Songs like Human Diary by Danielle Bradbery
Based on a tempo of (+/- 10%) and a similar genre
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Sarah Darling
Call Me
106 bpm • C# min • 03:01 • -5.59db
6% Popularity • 60% Danceability • 71% Energy • 33% Liveness
0% Instrumentalness • 64% Positiveness
6% Popularity • 60% Danceability • 71% Energy • 33% Liveness
0% Instrumentalness • 64% Positiveness
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Danielle Bradbery
Never Have I Ever
106 bpm • G min • 03:12 • -6db
24% Popularity • 54% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
24% Popularity • 54% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
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Runaway June
We Were Rich (New Version)
107 bpm • B Maj • 03:37 • -6.16db
31% Popularity • 54% Danceability • 64% Energy • 23% Liveness
0% Instrumentalness • 30% Positiveness
31% Popularity • 54% Danceability • 64% Energy • 23% Liveness
0% Instrumentalness • 30% Positiveness
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Alee
No One Like You
105 bpm • F Maj • 03:01 • -5.77db
22% Popularity • 55% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
22% Popularity • 55% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Kane Brown
Live Forever
107 bpm • E Maj • 03:06 • -8.19db
45% Popularity • 71% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
45% Popularity • 71% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Tenille Arts
Somebody Like That
105 bpm • F# Maj • 03:18 • -5.38db
64% Popularity • 57% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
64% Popularity • 57% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Taylor Edwards
Hard Feelings
105 bpm • G Maj • 03:37 • -5.24db
30% Popularity • 63% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
30% Popularity • 63% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Danielle Bradbery
Never Have I Ever - Acoustic
106 bpm • G min • 02:34 • -7.87db
31% Popularity • 60% Danceability • 37% Energy • 18% Liveness
0% Instrumentalness • 39% Positiveness
31% Popularity • 60% Danceability • 37% Energy • 18% Liveness
0% Instrumentalness • 39% Positiveness
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Kylie Morgan
Break Things
105 bpm • G# Maj • 02:52 • -5db
42% Popularity • 64% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
42% Popularity • 64% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
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Nikita Karmen
Nightmare
107 bpm • C Maj • 02:52 • -4.92db
12% Popularity • 68% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
12% Popularity • 68% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Runaway June
We Were Rich
107 bpm • B Maj • 03:38 • -6.66db
32% Popularity • 57% Danceability • 65% Energy • 23% Liveness
0% Instrumentalness • 33% Positiveness
32% Popularity • 57% Danceability • 65% Energy • 23% Liveness
0% Instrumentalness • 33% Positiveness
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Post Monroe
No More
105 bpm • C Maj • 02:34 • -5.86db
9% Popularity • 57% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
9% Popularity • 57% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Shawn Austin
You Belong
107 bpm • C min • 03:05 • -7db
29% Popularity • 57% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
29% Popularity • 57% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Danielle Bradbery
Human Diary
106 bpm • F# min • 03:43 • -6.66db
30% Popularity • 55% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
30% Popularity • 55% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Madeline Merlo
Alive
104 bpm • B min • 03:35 • -2.37db
12% Popularity • 55% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
12% Popularity • 55% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Jana Kramer
Good Enough
104 bpm • F Maj • 02:48 • -6.78db
34% Popularity • 62% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
34% Popularity • 62% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Seth Ennis
Look At You
104 bpm • C# min • 03:15 • -7db
45% Popularity • 69% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 87% Positiveness
45% Popularity • 69% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 87% Positiveness
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Hannah Ellis
Us
104 bpm • F Maj • 03:04 • -5.42db
32% Popularity • 63% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
32% Popularity • 63% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Josh Dorr
Ready or Not
109 bpm • G# Maj • 04:14 • -5db
28% Popularity • 58% Danceability • 73% Energy • 27% Liveness
0% Instrumentalness • 44% Positiveness
28% Popularity • 58% Danceability • 73% Energy • 27% Liveness
0% Instrumentalness • 44% Positiveness
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Danielle Bradbery
Can't Stay Mad
105 bpm • D min • 03:27 • -4.78db
22% Popularity • 58% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 21% Positiveness
22% Popularity • 58% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 21% Positiveness
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Sara Evans
