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Hyphen To Splice
Songs like
Hyphen To Splice
by
Lanark Artefax
Based on a tempo of (+/- 10%) and a similar genre
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Lanark Artefax
Hyphen To Splice
147 bpm • A# Maj • 04:09 • -4.69db
11% Popularity • 75% Danceability • 77% Energy • 17% Liveness
18% Instrumentalness • 36% Positiveness
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Joy Orbison
98 Koln
147 bpm • A# min • 02:51 • -16.21db
14% Popularity • 86% Danceability • 52% Energy • 12% Liveness
91% Instrumentalness • 68% Positiveness
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Priori
Think Not
148 bpm • F# Maj • 02:06 • -9.3db
19% Popularity • 72% Danceability • 91% Energy • 9% Liveness
87% Instrumentalness • 81% Positiveness
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Metamatics
Neo Ouija
149 bpm • F min • 06:53 • -9.64db
8% Popularity • 72% Danceability • 64% Energy • 28% Liveness
87% Instrumentalness • 62% Positiveness
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Autechre
Lost
145 bpm • A min • 07:24 • -11.61db
9% Popularity • 67% Danceability • 96% Energy • 10% Liveness
20% Instrumentalness • 51% Positiveness
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Perko
Stutter
146 bpm • B Maj • 04:11 • -11.1db
9% Popularity • 70% Danceability • 63% Energy • 9% Liveness
78% Instrumentalness • 39% Positiveness
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Aphex Twin
1st 44
149 bpm • C# min • 06:09 • -11.99db
28% Popularity • 64% Danceability • 72% Energy • 11% Liveness
67% Instrumentalness • 15% Positiveness
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Barker
Models Of Wellbeing
145 bpm • D min • 06:03 • -15.69db
25% Popularity • 47% Danceability • 66% Energy • 10% Liveness
90% Instrumentalness • 8% Positiveness
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Rezzett
Tarang
145 bpm • G Maj • 06:17 • -10db
20% Popularity • 60% Danceability • 87% Energy • 18% Liveness
86% Instrumentalness • 62% Positiveness
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Huerco S.
Plonk IV
145 bpm • A# Maj • 05:33 • -12.55db
15% Popularity • 75% Danceability • 73% Energy • 7% Liveness
91% Instrumentalness • 51% Positiveness
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Lorenzo Senni
One Life, One Chance
150 bpm • A# min • 03:02 • -5.81db
9% Popularity • 38% Danceability • 61% Energy • 6% Liveness
91% Instrumentalness • 96% Positiveness
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Overmono
Inulin
150 bpm • G# Maj • 04:30 • -7.13db
17% Popularity • 40% Danceability • 77% Energy • 17% Liveness
69% Instrumentalness • 8% Positiveness
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Healion
Gathering
150 bpm • F# Maj • 04:03 • -12.88db
16% Popularity • 57% Danceability • 88% Energy • 14% Liveness
88% Instrumentalness • 83% Positiveness
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Minor Science
Gone Rouge
150 bpm • F# min • 04:29 • -10.96db
13% Popularity • 73% Danceability • 76% Energy • 17% Liveness
89% Instrumentalness • 47% Positiveness
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Rian Treanor
Position_B1
150 bpm • F# min • 04:39 • -6.87db
8% Popularity • 75% Danceability • 98% Energy • 7% Liveness
93% Instrumentalness • 39% Positiveness
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East Of Oceans
Broken Seas
150 bpm • E min • 06:33 • -10db
15% Popularity • 60% Danceability • 92% Energy • 10% Liveness
16% Instrumentalness • 15% Positiveness
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Lorenzo Senni
Angel
150 bpm • D min • 06:44 • -7.62db
14% Popularity • 69% Danceability • 42% Energy • 14% Liveness
38% Instrumentalness • 23% Positiveness
