Songs like Hurt Somebody by The Dirt Drifters
Based on a tempo of (+/- 10%) and a similar genre
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The Dirt Drifters
Hurt Somebody
146 bpm • E Maj • 02:59 • -7.82db
40% Popularity • 49% Danceability • 37% Energy • 18% Liveness
0% Instrumentalness • 25% Positiveness
40% Popularity • 49% Danceability • 37% Energy • 18% Liveness
0% Instrumentalness • 25% Positiveness
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Slade Coulter
Take It out on Me
146 bpm • D Maj • 04:28 • -9.3db
35% Popularity • 48% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
35% Popularity • 48% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Flatland Cavalry
Humble Folks
146 bpm • F# Maj • 03:21 • -7.05db
51% Popularity • 60% Danceability • 58% Energy • 36% Liveness
1% Instrumentalness • 51% Positiveness
51% Popularity • 60% Danceability • 58% Energy • 36% Liveness
1% Instrumentalness • 51% Positiveness
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Reckless Kelly
Forever Today
146 bpm • D Maj • 03:05 • -14.24db
26% Popularity • 57% Danceability • 25% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
26% Popularity • 57% Danceability • 25% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
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Randy Rogers Band
You, Me and a Bottle
146 bpm • A Maj • 03:13 • -6.66db
35% Popularity • 46% Danceability • 66% Energy • 28% Liveness
0% Instrumentalness • 38% Positiveness
35% Popularity • 46% Danceability • 66% Energy • 28% Liveness
0% Instrumentalness • 38% Positiveness
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Rob Baird
I Tried
146 bpm • F Maj • 03:15 • -8.42db
41% Popularity • 34% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
41% Popularity • 34% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Six Market Blvd.
Say It
146 bpm • D Maj • 03:42 • -6db
27% Popularity • 40% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
27% Popularity • 40% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Chris Knight
down the river
146 bpm • D Maj • 06:58 • -11db
44% Popularity • 54% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
44% Popularity • 54% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Flatland Cavalry
Goodbye Kiss
146 bpm • E Maj • 03:42 • -8.12db
45% Popularity • 52% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
45% Popularity • 52% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Dillon Carmichael
Dancing Away with My Heart
145 bpm • A Maj • 03:47 • -7.62db
44% Popularity • 32% Danceability • 55% Energy • 20% Liveness
10% Instrumentalness • 38% Positiveness
44% Popularity • 32% Danceability • 55% Energy • 20% Liveness
10% Instrumentalness • 38% Positiveness
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Randy Rogers Band
Steal You Away
145 bpm • E Maj • 03:49 • -10.87db
43% Popularity • 48% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
43% Popularity • 48% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Wade Bowen
West Texas Rain
147 bpm • C Maj • 04:15 • -7.33db
41% Popularity • 40% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
41% Popularity • 40% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Six Market Blvd.
