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HumSong (SkidRow Anthem)
Songs like
HumSong (SkidRow Anthem)
by
Ambrose Akinmusire
Based on a tempo of (+/- 10%) and a similar genre
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Brandee Younger
Somewhere Different
80 bpm • A Maj • 05:21 • -15db
29% Popularity • 42% Danceability • 36% Energy • 6% Liveness
87% Instrumentalness • 22% Positiveness
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Mark Guiliana
practicing silence
80 bpm • A Maj • 01:40 • -22.31db
26% Popularity • 53% Danceability • 5% Energy • 9% Liveness
96% Instrumentalness • 26% Positiveness
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Ambrose Akinmusire
Cora Campbell
80 bpm • C# Maj • 03:41 • -26.5db
5% Popularity • 38% Danceability • 1% Energy • 11% Liveness
95% Instrumentalness • 34% Positiveness
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Carla Bley
Beautiful Telephones - Pt. 1
80 bpm • C# Maj • 04:35 • -29.85db
14% Popularity • 31% Danceability • 2% Energy • 12% Liveness
93% Instrumentalness • 8% Positiveness
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Wolfgang Muthspiel
For Django
80 bpm • F min • 07:15 • -20.82db
9% Popularity • 32% Danceability • 11% Energy • 15% Liveness
94% Instrumentalness • 8% Positiveness
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Mette Juul
In a Paris Night
79 bpm • C# Maj • 05:27 • -15.24db
0% Popularity • 59% Danceability • 14% Energy • 10% Liveness
1% Instrumentalness • 22% Positiveness
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Branford Marsalis Quartet
Conversation Among the Ruins
79 bpm • G min • 08:46 • -11.66db
22% Popularity • 42% Danceability • 33% Energy • 9% Liveness
57% Instrumentalness • 10% Positiveness
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Arild Andersen
Fifth Winter
79 bpm • C Maj • 04:58 • -16.35db
34% Popularity • 40% Danceability • 22% Energy • 14% Liveness
89% Instrumentalness • 10% Positiveness
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Portraits in Jazz
Family
79 bpm • D min • 03:20 • -16db
34% Popularity • 43% Danceability • 19% Energy • 17% Liveness
46% Instrumentalness • 38% Positiveness
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Marcin Wasilewski
K.T.C.
81 bpm • C# Maj • 06:11 • -17.15db
12% Popularity • 32% Danceability • 28% Energy • 12% Liveness
76% Instrumentalness • 27% Positiveness
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Brian Blade & The Fellowship Band
Shenandoah
79 bpm • E Maj • 01:49 • -24.13db
33% Popularity • 15% Danceability • 4% Energy • 12% Liveness
97% Instrumentalness • 4% Positiveness
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Anat Fort Trio
Paul Motian (1)
81 bpm • G Maj • 04:02 • -23.83db
28% Popularity • 24% Danceability • 11% Energy • 10% Liveness
34% Instrumentalness • 7% Positiveness
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Joe Chambers
Dance Kobina
79 bpm • B min • 06:24 • -13.73db
27% Popularity • 26% Danceability • 56% Energy • 15% Liveness
88% Instrumentalness • 56% Positiveness
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Benjamin Lackner
Circular Confidence
79 bpm • G# Maj • 06:23 • -18.37db
10% Popularity • 48% Danceability • 24% Energy • 8% Liveness
84% Instrumentalness • 19% Positiveness
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Anat Fort
Just Now, Var. III
79 bpm • F min • 02:14 • -25.7db
33% Popularity • 40% Danceability • 3% Energy • 18% Liveness
0% Instrumentalness • 15% Positiveness
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David Binney
Barefooted Town
79 bpm • F min • 07:42 • -13.12db
1% Popularity • 44% Danceability • 32% Energy • 10% Liveness
82% Instrumentalness • 24% Positiveness
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Brian Blade & The Fellowship Band
Friends Call Her Dot
81 bpm • D min • 04:04 • -22.9db
34% Popularity • 50% Danceability • 12% Energy • 10% Liveness
93% Instrumentalness • 17% Positiveness
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Gerald Clayton
Water's Edge
81 bpm • E min • 06:39 • -17db
17% Popularity • 19% Danceability • 15% Energy • 11% Liveness
75% Instrumentalness • 5% Positiveness
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Dominic Miller
Altea
81 bpm • G min • 03:45 • -19.56db
26% Popularity • 52% Danceability • 28% Energy • 18% Liveness
69% Instrumentalness • 14% Positiveness