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Hiro Kone
The Place Where Spirits Get Eaten
150 bpm • A# min • 03:14 • -11.46db
8% Popularity • 75% Danceability • 57% Energy • 12% Liveness
89% Instrumentalness • 60% Positiveness
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Autechre
Second Scepe
144 bpm • A min • 07:45 • -11.91db
17% Popularity • 73% Danceability • 89% Energy • 11% Liveness
86% Instrumentalness • 95% Positiveness
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Beatrice Dillon
Workaround Eight
150 bpm • C# Maj • 04:26 • -16.98db
10% Popularity • 76% Danceability • 58% Energy • 9% Liveness
90% Instrumentalness • 95% Positiveness
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Demdike Stare
Hashshashin Chant
144 bpm • F min • 06:20 • -13.62db
10% Popularity • 38% Danceability • 82% Energy • 20% Liveness
91% Instrumentalness • 7% Positiveness
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Lakker
Maeslantkering Gating
144 bpm • A# min • 04:06 • -7.56db
14% Popularity • 52% Danceability • 98% Energy • 34% Liveness
88% Instrumentalness • 14% Positiveness
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Klein
Claim It
150 bpm • B Maj • 06:30 • -9.64db
20% Popularity • 53% Danceability • 59% Energy • 11% Liveness
82% Instrumentalness • 4% Positiveness
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Lee Gamble
Dollis Hill
143 bpm • F# min • 03:01 • -11.16db
11% Popularity • 52% Danceability • 35% Energy • 12% Liveness
64% Instrumentalness • 30% Positiveness
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Autechre
Djarum
150 bpm • C# Maj • 07:19 • -11.14db
7% Popularity • 75% Danceability • 98% Energy • 10% Liveness
20% Instrumentalness • 27% Positiveness
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Shed
Razor Control
151 bpm • A min • 03:50 • -12.56db
28% Popularity • 33% Danceability • 79% Energy • 12% Liveness
84% Instrumentalness • 33% Positiveness
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Oneohtrix Point Never
Blow by Blow
151 bpm • C min • 05:28 • -9.6db
9% Popularity • 39% Danceability • 34% Energy • 16% Liveness
86% Instrumentalness • 12% Positiveness
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Ninos Du Brasil
Condenado por un Idioma Desconhecido
151 bpm • C# Maj • 04:05 • -10.96db
17% Popularity • 54% Danceability • 86% Energy • 14% Liveness
93% Instrumentalness • 28% Positiveness
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Huerco S.
Marked For Life
151 bpm • G# Maj • 03:40 • -10.21db
19% Popularity • 62% Danceability • 39% Energy • 20% Liveness
88% Instrumentalness • 70% Positiveness
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Pavel Milyakov
runners
152 bpm • G Maj • 04:32 • -10.93db
8% Popularity • 66% Danceability • 93% Energy • 11% Liveness
96% Instrumentalness • 55% Positiveness
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DJ Sports
World Class
152 bpm • F# min • 06:09 • -8.84db
12% Popularity • 66% Danceability • 68% Energy • 13% Liveness
79% Instrumentalness • 80% Positiveness
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Bochum Welt
Avtomaticesk (Radio Edit)
152 bpm • G Maj • 02:23 • -6.9db
18% Popularity • 72% Danceability • 96% Energy • 11% Liveness
76% Instrumentalness • 68% Positiveness
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Andrea
LS September
152 bpm • G min • 05:12 • -8.42db
9% Popularity • 60% Danceability • 65% Energy • 12% Liveness
84% Instrumentalness • 18% Positiveness
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Floating Points
Environments
152 bpm • B min • 04:45 • -10.91db
30% Popularity • 37% Danceability • 88% Energy • 36% Liveness
86% Instrumentalness • 10% Positiveness
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Huerco S.
