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Hurt
Songs like
Hurt
by
Ski-King
Based on a tempo of (+/- 10%) and a similar genre
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Ulf Nilsson
It´s Time To Rock´n´Roll
92 bpm • E Maj • 03:59 • -6.5db
18% Popularity • 60% Danceability • 78% Energy • 6% Liveness
0% Instrumentalness • 65% Positiveness
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Ski-King
Hurt
92 bpm • A min • 03:39 • -8.15db
15% Popularity • 56% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
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The Coffinshakers
Walpurgis Night
93 bpm • A min • 03:39 • -7.35db
31% Popularity • 54% Danceability • 86% Energy • 50% Liveness
6% Instrumentalness • 53% Positiveness
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Andreas Diehlmann Band
Price To Pay
92 bpm • G Maj • 05:30 • -5.66db
12% Popularity • 41% Danceability • 80% Energy • 15% Liveness
38% Instrumentalness • 49% Positiveness
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The Carburetors
Let It Rock
91 bpm • E min • 02:30 • -5.13db
23% Popularity • 41% Danceability • 90% Energy • 45% Liveness
1% Instrumentalness • 46% Positiveness
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100 Watt Vipers
He Walks so Heavy
91 bpm • F# Maj • 04:08 • -5.26db
17% Popularity • 50% Danceability • 62% Energy • 11% Liveness
1% Instrumentalness • 29% Positiveness
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The Heavy Horses
Anyone Can Tell
91 bpm • B min • 05:16 • -9.43db
32% Popularity • 56% Danceability • 57% Energy • 11% Liveness
1% Instrumentalness • 51% Positiveness
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Ohrenfeindt
Kalter Kaffee
93 bpm • D Maj • 03:09 • -2.99db
14% Popularity • 53% Danceability • 77% Energy • 35% Liveness
1% Instrumentalness • 38% Positiveness
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V8 Wankers
Bad Moon Rising (Bonus Track)
93 bpm • D Maj • 02:33 • -5.33db
28% Popularity • 46% Danceability • 90% Energy • 15% Liveness
0% Instrumentalness • 73% Positiveness
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Die Toten Hosen
The Guns of Brixton - Unplugged im Wiene...
93 bpm • F# Maj • 02:50 • -8.37db
25% Popularity • 57% Danceability • 67% Energy • 37% Liveness
0% Instrumentalness • 64% Positiveness
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Ski's Country Trash
Join Me
91 bpm • G Maj • 03:22 • -10.38db
19% Popularity • 64% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Nikolai Will
Kapitel 22: Klang des Schweigens
93 bpm • C Maj • 06:35 • -27.7db
0% Popularity • 61% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Scott H. Biram
TrainWrecker
93 bpm • D Maj • 02:36 • -4.78db
13% Popularity • 32% Danceability • 94% Energy • 32% Liveness
0% Instrumentalness • 61% Positiveness
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Ken Hensley
Lady in Black
93 bpm • A min • 08:00 • -7.69db
32% Popularity • 54% Danceability • 62% Energy • 2% Liveness
0% Instrumentalness • 36% Positiveness
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Hot Rod Frankie
Broken wings
91 bpm • A Maj • 03:44 • -6.1db
17% Popularity • 43% Danceability • 92% Energy • 34% Liveness
0% Instrumentalness • 31% Positiveness
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Bellhound Choir
Sail On
93 bpm • A Maj • 03:41 • -14.54db
30% Popularity • 43% Danceability • 14% Energy • 15% Liveness
0% Instrumentalness • 21% Positiveness
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Boo Boo Davis
I'm so Tired
94 bpm • F Maj • 05:06 • -6db
22% Popularity • 74% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Bret Levick
So Many Ways Back Down
90 bpm • A min • 03:14 • -8.23db
21% Popularity • 63% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
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Blues Saraceno
Run All Night
94 bpm • G Maj • 03:02 • -6.09db
32% Popularity • 50% Danceability • 79% Energy • 10% Liveness
42% Instrumentalness • 48% Positiveness
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Hank Davison Band
Face Of A Wanted Man
