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Hurricane Season
Songs like
Hurricane Season
by
Dan Andriano in the Emergency Room
Based on a tempo of (+/- 10%) and a similar genre
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Dan Andriano in the Emergency Room
Hurricane Season
154 bpm • D Maj • 04:18 • -7.05db
19% Popularity • 55% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
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Matt Skiba and the Sekrets
Olivia
154 bpm • F# min • 03:39 • -3.14db
17% Popularity • 36% Danceability • 94% Energy • 39% Liveness
0% Instrumentalness • 32% Positiveness
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Against Me!
Bob Dylan Dream
154 bpm • A# Maj • 02:56 • -3.2db
23% Popularity • 39% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Old Man Markley
Living and Learning
155 bpm • C Maj • 02:51 • -6.14db
9% Popularity • 46% Danceability • 86% Energy • 34% Liveness
0% Instrumentalness • 80% Positiveness
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Tony Sly
Capo, 4th Fret
155 bpm • D# Maj • 02:42 • -8.13db
27% Popularity • 42% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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John K. Samson
When I Write My Master's Thesis
155 bpm • F# Maj • 03:34 • -7.82db
20% Popularity • 33% Danceability • 79% Energy • 18% Liveness
18% Instrumentalness • 53% Positiveness
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Sundowner
In the Flicker
155 bpm • F# min • 03:31 • -8db
14% Popularity • 36% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Chris Cresswell
Arrythmic Palpitations
155 bpm • A min • 02:49 • -4db
33% Popularity • 51% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
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Frightened Rabbit
Good Arms vs Bad Arms
153 bpm • A# Maj • 05:08 • -5.86db
16% Popularity • 36% Danceability • 80% Energy • 28% Liveness
1% Instrumentalness • 20% Positiveness
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Matt Skiba and the Sekrets
You
153 bpm • G Maj • 03:31 • -3.23db
23% Popularity • 47% Danceability • 96% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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The Matches
Clouds Crash
153 bpm • F# Maj • 02:12 • -11.13db
28% Popularity • 51% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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Dan Andriano in the Emergency Room
On Monday
153 bpm • D Maj • 04:19 • -5.48db
14% Popularity • 47% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Sundowner
My Boatless Booze Cruise
153 bpm • D Maj • 03:10 • -6.43db
17% Popularity • 46% Danceability • 69% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
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The New Amsterdams
Bad Liar
153 bpm • F# Maj • 01:42 • -5.76db
8% Popularity • 45% Danceability • 84% Energy • 22% Liveness
0% Instrumentalness • 51% Positiveness
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Laura Jane Grace
Conceptual Paths
152 bpm • E min • 03:17 • -4.82db
20% Popularity • 84% Danceability • 98% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
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Tony Sly
Soulmate
156 bpm • F Maj • 03:37 • -3.96db
27% Popularity • 51% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
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Kevin Devine
Less Yesterday, More Today
156 bpm • G Maj • 05:09 • -8.79db
7% Popularity • 28% Danceability • 44% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
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Chris Cresswell
To the Wind
152 bpm • B Maj • 03:07 • -7.23db
19% Popularity • 49% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Sundowner
Mouth of a Tiger
153 bpm • D Maj • 04:32 • -7.04db
7% Popularity • 44% Danceability • 42% Energy • 22% Liveness
0% Instrumentalness • 57% Positiveness
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Manchester Orchestra
My Friend Marcus
152 bpm • F# Maj • 03:41 • -7.64db
29% Popularity • 58% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Laura Jane Grace
Amputations
156 bpm • G Maj • 02:03 • -2.55db
22% Popularity • 48% Danceability • 100% Energy • 18% Liveness
0% Instrumentalness • 4% Positiveness
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Hot Water Music
The Fire, The Steel, The Tread
157 bpm • E min • 03:25 • -6.23db
21% Popularity • 30% Danceability • 80% Energy • 33% Liveness
4% Instrumentalness • 39% Positiveness
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Against Me!
Because of the Shame
158 bpm • D Maj • 04:21 • -3db
39% Popularity • 46% Danceability • 95% Energy • 33% Liveness
0% Instrumentalness • 63% Positiveness
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Joey Cape & Jon Snodgrass
To All My Friends
157 bpm • C Maj • 02:53 • -10.52db
18% Popularity • 61% Danceability • 50% Energy • 47% Liveness
0% Instrumentalness • 28% Positiveness
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Sundowner
One Hundred Resolutions
150 bpm • B Maj • 04:29 • -8db
16% Popularity • 49% Danceability • 55% Energy • 10% Liveness
1% Instrumentalness • 51% Positiveness
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Lucero
What Are You Willing To Lose
158 bpm • E Maj • 04:08 • -4db
34% Popularity • 40% Danceability • 94% Energy • 10% Liveness
2% Instrumentalness • 57% Positiveness
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Chris Cresswell
Concrete Dialogue
158 bpm • E Maj • 03:49 • -8.07db
21% Popularity • 59% Danceability • 36% Energy • 10% Liveness
1% Instrumentalness • 24% Positiveness
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Matt Skiba and the Sekrets
How the Hell Did We Get Here?