Lifeblood
151 bpm • A# min • 08:12 • -19.58db
22% Popularity • 17% Danceability • 37% Energy • 10% Liveness
92% Instrumentalness • 28% Positiveness
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Rezzett
Gremlinz
142 bpm • C# min • 04:20 • -9.41db
17% Popularity • 60% Danceability • 82% Energy • 23% Liveness
52% Instrumentalness • 57% Positiveness
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Varg²™
Champagne Ceremonies
142 bpm • A min • 04:04 • -10.64db
14% Popularity • 54% Danceability • 56% Energy • 7% Liveness
91% Instrumentalness • 7% Positiveness
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On Antibiotics
142 bpm • C Maj • 03:49 • -11.97db
10% Popularity • 67% Danceability • 58% Energy • 9% Liveness
90% Instrumentalness • 86% Positiveness
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Andrea
Attimo
142 bpm • A# min • 04:44 • -13.53db
8% Popularity • 35% Danceability • 64% Energy • 11% Liveness
90% Instrumentalness • 20% Positiveness
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Skee Mask
Excess Signal
141 bpm • D Maj • 05:19 • -9.86db
14% Popularity • 56% Danceability • 75% Energy • 11% Liveness
89% Instrumentalness • 9% Positiveness
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upsammy
Screaming Colours
141 bpm • G# Maj • 06:13 • -9.21db
9% Popularity • 79% Danceability • 75% Energy • 10% Liveness
93% Instrumentalness • 61% Positiveness
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Topdown Dialectic
A1
141 bpm • F# min • 03:37 • -18.45db
13% Popularity • 45% Danceability • 50% Energy • 11% Liveness
64% Instrumentalness • 55% Positiveness
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Bjarki
( . )_( . )
154 bpm • C# Maj • 05:49 • -11.18db
17% Popularity • 66% Danceability • 85% Energy • 8% Liveness
82% Instrumentalness • 21% Positiveness
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Exoteric Resistance
141 bpm • C# Maj • 03:31 • -20.3db
10% Popularity • 44% Danceability • 15% Energy • 32% Liveness
78% Instrumentalness • 21% Positiveness
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Andrea
Backdrops
154 bpm • E min • 04:11 • -8.48db
8% Popularity • 44% Danceability • 97% Energy • 16% Liveness
88% Instrumentalness • 44% Positiveness
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Demdike Stare
Animal Style
140 bpm • C# Maj • 07:09 • -10.22db
13% Popularity • 72% Danceability • 49% Energy • 10% Liveness
64% Instrumentalness • 48% Positiveness
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upsammy
Each so Deep
141 bpm • G# Maj • 05:06 • -8.94db
8% Popularity • 77% Danceability • 79% Energy • 10% Liveness
90% Instrumentalness • 18% Positiveness
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Sky H1
Night/Fall/Dream
140 bpm • F Maj • 03:58 • -10.96db
12% Popularity • 59% Danceability • 44% Energy • 10% Liveness
83% Instrumentalness • 4% Positiveness
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Forest Drive West
Cut and Run
154 bpm • E min • 05:58 • -13.4db
10% Popularity • 61% Danceability • 88% Energy • 5% Liveness
93% Instrumentalness • 7% Positiveness
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Oli XL
Stress Junkie
140 bpm • C# Maj • 04:21 • -8.02db
10% Popularity • 81% Danceability • 71% Energy • 21% Liveness
13% Instrumentalness • 41% Positiveness
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Varg²™
Rush/Tinder
140 bpm • C# Maj • 06:03 • -11.09db
12% Popularity • 59% Danceability • 69% Energy • 11% Liveness
82% Instrumentalness • 5% Positiveness
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Karenn
Peel Me Easy
140 bpm • G Maj • 06:02 • -12.19db
15% Popularity • 90% Danceability • 78% Energy • 11% Liveness
84% Instrumentalness • 58% Positiveness
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Drew McDowall
Dreaming Is Nursed In Darkness
140 bpm • F# min • 04:09 • -16db
9% Popularity • 34% Danceability • 38% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
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Shackleton
You Bring Me Down
140 bpm • F# min • 07:23 • -14db
8% Popularity • 75% Danceability • 59% Energy • 9% Liveness
76% Instrumentalness • 44% Positiveness
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Sd Laika
I Don't
140 bpm • C# min • 02:59 • -8.52db
14% Popularity • 73% Danceability • 80% Energy • 17% Liveness
58% Instrumentalness • 13% Positiveness
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SW.