90 bpm • G# Maj • 04:34 • -4.95db
10% Popularity • 65% Danceability • 66% Energy • 3% Liveness
1% Instrumentalness • 62% Positiveness
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Diesel Dahl
Harley-Davidson
90 bpm • A# min • 03:28 • -7db
29% Popularity • 60% Danceability • 68% Energy • 33% Liveness
0% Instrumentalness • 35% Positiveness
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Bellhound Choir
Havoc
94 bpm • D Maj • 03:22 • -10.16db
34% Popularity • 45% Danceability • 42% Energy • 8% Liveness
2% Instrumentalness • 17% Positiveness
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Halford
Till the Day I Die
90 bpm • C# min • 03:50 • -8.28db
36% Popularity • 52% Danceability • 72% Energy • 14% Liveness
16% Instrumentalness • 42% Positiveness
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Whiskeydick
Fast Life
94 bpm • E min • 02:03 • -7.44db
23% Popularity • 70% Danceability • 37% Energy • 34% Liveness
0% Instrumentalness • 67% Positiveness
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Blues Saraceno
Outlaw Justice
90 bpm • A Maj • 03:35 • -5.5db
38% Popularity • 53% Danceability • 87% Energy • 9% Liveness
53% Instrumentalness • 62% Positiveness
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Johnny Trouble
Small Town Blues
90 bpm • E min • 03:00 • -9.11db
17% Popularity • 55% Danceability • 61% Energy • 26% Liveness
0% Instrumentalness • 62% Positiveness
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Ski-King
51st State of America
94 bpm • A min • 03:44 • -4.6db
8% Popularity • 42% Danceability • 88% Energy • 17% Liveness
0% Instrumentalness • 41% Positiveness
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J.Tex
I Still Miss Someone
95 bpm • C Maj • 03:39 • -12.81db
24% Popularity • 64% Danceability • 27% Energy • 10% Liveness
3% Instrumentalness • 28% Positiveness
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Nick Nolan
Hang 'em High
95 bpm • E min • 03:38 • -4.86db
36% Popularity • 39% Danceability • 75% Energy • 10% Liveness
34% Instrumentalness • 37% Positiveness
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Perkele
What Have I Done
95 bpm • D min • 03:37 • -7.36db
24% Popularity • 55% Danceability • 72% Energy • 41% Liveness
0% Instrumentalness • 80% Positiveness
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Blues Saraceno
The Bible or the Gun (Synthwave)
90 bpm • F Maj • 03:11 • -7.5db
25% Popularity • 53% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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Bourbon Boys
Son of the North
95 bpm • C min • 03:17 • -4db
27% Popularity • 59% Danceability • 91% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
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Ski-King
Little Girl
90 bpm • B min • 04:03 • -4.5db
12% Popularity • 38% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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Blood God
Blowjob Barbie
95 bpm • A Maj • 03:49 • -4.84db
8% Popularity • 54% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Nick Nolan
Rebel Soul
89 bpm • C Maj • 02:47 • -3.34db
25% Popularity • 28% Danceability • 97% Energy • 33% Liveness
5% Instrumentalness • 53% Positiveness
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Wild Rooster
I'm Coming Home
95 bpm • E min • 02:46 • -8.04db
29% Popularity • 58% Danceability • 92% Energy • 25% Liveness
0% Instrumentalness • 72% Positiveness
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Scott H. Biram
Still Around
95 bpm • A min • 02:48 • -8.69db
43% Popularity • 54% Danceability • 44% Energy • 10% Liveness
2% Instrumentalness • 44% Positiveness
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The Hillbilly Moon Explosion
Obsession
89 bpm • G Maj • 02:50 • -6.05db
23% Popularity • 53% Danceability • 87% Energy • 32% Liveness
0% Instrumentalness • 53% Positiveness
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Ski-King
Built My Hate Around You
95 bpm • C Maj • 03:45 • -5.3db
4% Popularity • 54% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Preacher Stone
Not Today
89 bpm • G Maj • 04:23 • -6.13db
