Songs like Human Behaviour by Björk
Based on a tempo of (+/- 10%) and a similar genre
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The Sundays
Here's Where the Story Ends
109 bpm • G Maj • 03:50 • -8.62db
57% Popularity • 62% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
57% Popularity • 62% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
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Lush
Light From A Dead Star
109 bpm • A min • 03:17 • -7db
35% Popularity • 51% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
35% Popularity • 51% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Blonde Redhead
Messenger
108 bpm • F# Maj • 03:21 • -8db
37% Popularity • 53% Danceability • 71% Energy • 10% Liveness
67% Instrumentalness • 31% Positiveness
37% Popularity • 53% Danceability • 71% Energy • 10% Liveness
67% Instrumentalness • 31% Positiveness
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Weyes Blood
Mirror Forever
110 bpm • C Maj • 05:05 • -11db
43% Popularity • 36% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
43% Popularity • 36% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
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Kate Bush
Watching You Without Me
108 bpm • F Maj • 04:07 • -18db
40% Popularity • 77% Danceability • 21% Energy • 10% Liveness
21% Instrumentalness • 77% Positiveness
40% Popularity • 77% Danceability • 21% Energy • 10% Liveness
21% Instrumentalness • 77% Positiveness
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Yves Tumor
God Is a Circle
110 bpm • B min • 03:32 • -5.01db
47% Popularity • 56% Danceability • 90% Energy • 53% Liveness
38% Instrumentalness • 45% Positiveness
47% Popularity • 56% Danceability • 90% Energy • 53% Liveness
38% Instrumentalness • 45% Positiveness
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Grimes
Dream Fortress
110 bpm • A Maj • 05:00 • -9.23db
41% Popularity • 57% Danceability • 62% Energy • 15% Liveness
20% Instrumentalness • 16% Positiveness
41% Popularity • 57% Danceability • 62% Energy • 15% Liveness
20% Instrumentalness • 16% Positiveness
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Lush
Sweetness and Light
110 bpm • E Maj • 05:17 • -8db
44% Popularity • 46% Danceability • 88% Energy • 10% Liveness
81% Instrumentalness • 34% Positiveness
44% Popularity • 46% Danceability • 88% Energy • 10% Liveness
81% Instrumentalness • 34% Positiveness
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SOPHIE
Ponyboy
108 bpm • C# Maj • 03:14 • -7.37db
45% Popularity • 82% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
45% Popularity • 82% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Slint
Washer
110 bpm • E min • 08:50 • -24.13db
44% Popularity • 43% Danceability • 10% Energy • 9% Liveness
52% Instrumentalness • 4% Positiveness
44% Popularity • 43% Danceability • 10% Energy • 9% Liveness
52% Instrumentalness • 4% Positiveness
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Broadcast
Tender Buttons
108 bpm • D# Maj • 02:52 • -11db
41% Popularity • 66% Danceability • 52% Energy • 12% Liveness
92% Instrumentalness • 49% Positiveness
41% Popularity • 66% Danceability • 52% Energy • 12% Liveness
92% Instrumentalness • 49% Positiveness
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Cibo Matto
Spoon
107 bpm • F# Maj • 04:06 • -6.85db
38% Popularity • 69% Danceability • 81% Energy • 9% Liveness
43% Instrumentalness • 72% Positiveness
38% Popularity • 69% Danceability • 81% Energy • 9% Liveness
43% Instrumentalness • 72% Positiveness
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Cat Power
Cross Bones Style
111 bpm • F# Maj • 04:32 • -10db
37% Popularity • 52% Danceability • 64% Energy • 11% Liveness
6% Instrumentalness • 32% Positiveness
37% Popularity • 52% Danceability • 64% Energy • 11% Liveness
6% Instrumentalness • 32% Positiveness
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The Cardigans
Carnival
111 bpm • D Maj • 03:36 • -5.86db
55% Popularity • 52% Danceability • 75% Energy • 38% Liveness
0% Instrumentalness • 39% Positiveness
55% Popularity • 52% Danceability • 75% Energy • 38% Liveness
0% Instrumentalness • 39% Positiveness
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Radiohead
House Of Cards
112 bpm • F Maj • 05:28 • -9.64db
66% Popularity • 71% Danceability • 50% Energy • 10% Liveness
57% Instrumentalness • 63% Positiveness
66% Popularity • 71% Danceability • 50% Energy • 10% Liveness
57% Instrumentalness • 63% Positiveness
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Kate Bush
Under Ice
106 bpm • A min • 02:21 • -21db
38% Popularity • 49% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
38% Popularity • 49% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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Broadcast
Accidentals
110 bpm • F# Maj • 03:28 • -12.83db
35% Popularity • 24% Danceability • 46% Energy • 10% Liveness
92% Instrumentalness • 22% Positiveness
35% Popularity • 24% Danceability • 46% Energy • 10% Liveness
92% Instrumentalness • 22% Positiveness
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Cibo Matto
Stone
112 bpm • G Maj • 03:17 • -11db
38% Popularity • 72% Danceability • 54% Energy • 10% Liveness
51% Instrumentalness • 82% Positiveness
38% Popularity • 72% Danceability • 54% Energy • 10% Liveness
51% Instrumentalness • 82% Positiveness
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Cocteau Twins
Know Who You Are At Every Age - Remaster...