Silence in Me
147 bpm • A# Maj • 04:24 • -8.73db
22% Popularity • 54% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
22% Popularity • 54% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Chris Knight
north dakota
145 bpm • F Maj • 04:16 • -11db
37% Popularity • 51% Danceability • 38% Energy • 18% Liveness
0% Instrumentalness • 35% Positiveness
37% Popularity • 51% Danceability • 38% Energy • 18% Liveness
0% Instrumentalness • 35% Positiveness
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Reckless Kelly
Crazy Eddie's Last Hurrah
148 bpm • G Maj • 03:25 • -6.49db
39% Popularity • 53% Danceability • 87% Energy • 37% Liveness
0% Instrumentalness • 74% Positiveness
39% Popularity • 53% Danceability • 87% Energy • 37% Liveness
0% Instrumentalness • 74% Positiveness
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Turnpike Troubadours
The Bird Hunters
148 bpm • G Maj • 05:11 • -2db
50% Popularity • 38% Danceability • 56% Energy • 30% Liveness
0% Instrumentalness • 54% Positiveness
50% Popularity • 38% Danceability • 56% Energy • 30% Liveness
0% Instrumentalness • 54% Positiveness
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Randy Rogers Band
One Woman
145 bpm • G Maj • 04:05 • -6.43db
39% Popularity • 48% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
39% Popularity • 48% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
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Stoney LaRue
Us Time
144 bpm • A Maj • 03:53 • -6.67db
34% Popularity • 58% Danceability • 47% Energy • 36% Liveness
0% Instrumentalness • 34% Positiveness
34% Popularity • 58% Danceability • 47% Energy • 36% Liveness
0% Instrumentalness • 34% Positiveness
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Thieving Birds
Hey, Leigh
144 bpm • G Maj • 03:17 • -6db
30% Popularity • 46% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
30% Popularity • 46% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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Eric Church
Where I Wanna Be
148 bpm • A Maj • 04:04 • -6.39db
44% Popularity • 54% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
44% Popularity • 54% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
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Koe Wetzel
Ragweed
148 bpm • G# Maj • 04:12 • -7.31db
60% Popularity • 44% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
60% Popularity • 44% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Colby Acuff
Two to Tango
148 bpm • A# Maj • 03:21 • -7.83db
34% Popularity • 48% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
34% Popularity • 48% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Randy Rogers Band
Like it Used To Be
144 bpm • G Maj • 03:24 • -4.41db
37% Popularity • 59% Danceability • 88% Energy • 27% Liveness
0% Instrumentalness • 79% Positiveness
37% Popularity • 59% Danceability • 88% Energy • 27% Liveness
0% Instrumentalness • 79% Positiveness
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Stoney LaRue
Velvet
144 bpm • G# min • 06:23 • -8db
35% Popularity • 51% Danceability • 57% Energy • 11% Liveness
12% Instrumentalness • 37% Positiveness
35% Popularity • 51% Danceability • 57% Energy • 11% Liveness
12% Instrumentalness • 37% Positiveness
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Micky & The Motorcars
One in a Lifetime Girl
144 bpm • D Maj • 03:33 • -4.95db
35% Popularity • 53% Danceability • 73% Energy • 40% Liveness
0% Instrumentalness • 40% Positiveness
35% Popularity • 53% Danceability • 73% Energy • 40% Liveness
0% Instrumentalness • 40% Positiveness
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Chad Cooke Band
Oil Man
144 bpm • C Maj • 04:06 • -10db
42% Popularity • 43% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
42% Popularity • 43% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Rob Baird
Dreams and Gasoline
148 bpm • B Maj • 04:41 • -5.97db
41% Popularity • 55% Danceability • 83% Energy • 37% Liveness
0% Instrumentalness • 39% Positiveness
41% Popularity • 55% Danceability • 83% Energy • 37% Liveness
0% Instrumentalness • 39% Positiveness
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Charlie Robison
Big City Blues
144 bpm • D Maj • 03:52 • -9.42db
35% Popularity • 66% Danceability • 43% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
35% Popularity • 66% Danceability • 43% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
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Tanner Usrey
The Light
144 bpm • A Maj • 03:58 • -4.94db
42% Popularity • 44% Danceability • 79% Energy • 44% Liveness
0% Instrumentalness • 58% Positiveness
42% Popularity • 44% Danceability • 79% Energy • 44% Liveness
0% Instrumentalness • 58% Positiveness
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Stoney LaRue
Feet Don’t Touch The Ground
144 bpm • G Maj • 03:53 • -5.81db
