Songs like Hurting Myself is so Fun by Cameron Sanderson
Based on a tempo of (+/- 10%) and a similar genre
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NIGHTBREAKERS
Quarter to Midnight
91 bpm • B Maj • 02:51 • -4.49db
31% Popularity • 65% Danceability • 81% Energy • 20% Liveness
0% Instrumentalness • 61% Positiveness
31% Popularity • 65% Danceability • 81% Energy • 20% Liveness
0% Instrumentalness • 61% Positiveness
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Marlhy
Heartbreak Weekend
91 bpm • A Maj • 02:39 • -7db
35% Popularity • 55% Danceability • 80% Energy • 31% Liveness
52% Instrumentalness • 74% Positiveness
35% Popularity • 55% Danceability • 80% Energy • 31% Liveness
52% Instrumentalness • 74% Positiveness
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7evin7ins
plsdontgo
91 bpm • B min • 02:47 • -4.64db
30% Popularity • 30% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
30% Popularity • 30% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Beautiful Beats
visine
91 bpm • C Maj • 01:11 • -9.12db
48% Popularity • 76% Danceability • 59% Energy • 19% Liveness
0% Instrumentalness • 17% Positiveness
48% Popularity • 76% Danceability • 59% Energy • 19% Liveness
0% Instrumentalness • 17% Positiveness
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Haiden Henderson
you don't even like me
91 bpm • A Maj • 03:05 • -11.85db
45% Popularity • 51% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
45% Popularity • 51% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Cameron Sanderson
Hurting Myself is so Fun
91 bpm • A# Maj • 03:18 • -9.1db
30% Popularity • 44% Danceability • 71% Energy • 25% Liveness
0% Instrumentalness • 28% Positiveness
30% Popularity • 44% Danceability • 71% Energy • 25% Liveness
0% Instrumentalness • 28% Positiveness
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Pretty Pacc
Count to Five
92 bpm • D# min • 03:04 • -9.38db
37% Popularity • 32% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
37% Popularity • 32% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Eric Damiano
I Have No One
92 bpm • D# Maj • 02:46 • -5.42db
29% Popularity • 66% Danceability • 48% Energy • 18% Liveness
0% Instrumentalness • 42% Positiveness
29% Popularity • 66% Danceability • 48% Energy • 18% Liveness
0% Instrumentalness • 42% Positiveness
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Jared Benjamin
Not Going Back
90 bpm • C Maj • 02:22 • -6.42db
46% Popularity • 60% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
46% Popularity • 60% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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conner
girls i sleep with
90 bpm • D# Maj • 01:54 • -3.37db
32% Popularity • 53% Danceability • 90% Energy • 17% Liveness
0% Instrumentalness • 66% Positiveness
32% Popularity • 53% Danceability • 90% Energy • 17% Liveness
0% Instrumentalness • 66% Positiveness
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NIGHTBREAKERS
Close
92 bpm • C# Maj • 03:12 • -2.87db
16% Popularity • 64% Danceability • 86% Energy • 35% Liveness
0% Instrumentalness • 80% Positiveness
16% Popularity • 64% Danceability • 86% Energy • 35% Liveness
0% Instrumentalness • 80% Positiveness
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shamlo
fall apart for you
90 bpm • F# Maj • 03:16 • -8db
35% Popularity • 56% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
35% Popularity • 56% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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smittyztop
he-said/she-said
90 bpm • F# min • 03:00 • -4.16db
29% Popularity • 59% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
29% Popularity • 59% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
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Story Untold
from the outside i seem just fine
92 bpm • C Maj • 03:31 • -5.44db
31% Popularity • 61% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
31% Popularity • 61% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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Yung Crusha
stands to reason
90 bpm • G Maj • 01:10 • -5.35db
44% Popularity • 65% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
44% Popularity • 65% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
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Connor Kauffman
Remember
90 bpm • D Maj • 02:10 • -7db
51% Popularity • 65% Danceability • 51% Energy • 18% Liveness
0% Instrumentalness • 50% Positiveness
51% Popularity • 65% Danceability • 51% Energy • 18% Liveness
0% Instrumentalness • 50% Positiveness
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Cortright
Anything
92 bpm • D min • 02:34 • -7.86db
27% Popularity • 65% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 44% Positiveness
27% Popularity • 65% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 44% Positiveness