Untitled D3
140 bpm • E Maj • 03:53 • -12.82db
18% Popularity • 64% Danceability • 71% Energy • 16% Liveness
90% Instrumentalness • 43% Positiveness
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Toxe
Anim
140 bpm • C Maj • 04:04 • -2.37db
9% Popularity • 72% Danceability • 96% Energy • 36% Liveness
85% Instrumentalness • 50% Positiveness
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mu tate
Ish
140 bpm • A# Maj • 05:35 • -18.56db
12% Popularity • 43% Danceability • 59% Energy • 6% Liveness
93% Instrumentalness • 6% Positiveness
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Air Max '97
Ice Bridge
140 bpm • D Maj • 04:55 • -9.33db
16% Popularity • 79% Danceability • 83% Energy • 10% Liveness
83% Instrumentalness • 32% Positiveness
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Giant Swan
Pan Head
140 bpm • C# Maj • 03:34 • -7.68db
14% Popularity • 69% Danceability • 92% Energy • 14% Liveness
13% Instrumentalness • 54% Positiveness
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Sd Laika
Meshes
140 bpm • C# Maj • 02:41 • -6.16db
19% Popularity • 83% Danceability • 54% Energy • 8% Liveness
90% Instrumentalness • 26% Positiveness
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Sky H1
Air
140 bpm • C Maj • 04:02 • -8.49db
14% Popularity • 57% Danceability • 78% Energy • 6% Liveness
94% Instrumentalness • 6% Positiveness
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Simo Cell
Caged in Aly's Body
140 bpm • C# Maj • 04:34 • -8.08db
12% Popularity • 63% Danceability • 86% Energy • 14% Liveness
77% Instrumentalness • 13% Positiveness
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Drexciya
Species of the Pod
140 bpm • A# min • 03:55 • -11.23db
27% Popularity • 79% Danceability • 61% Energy • 16% Liveness
92% Instrumentalness • 33% Positiveness
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Loraine James
Commercial Drum Break
140 bpm • C# min • 01:41 • -8.94db
25% Popularity • 70% Danceability • 68% Energy • 7% Liveness
91% Instrumentalness • 82% Positiveness
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Hiro Kone
Reciprocal capture
140 bpm • C# Maj • 05:40 • -10.15db
8% Popularity • 35% Danceability • 89% Energy • 26% Liveness
84% Instrumentalness • 27% Positiveness
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Mira Calix
Skin With Me
140 bpm • C# Maj • 03:31 • -10db
11% Popularity • 70% Danceability • 88% Energy • 21% Liveness
78% Instrumentalness • 15% Positiveness
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Sky H1
Land
140 bpm • A min • 03:45 • -10.89db
10% Popularity • 51% Danceability • 56% Energy • 16% Liveness
59% Instrumentalness • 22% Positiveness
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Lorenzo Senni
XAllegroX
140 bpm • E min • 05:01 • -7.49db
8% Popularity • 51% Danceability • 91% Energy • 5% Liveness
83% Instrumentalness • 84% Positiveness
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Drexciya
Intro: Temple of Dos De Agua
140 bpm • A min • 01:02 • -14.69db
23% Popularity • 34% Danceability • 32% Energy • 8% Liveness
96% Instrumentalness • 18% Positiveness
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Lanark Artefax
Meszthread
155 bpm • C# Maj • 04:46 • -6.78db
21% Popularity • 69% Danceability • 97% Energy • 13% Liveness
83% Instrumentalness • 22% Positiveness
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Ike
Petale
155 bpm • B min • 04:24 • -10.6db
15% Popularity • 68% Danceability • 62% Energy • 6% Liveness
82% Instrumentalness • 6% Positiveness
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Quirke
Sample Devon
155 bpm • C# Maj • 05:32 • -11db
11% Popularity • 51% Danceability • 88% Energy • 10% Liveness
87% Instrumentalness • 14% Positiveness
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Topdown Dialectic
A2
139 bpm • C# Maj • 05:00 • -15.82db
11% Popularity • 62% Danceability • 49% Energy • 13% Liveness
85% Instrumentalness • 4% Positiveness
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Basic Channel
Lyot Remix - Edit
139 bpm • F# min • 06:28 • -28db
18% Popularity • 34% Danceability • 19% Energy • 18% Liveness
92% Instrumentalness • 71% Positiveness
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Drexciya
Mission to Ociya Syndor and Back
139 bpm • C# Maj • 05:13 • -15.6db
9% Popularity • 50% Danceability • 40% Energy • 11% Liveness
92% Instrumentalness • 11% Positiveness
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Bjarki
Blessuð Börnin
156 bpm • A min • 02:54 • -14.58db
10% Popularity • 63% Danceability • 25% Energy • 12% Liveness
87% Instrumentalness • 12% Positiveness
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Floating Points
Karakul
138 bpm • C Maj • 01:54 • -18.72db
40% Popularity • 43% Danceability • 13% Energy • 15% Liveness