28% Popularity • 56% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 28% Positiveness
28% Popularity • 56% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 28% Positiveness
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Drayton Farley
Pitchin' fits
149 bpm • A Maj • 03:47 • -12.95db
59% Popularity • 43% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
59% Popularity • 43% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Triston Marez
Darlin' - Acoustic
143 bpm • B Maj • 04:10 • -10db
38% Popularity • 58% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
38% Popularity • 58% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Rob Baird
Fade Away
148 bpm • D Maj • 03:03 • -6.5db
49% Popularity • 56% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
49% Popularity • 56% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Whiskey Myers
Colloquy
143 bpm • C Maj • 06:12 • -7.94db
41% Popularity • 23% Danceability • 49% Energy • 39% Liveness
0% Instrumentalness • 9% Positiveness
41% Popularity • 23% Danceability • 49% Energy • 39% Liveness
0% Instrumentalness • 9% Positiveness
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Tanner Usrey
Beautiful Lies
149 bpm • C Maj • 03:43 • -9.67db
60% Popularity • 51% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
60% Popularity • 51% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Randy Rogers Band
Speak Of The Devil
150 bpm • C Maj • 04:02 • -6db
35% Popularity • 43% Danceability • 48% Energy • 26% Liveness
0% Instrumentalness • 21% Positiveness
35% Popularity • 43% Danceability • 48% Energy • 26% Liveness
0% Instrumentalness • 21% Positiveness
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Callahan Divide
Aliens & Ice Cream
142 bpm • C# Maj • 03:50 • -6.75db
27% Popularity • 48% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
27% Popularity • 48% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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Southall
Don't Tell Me
150 bpm • D min • 03:40 • -5.35db
50% Popularity • 56% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
50% Popularity • 56% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Kolby Cooper
It Ain't Me
150 bpm • F# Maj • 04:28 • -4.96db
52% Popularity • 40% Danceability • 74% Energy • 36% Liveness
0% Instrumentalness • 24% Positiveness
52% Popularity • 40% Danceability • 74% Energy • 36% Liveness
0% Instrumentalness • 24% Positiveness
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Larry Fleet
Mix 'Em With Whiskey
150 bpm • B Maj • 03:19 • -5db
50% Popularity • 67% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
50% Popularity • 67% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
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Tanner Usrey
Medicine Man
150 bpm • E Maj • 03:45 • -4.31db
36% Popularity • 36% Danceability • 85% Energy • 30% Liveness
0% Instrumentalness • 68% Positiveness
36% Popularity • 36% Danceability • 85% Energy • 30% Liveness
0% Instrumentalness • 68% Positiveness
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Taylor McCall
Quartermaster
142 bpm • C# Maj • 05:04 • -7.78db
49% Popularity • 59% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
49% Popularity • 59% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Turnpike Troubadours
A Tornado Warning
142 bpm • C Maj • 03:43 • -5.19db
54% Popularity • 48% Danceability • 83% Energy • 6% Liveness
0% Instrumentalness • 51% Positiveness
54% Popularity • 48% Danceability • 83% Energy • 6% Liveness
0% Instrumentalness • 51% Positiveness
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Southall
Serenade
142 bpm • A Maj • 03:11 • -4.63db
39% Popularity • 53% Danceability • 94% Energy • 33% Liveness
0% Instrumentalness • 64% Positiveness
39% Popularity • 53% Danceability • 94% Energy • 33% Liveness
0% Instrumentalness • 64% Positiveness
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Koe Wetzel
Austin
142 bpm • D Maj • 04:34 • -6.1db
50% Popularity • 53% Danceability • 59% Energy • 67% Liveness
0% Instrumentalness • 36% Positiveness
50% Popularity • 53% Danceability • 59% Energy • 67% Liveness
0% Instrumentalness • 36% Positiveness
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Mike Ryan
Damn Good Goodbye
142 bpm • E Maj • 03:32 • -6.38db
57% Popularity • 56% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
57% Popularity • 56% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Flatland Cavalry
Come Back Down
142 bpm • C Maj • 03:28 • -8.72db
51% Popularity • 50% Danceability • 51% Energy • 28% Liveness
0% Instrumentalness • 36% Positiveness
51% Popularity • 50% Danceability • 51% Energy • 28% Liveness
0% Instrumentalness • 36% Positiveness
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Aaron Watson
July In Cheyenne (Song For Lane's Momma)
142 bpm • E Maj • 04:22 • -7.52db