150 bpm • G Maj • 03:39 • -3.8db
22% Popularity • 46% Danceability • 97% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Elway
Albuquerque Low
150 bpm • D Maj • 03:45 • -6db
20% Popularity • 52% Danceability • 88% Energy • 18% Liveness
3% Instrumentalness • 83% Positiveness
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Chris Wollard & The Ship Thieves
The High Water
150 bpm • D Maj • 03:57 • -5.62db
8% Popularity • 32% Danceability • 91% Energy • 36% Liveness
71% Instrumentalness • 40% Positiveness
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Matt Skiba
Into Thin Air
150 bpm • G Maj • 03:33 • -5.03db
11% Popularity • 42% Danceability • 86% Energy • 32% Liveness
53% Instrumentalness • 65% Positiveness
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Scorpios
Scorpios
150 bpm • C Maj • 02:14 • -8.74db
14% Popularity • 59% Danceability • 49% Energy • 12% Liveness
1% Instrumentalness • 39% Positiveness
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Brian Fallon
Open All Night
158 bpm • C Maj • 03:36 • -6.76db
27% Popularity • 49% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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Dan Andriano & The Bygones
Sea Level
159 bpm • G Maj • 03:39 • -4.74db
20% Popularity • 42% Danceability • 98% Energy • 11% Liveness
1% Instrumentalness • 52% Positiveness
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Manchester Orchestra
The Only One
149 bpm • C# Maj • 02:39 • -3.68db
36% Popularity • 38% Danceability • 90% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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Rumbleseat
Moonshiner
159 bpm • C Maj • 04:35 • -8.16db
20% Popularity • 35% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Matt Skiba
S.O.S.
150 bpm • E Maj • 02:49 • -6.56db
15% Popularity • 46% Danceability • 68% Energy • 12% Liveness
3% Instrumentalness • 50% Positiveness
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Tony Sly
Therapy
149 bpm • E Maj • 02:25 • -8.19db
18% Popularity • 54% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Something Corporate
Konstantine
160 bpm • A# Maj • 09:36 • -10.66db
43% Popularity • 40% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
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Kevin Devine
People Are so Fickle
160 bpm • B Maj • 03:13 • -4.34db
14% Popularity • 39% Danceability • 94% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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The Menzingers
Gates
148 bpm • G# Maj • 04:04 • -4db
39% Popularity • 54% Danceability • 63% Energy • 19% Liveness
0% Instrumentalness • 52% Positiveness
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Bayside
Montauk
160 bpm • A# min • 04:03 • -6.94db
26% Popularity • 64% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Matt Skiba
How the Hell Did We Get Here?
150 bpm • G Maj • 03:04 • -7.44db
11% Popularity • 31% Danceability • 52% Energy • 13% Liveness
11% Instrumentalness • 32% Positiveness
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The Gaslight Anthem
Miles Davis & The Cool
148 bpm • A Maj • 04:11 • -4.31db
37% Popularity • 54% Danceability • 91% Energy • 18% Liveness
0% Instrumentalness • 43% Positiveness
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Dan Andriano in the Emergency Room
String Bean Jean
160 bpm • D Maj • 04:40 • -11.79db
7% Popularity • 48% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Tony Sly
The Shortest Pier
160 bpm • D Maj • 02:35 • -13.67db
25% Popularity • 57% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Against Me!
500 Years
148 bpm • D# Maj • 03:35 • -6.33db
9% Popularity • 64% Danceability • 59% Energy • 34% Liveness
0% Instrumentalness • 39% Positiveness
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Matt Skiba and the Sekrets
She Wolf
148 bpm • C Maj • 03:15 • -5.49db
20% Popularity • 43% Danceability • 91% Energy • 27% Liveness
0% Instrumentalness • 54% Positiveness
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Red City Radio
Show Me on the Doll Where the Music Touc...