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Aaron Doh
Jack and Jill
90 bpm • C min • 02:00 • -6.23db
32% Popularity • 63% Danceability • 51% Energy • 20% Liveness
0% Instrumentalness • 30% Positiveness
32% Popularity • 63% Danceability • 51% Energy • 20% Liveness
0% Instrumentalness • 30% Positiveness
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Francis Karel
Handle with Care
92 bpm • C Maj • 02:38 • -4.59db
35% Popularity • 63% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
35% Popularity • 63% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
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H3x
Weight
90 bpm • G# Maj • 02:30 • -8db
31% Popularity • 72% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
31% Popularity • 72% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Story Untold
Toxic Love
92 bpm • C Maj • 02:21 • -6db
45% Popularity • 56% Danceability • 86% Energy • 22% Liveness
0% Instrumentalness • 71% Positiveness
45% Popularity • 56% Danceability • 86% Energy • 22% Liveness
0% Instrumentalness • 71% Positiveness
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UNWELL
Clueless
92 bpm • F min • 04:19 • -1.91db
30% Popularity • 48% Danceability • 99% Energy • 87% Liveness
0% Instrumentalness • 40% Positiveness
30% Popularity • 48% Danceability • 99% Energy • 87% Liveness
0% Instrumentalness • 40% Positiveness
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Idkconundrum
solemn in silence
93 bpm • G Maj • 02:25 • -8.95db
33% Popularity • 62% Danceability • 49% Energy • 35% Liveness
0% Instrumentalness • 39% Positiveness
33% Popularity • 62% Danceability • 49% Energy • 35% Liveness
0% Instrumentalness • 39% Positiveness
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TITUS
SICK ABOUT U
93 bpm • B Maj • 03:08 • -6db
34% Popularity • 53% Danceability • 82% Energy • 24% Liveness
0% Instrumentalness • 42% Positiveness
34% Popularity • 53% Danceability • 82% Energy • 24% Liveness
0% Instrumentalness • 42% Positiveness
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Cameron Sanderson
If Our Lives Were in Film Mode
89 bpm • E Maj • 03:01 • -6.56db
14% Popularity • 49% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
14% Popularity • 49% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Outsider Heart
I'M NOT THE ONE
93 bpm • C# min • 03:13 • -3.99db
26% Popularity • 56% Danceability • 84% Energy • 46% Liveness
0% Instrumentalness • 26% Positiveness
26% Popularity • 56% Danceability • 84% Energy • 46% Liveness
0% Instrumentalness • 26% Positiveness
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Knox
Leg Day
93 bpm • A# Maj • 03:07 • -4.11db
43% Popularity • 56% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
43% Popularity • 56% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Layto
LOST IT
88 bpm • A# min • 02:46 • -9.6db
45% Popularity • 50% Danceability • 69% Energy • 19% Liveness
0% Instrumentalness • 43% Positiveness
45% Popularity • 50% Danceability • 69% Energy • 19% Liveness
0% Instrumentalness • 43% Positiveness
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smittyztop
if i leave will you stay
94 bpm • C# Maj • 02:09 • -6.28db
35% Popularity • 54% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
35% Popularity • 54% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Drawn To The Sky
Pretty Little Lies
88 bpm • D# min • 02:22 • -4.97db
34% Popularity • 51% Danceability • 86% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
34% Popularity • 51% Danceability • 86% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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Jøhn Tyler
YOU CANT SAVE ME
88 bpm • G# Maj • 03:46 • -5.54db
30% Popularity • 52% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
30% Popularity • 52% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Miss Fortune
Fentanyl - Stripped
88 bpm • F Maj • 03:19 • -4.48db
26% Popularity • 48% Danceability • 58% Energy • 17% Liveness
0% Instrumentalness • 42% Positiveness
26% Popularity • 48% Danceability • 58% Energy • 17% Liveness
0% Instrumentalness • 42% Positiveness
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7evin7ins
Mr. Fantastic
88 bpm • C min • 02:12 • -6.04db
33% Popularity • 62% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
33% Popularity • 62% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Eric Damiano
Haunted Mansion
95 bpm • G Maj • 03:44 • -9.5db
23% Popularity • 54% Danceability • 52% Energy • 27% Liveness
0% Instrumentalness • 34% Positiveness
23% Popularity • 54% Danceability • 52% Energy • 27% Liveness
0% Instrumentalness • 34% Positiveness
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girlfriends
2am
95 bpm • E Maj • 02:27 • -5db
43% Popularity • 56% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