112 bpm • E min • 03:37 • -7.75db
46% Popularity • 58% Danceability • 67% Energy • 31% Liveness
0% Instrumentalness • 59% Positiveness
46% Popularity • 58% Danceability • 67% Energy • 31% Liveness
0% Instrumentalness • 59% Positiveness
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The Knife
We Share Our Mother's Health
106 bpm • G# min • 04:11 • -5.25db
29% Popularity • 58% Danceability • 90% Energy • 10% Liveness
50% Instrumentalness • 81% Positiveness
29% Popularity • 58% Danceability • 90% Energy • 10% Liveness
50% Instrumentalness • 81% Positiveness
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Weyes Blood
Children of the Empire
112 bpm • A# min • 06:03 • -8db
42% Popularity • 37% Danceability • 48% Energy • 15% Liveness
1% Instrumentalness • 6% Positiveness
42% Popularity • 37% Danceability • 48% Energy • 15% Liveness
1% Instrumentalness • 6% Positiveness
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Linda Perhacs
Chimacum Rain
112 bpm • C Maj • 03:24 • -20db
40% Popularity • 31% Danceability • 7% Energy • 10% Liveness
23% Instrumentalness • 10% Positiveness
40% Popularity • 31% Danceability • 7% Energy • 10% Liveness
23% Instrumentalness • 10% Positiveness
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Broadcast
Before We Begin
111 bpm • F Maj • 03:22 • -6.7db
45% Popularity • 51% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
45% Popularity • 51% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Madonna
Bedtime Story
112 bpm • C Maj • 04:52 • -12.74db
44% Popularity • 71% Danceability • 61% Energy • 12% Liveness
44% Instrumentalness • 53% Positiveness
44% Popularity • 71% Danceability • 61% Energy • 12% Liveness
44% Instrumentalness • 53% Positiveness
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SPELLLING
Boys at School
112 bpm • A min • 07:28 • -13db
36% Popularity • 55% Danceability • 38% Energy • 22% Liveness
29% Instrumentalness • 8% Positiveness
36% Popularity • 55% Danceability • 38% Energy • 22% Liveness
29% Instrumentalness • 8% Positiveness
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Lush
Nothing Natural
106 bpm • B min • 05:54 • -12.17db
41% Popularity • 45% Danceability • 80% Energy • 6% Liveness
81% Instrumentalness • 91% Positiveness
41% Popularity • 45% Danceability • 80% Energy • 6% Liveness
81% Instrumentalness • 91% Positiveness
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Arca
Time
106 bpm • D# min • 02:45 • -13.2db
46% Popularity • 55% Danceability • 32% Energy • 9% Liveness
30% Instrumentalness • 37% Positiveness
46% Popularity • 55% Danceability • 32% Energy • 9% Liveness
30% Instrumentalness • 37% Positiveness
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Stereolab
The Flower Called Nowhere
106 bpm • F# min • 05:15 • -12db
51% Popularity • 54% Danceability • 57% Energy • 30% Liveness
0% Instrumentalness • 54% Positiveness
51% Popularity • 54% Danceability • 57% Energy • 30% Liveness
0% Instrumentalness • 54% Positiveness
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UNKLE
Rabbit in Your Headlights
112 bpm • A Maj • 06:16 • -9db
48% Popularity • 27% Danceability • 59% Energy • 13% Liveness
1% Instrumentalness • 17% Positiveness
48% Popularity • 27% Danceability • 59% Energy • 13% Liveness
1% Instrumentalness • 17% Positiveness
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The Breeders
Cannonball
112 bpm • D# Maj • 03:33 • -9.76db
64% Popularity • 50% Danceability • 76% Energy • 28% Liveness