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Benjamin Lackner
Where Do We Go From Here
81 bpm • F min • 03:49 • -22.79db
39% Popularity • 27% Danceability • 4% Energy • 24% Liveness
93% Instrumentalness • 9% Positiveness
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Ron Miles
Average
79 bpm • G# Maj • 11:12 • -15.51db
11% Popularity • 52% Danceability • 20% Energy • 10% Liveness
78% Instrumentalness • 16% Positiveness
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Little North
Ode til skyer
81 bpm • E min • 04:49 • -17.02db
14% Popularity • 32% Danceability • 23% Energy • 11% Liveness
86% Instrumentalness • 14% Positiveness
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Kenny Wheeler
Part 2 - For H. / Part 3 - For Jan
79 bpm • A min • 10:07 • -16.57db
22% Popularity • 25% Danceability • 27% Energy • 11% Liveness
8% Instrumentalness • 27% Positiveness
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Brian Blade & The Fellowship Band
God Be With You
81 bpm • C Maj • 02:33 • -19.02db
35% Popularity • 12% Danceability • 8% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Joshua Redman Quartet
Sweet Sorrow
79 bpm • G min • 08:43 • -16.33db
35% Popularity • 53% Danceability • 7% Energy • 12% Liveness
70% Instrumentalness • 29% Positiveness
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Oded Tzur
Warrior Elephants Flying
79 bpm • G Maj • 02:20 • -30.3db
32% Popularity • 34% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 52% Positiveness
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Jacob Young
Bounce
79 bpm • G Maj • 07:46 • -15.04db
21% Popularity • 55% Danceability • 17% Energy • 9% Liveness
90% Instrumentalness • 18% Positiveness
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Wolfgang Muthspiel
Clearing
82 bpm • D Maj • 07:26 • -22.34db
8% Popularity • 33% Danceability • 17% Energy • 11% Liveness
90% Instrumentalness • 11% Positiveness
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Sean Mason
Lullaby
78 bpm • C# min • 03:39 • -16.74db
20% Popularity • 13% Danceability • 11% Energy • 10% Liveness
96% Instrumentalness • 20% Positiveness
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Ambrose Akinmusire
Hands Behind Your Back
82 bpm • F min • 01:34 • -20.83db
1% Popularity • 54% Danceability • 17% Energy • 16% Liveness
0% Instrumentalness • 41% Positiveness
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Jakob Bro
Sound Flower
78 bpm • D min • 05:55 • -23.18db
27% Popularity • 21% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 5% Positiveness
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Terri Lyne Carrington
Respected Destroyer
82 bpm • A min • 05:28 • -10.44db
24% Popularity • 50% Danceability • 46% Energy • 13% Liveness
95% Instrumentalness • 45% Positiveness
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Cedar Walton
Sixth Avenue
78 bpm • A# Maj • 03:51 • -21.06db
36% Popularity • 35% Danceability • 13% Energy • 16% Liveness
93% Instrumentalness • 23% Positiveness
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Lakecia Benjamin
Rebirth
82 bpm • G# min • 04:23 • -10.99db
15% Popularity • 34% Danceability • 35% Energy • 9% Liveness
54% Instrumentalness • 20% Positiveness
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ARTEMIS
Penelope
78 bpm • B Maj • 05:42 • -17.79db
8% Popularity • 24% Danceability • 20% Energy • 10% Liveness
19% Instrumentalness • 10% Positiveness
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Ambrose Akinmusire
Childhood
82 bpm • D# Maj • 03:51 • -26.94db
3% Popularity • 26% Danceability • 1% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
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Aldo Romano
Inner Smile
83 bpm • G Maj • 03:17 • -20.16db
38% Popularity • 32% Danceability • 18% Energy • 12% Liveness
52% Instrumentalness • 6% Positiveness
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Immanuel Wilkins
Part 3. Eulogy
77 bpm • D Maj • 05:52 • -12.61db
14% Popularity • 36% Danceability • 47% Energy • 38% Liveness
89% Instrumentalness • 29% Positiveness
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Brian Blade & The Fellowship Band
Look To The Hills
83 bpm • E min • 04:20 • -12.49db
23% Popularity • 35% Danceability • 44% Energy • 13% Liveness
91% Instrumentalness • 13% Positiveness
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Bobo Stenson Trio
Oktoberhavet
