • 50% Positiveness
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Arthur Blythe
Down San Diego Way
113 bpm • D Maj • 07:51 • -11.85db
11% Popularity • 59% Danceability • 68% Energy • 11% Liveness
1% Instrumentalness • 92% Positiveness
11% Popularity • 59% Danceability • 68% Energy • 11% Liveness
1% Instrumentalness • 92% Positiveness
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Weather Report
Elegant People
98 bpm • D# Maj • 05:02 • -15db
16% Popularity • 35% Danceability • 58% Energy • 6% Liveness
7% Instrumentalness • 61% Positiveness
16% Popularity • 35% Danceability • 58% Energy • 6% Liveness
7% Instrumentalness • 61% Positiveness
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Gary Bartz
Nommo- The Majick Song
98 bpm • F Maj • 04:16 • -17.7db
12% Popularity • 49% Danceability • 17% Energy • 36% Liveness
0% Instrumentalness • 25% Positiveness
12% Popularity • 49% Danceability • 17% Energy • 36% Liveness
0% Instrumentalness • 25% Positiveness
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Leon Thomas
One
113 bpm • G Maj • 03:09 • -13.34db
10% Popularity • 42% Danceability • 52% Energy • 68% Liveness
0% Instrumentalness • 41% Positiveness
10% Popularity • 42% Danceability • 52% Energy • 68% Liveness
0% Instrumentalness • 41% Positiveness
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Albert Ayler
New Ghosts
113 bpm • A min • 04:12 • -9.89db
12% Popularity • 42% Danceability • 63% Energy • 11% Liveness
53% Instrumentalness • 66% Positiveness
12% Popularity • 42% Danceability • 63% Energy • 11% Liveness
53% Instrumentalness • 66% Positiveness