78% Instrumentalness • 73% Positiveness
64% Popularity • 50% Danceability • 76% Energy • 28% Liveness
78% Instrumentalness • 73% Positiveness
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Beth Gibbons
Funny Time Of Year
113 bpm • D min • 06:48 • -13.33db
34% Popularity • 35% Danceability • 29% Energy • 18% Liveness
14% Instrumentalness • 8% Positiveness
34% Popularity • 35% Danceability • 29% Energy • 18% Liveness
14% Instrumentalness • 8% Positiveness
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Kate Bush
Cloudbusting
113 bpm • C# min • 05:10 • -17db
62% Popularity • 68% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
62% Popularity • 68% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
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POiSON GiRL FRiEND
THE FUTURE IS NOW
113 bpm • C Maj • 05:10 • -9.14db
35% Popularity • 68% Danceability • 77% Energy • 27% Liveness
1% Instrumentalness • 27% Positiveness
35% Popularity • 68% Danceability • 77% Energy • 27% Liveness
1% Instrumentalness • 27% Positiveness
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Stereolab
Miss Modular
113 bpm • F# min • 04:29 • -10.58db
44% Popularity • 76% Danceability • 52% Energy • 11% Liveness
69% Instrumentalness • 80% Positiveness
44% Popularity • 76% Danceability • 52% Energy • 11% Liveness
69% Instrumentalness • 80% Positiveness
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Sonic Youth
I Love You Golden Blue
113 bpm • B Maj • 07:02 • -10db
44% Popularity • 47% Danceability • 57% Energy • 7% Liveness
85% Instrumentalness • 23% Positiveness
44% Popularity • 47% Danceability • 57% Energy • 7% Liveness
85% Instrumentalness • 23% Positiveness
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Radiohead
Kid A
113 bpm • F Maj • 04:44 • -15.52db
55% Popularity • 63% Danceability • 43% Energy • 28% Liveness
85% Instrumentalness • 16% Positiveness
55% Popularity • 63% Danceability • 43% Energy • 28% Liveness
85% Instrumentalness • 16% Positiveness
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Weyes Blood
Everyday
113 bpm • D Maj • 05:07 • -7db
48% Popularity • 48% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
48% Popularity • 48% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Kate Bush
Suspended In Gaffa - 2018 Remaster
105 bpm • A min • 03:54 • -14db
48% Popularity • 66% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
48% Popularity • 66% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Cocteau Twins
Wolf in the Breast
113 bpm • A Maj • 03:31 • -4.53db
52% Popularity • 53% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
52% Popularity • 53% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
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SPELLLING
Hard to Please
113 bpm • E Maj • 02:08 • -12db
24% Popularity • 30% Danceability • 46% Energy • 11% Liveness
15% Instrumentalness • 12% Positiveness
24% Popularity • 30% Danceability • 46% Energy • 11% Liveness
15% Instrumentalness • 12% Positiveness
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Björk
I Go Humble
105 bpm • D Maj • 04:46 • -14.63db
27% Popularity • 72% Danceability • 54% Energy • 10% Liveness
24% Instrumentalness • 56% Positiveness
27% Popularity • 72% Danceability • 54% Energy • 10% Liveness
24% Instrumentalness • 56% Positiveness
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Dirty Projectors
Beautiful Mother - Vocalise Rehearsal Ro...