52% Popularity • 59% Danceability • 51% Energy • 5% Liveness
0% Instrumentalness • 33% Positiveness
52% Popularity • 59% Danceability • 51% Energy • 5% Liveness
0% Instrumentalness • 33% Positiveness
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Carson Jeffrey
Take Away This Pain
141 bpm • E min • 03:20 • -5.44db
45% Popularity • 45% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
45% Popularity • 45% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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The Dirt Drifters
There She Goes
151 bpm • G Maj • 03:18 • -6.32db
19% Popularity • 49% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 55% Positiveness
19% Popularity • 49% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 55% Positiveness
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Koe Wetzel
Lonely as It Gets
141 bpm • D Maj • 04:16 • -5.53db
50% Popularity • 44% Danceability • 67% Energy • 42% Liveness
0% Instrumentalness • 32% Positiveness
50% Popularity • 44% Danceability • 67% Energy • 42% Liveness
0% Instrumentalness • 32% Positiveness
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Chris Stapleton
Up To No Good Livin'
151 bpm • C Maj • 04:05 • -7.61db
52% Popularity • 45% Danceability • 50% Energy • 24% Liveness
1% Instrumentalness • 40% Positiveness
52% Popularity • 45% Danceability • 50% Energy • 24% Liveness
1% Instrumentalness • 40% Positiveness
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Charlie Robison
My Hometown
141 bpm • G Maj • 04:22 • -8.64db
51% Popularity • 56% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
51% Popularity • 56% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Kolton Moore & the Clever Few
Tattooed Cigarette
141 bpm • F min • 02:56 • -10.5db
62% Popularity • 68% Danceability • 37% Energy • 33% Liveness
0% Instrumentalness • 43% Positiveness
62% Popularity • 68% Danceability • 37% Energy • 33% Liveness
0% Instrumentalness • 43% Positiveness
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Zane Williams
Pablo and Maria
140 bpm • A min • 05:32 • -11.7db
18% Popularity • 45% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
18% Popularity • 45% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Randy Rogers
In My Arms Instead
152 bpm • A Maj • 04:54 • -4.19db
32% Popularity • 25% Danceability • 69% Energy • 40% Liveness
0% Instrumentalness • 38% Positiveness
32% Popularity • 25% Danceability • 69% Energy • 40% Liveness
0% Instrumentalness • 38% Positiveness
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Rob Baird
Ain't Nobody Got a Hold on Me
152 bpm • A Maj • 03:50 • -8.97db
31% Popularity • 54% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
31% Popularity • 54% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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49 Winchester
Damn Darlin'
140 bpm • D Maj • 03:19 • -9.95db
25% Popularity • 57% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
25% Popularity • 57% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Grady Spencer & the Work
Take My Hell
140 bpm • D Maj • 04:34 • -6.24db
39% Popularity • 57% Danceability • 68% Energy • 23% Liveness
0% Instrumentalness • 34% Positiveness
39% Popularity • 57% Danceability • 68% Energy • 23% Liveness
0% Instrumentalness • 34% Positiveness
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Southall
Beautiful Eyes
140 bpm • C Maj • 04:01 • -5.04db
41% Popularity • 60% Danceability • 80% Energy • 33% Liveness
0% Instrumentalness • 70% Positiveness
41% Popularity • 60% Danceability • 80% Energy • 33% Liveness
0% Instrumentalness • 70% Positiveness
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The Cadillac Three
Runnin' Red Lights
140 bpm • F Maj • 03:06 • -9.5db
50% Popularity • 49% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
50% Popularity • 49% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Mikele Buck Band
In Came You
140 bpm • D# Maj • 03:33 • -5.15db
37% Popularity • 53% Danceability • 79% Energy • 17% Liveness
0% Instrumentalness • 50% Positiveness
37% Popularity • 53% Danceability • 79% Energy • 17% Liveness
0% Instrumentalness • 50% Positiveness
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Thieving Birds
Too Young
140 bpm • G Maj • 04:20 • -6.66db
43% Popularity • 56% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
43% Popularity • 56% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Rob Baird
When I Go
140 bpm • E Maj • 04:26 • -11.38db
31% Popularity • 62% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
31% Popularity • 62% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Whiskey Myers
Bad Weather
140 bpm • B min • 06:03 • -9.51db
38% Popularity • 49% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
38% Popularity • 49% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Koe Wetzel
L.T.W.Y.H.M.