27% Popularity • 38% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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The Carburetors
Burning Love
89 bpm • D Maj • 03:24 • -7.35db
23% Popularity • 34% Danceability • 88% Energy • 32% Liveness
0% Instrumentalness • 49% Positiveness
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The Heavy Horses
Crooked Smile
95 bpm • B min • 03:55 • -8db
27% Popularity • 59% Danceability • 67% Energy • 14% Liveness
2% Instrumentalness • 84% Positiveness
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Me And That Man
On The Road
96 bpm • F min • 04:16 • -6db
26% Popularity • 55% Danceability • 72% Energy • 11% Liveness
12% Instrumentalness • 59% Positiveness
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Krokus
Wild Thing
96 bpm • F# Maj • 03:49 • -4.7db
24% Popularity • 54% Danceability • 91% Energy • 14% Liveness
8% Instrumentalness • 62% Positiveness
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Ski-King
Thunder Rolls
89 bpm • D Maj • 04:18 • -4.32db
5% Popularity • 68% Danceability • 80% Energy • 28% Liveness
0% Instrumentalness • 65% Positiveness
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SwampDaWamp
Rock This Country
88 bpm • A Maj • 02:57 • -7.08db
21% Popularity • 49% Danceability • 86% Energy • 26% Liveness
1% Instrumentalness • 68% Positiveness
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Andreas Diehlmann Band
Nothing But The Blues
88 bpm • C Maj • 03:43 • -5db
23% Popularity • 57% Danceability • 77% Energy • 57% Liveness
1% Instrumentalness • 72% Positiveness
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The Sinners
Heading South
88 bpm • A Maj • 06:07 • -5.4db
24% Popularity • 58% Danceability • 65% Energy • 12% Liveness
1% Instrumentalness • 58% Positiveness
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Ohrenfeindt
Motormädchen
88 bpm • C Maj • 03:17 • -3.01db
18% Popularity • 63% Danceability • 82% Energy • 41% Liveness
0% Instrumentalness • 36% Positiveness
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Bound by Law
Devil's Burning Whelp
88 bpm • B min • 05:29 • -11.73db
12% Popularity • 67% Danceability • 38% Energy • 13% Liveness
3% Instrumentalness • 27% Positiveness
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Ski-King
5 Block to the Subway
88 bpm • C Maj • 03:03 • -6.77db
4% Popularity • 70% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
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Alice Cooper
The Saga of Jesse Jane
88 bpm • C Maj • 04:15 • -9db
25% Popularity • 68% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
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Steve Brack
Bikers Creed
88 bpm • B min • 03:17 • -5.04db
8% Popularity • 49% Danceability • 85% Energy • 10% Liveness
16% Instrumentalness • 57% Positiveness
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Nitrogods
Whiskey Wonderland
97 bpm • C Maj • 03:58 • -3.17db
13% Popularity • 39% Danceability • 91% Energy • 29% Liveness
6% Instrumentalness • 45% Positiveness
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The Killbilly 5'ers
Good Thing I'm Bad
97 bpm • E Maj • 03:51 • -4.41db
18% Popularity • 60% Danceability • 98% Energy • 69% Liveness
0% Instrumentalness • 90% Positiveness
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Joshua James
No Milk Today
97 bpm • A Maj • 04:01 • -9.03db
25% Popularity • 53% Danceability • 49% Energy • 12% Liveness
6% Instrumentalness • 22% Positiveness
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The Forest Rangers
On Our Way
97 bpm • D# Maj • 04:12 • -6.24db
13% Popularity • 67% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Big Time Bossmen
The Last Fuck
97 bpm • A min • 02:38 • -7.83db
17% Popularity • 60% Danceability • 78% Energy • 11% Liveness
2% Instrumentalness • 57% Positiveness
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Thundermother
Fire in the Rain
87 bpm • C Maj • 03:36 • -11.15db
18% Popularity • 60% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Tim Steinfort
In the Gutter
98 bpm • C Maj • 02:56 • -7.41db