113 bpm • E min • 01:03 • -7db
16% Popularity • 66% Danceability • 28% Energy • 28% Liveness
0% Instrumentalness • 95% Positiveness
16% Popularity • 66% Danceability • 28% Energy • 28% Liveness
0% Instrumentalness • 95% Positiveness
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Madonna
What It Feels Like for a Girl
105 bpm • G# Maj • 04:43 • -9.5db
44% Popularity • 67% Danceability • 63% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
44% Popularity • 67% Danceability • 63% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
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Broadcast
Come On Let's Go
113 bpm • A min • 03:23 • -8db
39% Popularity • 51% Danceability • 71% Energy • 10% Liveness
1% Instrumentalness • 34% Positiveness
39% Popularity • 51% Danceability • 71% Energy • 10% Liveness
1% Instrumentalness • 34% Positiveness
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The Sundays
Skin And Bones
113 bpm • F Maj • 04:18 • -9.61db
37% Popularity • 50% Danceability • 43% Energy • 9% Liveness
4% Instrumentalness • 31% Positiveness
37% Popularity • 50% Danceability • 43% Energy • 9% Liveness
4% Instrumentalness • 31% Positiveness
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SOPHIE
Faceshopping
114 bpm • C# Maj • 03:56 • -7.27db
47% Popularity • 57% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
47% Popularity • 57% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
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Radiohead
Reckoner
104 bpm • E min • 04:50 • -7.44db
66% Popularity • 52% Danceability • 66% Energy • 7% Liveness
16% Instrumentalness • 21% Positiveness
66% Popularity • 52% Danceability • 66% Energy • 7% Liveness
16% Instrumentalness • 21% Positiveness
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Hanayo
Sometime A Girl Loves A Boy
104 bpm • A# Maj • 05:06 • -14.14db
8% Popularity • 63% Danceability • 35% Energy • 12% Liveness
7% Instrumentalness • 6% Positiveness
8% Popularity • 63% Danceability • 35% Energy • 12% Liveness
7% Instrumentalness • 6% Positiveness
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The Velvet Underground
Femme Fatale
104 bpm • C Maj • 02:39 • -15.75db
63% Popularity • 55% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
63% Popularity • 55% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Sinéad O'Connor
Jerusalem
104 bpm • A Maj • 04:17 • -8.16db
41% Popularity • 61% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
41% Popularity • 61% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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The Cardigans
Erase / Rewind
104 bpm • B min • 03:38 • -6.08db
66% Popularity • 74% Danceability • 70% Energy • 11% Liveness
1% Instrumentalness • 58% Positiveness
66% Popularity • 74% Danceability • 70% Energy • 11% Liveness
1% Instrumentalness • 58% Positiveness
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Broadcast
Come On Let's Go
115 bpm • D Maj • 03:17 • -10db
53% Popularity • 58% Danceability • 66% Energy • 7% Liveness
10% Instrumentalness • 34% Positiveness
53% Popularity • 58% Danceability • 66% Energy • 7% Liveness
10% Instrumentalness • 34% Positiveness
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Radiohead
I Might Be Wrong
103 bpm • G min • 04:53 • -8.32db
57% Popularity • 60% Danceability • 74% Energy • 11% Liveness
79% Instrumentalness • 50% Positiveness
57% Popularity • 60% Danceability • 74% Energy • 11% Liveness
79% Instrumentalness • 50% Positiveness
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Blonde Redhead
Girl Boy
116 bpm • A# min • 01:48 • -22.41db
54% Popularity • 81% Danceability • 17% Energy • 11% Liveness
71% Instrumentalness • 48% Positiveness
54% Popularity • 81% Danceability • 17% Energy • 11% Liveness
71% Instrumentalness • 48% Positiveness
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Julee Cruise
Into the Night
103 bpm • F# min • 04:44 • -26db
37% Popularity • 50% Danceability • 4% Energy • 17% Liveness
13% Instrumentalness • 4% Positiveness
37% Popularity • 50% Danceability • 4% Energy • 17% Liveness
13% Instrumentalness • 4% Positiveness
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SPELLLING
Under the Sun
116 bpm • A# min • 05:55 • -10db
33% Popularity • 55% Danceability • 38% Energy • 12% Liveness
90% Instrumentalness • 11% Positiveness
33% Popularity • 55% Danceability • 38% Energy • 12% Liveness
90% Instrumentalness • 11% Positiveness
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Thom Yorke
Hearing Damage
116 bpm • C# Maj • 05:03 • -6.32db
61% Popularity • 63% Danceability • 86% Energy • 11% Liveness
85% Instrumentalness • 13% Positiveness
61% Popularity • 63% Danceability • 86% Energy • 11% Liveness
85% Instrumentalness • 13% Positiveness
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Elliott Smith
Needle In The Hay
116 bpm • A min • 04:17 • -17.45db
53% Popularity • 56% Danceability • 19% Energy • 12% Liveness
3% Instrumentalness • 31% Positiveness
53% Popularity • 56% Danceability • 19% Energy • 12% Liveness
3% Instrumentalness • 31% Positiveness
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Cocteau Twins
Iceblink Luck
102 bpm • A Maj • 03:18 • -5.7db
59% Popularity • 40% Danceability • 81% Energy • 33% Liveness
1% Instrumentalness • 50% Positiveness
59% Popularity • 40% Danceability • 81% Energy • 33% Liveness
1% Instrumentalness • 50% Positiveness
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Elysian Fields
Bayonne
116 bpm • D min • 04:08 • -14.3db
22% Popularity • 66% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
22% Popularity • 66% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Saint Etienne
Only Love Can Break Your Heart
102 bpm • G Maj • 04:29 • -9.14db
50% Popularity • 59% Danceability • 80% Energy • 17% Liveness
39% Instrumentalness • 74% Positiveness
50% Popularity • 59% Danceability • 80% Energy • 17% Liveness
39% Instrumentalness • 74% Positiveness
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Bat For Lashes
What's A Girl To Do?