Letting You Go
102 bpm • F Maj • 04:11 • -7.98db
14% Popularity • 54% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
14% Popularity • 54% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Jana Kramer
Beautiful Lies
103 bpm • D Maj • 03:09 • -5.74db
35% Popularity • 60% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
35% Popularity • 60% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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Levi Hummon
Don't Waste the Night
110 bpm • C# min • 02:55 • -5db
24% Popularity • 57% Danceability • 72% Energy • 32% Liveness
0% Instrumentalness • 57% Positiveness
24% Popularity • 57% Danceability • 72% Energy • 32% Liveness
0% Instrumentalness • 57% Positiveness
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Jake Scott
I Don't Miss You
110 bpm • G Maj • 03:55 • -9.91db
40% Popularity • 72% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
40% Popularity • 72% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Clare Dunn
My Love
110 bpm • G Maj • 03:15 • -2.17db
22% Popularity • 69% Danceability • 89% Energy • 21% Liveness
0% Instrumentalness • 60% Positiveness
22% Popularity • 69% Danceability • 89% Energy • 21% Liveness
0% Instrumentalness • 60% Positiveness
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Danielle Bradbery
Messy
109 bpm • C# Maj • 03:25 • -6.9db
22% Popularity • 70% Danceability • 60% Energy • 35% Liveness
0% Instrumentalness • 17% Positiveness
22% Popularity • 70% Danceability • 60% Energy • 35% Liveness
0% Instrumentalness • 17% Positiveness
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Renee Blair
Better Off
110 bpm • A min • 02:55 • -7.43db
18% Popularity • 69% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
18% Popularity • 69% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
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Brett Young
Reason To Stay
110 bpm • G# Maj • 03:10 • -5.65db
49% Popularity • 70% Danceability • 77% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
49% Popularity • 70% Danceability • 77% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
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Levi Hummon
Change My Life
110 bpm • F# Maj • 02:40 • -5.76db
30% Popularity • 73% Danceability • 73% Energy • 38% Liveness
0% Instrumentalness • 84% Positiveness
30% Popularity • 73% Danceability • 73% Energy • 38% Liveness
0% Instrumentalness • 84% Positiveness
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Ingrid Andress
Life of the Party
110 bpm • B Maj • 02:56 • -6.28db
34% Popularity • 61% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
34% Popularity • 61% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
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ALISSA GRIFFITH
Glasses
102 bpm • G min • 03:38 • -7.25db
21% Popularity • 62% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
21% Popularity • 62% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Danielle Bradbery
What Are We Doing
109 bpm • C# Maj • 03:18 • -7.5db
25% Popularity • 81% Danceability • 42% Energy • 19% Liveness
0% Instrumentalness • 66% Positiveness
25% Popularity • 81% Danceability • 42% Energy • 19% Liveness
0% Instrumentalness • 66% Positiveness
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Hannah Ellis
Us (Acoustic)
102 bpm • F Maj • 02:59 • -6.75db
26% Popularity • 68% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
26% Popularity • 68% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Brett Young
Memory Won't Let Me
102 bpm • F# Maj • 03:31 • -5.87db
38% Popularity • 59% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
38% Popularity • 59% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Seaforth
Love That
102 bpm • C min • 03:10 • -6db
34% Popularity • 58% Danceability • 80% Energy • 33% Liveness
0% Instrumentalness • 45% Positiveness
34% Popularity • 58% Danceability • 80% Energy • 33% Liveness
0% Instrumentalness • 45% Positiveness
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Jana Kramer
Love
102 bpm • G# Maj • 03:24 • -5.25db
32% Popularity • 60% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
32% Popularity • 60% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Alyssa Micaela
Clean Break
102 bpm • C Maj • 03:34 • -4.72db
19% Popularity • 61% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
19% Popularity • 61% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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Carly Pearce
Honeysuckle
101 bpm • F Maj • 03:18 • -4db
23% Popularity • 63% Danceability • 89% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
23% Popularity • 63% Danceability • 89% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
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Austin Burke
Whole Lot in Love
112 bpm • D Maj • 02:46 • -7.45db
46% Popularity • 79% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
46% Popularity • 79% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Hannah Ellis
Ghosted
112 bpm • B Maj • 02:59 • -5.83db
13% Popularity • 65% Danceability • 79% Energy • 32% Liveness
