Songs like Hymne à l'amour by Richard Clayderman
Based on a tempo of (+/- 10%) and a similar genre
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Francis Pourcel Orchestra
El Solitario
124 bpm • D min • 04:23 • -14.11db
24% Popularity • 32% Danceability • 18% Energy • 7% Liveness
1% Instrumentalness • 12% Positiveness
24% Popularity • 32% Danceability • 18% Energy • 7% Liveness
1% Instrumentalness • 12% Positiveness
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Luis Siu Riveron
Siboney - Instrumental
124 bpm • C Maj • 02:17 • -13db
43% Popularity • 62% Danceability • 38% Energy • 7% Liveness
78% Instrumentalness • 78% Positiveness
43% Popularity • 62% Danceability • 38% Energy • 7% Liveness
78% Instrumentalness • 78% Positiveness
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Jorge Espinoza Y Su Violin
Que Sera
124 bpm • C Maj • 03:45 • -12.22db
37% Popularity • 46% Danceability • 33% Energy • 8% Liveness
89% Instrumentalness • 18% Positiveness
37% Popularity • 46% Danceability • 33% Energy • 8% Liveness
89% Instrumentalness • 18% Positiveness
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Golden Strings Orchestra
Aria En Re
124 bpm • D Maj • 03:13 • -16.92db
41% Popularity • 18% Danceability • 30% Energy • 14% Liveness
94% Instrumentalness • 11% Positiveness
41% Popularity • 18% Danceability • 30% Energy • 14% Liveness
94% Instrumentalness • 11% Positiveness
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Ronnie Aldrich
California Dreamin'
123 bpm • A min • 02:40 • -13db
32% Popularity • 57% Danceability • 32% Energy • 12% Liveness
57% Instrumentalness • 30% Positiveness
32% Popularity • 57% Danceability • 32% Energy • 12% Liveness
57% Instrumentalness • 30% Positiveness
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The Gino Marinello Orchestra
Just the Way You Are
125 bpm • D Maj • 04:39 • -12.96db
15% Popularity • 54% Danceability • 24% Energy • 11% Liveness
80% Instrumentalness • 37% Positiveness
15% Popularity • 54% Danceability • 24% Energy • 11% Liveness
80% Instrumentalness • 37% Positiveness
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Richard Clayderman
Wind Beneath My Wings
123 bpm • A# Maj • 03:22 • -13.24db
17% Popularity • 48% Danceability • 37% Energy • 10% Liveness
19% Instrumentalness • 14% Positiveness
17% Popularity • 48% Danceability • 37% Energy • 10% Liveness
19% Instrumentalness • 14% Positiveness
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Ronald Valentino
Amor de Verdad
125 bpm • D min • 03:13 • -9.66db
32% Popularity • 72% Danceability • 53% Energy • 7% Liveness
88% Instrumentalness • 67% Positiveness
32% Popularity • 72% Danceability • 53% Energy • 7% Liveness
88% Instrumentalness • 67% Positiveness
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Omar Akram
A Day with You
123 bpm • F Maj • 05:09 • -15.12db
27% Popularity • 32% Danceability • 20% Energy • 10% Liveness
41% Instrumentalness • 12% Positiveness
27% Popularity • 32% Danceability • 20% Energy • 10% Liveness
41% Instrumentalness • 12% Positiveness
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Alfred Hause
Sonate Nr. 15 C-Dur KV 545
125 bpm • C Maj • 03:27 • -12db
35% Popularity • 45% Danceability • 46% Energy • 16% Liveness
82% Instrumentalness • 57% Positiveness
35% Popularity • 45% Danceability • 46% Energy • 16% Liveness
82% Instrumentalness • 57% Positiveness
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Ronnie Aldrich
All Those Years Ago
125 bpm • D Maj • 03:08 • -12.7db
28% Popularity • 55% Danceability • 39% Energy • 26% Liveness
88% Instrumentalness • 62% Positiveness
28% Popularity • 55% Danceability • 39% Energy • 26% Liveness
88% Instrumentalness • 62% Positiveness
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Orquesta Romanticos de La Habana
Amore Grande Amore Libero
123 bpm • F Maj • 03:36 • -13.94db
42% Popularity • 42% Danceability • 24% Energy • 15% Liveness
13% Instrumentalness • 11% Positiveness
42% Popularity • 42% Danceability • 24% Energy • 15% Liveness
13% Instrumentalness • 11% Positiveness
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Richard Clayderman
Hello
125 bpm • A min • 03:09 • -17.23db
12% Popularity • 50% Danceability • 21% Energy • 13% Liveness