116 bpm • E min • 02:58 • -6.14db
47% Popularity • 61% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
47% Popularity • 61% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Lalleshwari (Katie Jane Garside)
Road Kill
102 bpm • C min • 04:39 • -9db
38% Popularity • 40% Danceability • 75% Energy • 21% Liveness
1% Instrumentalness • 34% Positiveness
38% Popularity • 40% Danceability • 75% Energy • 21% Liveness
1% Instrumentalness • 34% Positiveness
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Le Tigre
Eau D'bedroom Dancing
117 bpm • F# Maj • 02:55 • -5.95db
48% Popularity • 61% Danceability • 65% Energy • 9% Liveness
42% Instrumentalness • 91% Positiveness
48% Popularity • 61% Danceability • 65% Energy • 9% Liveness
42% Instrumentalness • 91% Positiveness
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Madonna
Secret Garden
117 bpm • E min • 05:32 • -12.14db
29% Popularity • 45% Danceability • 47% Energy • 7% Liveness
77% Instrumentalness • 55% Positiveness
29% Popularity • 45% Danceability • 47% Energy • 7% Liveness
77% Instrumentalness • 55% Positiveness
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Caroline Polachek
Hit Me Where It Hurts
117 bpm • E Maj • 03:04 • -6.94db
54% Popularity • 73% Danceability • 52% Energy • 26% Liveness
0% Instrumentalness • 26% Positiveness
54% Popularity • 73% Danceability • 52% Energy • 26% Liveness
0% Instrumentalness • 26% Positiveness
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Aphex Twin
Ageispolis
102 bpm • F# min • 05:23 • -17.54db
55% Popularity • 64% Danceability • 39% Energy • 36% Liveness
89% Instrumentalness • 44% Positiveness
55% Popularity • 64% Danceability • 39% Energy • 36% Liveness
89% Instrumentalness • 44% Positiveness
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808 State
Ooops
101 bpm • A min • 04:42 • -6db
33% Popularity • 66% Danceability • 92% Energy • 40% Liveness
34% Instrumentalness • 75% Positiveness
33% Popularity • 66% Danceability • 92% Energy • 40% Liveness
34% Instrumentalness • 75% Positiveness
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Cranes
Everywhere
117 bpm • G# min • 03:41 • -12.16db
37% Popularity • 68% Danceability • 52% Energy • 10% Liveness
54% Instrumentalness • 84% Positiveness
37% Popularity • 68% Danceability • 52% Energy • 10% Liveness
54% Instrumentalness • 84% Positiveness
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Broadcast
The Book Lovers
117 bpm • A Maj • 04:49 • -12db
47% Popularity • 19% Danceability • 41% Energy • 7% Liveness
78% Instrumentalness • 4% Positiveness
47% Popularity • 19% Danceability • 41% Energy • 7% Liveness
78% Instrumentalness • 4% Positiveness
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Kate Bush
The Wedding List - 2018 Remaster
117 bpm • D# min • 04:15 • -11.63db
42% Popularity • 57% Danceability • 42% Energy • 47% Liveness
0% Instrumentalness • 60% Positiveness
42% Popularity • 57% Danceability • 42% Energy • 47% Liveness
0% Instrumentalness • 60% Positiveness
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Sky Ferreira
Everything Is Embarrassing
117 bpm • C Maj • 04:10 • -5.89db
51% Popularity • 67% Danceability • 78% Energy • 4% Liveness
0% Instrumentalness • 56% Positiveness
51% Popularity • 67% Danceability • 78% Energy • 4% Liveness
0% Instrumentalness • 56% Positiveness
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Thom Yorke
Black Swan
101 bpm • C Maj • 04:49 • -7.29db
55% Popularity • 62% Danceability • 80% Energy • 12% Liveness
76% Instrumentalness • 53% Positiveness
55% Popularity • 62% Danceability • 80% Energy • 12% Liveness
76% Instrumentalness • 53% Positiveness
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Plaid
Lilith
101 bpm • D# min • 04:38 • -12.43db
34% Popularity • 74% Danceability • 50% Energy • 18% Liveness
29% Instrumentalness • 67% Positiveness
34% Popularity • 74% Danceability • 50% Energy • 18% Liveness
29% Instrumentalness • 67% Positiveness
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The Cardigans
Explode
118 bpm • F# Maj • 04:05 • -6.67db
38% Popularity • 67% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
38% Popularity • 67% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Cranes