83 bpm • G Maj • 05:52 • -22.16db
32% Popularity • 48% Danceability • 17% Energy • 8% Liveness
89% Instrumentalness • 42% Positiveness
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John Surman
At First Sight
77 bpm • G# Maj • 02:33 • -16.19db
37% Popularity • 28% Danceability • 10% Energy • 12% Liveness
83% Instrumentalness • 21% Positiveness
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Ambrose Akinmusire
To: Shabnam
82 bpm • C# Maj • 04:11 • -24.93db
6% Popularity • 33% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 36% Positiveness
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Fergus McCreadie
The Stones of Brodgar
83 bpm • D Maj • 05:30 • -18.5db
14% Popularity • 29% Danceability • 22% Energy • 9% Liveness
88% Instrumentalness • 10% Positiveness
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Gerald Cleaver
Akinmusire
77 bpm • C# Maj • 05:27 • -15.24db
0% Popularity • 43% Danceability • 36% Energy • 72% Liveness
90% Instrumentalness • 18% Positiveness
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Trygve Seim
Sol’s Song
77 bpm • G Maj • 06:03 • -14.47db
14% Popularity • 44% Danceability • 24% Energy • 11% Liveness
38% Instrumentalness • 28% Positiveness
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Bobo Stenson Trio
Oleo De Mujer Con Sombrero
83 bpm • D Maj • 08:30 • -23.58db
18% Popularity • 46% Danceability • 12% Energy • 11% Liveness
78% Instrumentalness • 14% Positiveness
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Immanuel Wilkins
Lighthouse
77 bpm • D Maj • 07:23 • -7db
17% Popularity • 32% Danceability • 81% Energy • 29% Liveness
29% Instrumentalness • 21% Positiveness
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Ambrose Akinmusire
Bubbles (John William Sublett)
78 bpm • B min • 03:52 • -9db
10% Popularity • 39% Danceability • 48% Energy • 10% Liveness
90% Instrumentalness • 32% Positiveness
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Oded Tzur
Here Be Dragons
83 bpm • G min • 08:29 • -25.05db
32% Popularity • 27% Danceability • 4% Energy • 9% Liveness
87% Instrumentalness • 16% Positiveness
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Ron Miles
Queen Of The South
83 bpm • F# Maj • 04:20 • -11.58db
28% Popularity • 63% Danceability • 32% Energy • 10% Liveness
92% Instrumentalness • 38% Positiveness
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Mats Eilertsen
Albatross
83 bpm • A# min • 04:28 • -26db
30% Popularity • 25% Danceability • 15% Energy • 10% Liveness
75% Instrumentalness • 9% Positiveness
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Bobo Stenson Trio
Spring
83 bpm • E min • 04:04 • -34db
16% Popularity • 34% Danceability • 2% Energy • 11% Liveness
86% Instrumentalness • 10% Positiveness
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Romain Pilon
Textures
84 bpm • F min • 05:39 • -21.81db
12% Popularity • 57% Danceability • 23% Energy • 12% Liveness
92% Instrumentalness • 60% Positiveness
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Cautious Clay
Yesterday's Price
84 bpm • B min • 05:15 • -6.35db
31% Popularity • 42% Danceability • 83% Energy • 20% Liveness
76% Instrumentalness • 50% Positiveness
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Mark Guiliana Jazz Quartet
2014
84 bpm • D Maj • 03:12 • -18.86db
36% Popularity • 55% Danceability • 9% Energy • 10% Liveness
79% Instrumentalness • 12% Positiveness
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Carla Bley
Andando El Tiempo: Camino Al Volver
76 bpm • G# min • 08:27 • -16.83db
24% Popularity • 47% Danceability • 13% Energy • 10% Liveness
91% Instrumentalness • 13% Positiveness
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Ben Wendel
Speak Joy
76 bpm • G Maj • 07:45 • -11.75db
10% Popularity • 34% Danceability • 28% Energy • 12% Liveness
87% Instrumentalness • 34% Positiveness
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Joe Webb
Collblanc
76 bpm • F# Maj • 06:03 • -16.43db
34% Popularity • 28% Danceability • 21% Energy • 11% Liveness
86% Instrumentalness • 13% Positiveness
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Eric Legnini Trio
I Fall in Love
76 bpm • F min • 02:45 • -15.56db
45% Popularity • 46% Danceability • 25% Energy • 15% Liveness
81% Instrumentalness • 44% Positiveness
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ARTEMIS
The Fool On The Hill
84 bpm • C Maj • 06:12 • -15.7db