81% Instrumentalness • 10% Positiveness
12% Popularity • 50% Danceability • 21% Energy • 13% Liveness
81% Instrumentalness • 10% Positiveness
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Pierre Charlon
Noelle's Theme
126 bpm • D# Maj • 03:40 • -12.5db
22% Popularity • 29% Danceability • 18% Energy • 10% Liveness
78% Instrumentalness • 4% Positiveness
22% Popularity • 29% Danceability • 18% Energy • 10% Liveness
78% Instrumentalness • 4% Positiveness
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Los Violines de Villafontana
El Amor Es Triste (Love Is Blue)
122 bpm • C Maj • 03:52 • -12.37db
22% Popularity • 31% Danceability • 31% Energy • 30% Liveness
5% Instrumentalness • 23% Positiveness
22% Popularity • 31% Danceability • 31% Energy • 30% Liveness
5% Instrumentalness • 23% Positiveness
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Eduardo di Capua
O sole mio (arr. P. Breiner)
123 bpm • A Maj • 03:33 • -20db
33% Popularity • 21% Danceability • 16% Energy • 9% Liveness
50% Instrumentalness • 6% Positiveness
33% Popularity • 21% Danceability • 16% Energy • 9% Liveness
50% Instrumentalness • 6% Positiveness
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Ronald Valentino
Marcha Turca
122 bpm • A min • 02:35 • -6db
46% Popularity • 65% Danceability • 69% Energy • 23% Liveness
77% Instrumentalness • 97% Positiveness
46% Popularity • 65% Danceability • 69% Energy • 23% Liveness
77% Instrumentalness • 97% Positiveness
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Discovey Light Orchestra
El Amor
126 bpm • B min • 03:10 • -15.49db
26% Popularity • 57% Danceability • 28% Energy • 10% Liveness
86% Instrumentalness • 16% Positiveness
26% Popularity • 57% Danceability • 28% Energy • 10% Liveness
86% Instrumentalness • 16% Positiveness
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Saxo
Emmanuelle
122 bpm • C min • 02:59 • -18db
36% Popularity • 34% Danceability • 17% Energy • 10% Liveness
97% Instrumentalness • 34% Positiveness
36% Popularity • 34% Danceability • 17% Energy • 10% Liveness
97% Instrumentalness • 34% Positiveness
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Marco Vinicio
Pastor Solitario (Panpipe version)
127 bpm • E min • 04:20 • -6.56db
39% Popularity • 27% Danceability • 58% Energy • 28% Liveness
33% Instrumentalness • 11% Positiveness
39% Popularity • 27% Danceability • 58% Energy • 28% Liveness
33% Instrumentalness • 11% Positiveness
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Ray Conniff
The Way You Look Tonight
122 bpm • C min • 03:06 • -14db
45% Popularity • 64% Danceability • 25% Energy • 8% Liveness
9% Instrumentalness • 65% Positiveness
45% Popularity • 64% Danceability • 25% Energy • 8% Liveness
9% Instrumentalness • 65% Positiveness
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Zantalino and his Orchestra
Love Is Blue
121 bpm • G# Maj • 03:22 • -15.46db
27% Popularity • 48% Danceability • 40% Energy • 13% Liveness
28% Instrumentalness • 45% Positiveness
27% Popularity • 48% Danceability • 40% Energy • 13% Liveness
28% Instrumentalness • 45% Positiveness
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Aldo Livorno Y Su Acordeón Napolitano
Volare
121 bpm • C Maj • 03:04 • -12.12db
42% Popularity • 34% Danceability • 41% Energy • 9% Liveness
6% Instrumentalness • 36% Positiveness
42% Popularity • 34% Danceability • 41% Energy • 9% Liveness
6% Instrumentalness • 36% Positiveness
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Zariz
Scarabour Fair
121 bpm • D Maj • 02:40 • -12.39db
19% Popularity • 49% Danceability • 43% Energy • 37% Liveness
30% Instrumentalness • 36% Positiveness
19% Popularity • 49% Danceability • 43% Energy • 37% Liveness
30% Instrumentalness • 36% Positiveness
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Manuel Olivera Almada
Cuando Vuelva A Tu Lado
120 bpm • F Maj • 01:59 • -11db
56% Popularity • 64% Danceability • 45% Energy • 14% Liveness
97% Instrumentalness • 76% Positiveness
56% Popularity • 64% Danceability • 45% Energy • 14% Liveness
97% Instrumentalness • 76% Positiveness
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Lola & Hauser
Nocturno
128 bpm • A# Maj • 03:32 • -17.11db
44% Popularity • 31% Danceability • 18% Energy • 13% Liveness