0% Instrumentalness • 57% Positiveness
13% Popularity • 65% Danceability • 79% Energy • 32% Liveness
0% Instrumentalness • 57% Positiveness
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Bailey Bryan
Too Good
100 bpm • C Maj • 03:00 • -8.48db
23% Popularity • 62% Danceability • 36% Energy • 23% Liveness
0% Instrumentalness • 65% Positiveness
23% Popularity • 62% Danceability • 36% Energy • 23% Liveness
0% Instrumentalness • 65% Positiveness
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Seth Alley
Be Yourself
100 bpm • B Maj • 03:19 • -6.77db
19% Popularity • 67% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
19% Popularity • 67% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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Danielle Bradbery
Runaways
112 bpm • F Maj • 03:03 • -5.23db
38% Popularity • 55% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
38% Popularity • 55% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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Carly Pearce
Closer To You
112 bpm • E min • 03:07 • -4.55db
47% Popularity • 66% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
47% Popularity • 66% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Maren Morris
A Song for Everything
100 bpm • C# Maj • 03:14 • -7.86db
40% Popularity • 58% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
40% Popularity • 58% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Jillian Jacqueline
Sad Girls
100 bpm • E Maj • 03:04 • -7db
24% Popularity • 61% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
24% Popularity • 61% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Maddie & Tae
Friends Don't
100 bpm • G Maj • 03:08 • -5.95db
59% Popularity • 53% Danceability • 79% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
59% Popularity • 53% Danceability • 79% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
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Austin Burke
Slower
100 bpm • D Maj • 03:04 • -7.14db
27% Popularity • 70% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
27% Popularity • 70% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Jana Kramer
When You're Lonely
100 bpm • C Maj • 03:31 • -5db
28% Popularity • 67% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
28% Popularity • 67% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Tenille Arts
Mad Crazy Love
112 bpm • D# Maj • 04:06 • -6.82db
22% Popularity • 69% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
22% Popularity • 69% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Abby Anderson
We Go Together Like
100 bpm • B Maj • 02:43 • -5.32db
38% Popularity • 62% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
38% Popularity • 62% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
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Laci Kaye Booth
Don't Call Me
113 bpm • B Maj • 05:00 • -5.43db
23% Popularity • 72% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
23% Popularity • 72% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
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Haley & Michaels
All Out
100 bpm • D Maj • 02:55 • -5.41db
15% Popularity • 46% Danceability • 87% Energy • 39% Liveness
2% Instrumentalness • 55% Positiveness
15% Popularity • 46% Danceability • 87% Energy • 39% Liveness
2% Instrumentalness • 55% Positiveness
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Robyn Ottolini
Tell You Everything - Not Put Together
113 bpm • C# Maj • 03:08 • -6db
27% Popularity • 62% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
27% Popularity • 62% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
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Jana Kramer
I Hope It Rains
113 bpm • F Maj • 03:05 • -4.45db
34% Popularity • 65% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
34% Popularity • 65% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Maren Morris
Just Another Thing
99 bpm • C# min • 02:58 • -5.85db
36% Popularity • 59% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
36% Popularity • 59% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
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Mickey Guyton
Better Than You Left Me
114 bpm • A# Maj • 04:03 • -4.54db
35% Popularity • 56% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
35% Popularity • 56% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Kelsey Lamb
Girl at the Bar
99 bpm • E Maj • 03:29 • -5.69db
24% Popularity • 60% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 10% Positiveness
24% Popularity • 60% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 10% Positiveness
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Brandon Lay
Break Down On Me
114 bpm • D# Maj • 02:54 • -8.62db
39% Popularity • 68% Danceability • 53% Energy • 30% Liveness
0% Instrumentalness • 47% Positiveness
39% Popularity • 68% Danceability • 53% Energy • 30% Liveness
0% Instrumentalness • 47% Positiveness
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Cash Campbell
Don't Wanna Think About It - Acoustic