8% Popularity • 36% Danceability • 28% Energy • 9% Liveness
94% Instrumentalness • 28% Positiveness
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Paul Bley
My Heart
76 bpm • D min • 02:37 • -11.29db
27% Popularity • 47% Danceability • 39% Energy • 10% Liveness
86% Instrumentalness • 38% Positiveness
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Bobo Stenson Trio
Your Story
76 bpm • G Maj • 02:52 • -26.68db
31% Popularity • 37% Danceability • 4% Energy • 10% Liveness
93% Instrumentalness • 6% Positiveness
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Kurt Rosenwinkel
Peace Please
76 bpm • D Maj • 01:28 • -20.78db
36% Popularity • 52% Danceability • 10% Energy • 11% Liveness
96% Instrumentalness • 32% Positiveness
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Mats Eilertsen
The Void
85 bpm • E min • 06:32 • -26db
21% Popularity • 36% Danceability • 7% Energy • 9% Liveness
83% Instrumentalness • 7% Positiveness
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Jason Moran
Arizona Landscape
75 bpm • D# Maj • 03:05 • -20.67db
31% Popularity • 34% Danceability • 7% Energy • 12% Liveness
89% Instrumentalness • 12% Positiveness
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Ambrose Akinmusire
Mr. Roscoe (consider the simultaneous)
75 bpm • D Maj • 05:57 • -12.81db
10% Popularity • 36% Danceability • 43% Energy • 14% Liveness
91% Instrumentalness • 43% Positiveness
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Joel Lyssarides
Cloudberry Hill
85 bpm • G min • 04:36 • -21.77db
37% Popularity • 29% Danceability • 24% Energy • 11% Liveness
90% Instrumentalness • 30% Positiveness
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Sullivan Fortner
In A Sentimental Mood
85 bpm • C min • 03:24 • -20.25db
25% Popularity • 47% Danceability • 11% Energy • 12% Liveness
73% Instrumentalness • 9% Positiveness
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Billy Childs
The Winds of Change
85 bpm • D Maj • 10:32 • -13.89db
29% Popularity • 32% Danceability • 33% Energy • 10% Liveness
89% Instrumentalness • 18% Positiveness
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Gerald Clayton
Rip
75 bpm • F Maj • 03:07 • -17.16db
12% Popularity • 26% Danceability • 24% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
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Will Herrington
Ballad of Marie Laveau
75 bpm • D# min • 06:18 • -13.59db
1% Popularity • 47% Danceability • 34% Energy • 11% Liveness
91% Instrumentalness • 10% Positiveness
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Vicente Archer
Bye Nashville
85 bpm • G Maj • 04:53 • -20.96db
15% Popularity • 51% Danceability • 14% Energy • 6% Liveness
83% Instrumentalness • 48% Positiveness
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Craig Taborn
The Shining One
86 bpm • D min • 03:34 • -18.06db
18% Popularity • 41% Danceability • 38% Energy • 9% Liveness
92% Instrumentalness • 49% Positiveness
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David Binney
A Night Every Day
86 bpm • C# Maj • 05:22 • -12.17db
1% Popularity • 37% Danceability • 31% Energy • 9% Liveness
57% Instrumentalness • 43% Positiveness
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Markus Stockhausen
The Waltz
74 bpm • C# Maj • 04:37 • -17.6db
30% Popularity • 38% Danceability • 14% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Nappy Nina
What You Want
86 bpm • D min • 03:35 • -5.76db
5% Popularity • 67% Danceability • 74% Energy • 67% Liveness
0% Instrumentalness • 67% Positiveness
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Eric Legnini
Introspection #3
86 bpm • C min • 01:14 • -12.61db
41% Popularity • 49% Danceability • 24% Energy • 14% Liveness
95% Instrumentalness • 32% Positiveness
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Anat Fort Trio
First Rays
74 bpm • F min • 02:18 • -29.96db
43% Popularity • 61% Danceability • 1% Energy • 9% Liveness
95% Instrumentalness • 39% Positiveness
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Ambrose Akinmusire
Thizzly Bear
86 bpm • G min • 02:03 • -24.87db
3% Popularity • 39% Danceability • 11% Energy • 23% Liveness
25% Instrumentalness • 21% Positiveness
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Aldo Romano
Lontano
87 bpm • E min • 04:26 • -18.04db
35% Popularity • 41% Danceability • 22% Energy • 9% Liveness
46% Instrumentalness • 20% Positiveness