92% Instrumentalness • 8% Positiveness
44% Popularity • 31% Danceability • 18% Energy • 13% Liveness
92% Instrumentalness • 8% Positiveness
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Ray Conniff
Bésame Mucho
121 bpm • D min • 02:36 • -14db
56% Popularity • 64% Danceability • 31% Energy • 14% Liveness
17% Instrumentalness • 60% Positiveness
56% Popularity • 64% Danceability • 31% Energy • 14% Liveness
17% Instrumentalness • 60% Positiveness
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John Warrington
I Will Always Love You
128 bpm • G# Maj • 03:05 • -12.71db
45% Popularity • 40% Danceability • 20% Energy • 15% Liveness
92% Instrumentalness • 15% Positiveness
45% Popularity • 40% Danceability • 20% Energy • 15% Liveness
92% Instrumentalness • 15% Positiveness
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Franco Legrand & His Magic Piano
Cajita Musical
128 bpm • C# Maj • 03:17 • -10db
36% Popularity • 53% Danceability • 59% Energy • 10% Liveness
85% Instrumentalness • 58% Positiveness
36% Popularity • 53% Danceability • 59% Energy • 10% Liveness
85% Instrumentalness • 58% Positiveness
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Zariz
La Mañana Ha Llegado
121 bpm • C Maj • 03:29 • -12.08db
21% Popularity • 58% Danceability • 30% Energy • 19% Liveness
95% Instrumentalness • 36% Positiveness
21% Popularity • 58% Danceability • 30% Energy • 19% Liveness
95% Instrumentalness • 36% Positiveness
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Chemayne
Ballad for Adeline
128 bpm • C Maj • 03:35 • -20db
38% Popularity • 34% Danceability • 18% Energy • 12% Liveness
92% Instrumentalness • 24% Positiveness
38% Popularity • 34% Danceability • 18% Energy • 12% Liveness
92% Instrumentalness • 24% Positiveness
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Discovey Light Orchestra
Contigo
128 bpm • A# Maj • 04:25 • -15.34db
19% Popularity • 59% Danceability • 28% Energy • 29% Liveness
83% Instrumentalness • 16% Positiveness
19% Popularity • 59% Danceability • 28% Energy • 29% Liveness
83% Instrumentalness • 16% Positiveness
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Richard Clayderman
Love Is Blue
120 bpm • E min • 01:44 • -12.52db
49% Popularity • 52% Danceability • 48% Energy • 18% Liveness
66% Instrumentalness • 33% Positiveness
49% Popularity • 52% Danceability • 48% Energy • 18% Liveness
66% Instrumentalness • 33% Positiveness
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Luis Siu Riveron
Asi Bailaba Cuba - Instrumental
120 bpm • A min • 05:33 • -14db
33% Popularity • 67% Danceability • 34% Energy • 18% Liveness
93% Instrumentalness • 76% Positiveness
33% Popularity • 67% Danceability • 34% Energy • 18% Liveness
93% Instrumentalness • 76% Positiveness
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Ernesto Cortazar III
Legacy
120 bpm • C min • 03:24 • -9.84db
38% Popularity • 67% Danceability • 35% Energy • 14% Liveness
88% Instrumentalness • 30% Positiveness
38% Popularity • 67% Danceability • 35% Energy • 14% Liveness
88% Instrumentalness • 30% Positiveness
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James Last
Summer Serenade
120 bpm • D Maj • 04:06 • -10.87db
30% Popularity • 59% Danceability • 50% Energy • 18% Liveness
65% Instrumentalness • 29% Positiveness
30% Popularity • 59% Danceability • 50% Energy • 18% Liveness
65% Instrumentalness • 29% Positiveness
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Franco Legrand & His Magic Piano
Triste Corazón
128 bpm • E Maj • 02:50 • -9db
26% Popularity • 60% Danceability • 50% Energy • 24% Liveness
95% Instrumentalness • 39% Positiveness
26% Popularity • 60% Danceability • 50% Energy • 24% Liveness
95% Instrumentalness • 39% Positiveness
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Ji-Hae. Park
Johann Sebastian Bach: Miunet in G major
120 bpm • C Maj • 02:34 • -17.01db
36% Popularity • 47% Danceability • 13% Energy • 11% Liveness
67% Instrumentalness • 57% Positiveness
36% Popularity • 47% Danceability • 13% Energy • 11% Liveness
67% Instrumentalness • 57% Positiveness
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Ray Conniff
Stranger In Paradise
120 bpm • F Maj • 03:03 • -11.52db
54% Popularity • 65% Danceability • 42% Energy • 25% Liveness