43% Popularity • 56% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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John Harvie
My Name (In Your Mouth)
95 bpm • B Maj • 02:03 • -3.53db
25% Popularity • 58% Danceability • 93% Energy • 30% Liveness
0% Instrumentalness • 50% Positiveness
25% Popularity • 58% Danceability • 93% Energy • 30% Liveness
0% Instrumentalness • 50% Positiveness
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Cameron Sanderson
Pardon Me
95 bpm • B Maj • 03:26 • -9.43db
2% Popularity • 67% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
2% Popularity • 67% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Beyond Unbroken
Memories (Acoustic)
95 bpm • C Maj • 02:10 • -7db
28% Popularity • 48% Danceability • 55% Energy • 33% Liveness
0% Instrumentalness • 24% Positiveness
28% Popularity • 48% Danceability • 55% Energy • 33% Liveness
0% Instrumentalness • 24% Positiveness
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Braden Bales
I'VE GOT IT BAD
95 bpm • G min • 02:26 • -9.26db
28% Popularity • 70% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
28% Popularity • 70% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Story Untold
I'M A-OK
95 bpm • C min • 02:23 • -6db
43% Popularity • 57% Danceability • 90% Energy • 9% Liveness
58% Instrumentalness • 50% Positiveness
43% Popularity • 57% Danceability • 90% Energy • 9% Liveness
58% Instrumentalness • 50% Positiveness
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Miss Fortune
Cruel Summer
95 bpm • G# Maj • 02:54 • -7db
35% Popularity • 61% Danceability • 48% Energy • 25% Liveness
0% Instrumentalness • 42% Positiveness
35% Popularity • 61% Danceability • 48% Energy • 25% Liveness
0% Instrumentalness • 42% Positiveness
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smittyztop
shit show!
95 bpm • C# Maj • 02:52 • -5.2db
30% Popularity • 53% Danceability • 91% Energy • 33% Liveness
0% Instrumentalness • 84% Positiveness
30% Popularity • 53% Danceability • 91% Energy • 33% Liveness
0% Instrumentalness • 84% Positiveness
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John Harvie
Alaina
95 bpm • F# Maj • 02:46 • -4.43db
32% Popularity • 58% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
32% Popularity • 58% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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Magnolia Park
10 for 10
95 bpm • E Maj • 02:17 • -3db
54% Popularity • 49% Danceability • 87% Energy • 32% Liveness
0% Instrumentalness • 50% Positiveness
54% Popularity • 49% Danceability • 87% Energy • 32% Liveness
0% Instrumentalness • 50% Positiveness
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Outsider Heart
High (Wasted On You)
95 bpm • G min • 03:19 • -4db
25% Popularity • 56% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
25% Popularity • 56% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Jack The Underdog
SAD TODAY
95 bpm • D Maj • 02:15 • -7db
41% Popularity • 62% Danceability • 79% Energy • 25% Liveness
0% Instrumentalness • 70% Positiveness
41% Popularity • 62% Danceability • 79% Energy • 25% Liveness
0% Instrumentalness • 70% Positiveness
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Taylor Acorn
Shapeshifting
95 bpm • F Maj • 03:16 • -3db
55% Popularity • 61% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
55% Popularity • 61% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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smittyztop
letdown
95 bpm • E Maj • 02:54 • -4.57db
18% Popularity • 55% Danceability • 87% Energy • 38% Liveness
0% Instrumentalness • 66% Positiveness
18% Popularity • 55% Danceability • 87% Energy • 38% Liveness
0% Instrumentalness • 66% Positiveness
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7evin7ins
Tear You Down
95 bpm • A min • 02:32 • -3.34db
36% Popularity • 49% Danceability • 93% Energy • 44% Liveness
0% Instrumentalness • 69% Positiveness
36% Popularity • 49% Danceability • 93% Energy • 44% Liveness
0% Instrumentalness • 69% Positiveness
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John Harvie
A Little Bit Longer
95 bpm • E Maj • 02:56 • -4.69db
23% Popularity • 60% Danceability • 81% Energy • 25% Liveness
0% Instrumentalness • 53% Positiveness
23% Popularity • 60% Danceability • 81% Energy • 25% Liveness
0% Instrumentalness • 53% Positiveness
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Story Untold
This Song Goes Out To You
95 bpm • C Maj • 02:50 • -7db
34% Popularity • 64% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
34% Popularity • 64% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Mathue
FEELS LIKE HELL
95 bpm • F# Maj • 02:35 • -7.88db
21% Popularity • 55% Danceability • 64% Energy • 21% Liveness
0% Instrumentalness • 49% Positiveness
21% Popularity • 55% Danceability • 64% Energy • 21% Liveness