15% Popularity • 44% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
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The Killbilly 5'ers
No Bull
97 bpm • B Maj • 03:17 • -4.97db
14% Popularity • 64% Danceability • 83% Energy • 19% Liveness
0% Instrumentalness • 66% Positiveness
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Hot Rod Frankie
03 Alone in the woods
98 bpm • D min • 04:31 • -5.92db
24% Popularity • 69% Danceability • 80% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
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The Carburetors
Allright, Allright
98 bpm • B min • 03:25 • -3.81db
24% Popularity • 44% Danceability • 96% Energy • 20% Liveness
0% Instrumentalness • 36% Positiveness
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Whiskeydick
Drunk as Hell
87 bpm • C Maj • 04:49 • -8.09db
27% Popularity • 45% Danceability • 48% Energy • 25% Liveness
2% Instrumentalness • 52% Positiveness
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Thundermother
Revival
87 bpm • D Maj • 03:52 • -9.56db
28% Popularity • 54% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Ski-King
Thirteen
98 bpm • E min • 02:49 • -8.48db
12% Popularity • 66% Danceability • 56% Energy • 67% Liveness
0% Instrumentalness • 50% Positiveness
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Axel Rudi Pell
In the Air Tonight
98 bpm • C# min • 08:38 • -6.31db
35% Popularity • 55% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Ryan Horne
Hell To Pay
98 bpm • F Maj • 04:26 • -13.87db
15% Popularity • 50% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Red & White 81
Big House Crew
86 bpm • C Maj • 04:15 • -3.9db
19% Popularity • 45% Danceability • 90% Energy • 25% Liveness
0% Instrumentalness • 58% Positiveness
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Mojo Monkeys
Beating Dead Horses
86 bpm • G Maj • 05:18 • -6db
23% Popularity • 56% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Bound by Law
The Live One
99 bpm • G Maj • 04:10 • -7db
16% Popularity • 34% Danceability • 76% Energy • 13% Liveness
15% Instrumentalness • 24% Positiveness
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Ski-King
Warriors of the World
99 bpm • E min • 03:46 • -5.23db
28% Popularity • 65% Danceability • 75% Energy • 38% Liveness
0% Instrumentalness • 58% Positiveness
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Kerstin Raphahn
Kapitel 2: Der Wiener Opernball
86 bpm • G Maj • 07:10 • -22.32db
0% Popularity • 53% Danceability • 28% Energy • 87% Liveness
0% Instrumentalness • 58% Positiveness
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Gotthard
Mighty Quinn
98 bpm • E Maj • 03:15 • -4.86db
44% Popularity • 56% Danceability • 91% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
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Harley's Studio Band
Green Grass And High Tides
99 bpm • E min • 03:21 • -10.89db
16% Popularity • 46% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 27% Positiveness
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Stoner Train
Crow Above My Temple
99 bpm • C min • 03:54 • -9.21db
10% Popularity • 52% Danceability • 32% Energy • 11% Liveness
44% Instrumentalness • 38% Positiveness
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Johnny Trouble
Southbound Train
99 bpm • A min • 03:29 • -8.8db
14% Popularity • 63% Danceability • 65% Energy • 10% Liveness
10% Instrumentalness • 78% Positiveness
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Me And That Man
Shaman Blues
99 bpm • A Maj • 04:00 • -5.5db
19% Popularity • 33% Danceability • 66% Energy • 11% Liveness
1% Instrumentalness • 39% Positiveness
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Jimmy Cornett
The Sun Darkens at the Sky
85 bpm • D# Maj • 04:09 • -10.39db
8% Popularity • 49% Danceability • 25% Energy • 20% Liveness
0% Instrumentalness • 17% Positiveness
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Guitar Tom and the High Cats
Favourite Song
99 bpm • A Maj • 02:29 • -5.63db
26% Popularity • 45% Danceability • 97% Energy • 23% Liveness
0% Instrumentalness • 41% Positiveness