62% Instrumentalness • 93% Positiveness
54% Popularity • 65% Danceability • 42% Energy • 25% Liveness
62% Instrumentalness • 93% Positiveness
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Luis Siu Riveron
Besame Mucho - Instrumental
120 bpm • D min • 03:20 • -13db
40% Popularity • 63% Danceability • 38% Energy • 11% Liveness
90% Instrumentalness • 71% Positiveness
40% Popularity • 63% Danceability • 38% Energy • 11% Liveness
90% Instrumentalness • 71% Positiveness
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Discovey Light Orchestra
Concierto de Aranjuez
120 bpm • B min • 03:38 • -12db
51% Popularity • 26% Danceability • 23% Energy • 19% Liveness
91% Instrumentalness • 16% Positiveness
51% Popularity • 26% Danceability • 23% Energy • 19% Liveness
91% Instrumentalness • 16% Positiveness
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Zariz
Y Yo la Amo
120 bpm • B min • 02:27 • -12.91db
29% Popularity • 80% Danceability • 39% Energy • 12% Liveness
49% Instrumentalness • 73% Positiveness
29% Popularity • 80% Danceability • 39% Energy • 12% Liveness
49% Instrumentalness • 73% Positiveness
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Franco Legrand & His Magic Piano
Placer de Amor
129 bpm • F Maj • 02:45 • -8db
21% Popularity • 67% Danceability • 26% Energy • 12% Liveness
70% Instrumentalness • 27% Positiveness
21% Popularity • 67% Danceability • 26% Energy • 12% Liveness
70% Instrumentalness • 27% Positiveness
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Jorge Espinoza Y Su Violin
Rosas Rojas Para Una Dama Triste
120 bpm • G Maj • 03:01 • -10db
44% Popularity • 45% Danceability • 49% Energy • 8% Liveness
83% Instrumentalness • 48% Positiveness
44% Popularity • 45% Danceability • 49% Energy • 8% Liveness
83% Instrumentalness • 48% Positiveness
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Richard Clayderman
Candle In The Wind
119 bpm • E Maj • 03:08 • -17.07db
17% Popularity • 56% Danceability • 18% Energy • 12% Liveness
92% Instrumentalness • 20% Positiveness
17% Popularity • 56% Danceability • 18% Energy • 12% Liveness
92% Instrumentalness • 20% Positiveness
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The Gino Marinello Orchestra
Words
119 bpm • C Maj • 03:12 • -11.51db
28% Popularity • 57% Danceability • 37% Energy • 14% Liveness
51% Instrumentalness • 48% Positiveness
28% Popularity • 57% Danceability • 37% Energy • 14% Liveness
51% Instrumentalness • 48% Positiveness
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Zantalino and his Orchestra
Exodus
119 bpm • A# min • 02:52 • -14.26db
19% Popularity • 41% Danceability • 30% Energy • 17% Liveness
2% Instrumentalness • 29% Positiveness
19% Popularity • 41% Danceability • 30% Energy • 17% Liveness
2% Instrumentalness • 29% Positiveness
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Zariz
Carrozas de Fuego
130 bpm • D Maj • 03:14 • -15.73db
22% Popularity • 79% Danceability • 27% Energy • 11% Liveness
17% Instrumentalness • 47% Positiveness
22% Popularity • 79% Danceability • 27% Energy • 11% Liveness
17% Instrumentalness • 47% Positiveness
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Pierre Charlon
Plaisir D'amour
130 bpm • F Maj • 02:47 • -13.64db
38% Popularity • 66% Danceability • 19% Energy • 11% Liveness
81% Instrumentalness • 29% Positiveness
38% Popularity • 66% Danceability • 19% Energy • 11% Liveness
81% Instrumentalness • 29% Positiveness
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John Fox
When Will I See You Again
130 bpm • A Maj • 03:10 • -12db
31% Popularity • 36% Danceability • 39% Energy • 14% Liveness
82% Instrumentalness • 25% Positiveness
31% Popularity • 36% Danceability • 39% Energy • 14% Liveness
82% Instrumentalness • 25% Positiveness
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Glen Lucas
Say You, Say Me
130 bpm • G# Maj • 03:57 • -13db
39% Popularity • 58% Danceability • 28% Energy • 11% Liveness
87% Instrumentalness • 19% Positiveness
39% Popularity • 58% Danceability • 28% Energy • 11% Liveness
87% Instrumentalness • 19% Positiveness
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Mantovani y Su Gran Orquesta
Valencia
130 bpm • G# Maj • 02:23 • -8.64db