Jewel
118 bpm • D# min • 03:05 • -13.44db
43% Popularity • 71% Danceability • 66% Energy • 9% Liveness
54% Instrumentalness • 96% Positiveness
43% Popularity • 71% Danceability • 66% Energy • 9% Liveness
54% Instrumentalness • 96% Positiveness
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Sinéad O'Connor
Jackie
118 bpm • G Maj • 02:30 • -11.03db
46% Popularity • 44% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
46% Popularity • 44% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Caroline Polachek
Welcome To My Island
118 bpm • A Maj • 03:52 • -6.1db
59% Popularity • 69% Danceability • 63% Energy • 20% Liveness
0% Instrumentalness • 36% Positiveness
59% Popularity • 69% Danceability • 63% Energy • 20% Liveness
0% Instrumentalness • 36% Positiveness
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Spiritualized
Ladies and gentlemen we are floating in ...
100 bpm • D Maj • 03:54 • -11.45db
53% Popularity • 38% Danceability • 41% Energy • 23% Liveness
0% Instrumentalness • 17% Positiveness
53% Popularity • 38% Danceability • 41% Energy • 23% Liveness
0% Instrumentalness • 17% Positiveness
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Madonna
Swim
100 bpm • G# min • 05:00 • -13db
44% Popularity • 62% Danceability • 48% Energy • 17% Liveness
2% Instrumentalness • 20% Positiveness
44% Popularity • 62% Danceability • 48% Energy • 17% Liveness
2% Instrumentalness • 20% Positiveness
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Thom Yorke
Analyse
100 bpm • C# Maj • 04:02 • -8.39db
46% Popularity • 56% Danceability • 85% Energy • 13% Liveness
2% Instrumentalness • 45% Positiveness
46% Popularity • 56% Danceability • 85% Energy • 13% Liveness
2% Instrumentalness • 45% Positiveness
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Boards of Canada
Music Is Math
100 bpm • D Maj • 05:21 • -11.03db
45% Popularity • 53% Danceability • 80% Energy • 47% Liveness
93% Instrumentalness • 12% Positiveness
45% Popularity • 53% Danceability • 80% Energy • 47% Liveness
93% Instrumentalness • 12% Positiveness
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FKA twigs
home with you
119 bpm • C Maj • 03:44 • -12.5db
49% Popularity • 38% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
49% Popularity • 38% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Caroline Polachek
Pretty In Possible
100 bpm • C# Maj • 03:36 • -9.36db
54% Popularity • 71% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
54% Popularity • 71% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Talk Talk
New Grass
100 bpm • A Maj • 09:46 • -20.55db
36% Popularity • 46% Danceability • 39% Energy • 32% Liveness
27% Instrumentalness • 20% Positiveness
36% Popularity • 46% Danceability • 39% Energy • 32% Liveness
27% Instrumentalness • 20% Positiveness
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Broadcast
Echo's Answer
120 bpm • C Maj • 03:11 • -16db
46% Popularity • 31% Danceability • 24% Energy • 10% Liveness
86% Instrumentalness • 9% Positiveness
46% Popularity • 31% Danceability • 24% Energy • 10% Liveness
86% Instrumentalness • 9% Positiveness
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Thom Yorke
The Eraser
119 bpm • E min • 04:55 • -11db
47% Popularity • 63% Danceability • 58% Energy • 10% Liveness
46% Instrumentalness • 25% Positiveness
47% Popularity • 63% Danceability • 58% Energy • 10% Liveness
46% Instrumentalness • 25% Positiveness
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Jockstrap
Jennifer B
120 bpm • B Maj • 04:19 • -9.44db
37% Popularity • 77% Danceability • 53% Energy • 12% Liveness
42% Instrumentalness • 57% Positiveness
37% Popularity • 77% Danceability • 53% Energy • 12% Liveness
42% Instrumentalness • 57% Positiveness
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SPELLLING
Haunted Water
120 bpm • D# min • 04:46 • -11db
23% Popularity • 33% Danceability • 70% Energy • 14% Liveness
63% Instrumentalness • 15% Positiveness
23% Popularity • 33% Danceability • 70% Energy • 14% Liveness
63% Instrumentalness • 15% Positiveness
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Caroline Polachek
Spring Is Coming With A Strawberry In Th...