140 bpm • A Maj • 03:29 • -7.12db
44% Popularity • 44% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 8% Positiveness
44% Popularity • 44% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 8% Positiveness
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Casey Donahew
Drove Me to the Whiskey
140 bpm • G Maj • 03:20 • -8.7db
54% Popularity • 48% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
54% Popularity • 48% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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American Aquarium
Brother, Oh Brother
154 bpm • A Maj • 04:06 • -12.38db
35% Popularity • 54% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
35% Popularity • 54% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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J.R. Carroll
Stay
139 bpm • A Maj • 03:51 • -10.97db
43% Popularity • 58% Danceability • 13% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
43% Popularity • 58% Danceability • 13% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
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Zach Bryan
Messed up Kid
139 bpm • D Maj • 04:19 • -11.11db
58% Popularity • 62% Danceability • 14% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
58% Popularity • 62% Danceability • 14% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
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Bart Crow
All I Need
139 bpm • F# Maj • 04:25 • -7db
27% Popularity • 50% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
27% Popularity • 50% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
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The Dirt Drifters
Sun Goes Down
139 bpm • G Maj • 03:51 • -4.65db
9% Popularity • 46% Danceability • 75% Energy • 42% Liveness
0% Instrumentalness • 20% Positiveness
9% Popularity • 46% Danceability • 75% Energy • 42% Liveness
0% Instrumentalness • 20% Positiveness
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Casey Donahew
Bad Guy
140 bpm • F Maj • 03:13 • -9.47db
49% Popularity • 67% Danceability • 35% Energy • 20% Liveness
0% Instrumentalness • 50% Positiveness
49% Popularity • 67% Danceability • 35% Energy • 20% Liveness
0% Instrumentalness • 50% Positiveness
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John Baumann
Midland
154 bpm • D Maj • 04:05 • -9.67db
37% Popularity • 55% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
37% Popularity • 55% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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JB and the Moonshine Band
The Only Drug
138 bpm • D Maj • 03:17 • -4.21db
35% Popularity • 53% Danceability • 75% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
35% Popularity • 53% Danceability • 75% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
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Tyler Childers
Bottles and Bibles
138 bpm • D# Maj • 05:30 • -13.93db
47% Popularity • 38% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
47% Popularity • 38% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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Bart Crow
Dandelion
154 bpm • G Maj • 03:52 • -4db
29% Popularity • 44% Danceability • 85% Energy • 26% Liveness
0% Instrumentalness • 42% Positiveness
29% Popularity • 44% Danceability • 85% Energy • 26% Liveness
0% Instrumentalness • 42% Positiveness
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Randy Rogers Band
This Time Around
138 bpm • A Maj • 04:33 • -4.58db
38% Popularity • 41% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
38% Popularity • 41% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Sam Riggs
Hold on and Let Go
138 bpm • G Maj • 03:56 • -8.01db
41% Popularity • 60% Danceability • 45% Energy • 17% Liveness
0% Instrumentalness • 28% Positiveness
41% Popularity • 60% Danceability • 45% Energy • 17% Liveness
0% Instrumentalness • 28% Positiveness
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Curtis Grimes
From Where I'm Standing
138 bpm • D# Maj • 03:11 • -6.16db
43% Popularity • 60% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
43% Popularity • 60% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Brandon Rhyder
Back Roads
138 bpm • G Maj • 04:04 • -5db
40% Popularity • 60% Danceability • 59% Energy • 36% Liveness
0% Instrumentalness • 34% Positiveness
40% Popularity • 60% Danceability • 59% Energy • 36% Liveness
0% Instrumentalness • 34% Positiveness
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Flatland Cavalry
Ain't Over You Yet
138 bpm • G Maj • 03:43 • -8.37db