160 bpm • C# Maj • 03:04 • -5.73db
33% Popularity • 30% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
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Fake Problems
RSVP
148 bpm • D Maj • 02:55 • -7.09db
22% Popularity • 55% Danceability • 91% Energy • 14% Liveness
0% Instrumentalness • 82% Positiveness
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The Get Up Kids
High as the Moon
161 bpm • D Maj • 03:25 • -6.37db
19% Popularity • 50% Danceability • 72% Energy • 12% Liveness
1% Instrumentalness • 79% Positiveness
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Brian Fallon
Rosemary
147 bpm • C Maj • 03:37 • -3.11db
37% Popularity • 47% Danceability • 94% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Scorpios
Weighing In
147 bpm • D Maj • 02:18 • -11.93db
9% Popularity • 66% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Rocky Votolato
Let Go
146 bpm • C Maj • 03:17 • -8.45db
19% Popularity • 58% Danceability • 39% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
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Dan Andriano in the Emergency Room
Let Me In
162 bpm • D Maj • 02:46 • -4.69db
16% Popularity • 37% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Mêlée
The War
146 bpm • E Maj • 03:50 • -5.27db
13% Popularity • 44% Danceability • 80% Energy • 18% Liveness
0% Instrumentalness • 35% Positiveness
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The Get Up Kids
Martyr Me
147 bpm • G Maj • 03:26 • -4.97db
1% Popularity • 43% Danceability • 95% Energy • 14% Liveness
1% Instrumentalness • 68% Positiveness
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The Ataris
Can't Hardly Wait - Acoustic Version
146 bpm • D Maj • 02:40 • -4.84db
13% Popularity • 38% Danceability • 57% Energy • 31% Liveness
0% Instrumentalness • 48% Positiveness
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Strung Out
Velvet Alley (Acoustic)
145 bpm • C min • 04:18 • -12.03db
13% Popularity • 59% Danceability • 28% Energy • 21% Liveness
0% Instrumentalness • 12% Positiveness
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Sundowner
Life in the Embers
145 bpm • D Maj • 03:01 • -11.75db
8% Popularity • 48% Danceability • 56% Energy • 18% Liveness
1% Instrumentalness • 75% Positiveness
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Jared Hart
The Guillotine
145 bpm • B Maj • 04:47 • -6.44db
22% Popularity • 41% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Matt Skiba and the Sekrets
Way Bakk When
145 bpm • G Maj • 03:55 • -6.03db
18% Popularity • 49% Danceability • 79% Energy • 32% Liveness
0% Instrumentalness • 77% Positiveness
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The Get Up Kids
Stay Gone
147 bpm • G Maj • 03:04 • -6.01db
23% Popularity • 50% Danceability • 93% Energy • 33% Liveness
0% Instrumentalness • 72% Positiveness
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Sophie Moon
Sounds Are Fine
164 bpm • A# Maj • 03:22 • -7.43db
8% Popularity • 41% Danceability • 54% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
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Matt Skiba
Continental
164 bpm • C# min • 03:29 • -11.27db
21% Popularity • 54% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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Manchester Orchestra
Golden Ticket
164 bpm • D Maj • 03:32 • -7.87db
30% Popularity • 44% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
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Sundowner
As the Crow Flies
144 bpm • D Maj • 04:16 • -8db
11% Popularity • 58% Danceability • 34% Energy • 17% Liveness
0% Instrumentalness • 37% Positiveness
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The Menzingers
Anna
144 bpm • G# Maj • 03:17 • -6.58db
27% Popularity • 44% Danceability • 53% Energy • 37% Liveness
0% Instrumentalness • 15% Positiveness
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The Get Up Kids
Let the Reigns Go Loose
146 bpm • C Maj • 03:42 • -7.61db
20% Popularity • 46% Danceability • 82% Energy • 15% Liveness
0% Instrumentalness • 24% Positiveness
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AM Taxi
Sorry You're Sick
144 bpm • E min • 02:41 • -8db
22% Popularity • 72% Danceability • 57% Energy • 40% Liveness
0% Instrumentalness • 28% Positiveness
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Laura Jane Grace
Random Hearts - Acoustic Version
144 bpm • D Maj • 03:16 • -4.8db
20% Popularity • 66% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
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Brendan Kelly and the Wandering Birds
East St. Louis
165 bpm • C Maj • 03:14 • -3.68db
13% Popularity • 29% Danceability • 88% Energy • 32% Liveness
1% Instrumentalness • 59% Positiveness
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Dan Andriano in the Emergency Room
Pretty Teeth
144 bpm • E Maj • 02:49 • -6db
13% Popularity • 42% Danceability • 52% Energy • 22% Liveness
0% Instrumentalness • 16% Positiveness
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Brendan Kelly
Quincentuple Your Money
144 bpm • F# Maj • 03:19 • -5.07db
17% Popularity • 47% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
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Against Me!