74% Instrumentalness • 4% Positiveness
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Shed
The Bot
138 bpm • A Maj • 06:23 • -17db
8% Popularity • 61% Danceability • 3% Energy • 10% Liveness
83% Instrumentalness • 19% Positiveness
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Verraco
NRG Remains
138 bpm • F# Maj • 02:56 • -9.3db
12% Popularity • 65% Danceability • 79% Energy • 35% Liveness
51% Instrumentalness • 19% Positiveness
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Barker
Posmean
138 bpm • A min • 03:54 • -13.12db
29% Popularity • 76% Danceability • 70% Energy • 13% Liveness
76% Instrumentalness • 56% Positiveness
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patten
Sixth seven
138 bpm • D Maj • 04:12 • -13.34db
11% Popularity • 48% Danceability • 92% Energy • 7% Liveness
90% Instrumentalness • 35% Positiveness
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Cleyra
Shafted
157 bpm • A# min • 05:18 • -13.37db
8% Popularity • 65% Danceability • 74% Energy • 15% Liveness
85% Instrumentalness • 46% Positiveness
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Topdown Dialectic
A3
138 bpm • F min • 05:00 • -16db
8% Popularity • 65% Danceability • 67% Energy • 9% Liveness
92% Instrumentalness • 72% Positiveness
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Basic Channel
Radiance II
138 bpm • D# Maj • 03:59 • -15.67db
27% Popularity • 41% Danceability • 52% Energy • 23% Liveness
98% Instrumentalness • 8% Positiveness
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Autechre
gonk tuf hi
157 bpm • B min • 07:52 • -11.06db
9% Popularity • 84% Danceability • 75% Energy • 7% Liveness
35% Instrumentalness • 57% Positiveness
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Aphex Twin
abundance10edit[2 R8's, FZ20m & a 909]
137 bpm • C# Maj • 06:20 • -11.3db
27% Popularity • 75% Danceability • 65% Energy • 20% Liveness
88% Instrumentalness • 24% Positiveness
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Barker
Wireheading
137 bpm • G# min • 02:19 • -27.1db
33% Popularity • 28% Danceability • 6% Energy • 11% Liveness
92% Instrumentalness • 24% Positiveness
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Vladislav Delay
Nesso
137 bpm • D# Maj • 03:11 • -17.08db
10% Popularity • 29% Danceability • 65% Energy • 19% Liveness
49% Instrumentalness • 35% Positiveness
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Croatian Amor
Prose
158 bpm • C# Maj • 03:22 • -8.95db
10% Popularity • 40% Danceability • 82% Energy • 16% Liveness
71% Instrumentalness • 20% Positiveness
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Basic Channel
Radiance III - Edit
138 bpm • D# Maj • 03:47 • -24db
17% Popularity • 39% Danceability • 20% Energy • 35% Liveness
96% Instrumentalness • 12% Positiveness
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Rezzett
Wet Bilge
137 bpm • G Maj • 04:29 • -11.75db
21% Popularity • 64% Danceability • 54% Energy • 11% Liveness
83% Instrumentalness • 25% Positiveness
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Christoph De Babalon
Dead (Too)
137 bpm • B min • 06:10 • -8.13db
17% Popularity • 54% Danceability • 98% Energy • 8% Liveness
89% Instrumentalness • 52% Positiveness
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Autechre
dummy casual pt2
158 bpm • C# Maj • 05:15 • -10.09db
8% Popularity • 82% Danceability • 88% Energy • 28% Liveness
10% Instrumentalness • 39% Positiveness
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Actress
THERE’S AN ANGEL IN THE SHOWER
136 bpm • A# min • 07:33 • -16.78db
10% Popularity • 60% Danceability • 48% Energy • 19% Liveness
58% Instrumentalness • 27% Positiveness
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Slikback
Bantu Zen
136 bpm • C# Maj • 02:50 • -9db
12% Popularity • 84% Danceability • 95% Energy • 20% Liveness
92% Instrumentalness • 46% Positiveness
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Barker
Cascade Effect
136 bpm • C Maj • 06:57 • -11.42db
20% Popularity • 42% Danceability • 80% Energy • 8% Liveness
73% Instrumentalness • 21% Positiveness
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Laurel Halo
Tru
136 bpm • G min • 04:36 • -9db
22% Popularity • 70% Danceability • 87% Energy • 28% Liveness
66% Instrumentalness • 20% Positiveness
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Minor Science
Polyglottal
136 bpm • C# min • 03:50 • -11.32db
10% Popularity • 64% Danceability • 77% Energy • 21% Liveness
83% Instrumentalness • 68% Positiveness
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EOD
Dagon
159 bpm • F min • 03:38 • -4.48db
8% Popularity • 65% Danceability • 94% Energy • 11% Liveness
79% Instrumentalness • 11% Positiveness
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Hyphen To Splice