119 bpm • C min • 03:53 • -5.87db
62% Popularity • 71% Danceability • 80% Energy • 7% Liveness
4% Instrumentalness • 48% Positiveness
62% Popularity • 71% Danceability • 80% Energy • 7% Liveness
4% Instrumentalness • 48% Positiveness
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Aphex Twin
Jynweythek
120 bpm • D# min • 02:23 • -20db
48% Popularity • 72% Danceability • 25% Energy • 10% Liveness
89% Instrumentalness • 12% Positiveness
48% Popularity • 72% Danceability • 25% Energy • 10% Liveness
89% Instrumentalness • 12% Positiveness
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Grimes
Vanessa
120 bpm • F# min • 05:24 • -8db
48% Popularity • 72% Danceability • 65% Energy • 12% Liveness
64% Instrumentalness • 16% Positiveness
48% Popularity • 72% Danceability • 65% Energy • 12% Liveness
64% Instrumentalness • 16% Positiveness
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Cocteau Twins
Those Eyes, That Mouth
120 bpm • B min • 03:38 • -8db
52% Popularity • 40% Danceability • 68% Energy • 8% Liveness
82% Instrumentalness • 27% Positiveness
52% Popularity • 40% Danceability • 68% Energy • 8% Liveness
82% Instrumentalness • 27% Positiveness
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Eartheater
Fontanel
120 bpm • A min • 03:40 • -8db
41% Popularity • 60% Danceability • 88% Energy • 59% Liveness
4% Instrumentalness • 21% Positiveness
41% Popularity • 60% Danceability • 88% Energy • 59% Liveness
4% Instrumentalness • 21% Positiveness
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POiSON GiRL FRiEND
FACT 2
120 bpm • F# min • 04:41 • -8.74db
40% Popularity • 66% Danceability • 85% Energy • 8% Liveness
24% Instrumentalness • 28% Positiveness
40% Popularity • 66% Danceability • 85% Energy • 8% Liveness
24% Instrumentalness • 28% Positiveness
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Ladytron
Playgirl
120 bpm • F# Maj • 03:49 • -7db
44% Popularity • 54% Danceability • 73% Energy • 24% Liveness
24% Instrumentalness • 72% Positiveness
44% Popularity • 54% Danceability • 73% Energy • 24% Liveness
24% Instrumentalness • 72% Positiveness
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Sneaker Pimps
Bloodsport
120 bpm • B min • 05:24 • -4db
40% Popularity • 68% Danceability • 84% Energy • 7% Liveness
39% Instrumentalness • 77% Positiveness
40% Popularity • 68% Danceability • 84% Energy • 7% Liveness
39% Instrumentalness • 77% Positiveness
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Grimes
Zoal, Face Dancer
120 bpm • B Maj • 02:36 • -12db
42% Popularity • 78% Danceability • 55% Energy • 10% Liveness
1% Instrumentalness • 74% Positiveness
42% Popularity • 78% Danceability • 55% Energy • 10% Liveness
1% Instrumentalness • 74% Positiveness