0% Instrumentalness • 49% Positiveness
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Sierra Annie
Carly
95 bpm • E Maj • 02:40 • -5.95db
36% Popularity • 59% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
36% Popularity • 59% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
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American Teeth
SELFISH
95 bpm • F# Maj • 02:27 • -5.58db
22% Popularity • 60% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
22% Popularity • 60% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Ty Lorenzo
YVONNE
95 bpm • B Maj • 02:44 • -3.7db
34% Popularity • 58% Danceability • 96% Energy • 53% Liveness
0% Instrumentalness • 47% Positiveness
34% Popularity • 58% Danceability • 96% Energy • 53% Liveness
0% Instrumentalness • 47% Positiveness
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tyler drama
adore
95 bpm • B Maj • 02:22 • -3.29db
32% Popularity • 52% Danceability • 93% Energy • 40% Liveness
0% Instrumentalness • 40% Positiveness
32% Popularity • 52% Danceability • 93% Energy • 40% Liveness
0% Instrumentalness • 40% Positiveness
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Nowhere Left
Tragedy - Acoustic
95 bpm • G# Maj • 02:55 • -4.3db
14% Popularity • 58% Danceability • 74% Energy • 18% Liveness
0% Instrumentalness • 65% Positiveness
14% Popularity • 58% Danceability • 74% Energy • 18% Liveness
0% Instrumentalness • 65% Positiveness
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Max Bennett Kelly
Birthday
95 bpm • D# Maj • 02:12 • -4db
32% Popularity • 72% Danceability • 87% Energy • 37% Liveness
0% Instrumentalness • 61% Positiveness
32% Popularity • 72% Danceability • 87% Energy • 37% Liveness
0% Instrumentalness • 61% Positiveness
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Cameron Sanderson
Grey
87 bpm • B Maj • 02:54 • -8.18db
11% Popularity • 58% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
11% Popularity • 58% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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Imfalls
We Just Started
87 bpm • A# Maj • 02:29 • -6.46db
18% Popularity • 29% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
18% Popularity • 29% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Elijah Kyle
MY OLD FRIEND
87 bpm • C Maj • 02:17 • -5.04db
29% Popularity • 56% Danceability • 50% Energy • 21% Liveness
0% Instrumentalness • 32% Positiveness
29% Popularity • 56% Danceability • 50% Energy • 21% Liveness
0% Instrumentalness • 32% Positiveness
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John Harvie
Elephant
96 bpm • A# Maj • 02:37 • -5.45db
26% Popularity • 58% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
26% Popularity • 58% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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H3x
Another Me
96 bpm • A# Maj • 03:26 • -12.86db
28% Popularity • 68% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
28% Popularity • 68% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
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The New Violence
uglY oN thE iNSiDe
96 bpm • G# Maj • 02:11 • -5.64db
33% Popularity • 54% Danceability • 91% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
33% Popularity • 54% Danceability • 91% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
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Cameron Sanderson
Wrapping Your Ghost
96 bpm • A# Maj • 04:03 • -7.54db
14% Popularity • 35% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
14% Popularity • 35% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Beauty School Dropout
SEE YOU IN HELL
96 bpm • B min • 03:27 • -6.1db
40% Popularity • 66% Danceability • 68% Energy • 31% Liveness
0% Instrumentalness • 52% Positiveness
40% Popularity • 66% Danceability • 68% Energy • 31% Liveness
0% Instrumentalness • 52% Positiveness
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Robert Grace
You Left
96 bpm • A# Maj • 03:42 • -5db
29% Popularity • 74% Danceability • 75% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
29% Popularity • 74% Danceability • 75% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
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7evin7ins
Wake Up
96 bpm • F Maj • 02:54 • -7.88db
37% Popularity • 56% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
37% Popularity • 56% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
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Sueco
Hate You Too
96 bpm • E Maj • 02:42 • -7db
42% Popularity • 63% Danceability • 51% Energy • 29% Liveness
0% Instrumentalness • 58% Positiveness
42% Popularity • 63% Danceability • 51% Energy • 29% Liveness
0% Instrumentalness • 58% Positiveness
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Arrested Youth
Leave My Casket Open...