One by One (Acoustic Version)
144 bpm • C Maj • 03:35 • -3.9db
14% Popularity • 78% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
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Northcote
Wildcard
144 bpm • C# Maj • 03:17 • -6db
27% Popularity • 56% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Red City Radio
Joy Comes with the Morning
144 bpm • C# Maj • 04:53 • -5db
25% Popularity • 49% Danceability • 79% Energy • 11% Liveness
2% Instrumentalness • 47% Positiveness
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Chris Wollard & The Ship Thieves
All the Things You Know
144 bpm • F# min • 03:29 • -6db
15% Popularity • 31% Danceability • 91% Energy • 30% Liveness
58% Instrumentalness • 44% Positiveness
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Rocky Votolato
Suicide Medicine
143 bpm • C# Maj • 02:55 • -8.83db
29% Popularity • 60% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Ray Rocket
Do You Wanna Go To Tijuana?
165 bpm • A Maj • 02:50 • -4.59db
9% Popularity • 57% Danceability • 80% Energy • 27% Liveness
0% Instrumentalness • 94% Positiveness
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The Menzingers
Black Mass
143 bpm • C Maj • 02:52 • -10.86db
31% Popularity • 61% Danceability • 39% Energy • 10% Liveness
1% Instrumentalness • 24% Positiveness
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Fake Problems
Ghost To Coast
166 bpm • D Maj • 03:15 • -14.19db
18% Popularity • 29% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Laura Jane Grace
I Can't See You, but I Know You're There
142 bpm • C Maj • 03:12 • -5.58db
24% Popularity • 75% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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Chris Wollard & The Ship Thieves
No Exception
142 bpm • D Maj • 02:49 • -6db
25% Popularity • 36% Danceability • 83% Energy • 36% Liveness
55% Instrumentalness • 56% Positiveness
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Chamberlain
Cruch You
142 bpm • E Maj • 05:06 • -7db
7% Popularity • 51% Danceability • 58% Energy • 34% Liveness
0% Instrumentalness • 36% Positiveness
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Against Me!
Because of the Shame (Acoustic Version)
142 bpm • D Maj • 04:28 • -5.22db
23% Popularity • 74% Danceability • 47% Energy • 19% Liveness
0% Instrumentalness • 37% Positiveness
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Tony Sly
International You Day
142 bpm • D Maj • 03:35 • -3.04db
32% Popularity • 53% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Dan Andriano & The Bygones
It's A Trap Door!
142 bpm • D Maj • 03:24 • -4.51db
11% Popularity • 44% Danceability • 97% Energy • 26% Liveness
0% Instrumentalness • 33% Positiveness
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Limbeck
Honk + Wave
142 bpm • C Maj • 03:23 • -4.56db
24% Popularity • 41% Danceability • 90% Energy • 47% Liveness
0% Instrumentalness • 52% Positiveness
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Joey Cape & Jon Snodgrass
Jessica's Suicide
141 bpm • D# Maj • 02:20 • -11.99db
12% Popularity • 57% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Rocky Votolato
Every Red Cent
169 bpm • G# min • 03:36 • -6.71db
14% Popularity • 43% Danceability • 74% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
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The Get Up Kids
Campfire Kansas
141 bpm • D Maj • 03:03 • -8.3db
31% Popularity • 54% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Tony Sly
On the Outside
141 bpm • G# Maj • 03:05 • -6.25db
25% Popularity • 51% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Tim Barry
No News from North
141 bpm • A# Maj • 03:26 • -8.31db
19% Popularity • 63% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Limbeck
Brand New Orange
141 bpm • G Maj • 02:42 • -5.49db
11% Popularity • 53% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
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Cory Branan
Bad Man
141 bpm • E Maj • 03:54 • -3.53db
15% Popularity • 57% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Jared Hart
Lucky 7's
140 bpm • C Maj • 04:03 • -7.49db
18% Popularity • 58% Danceability • 49% Energy • 23% Liveness
0% Instrumentalness • 51% Positiveness
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Matt Pryor
Kinda Go to Pieces
169 bpm • A Maj • 03:21 • -4.61db
9% Popularity • 41% Danceability • 91% Energy • 24% Liveness
0% Instrumentalness • 41% Positiveness
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The Honorary Title
Cats in Heat
169 bpm • D Maj • 04:31 • -6.61db
16% Popularity • 35% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Dan Andriano & The Bygones
Dear Darkness
140 bpm • G Maj • 03:41 • -4.32db
18% Popularity • 49% Danceability • 93% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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Hurricane Season