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Bound by Law
Mud and Clay - Traveling Band Sessions
100 bpm • G Maj • 05:10 • -13.74db
7% Popularity • 55% Danceability • 43% Energy • 22% Liveness
10% Instrumentalness • 12% Positiveness
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Thorbjørn Risager
Long Forgotten Track
100 bpm • G min • 05:05 • -9.35db
13% Popularity • 46% Danceability • 52% Energy • 71% Liveness
35% Instrumentalness • 28% Positiveness
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Ski-King
Gravedigger
85 bpm • G Maj • 03:46 • -8.24db
8% Popularity • 52% Danceability • 56% Energy • 23% Liveness
2% Instrumentalness • 57% Positiveness
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Strawfoot
Damnation Way
85 bpm • F Maj • 04:31 • -5.81db
19% Popularity • 33% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
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Jimmy Cornett
Hoochie Coochie Man
99 bpm • A min • 02:52 • -3.93db
12% Popularity • 54% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
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Dezperadoz
Riders on the Storm
100 bpm • D Maj • 05:25 • -3.98db
8% Popularity • 36% Danceability • 91% Energy • 24% Liveness
25% Instrumentalness • 41% Positiveness
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Psychopunch
the way she's kissing
100 bpm • D# min • 03:43 • -4.27db
30% Popularity • 44% Danceability • 97% Energy • 35% Liveness
0% Instrumentalness • 55% Positiveness
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Nick Nolan
Wanted Man
100 bpm • E min • 03:22 • -6.44db
35% Popularity • 56% Danceability • 86% Energy • 13% Liveness
1% Instrumentalness • 63% Positiveness
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Ski-King
Still Counting
100 bpm • A min • 04:08 • -3.49db
16% Popularity • 34% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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The Killbilly 5'ers
Up Shit Creek
100 bpm • D Maj • 03:29 • -5.78db
24% Popularity • 50% Danceability • 96% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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Dominic Marsh
Son of a Gun
100 bpm • D min • 02:44 • -16.67db
32% Popularity • 69% Danceability • 24% Energy • 11% Liveness
50% Instrumentalness • 22% Positiveness
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Jimmy Cornett
Rollin’ 81
100 bpm • C Maj • 03:55 • -8.46db
22% Popularity • 52% Danceability • 84% Energy • 60% Liveness
3% Instrumentalness • 74% Positiveness
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Broilers
Cigarettes & Whiskey
100 bpm • A Maj • 03:27 • -5.46db
31% Popularity • 40% Danceability • 90% Energy • 22% Liveness
0% Instrumentalness • 18% Positiveness
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Michael Grumptmann
Kapitel 15: Finaler Kampf
100 bpm • C# Maj • 07:45 • -15.41db
0% Popularity • 62% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Bourbon Crow
A Bed in the Desert
101 bpm • F min • 02:35 • -10.51db
10% Popularity • 56% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Blues Saraceno
When the Devil Calls
84 bpm • F# Maj • 03:55 • -7.01db
40% Popularity • 53% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Andy Susemihl
6 am Canoga
101 bpm • C# Maj • 03:23 • -8.56db
37% Popularity • 59% Danceability • 87% Energy • 17% Liveness
0% Instrumentalness • 75% Positiveness
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Psychopunch
Forever and a Day
84 bpm • C# Maj • 03:46 • -5.57db
13% Popularity • 39% Danceability • 96% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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The Silver Shine
Angels To Some
83 bpm • G# Maj • 04:07 • -4.16db
20% Popularity • 47% Danceability • 95% Energy • 28% Liveness
6% Instrumentalness • 95% Positiveness
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Hot Rod Frankie
Highway 69
102 bpm • G Maj • 02:55 • -3.5db
22% Popularity • 54% Danceability • 96% Energy • 5% Liveness
3% Instrumentalness • 69% Positiveness
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Hurt