29% Popularity • 34% Danceability • 37% Energy • 12% Liveness
82% Instrumentalness • 34% Positiveness
29% Popularity • 34% Danceability • 37% Energy • 12% Liveness
82% Instrumentalness • 34% Positiveness
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Richard Mayner
Las Hojas Muertas
130 bpm • E min • 02:46 • -18db
25% Popularity • 39% Danceability • 14% Energy • 29% Liveness
42% Instrumentalness • 27% Positiveness
25% Popularity • 39% Danceability • 14% Energy • 29% Liveness
42% Instrumentalness • 27% Positiveness
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Orquesta Instrumental Latinoamericana
Emmanuel
118 bpm • B min • 02:55 • -15db
34% Popularity • 54% Danceability • 36% Energy • 11% Liveness
94% Instrumentalness • 42% Positiveness
34% Popularity • 54% Danceability • 36% Energy • 11% Liveness
94% Instrumentalness • 42% Positiveness
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Ronald Valentino
Volaré
118 bpm • A# Maj • 03:05 • -10.19db
32% Popularity • 64% Danceability • 82% Energy • 11% Liveness
88% Instrumentalness • 74% Positiveness
32% Popularity • 64% Danceability • 82% Energy • 11% Liveness
88% Instrumentalness • 74% Positiveness
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Giovanni Vivanco
Bésame Mucho
118 bpm • D# Maj • 02:42 • -10.9db
51% Popularity • 54% Danceability • 38% Energy • 9% Liveness
19% Instrumentalness • 19% Positiveness
51% Popularity • 54% Danceability • 38% Energy • 9% Liveness
19% Instrumentalness • 19% Positiveness
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Sergio Ortiz
Aquellos Ojos Verdes
131 bpm • C Maj • 02:16 • -10db
47% Popularity • 30% Danceability • 45% Energy • 13% Liveness
90% Instrumentalness • 34% Positiveness
47% Popularity • 30% Danceability • 45% Energy • 13% Liveness
90% Instrumentalness • 34% Positiveness
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The Gino Marinello Orchestra
I Have a Dream
131 bpm • A# Maj • 02:30 • -16.82db
37% Popularity • 48% Danceability • 27% Energy • 13% Liveness
79% Instrumentalness • 54% Positiveness
37% Popularity • 48% Danceability • 27% Energy • 13% Liveness
79% Instrumentalness • 54% Positiveness
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Richard Mayner
Por Siempre y para Siempre
118 bpm • F min • 03:43 • -21db
27% Popularity • 63% Danceability • 28% Energy • 18% Liveness
8% Instrumentalness • 85% Positiveness
27% Popularity • 63% Danceability • 28% Energy • 18% Liveness
8% Instrumentalness • 85% Positiveness
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Saint-Preux
Prélude Pour Piano
118 bpm • F min • 02:57 • -12db
56% Popularity • 23% Danceability • 36% Energy • 9% Liveness
74% Instrumentalness • 24% Positiveness
56% Popularity • 23% Danceability • 36% Energy • 9% Liveness
74% Instrumentalness • 24% Positiveness
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Roger Williams
Tchaikovsky Piano Concerto #1
131 bpm • F Maj • 02:58 • -12.79db
30% Popularity • 40% Danceability • 16% Energy • 18% Liveness
30% Instrumentalness • 22% Positiveness
30% Popularity • 40% Danceability • 16% Energy • 18% Liveness
30% Instrumentalness • 22% Positiveness
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Ronnie Aldrich and his 2 pianos
A Whiter Shade Of Pale
131 bpm • C Maj • 03:36 • -13db
33% Popularity • 44% Danceability • 28% Energy • 11% Liveness
81% Instrumentalness • 32% Positiveness
33% Popularity • 44% Danceability • 28% Energy • 11% Liveness
81% Instrumentalness • 32% Positiveness
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Sergio Ortiz
Vamos a Darnos Tiempo
118 bpm • A min • 03:22 • -10.46db
36% Popularity • 32% Danceability • 43% Energy • 10% Liveness
93% Instrumentalness • 26% Positiveness
36% Popularity • 32% Danceability • 43% Energy • 10% Liveness
93% Instrumentalness • 26% Positiveness
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Richard Clayderman
Smoke Gets In Your Eyes
131 bpm • D# Maj • 02:37 • -12.84db
16% Popularity • 42% Danceability • 34% Energy • 9% Liveness
51% Instrumentalness • 22% Positiveness
16% Popularity • 42% Danceability • 34% Energy • 9% Liveness
51% Instrumentalness • 22% Positiveness
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Ricci Ferra
Eine Kleine Nachtmusik (Serenade G-dur K...