85 bpm • D Maj • 02:44 • -7.53db
45% Popularity • 57% Danceability • 65% Energy • 7% Liveness
2% Instrumentalness • 22% Positiveness
45% Popularity • 57% Danceability • 65% Energy • 7% Liveness
2% Instrumentalness • 22% Positiveness
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Cameron Sanderson
While You're Sleeping in My Sweater
86 bpm • G Maj • 03:01 • -7.08db
14% Popularity • 55% Danceability • 79% Energy • 12% Liveness
16% Instrumentalness • 45% Positiveness
14% Popularity • 55% Danceability • 79% Energy • 12% Liveness
16% Instrumentalness • 45% Positiveness
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Rocket Pengwin
Anti-Hero
97 bpm • C Maj • 03:15 • -4.44db
33% Popularity • 60% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
33% Popularity • 60% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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danny G
cold.
97 bpm • C# min • 03:00 • -7.47db
34% Popularity • 70% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
34% Popularity • 70% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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Eric Damiano
Isn't It Great?
85 bpm • G# min • 02:24 • -9.34db
21% Popularity • 50% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
21% Popularity • 50% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Taylor Acorn
Certified Depressant
98 bpm • F# Maj • 02:49 • -4.6db
53% Popularity • 57% Danceability • 76% Energy • 36% Liveness
0% Instrumentalness • 71% Positiveness
53% Popularity • 57% Danceability • 76% Energy • 36% Liveness
0% Instrumentalness • 71% Positiveness
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Knox
Hate My Guts
98 bpm • A Maj • 02:28 • -5db
44% Popularity • 73% Danceability • 71% Energy • 33% Liveness
0% Instrumentalness • 89% Positiveness
44% Popularity • 73% Danceability • 71% Energy • 33% Liveness
0% Instrumentalness • 89% Positiveness
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Romance on a Rocketship
Comfort in Suffering
98 bpm • C min • 02:39 • -6.74db
39% Popularity • 64% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
39% Popularity • 64% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Miltrick
IDC About You
98 bpm • B min • 02:45 • -5.8db
36% Popularity • 86% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
36% Popularity • 86% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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ehren
WHEN WE WERE 17
98 bpm • G# Maj • 03:32 • -8.04db
35% Popularity • 75% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
35% Popularity • 75% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
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Brennan
Brown Eyes
84 bpm • A# Maj • 02:14 • -10.47db
34% Popularity • 57% Danceability • 51% Energy • 74% Liveness
0% Instrumentalness • 45% Positiveness
34% Popularity • 57% Danceability • 51% Energy • 74% Liveness
0% Instrumentalness • 45% Positiveness
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John Harvie
Open Mic At My Funeral
99 bpm • G Maj • 02:51 • -7db
19% Popularity • 61% Danceability • 42% Energy • 24% Liveness
0% Instrumentalness • 72% Positiveness
19% Popularity • 61% Danceability • 42% Energy • 24% Liveness
0% Instrumentalness • 72% Positiveness
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Loveless
Worst Case Scenario
99 bpm • C Maj • 03:00 • -3.64db
44% Popularity • 31% Danceability • 98% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
44% Popularity • 31% Danceability • 98% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
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badly
just don't hurt me
83 bpm • C# min • 02:38 • -10.2db
15% Popularity • 53% Danceability • 42% Energy • 44% Liveness
0% Instrumentalness • 23% Positiveness
15% Popularity • 53% Danceability • 42% Energy • 44% Liveness
0% Instrumentalness • 23% Positiveness
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The Home Team
Another Night Alone With You
100 bpm • C Maj • 03:47 • -5.07db
34% Popularity • 57% Danceability • 77% Energy • 17% Liveness