53% Popularity • 50% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
53% Popularity • 50% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
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Trey Pendley
Daddy's Son
138 bpm • D# Maj • 04:45 • -10.54db
40% Popularity • 48% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
40% Popularity • 48% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Randy Rogers Band
In My Arms Instead
155 bpm • A Maj • 05:18 • -6.91db
57% Popularity • 48% Danceability • 68% Energy • 47% Liveness
0% Instrumentalness • 42% Positiveness
57% Popularity • 48% Danceability • 68% Energy • 47% Liveness
0% Instrumentalness • 42% Positiveness
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Carson Jeffrey
High Tonight
137 bpm • F# Maj • 04:31 • -7db
36% Popularity • 54% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
36% Popularity • 54% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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The Lowdown Drifters
Diesel Smoke
155 bpm • G Maj • 03:05 • -6.96db
34% Popularity • 48% Danceability • 71% Energy • 35% Liveness
0% Instrumentalness • 52% Positiveness
34% Popularity • 48% Danceability • 71% Energy • 35% Liveness
0% Instrumentalness • 52% Positiveness
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Low Gap
Mockingbird
137 bpm • A# Maj • 03:28 • -5.96db
32% Popularity • 58% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
32% Popularity • 58% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
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Kolton Moore & the Clever Few
Just Stay
137 bpm • G Maj • 03:52 • -13db
36% Popularity • 63% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
36% Popularity • 63% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Drayton Farley
American Dream
137 bpm • G Maj • 02:55 • -14.92db
54% Popularity • 44% Danceability • 23% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
54% Popularity • 44% Danceability • 23% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
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Sundy Best
I Wanna Go Home
156 bpm • B min • 03:47 • -5.72db
32% Popularity • 46% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
32% Popularity • 46% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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The Cadillac Three
White Lightning
137 bpm • G Maj • 02:58 • -4.3db
48% Popularity • 42% Danceability • 74% Energy • 17% Liveness
0% Instrumentalness • 33% Positiveness
48% Popularity • 42% Danceability • 74% Energy • 17% Liveness
0% Instrumentalness • 33% Positiveness
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The Lowdown Drifters
Give up on the Dream
156 bpm • A# Maj • 03:41 • -5.36db
23% Popularity • 57% Danceability • 70% Energy • 18% Liveness
1% Instrumentalness • 60% Positiveness
23% Popularity • 57% Danceability • 70% Energy • 18% Liveness
1% Instrumentalness • 60% Positiveness
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Tennessee Jet
What Kind of Man
137 bpm • G Maj • 03:34 • -11.65db
30% Popularity • 49% Danceability • 14% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
30% Popularity • 49% Danceability • 14% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
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Josh Abbott Band
She's Like Texas
156 bpm • D Maj • 03:55 • -6.91db
55% Popularity • 50% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
55% Popularity • 50% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Carson Jeffrey
Only Star in My Sky
156 bpm • F# Maj • 03:02 • -4.62db
36% Popularity • 52% Danceability • 77% Energy • 19% Liveness
0% Instrumentalness • 48% Positiveness
36% Popularity • 52% Danceability • 77% Energy • 19% Liveness
0% Instrumentalness • 48% Positiveness
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Tyler Childers
If Whiskey Could Talk
136 bpm • G Maj • 03:51 • -13.11db
58% Popularity • 58% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
58% Popularity • 58% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Chris Knight
Enough Rope
136 bpm • G Maj • 03:56 • -8.1db
36% Popularity • 54% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
36% Popularity • 54% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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Taylor McCall
Waccamaw Drive
136 bpm • C# Maj • 03:47 • -8.95db
40% Popularity • 53% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
40% Popularity • 53% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