132 bpm • C Maj • 03:19 • -10.91db
24% Popularity • 35% Danceability • 23% Energy • 11% Liveness
60% Instrumentalness • 24% Positiveness
24% Popularity • 35% Danceability • 23% Energy • 11% Liveness
60% Instrumentalness • 24% Positiveness
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Saxo
Candilejas
117 bpm • A Maj • 03:20 • -13.57db
40% Popularity • 26% Danceability • 47% Energy • 15% Liveness
98% Instrumentalness • 50% Positiveness
40% Popularity • 26% Danceability • 47% Energy • 15% Liveness
98% Instrumentalness • 50% Positiveness
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Richard Mayner
Historia de un Amor
132 bpm • A min • 03:06 • -20db
36% Popularity • 68% Danceability • 13% Energy • 23% Liveness
67% Instrumentalness • 15% Positiveness
36% Popularity • 68% Danceability • 13% Energy • 23% Liveness
67% Instrumentalness • 15% Positiveness
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Adrian Perticone
Fria Como el Viento
132 bpm • C min • 04:01 • -12.98db
29% Popularity • 60% Danceability • 39% Energy • 11% Liveness
89% Instrumentalness • 22% Positiveness
29% Popularity • 60% Danceability • 39% Energy • 11% Liveness
89% Instrumentalness • 22% Positiveness
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Sergio Ortiz
Sueño Imposible
132 bpm • C Maj • 02:30 • -19db
50% Popularity • 30% Danceability • 18% Energy • 10% Liveness
90% Instrumentalness • 28% Positiveness
50% Popularity • 30% Danceability • 18% Energy • 10% Liveness
90% Instrumentalness • 28% Positiveness
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The Gino Marinello Orchestra
Song of Silence
116 bpm • D min • 01:48 • -15.22db
44% Popularity • 65% Danceability • 22% Energy • 21% Liveness
76% Instrumentalness • 62% Positiveness
44% Popularity • 65% Danceability • 22% Energy • 21% Liveness
76% Instrumentalness • 62% Positiveness
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Richard Clayderman
Sometimes When We Touch
117 bpm • E Maj • 04:00 • -15.65db
33% Popularity • 61% Danceability • 23% Energy • 12% Liveness
62% Instrumentalness • 20% Positiveness
33% Popularity • 61% Danceability • 23% Energy • 12% Liveness
62% Instrumentalness • 20% Positiveness
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Pop Strings Orchestra
Balada para Adelina
132 bpm • C Maj • 03:34 • -5.97db
28% Popularity • 55% Danceability • 60% Energy • 22% Liveness
81% Instrumentalness • 31% Positiveness
28% Popularity • 55% Danceability • 60% Energy • 22% Liveness
81% Instrumentalness • 31% Positiveness
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Luis Siu Riveron
Solamente Una Vez / Sabor a Mi - Instrum...