115 bpm • A Maj • 04:17 • -10.85db
12% Popularity • 65% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
12% Popularity • 65% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Jana Kramer
To Have You Stay
98 bpm • A# Maj • 03:42 • -6.11db
19% Popularity • 56% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
19% Popularity • 56% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Canaan Smith
Always And Forever
98 bpm • A# Maj • 02:54 • -6.36db
43% Popularity • 65% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
43% Popularity • 65% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
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Danielle Bradbery
Worth It
115 bpm • F Maj • 03:26 • -4.69db
48% Popularity • 55% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
48% Popularity • 55% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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Erin Kinsey
Just Drive
115 bpm • F# Maj • 02:27 • -4db
55% Popularity • 71% Danceability • 77% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
55% Popularity • 71% Danceability • 77% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
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Kylie Morgan
Independent With You
115 bpm • F# Maj • 02:42 • -3db
46% Popularity • 60% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
46% Popularity • 60% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Cam
My Mistake
97 bpm • G# Maj • 03:20 • -5db
36% Popularity • 55% Danceability • 70% Energy • 24% Liveness
0% Instrumentalness • 54% Positiveness
36% Popularity • 55% Danceability • 70% Energy • 24% Liveness
0% Instrumentalness • 54% Positiveness
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Lauren Duski
Runnin' (to You)
97 bpm • C# min • 03:03 • -5.73db
21% Popularity • 57% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
21% Popularity • 57% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Jesse Labelle
Another You
97 bpm • C Maj • 03:19 • -5.2db
8% Popularity • 63% Danceability • 71% Energy • 21% Liveness
0% Instrumentalness • 44% Positiveness
8% Popularity • 63% Danceability • 71% Energy • 21% Liveness
0% Instrumentalness • 44% Positiveness
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Danielle Bradbery
Worth It - The Vocals
115 bpm • F Maj • 02:55 • -7.73db
9% Popularity • 61% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
9% Popularity • 61% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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Seaforth
Talk About
97 bpm • E Maj • 02:46 • -5.07db
40% Popularity • 64% Danceability • 73% Energy • 2% Liveness
0% Instrumentalness • 80% Positiveness
40% Popularity • 64% Danceability • 73% Energy • 2% Liveness
0% Instrumentalness • 80% Positiveness
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Carly Pearce
Halfway Home
117 bpm • F Maj • 03:21 • -4db
39% Popularity • 46% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
39% Popularity • 46% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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Love and Theft
Need To Breathe
117 bpm • B Maj • 02:39 • -4.42db
13% Popularity • 61% Danceability • 72% Energy • 33% Liveness
0% Instrumentalness • 59% Positiveness
13% Popularity • 61% Danceability • 72% Energy • 33% Liveness
0% Instrumentalness • 59% Positiveness
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Chris Bandi
Only One
96 bpm • C# min • 02:59 • -5.99db
28% Popularity • 63% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
28% Popularity • 63% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
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Maddie & Tae
Ain't There Yet
96 bpm • E min • 03:29 • -5.41db
31% Popularity • 66% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
31% Popularity • 66% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Danielle Bradbery
Sway
97 bpm • D# Maj • 03:32 • -5.48db
49% Popularity • 70% Danceability • 71% Energy • 37% Liveness
0% Instrumentalness • 65% Positiveness
49% Popularity • 70% Danceability • 71% Energy • 37% Liveness
0% Instrumentalness • 65% Positiveness
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Maren Morris
Once
117 bpm • F# Maj • 03:56 • -6.25db
40% Popularity • 45% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
40% Popularity • 45% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Thomas Rhett
When We’re 80
95 bpm • C# min • 02:56 • -4.81db
38% Popularity • 72% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
38% Popularity • 72% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Dylan Schneider
How Bad Could One Kiss Hurt
95 bpm • C# Maj • 02:56 • -5.26db
41% Popularity • 53% Danceability • 84% Energy • 12% Liveness
4% Instrumentalness • 79% Positiveness
41% Popularity • 53% Danceability • 84% Energy • 12% Liveness
4% Instrumentalness • 79% Positiveness
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Tyler Rich
Rather Be Us
95 bpm • B Maj • 03:20 • -6.61db
33% Popularity • 66% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