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Chiquita Magic
Toda Una Vida
87 bpm • D Maj • 03:19 • -5.58db
4% Popularity • 34% Danceability • 68% Energy • 7% Liveness
28% Instrumentalness • 49% Positiveness
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Kenny Wheeler
After The Last Time
87 bpm • C Maj • 04:26 • -19db
13% Popularity • 41% Danceability • 6% Energy • 7% Liveness
88% Instrumentalness • 23% Positiveness
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Gerald Clayton
My Ideal 1
87 bpm • F min • 03:39 • -17db
24% Popularity • 39% Danceability • 10% Energy • 12% Liveness
96% Instrumentalness • 32% Positiveness
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The Stoner
Lena
73 bpm • F Maj • 04:06 • -16.35db
17% Popularity • 22% Danceability • 17% Energy • 15% Liveness
2% Instrumentalness • 16% Positiveness
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Ambrose Akinmusire
Rio
87 bpm • G Maj • 02:47 • -23.5db
8% Popularity • 43% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 27% Positiveness
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Bobo Stenson Trio
Polska Of Despair (1)
87 bpm • A Maj • 06:51 • -17db
24% Popularity • 30% Danceability • 36% Energy • 10% Liveness
84% Instrumentalness • 20% Positiveness
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Yazz Ahmed
The Birth of the Fool
87 bpm • G# Maj • 01:35 • -13.29db
33% Popularity • 64% Danceability • 24% Energy • 10% Liveness
93% Instrumentalness • 38% Positiveness
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Oded Tzur
20 Years
87 bpm • C# Maj • 09:55 • -23.11db
15% Popularity • 31% Danceability • 5% Energy • 11% Liveness
45% Instrumentalness • 11% Positiveness
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Marcin Wasilewski
Sister's Song
88 bpm • C# Maj • 05:57 • -17db
13% Popularity • 46% Danceability • 26% Energy • 8% Liveness
70% Instrumentalness • 23% Positiveness
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Carla Bley
Útviklingssang
72 bpm • E min • 04:38 • -25.71db
31% Popularity • 46% Danceability • 4% Energy • 9% Liveness
94% Instrumentalness • 13% Positiveness
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Ambrose Akinmusire
The Tunnel
87 bpm • F# Maj • 01:33 • -22.19db
1% Popularity • 19% Danceability • 23% Energy • 14% Liveness
90% Instrumentalness • 4% Positiveness
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Bobo Stenson Trio
Kingdom of Coldness
88 bpm • C Maj • 07:37 • -24.92db
13% Popularity • 38% Danceability • 13% Energy • 6% Liveness
83% Instrumentalness • 10% Positiveness
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Joel Lyssarides
Chimera
72 bpm • A# min • 05:08 • -22.47db
27% Popularity • 20% Danceability • 13% Energy • 10% Liveness
93% Instrumentalness • 8% Positiveness
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Roy Hargrove
Joy Is Sorrow Unmasked
72 bpm • G min • 04:46 • -14.57db
33% Popularity • 42% Danceability • 12% Energy • 16% Liveness
62% Instrumentalness • 16% Positiveness
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Kenny Garrett
It’s Time to Come Home
89 bpm • A min • 09:48 • -18.44db
23% Popularity • 64% Danceability • 30% Energy • 6% Liveness
54% Instrumentalness • 40% Positiveness
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Plume
Falling Angels
90 bpm • E min • 06:39 • -10.78db
0% Popularity • 34% Danceability • 54% Energy • 23% Liveness
51% Instrumentalness • 42% Positiveness
► Preview
Ambrose Akinmusire
Confessions To My Unborn Daughter
88 bpm • A min • 08:35 • -12db
12% Popularity • 37% Danceability • 33% Energy • 10% Liveness
14% Instrumentalness • 30% Positiveness
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Bobo Stenson Trio
You Shall Plant a Tree
89 bpm • C Maj • 04:33 • -31.17db
18% Popularity • 35% Danceability • 3% Energy • 6% Liveness
61% Instrumentalness • 8% Positiveness
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Esbjörn Svensson
Gamma
72 bpm • D Maj • 06:08 • -19.02db
34% Popularity • 32% Danceability • 6% Energy • 9% Liveness
92% Instrumentalness • 31% Positiveness
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Joel Lyssarides
Is There a Way
72 bpm • F min • 04:05 • -27.36db
43% Popularity • 36% Danceability • 4% Energy • 9% Liveness
94% Instrumentalness • 12% Positiveness
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HumSong (SkidRow Anthem)