116 bpm • C Maj • 03:44 • -14.22db
34% Popularity • 64% Danceability • 30% Energy • 16% Liveness
90% Instrumentalness • 77% Positiveness
34% Popularity • 64% Danceability • 30% Energy • 16% Liveness
90% Instrumentalness • 77% Positiveness
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Mantovani y Su Gran Orquesta
Moon River
116 bpm • C Maj • 02:40 • -15.93db
39% Popularity • 23% Danceability • 22% Energy • 12% Liveness
95% Instrumentalness • 9% Positiveness
39% Popularity • 23% Danceability • 22% Energy • 12% Liveness
95% Instrumentalness • 9% Positiveness
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Jean Claude Borelly
Amarcord
116 bpm • B Maj • 02:29 • -8db
35% Popularity • 46% Danceability • 43% Energy • 17% Liveness
55% Instrumentalness • 53% Positiveness
35% Popularity • 46% Danceability • 43% Energy • 17% Liveness
55% Instrumentalness • 53% Positiveness
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Ronnie Aldrich
I've Never Been to Me
133 bpm • C Maj • 03:43 • -16.57db
24% Popularity • 52% Danceability • 19% Energy • 18% Liveness
82% Instrumentalness • 22% Positiveness
24% Popularity • 52% Danceability • 19% Energy • 18% Liveness
82% Instrumentalness • 22% Positiveness
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Richard Clayderman
Autumn Leaves
132 bpm • E min • 02:47 • -13.62db
46% Popularity • 33% Danceability • 25% Energy • 10% Liveness
59% Instrumentalness • 9% Positiveness
46% Popularity • 33% Danceability • 25% Energy • 10% Liveness
59% Instrumentalness • 9% Positiveness
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Frank Mills
The Poet And I
116 bpm • F Maj • 03:40 • -15db
30% Popularity • 47% Danceability • 21% Energy • 12% Liveness
13% Instrumentalness • 38% Positiveness
30% Popularity • 47% Danceability • 21% Energy • 12% Liveness
13% Instrumentalness • 38% Positiveness
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Luis Siu Riveron
Smile - Instrumental
116 bpm • C Maj • 02:31 • -13.26db
40% Popularity • 62% Danceability • 39% Energy • 16% Liveness
87% Instrumentalness • 81% Positiveness
40% Popularity • 62% Danceability • 39% Energy • 16% Liveness
87% Instrumentalness • 81% Positiveness
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Adriano
Romance de Amor (Remastered)
116 bpm • E min • 02:47 • -7db
31% Popularity • 49% Danceability • 62% Energy • 26% Liveness
84% Instrumentalness • 18% Positiveness
31% Popularity • 49% Danceability • 62% Energy • 26% Liveness
84% Instrumentalness • 18% Positiveness
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Andre Kostelanetz
The Sounds of Silence
116 bpm • F Maj • 03:14 • -13db
38% Popularity • 38% Danceability • 37% Energy • 16% Liveness
14% Instrumentalness • 50% Positiveness
38% Popularity • 38% Danceability • 37% Energy • 16% Liveness
14% Instrumentalness • 50% Positiveness
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Ronald Valentino
Chica de Ipanema
115 bpm • C Maj • 03:03 • -11.81db
41% Popularity • 80% Danceability • 45% Energy • 8% Liveness
61% Instrumentalness • 71% Positiveness
41% Popularity • 80% Danceability • 45% Energy • 8% Liveness
61% Instrumentalness • 71% Positiveness
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Richard Clayderman
We've Only Just Begun
132 bpm • A# Maj • 04:02 • -16.07db
15% Popularity • 45% Danceability • 24% Energy • 11% Liveness
86% Instrumentalness • 21% Positiveness
15% Popularity • 45% Danceability • 24% Energy • 11% Liveness
86% Instrumentalness • 21% Positiveness
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Aldo Livorno Y Su Acordeón Napolitano
Y la Amo
115 bpm • C# min • 02:44 • -8.77db
45% Popularity • 63% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
45% Popularity • 63% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
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Jorge Espinoza Y Su Violin
Al Ritmo De La Lluvia
115 bpm • E Maj • 02:16 • -6.06db
48% Popularity • 75% Danceability • 69% Energy • 8% Liveness
2% Instrumentalness • 74% Positiveness
48% Popularity • 75% Danceability • 69% Energy • 8% Liveness
2% Instrumentalness • 74% Positiveness
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Giovanni Vivanco