33% Popularity • 66% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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Julia Cole
Trust You
95 bpm • D Maj • 02:55 • -8.31db
27% Popularity • 66% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 67% Positiveness
27% Popularity • 66% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 67% Positiveness
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Danielle Bradbery
Shallow
96 bpm • G Maj • 03:27 • -4.19db
44% Popularity • 56% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
44% Popularity • 56% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
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Jimmie Allen
All Tractors Ain’t Green
95 bpm • F Maj • 03:02 • -5.25db
21% Popularity • 52% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
21% Popularity • 52% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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Thompson Square
Stuck in My Head
119 bpm • D Maj • 03:39 • -4.26db
12% Popularity • 58% Danceability • 94% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
12% Popularity • 58% Danceability • 94% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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Ingrid Andress
Lady Like
95 bpm • A Maj • 03:14 • -5.83db
56% Popularity • 54% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
56% Popularity • 54% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Smithfield
The Rust
94 bpm • F Maj • 04:19 • -7.28db
13% Popularity • 55% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
13% Popularity • 55% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Abby Anderson
GOOD LORD
94 bpm • B Maj • 03:10 • -4.81db
30% Popularity • 68% Danceability • 85% Energy • 33% Liveness
0% Instrumentalness • 88% Positiveness
30% Popularity • 68% Danceability • 85% Energy • 33% Liveness
0% Instrumentalness • 88% Positiveness
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Danielle Bradbery
Goodbye Summer
95 bpm • F# Maj • 03:08 • -5.74db
41% Popularity • 55% Danceability • 66% Energy • 29% Liveness
0% Instrumentalness • 70% Positiveness
41% Popularity • 55% Danceability • 66% Energy • 29% Liveness
0% Instrumentalness • 70% Positiveness
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Jana Kramer
Dammit
120 bpm • C Maj • 03:53 • -8db
36% Popularity • 57% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
36% Popularity • 57% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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LANCO
Born to Love You - RISE Recording
120 bpm • G Maj • 03:31 • -7.89db
35% Popularity • 57% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
35% Popularity • 57% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Lucy Hale
Red Dress
120 bpm • D# Maj • 04:38 • -4db
32% Popularity • 57% Danceability • 86% Energy • 21% Liveness
0% Instrumentalness • 62% Positiveness
32% Popularity • 57% Danceability • 86% Energy • 21% Liveness
0% Instrumentalness • 62% Positiveness
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Maddie & Tae
Tourist In This Town
120 bpm • G# min • 03:25 • -5.5db
30% Popularity • 61% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
30% Popularity • 61% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Eli Young Band
Never Land
120 bpm • C Maj • 03:23 • -5db
34% Popularity • 56% Danceability • 86% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
34% Popularity • 56% Danceability • 86% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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Danielle Bradbery
Hello Summer
95 bpm • F# Maj • 03:00 • -5.32db
30% Popularity • 61% Danceability • 58% Energy • 25% Liveness
0% Instrumentalness • 33% Positiveness
30% Popularity • 61% Danceability • 58% Energy • 25% Liveness
0% Instrumentalness • 33% Positiveness
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Tenille Arts
Slow It Down
120 bpm • B Maj • 03:23 • -6.48db
35% Popularity • 56% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
35% Popularity • 56% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Jordan Brooker
All She Wants Is the Moon
120 bpm • G min • 03:33 • -7.71db
17% Popularity • 54% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
17% Popularity • 54% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Hannah Ellis
Home And A Hometown
93 bpm • B Maj • 03:13 • -4.98db
23% Popularity • 37% Danceability • 78% Energy • 22% Liveness
0% Instrumentalness • 38% Positiveness
23% Popularity • 37% Danceability • 78% Energy • 22% Liveness
0% Instrumentalness • 38% Positiveness
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Austin Burke
One Summer
120 bpm • G Maj • 03:50 • -4.43db
29% Popularity • 62% Danceability • 82% Energy • 33% Liveness
0% Instrumentalness • 37% Positiveness
29% Popularity • 62% Danceability • 82% Energy • 33% Liveness
0% Instrumentalness • 37% Positiveness
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Kylie Morgan
Boys Girl
93 bpm • C min • 02:44 • -4.19db
33% Popularity • 71% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
33% Popularity • 71% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