0% Instrumentalness • 40% Positiveness
34% Popularity • 57% Danceability • 77% Energy • 17% Liveness
0% Instrumentalness • 40% Positiveness
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Scarlet City
Broken Into Two
100 bpm • C# min • 04:26 • -7.46db
30% Popularity • 55% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
30% Popularity • 55% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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ChrispyD
delusional
100 bpm • C# Maj • 01:09 • -6.29db
45% Popularity • 76% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
45% Popularity • 76% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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RØRY
Baby Vendetta
100 bpm • F Maj • 02:57 • -3.36db
38% Popularity • 54% Danceability • 86% Energy • 32% Liveness
0% Instrumentalness • 64% Positiveness
38% Popularity • 54% Danceability • 86% Energy • 32% Liveness
0% Instrumentalness • 64% Positiveness
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Loveless
Control
100 bpm • D# min • 03:39 • -3.97db
43% Popularity • 41% Danceability • 82% Energy • 60% Liveness
0% Instrumentalness • 38% Positiveness
43% Popularity • 41% Danceability • 82% Energy • 60% Liveness
0% Instrumentalness • 38% Positiveness
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Connor Kauffman
All Your Friends
100 bpm • D Maj • 01:48 • -10db
45% Popularity • 62% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
45% Popularity • 62% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
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John Harvie
At My Worst
100 bpm • E Maj • 03:54 • -4.89db
30% Popularity • 62% Danceability • 74% Energy • 55% Liveness
0% Instrumentalness • 32% Positiveness
30% Popularity • 62% Danceability • 74% Energy • 55% Liveness
0% Instrumentalness • 32% Positiveness
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Knox
Dumpster Fire
100 bpm • F# min • 03:16 • -5db
49% Popularity • 72% Danceability • 63% Energy • 29% Liveness
0% Instrumentalness • 79% Positiveness
49% Popularity • 72% Danceability • 63% Energy • 29% Liveness
0% Instrumentalness • 79% Positiveness
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Ryan Mack
Sad Fuck
100 bpm • F min • 02:08 • -6.25db
61% Popularity • 82% Danceability • 50% Energy • 21% Liveness
0% Instrumentalness • 58% Positiveness
61% Popularity • 82% Danceability • 50% Energy • 21% Liveness
0% Instrumentalness • 58% Positiveness
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Haunter
Risk It All
100 bpm • E Maj • 02:52 • -8.69db
29% Popularity • 39% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 12% Positiveness
29% Popularity • 39% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 12% Positiveness
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Kode
Cotton Candy Skies
100 bpm • F Maj • 02:44 • -5db
37% Popularity • 79% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 90% Positiveness
37% Popularity • 79% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 90% Positiveness
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7evin7ins
In Love With The Pain
83 bpm • G Maj • 02:26 • -7.84db
41% Popularity • 54% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
41% Popularity • 54% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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sensitive sean
clockwork
83 bpm • F min • 01:46 • -7.85db
44% Popularity • 87% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
44% Popularity • 87% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Nate Mitchell
What Do I Do?
82 bpm • A# min • 04:05 • -8.67db
26% Popularity • 54% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
26% Popularity • 54% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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danny G
wish i never knew you
82 bpm • G Maj • 02:23 • -6.99db
23% Popularity • 70% Danceability • 73% Energy • 19% Liveness
0% Instrumentalness • 22% Positiveness
23% Popularity • 70% Danceability • 73% Energy • 19% Liveness
0% Instrumentalness • 22% Positiveness