I Will Always Love You
134 bpm • A Maj • 04:11 • -17db
45% Popularity • 67% Danceability • 24% Energy • 8% Liveness
91% Instrumentalness • 20% Positiveness
45% Popularity • 67% Danceability • 24% Energy • 8% Liveness
91% Instrumentalness • 20% Positiveness
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Richard Mayner
Carta a Mi Madre
134 bpm • G min • 02:43 • -15.21db
35% Popularity • 59% Danceability • 25% Energy • 11% Liveness
34% Instrumentalness • 24% Positiveness
35% Popularity • 59% Danceability • 25% Energy • 11% Liveness
34% Instrumentalness • 24% Positiveness
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Glen Lucas
Sacrifice
115 bpm • C# Maj • 04:52 • -16db
35% Popularity • 72% Danceability • 37% Energy • 4% Liveness
71% Instrumentalness • 38% Positiveness
35% Popularity • 72% Danceability • 37% Energy • 4% Liveness
71% Instrumentalness • 38% Positiveness
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Richard Clayderman
Perhaps Love
132 bpm • A Maj • 02:42 • -15.27db
9% Popularity • 37% Danceability • 24% Energy • 14% Liveness
70% Instrumentalness • 15% Positiveness
9% Popularity • 37% Danceability • 24% Energy • 14% Liveness
70% Instrumentalness • 15% Positiveness
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Discovey Light Orchestra
Bilits
134 bpm • G Maj • 03:24 • -12db
48% Popularity • 55% Danceability • 33% Energy • 14% Liveness
77% Instrumentalness • 44% Positiveness
48% Popularity • 55% Danceability • 33% Energy • 14% Liveness
77% Instrumentalness • 44% Positiveness
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Rafael Alejandro
Tema de Nadia
134 bpm • F# min • 03:10 • -9.45db
41% Popularity • 48% Danceability • 26% Energy • 10% Liveness
91% Instrumentalness • 11% Positiveness
41% Popularity • 48% Danceability • 26% Energy • 10% Liveness
91% Instrumentalness • 11% Positiveness
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Franco Legrand & His Magic Piano
El Pastor Solitario
134 bpm • D# min • 04:13 • -11.9db
20% Popularity • 26% Danceability • 23% Energy • 12% Liveness
87% Instrumentalness • 10% Positiveness
20% Popularity • 26% Danceability • 23% Energy • 12% Liveness
87% Instrumentalness • 10% Positiveness
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Jimmy De León
Somos Novios
134 bpm • D min • 03:27 • -13db
47% Popularity • 82% Danceability • 34% Energy • 8% Liveness
86% Instrumentalness • 37% Positiveness
47% Popularity • 82% Danceability • 34% Energy • 8% Liveness
86% Instrumentalness • 37% Positiveness
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Henri Seroka
Easy Go
134 bpm • D Maj • 03:02 • -18db
51% Popularity • 30% Danceability • 13% Energy • 14% Liveness
82% Instrumentalness • 17% Positiveness
51% Popularity • 30% Danceability • 13% Energy • 14% Liveness
82% Instrumentalness • 17% Positiveness
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Richard Clayderman
All By Myself
116 bpm • G min • 03:11 • -14.64db
16% Popularity • 35% Danceability • 23% Energy • 14% Liveness
34% Instrumentalness • 5% Positiveness
16% Popularity • 35% Danceability • 23% Energy • 14% Liveness
34% Instrumentalness • 5% Positiveness
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Discovey Light Orchestra
Abrázame
134 bpm • C min • 03:49 • -15db
38% Popularity • 55% Danceability • 23% Energy • 10% Liveness
88% Instrumentalness • 18% Positiveness
38% Popularity • 55% Danceability • 23% Energy • 10% Liveness
88% Instrumentalness • 18% Positiveness
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Percy Faith
Love Theme from the Godfather
135 bpm • D# min • 03:26 • -11.45db
27% Popularity • 23% Danceability • 42% Energy • 7% Liveness
30% Instrumentalness • 14% Positiveness
27% Popularity • 23% Danceability • 42% Energy • 7% Liveness
30% Instrumentalness • 14% Positiveness
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Giovanni Vivanco
La Vida Sin Ti
135 bpm • D min • 04:23 • -11.57db
40% Popularity • 60% Danceability • 53% Energy • 30% Liveness
5% Instrumentalness • 15% Positiveness
40% Popularity • 60% Danceability • 53% Energy • 30% Liveness
5% Instrumentalness • 15% Positiveness
